| Content | The Rupert Neve Designs Portico II Master Bus Processor lets you enhance, reshape, and polish your sound to perfection. Whether you want to add finishing touches to your master bus, level out a stereo group, or add new life to mono sound sources, the Portico II Master Bus Processor gives you the compression, limiting, and stereo field manipulation you need. Featuring custom input and output transformers designed by Rupert Neve, the Portico II Master Bus Processor implements the same ultra-smooth Class A signal processing made famous by the 5088 console and the Portico II Channel, as well as 72V topology, which gives it enormous headroom while allowing it to integrate seamlessly with virtually any system. If you’re serious about your sound, then it’s time to ask your Sales Engineer about the Rupert Neve Designs Portico II Master Bus Processor!
Powerful and flexible compression
Both channels of the Portico II Master Bus Processor feature one of Rupert Neve Designs’ most versatile compressors to date. Whether you want to add punch to your mix or smooth out your vocal subgroup, the Portico II Master Bus Processor has the compression you need. Controls for ratio, threshold, attack, release, blend, sidechain highpass filter, limiting, and makeup gain let you dial in the perfect dynamics quickly and easily. Use the two compressors independently, or instantly link them with the push of a button. Variable Silk Red/Blue Texture controls let you add classic Neve harmonic warmth; while a blend control lets you dial in the dry signal for instant parallel processing, so you can get all of the compression you want without losing transients. In addition, the Portico II Master Bus Processor gives you a choice of either vintage-flavored feed-back or modern-sounding feed-forward compression modes.
Transparent, musical limiter that’s effortless to use
Often overlooked at first glance, the Portico II Master Bus Processor’s 1-knob limiter is a powerful, flexible, and remarkably easy-to-use tool that lets you get the most out of the Portico II Master Bus Processor’s compression section. Rupert Neve Designs’ Adaptive Release Technology gives this limiter its unique ability to grab onto fast transients, without smothering the rest of the signal. Plus, you have the option to blend compressed and dry signals together for parallel processing that maintains natural-sounding dynamics without clipping. This gracious behavior means you can set it and forget it, with the added security of knowing your masters will be free from clipping and broadcast-ready.
Sidechain inserts for creative ducking
Every dynamics processor has a sidechain circuit that examines the signal and determines how much the VCA will reduce gain — but not every unit provides access to its sidechain. In compressors without a separate sidechain input, your main input signal is, essentially, compressing itself. With compressors like the one in the RND Portico II Master Bus Processor, you can insert external processing on the sidechain — or introduce a different signal that determines the compression action on the main signal. It’s an incredibly useful feature that lets you, for instance, automatically duck a track to make space for another (very popular for that EDM mix pumping effect). Combined with the sidechain HP filter, it gives you an impressive amount of tonal versatility.
Amazing Stereo Field Editor
Although the Rupert Neve Designs Portico II Master Bus Processor functions wonderfully as a dual-mono processor, it really shines in stereo mode. That’s thanks to its unique Stereo Field Editor. The Stereo Field Editor uses advanced Mid/Side stereo manipulation techniques, allowing you to adjust your stereo bus’s width, depth, and ambience. Beyond widening your stereo image, the Portico II Master Bus Processor can actually bring center-panned instruments out in your mix. That makes the Portico II Master Bus Processor an invaluable tool for mastering, as well as defining the spread of your subgroups during mixdown.
The legend continues
Rupert Neve’s 80 Series consoles had a huge, punchy, and authoritative sound that defined the sound of ’70s rock. From London to New York to Los Angeles and beyond, top studios were installing Neve boards as fast as they could. By 1977, with the introduction of the NECAM automation system, 80 Series boards were the main component of the success formula for any recording studio with world-class aspirations. Mr. Neve’s current company, Rupert Neve Designs, continues to advance the state of the art with cutting-edge products that sound incredible and intelligently address the challenges of the digital age. With your Rupert Neve Designs Portico II Master Bus Processor from Sweetwater, the legend continues.
Rupert Neve Designs Portico II Master Bus Processor Features:
- Powerful 2-channel compressor/limiter/stereo field manipulator
- Custom input and output transformers designed by Rupert Neve
- Full compression sections for both channels, including attack, release, ratio, and threshold controls
- Sidechain inserts and highpass filters for both compressors
- Feed-back/Feed-forward switch lets you select between vintage-style and modern compression modes
- Silk Texture control with Red/Blue modes for classic Neve harmonic warmth
- Blend controls allow you to mix dry signal back into your compression, preserving transients while adding punch
- Simple and highly musical 1-knob limiter with Adaptive Release Technology allows for brickwall limiting that doesn’t distort or affect signal under the threshold
- Stereo Field Editor section includes independent level and EQ for width and depth, allowing you to dial in the perfect stereo field
| Packed with ultra-fast, rock-solid performance, the Behringer S32 32-channel digital snake system bridges the gap between your band, your FOH engineer, and your audience. With the S32, you get 32 remote-controllable Midas-designed preamps and 16 analog, servo-balanced XLR returns at the stage end, and it's all piped through a single, convenient Cat 5e cable, thanks to integrated SuperMac technology from Klark Teknik. In other words: no more bulky analog snake! So step up to the digital age — order your Behringer S32 32-channel digital snake system from Sweetwater today!
AES50 networking capability provides compatibility with many digital mixers
When Behringer first developed their S32 digital snake system, they intended it to go hand-in-hand with their powerful X32 digital mixing system. But limiting such a convenient and affordable digital snake to the X32 alone would have been a shame, which is why Behringer designed it around the strict guidelines established by Klark Teknik. The result is an affordable digital snake that's completely compatible with any digital console that sports an AES50 digital Ethernet connection. So if you're running a Midas or Behringer digital mixing board, if it's got an AES50 Ethernet port on it, if you've got an S32 digital snake, you're never more than a single connection away from your stage box.
Remote-controllable preamps make setup fast, easy, and painless
Even if you try to get a jog in every day, no one likes having to run up to the stage every time you have to make an adjustment to your stage box. Thanks to the Behringer S32 digital snake system's remote-controllable preamp design, those back-and-forth cross-venue dashes are a thing of the past. Using the Klark Teknik SuperMAC protocol, your S32 will show up in your digital mixer's OS, giving you the control you need over your pres, right from the front of house position. And by the way, these preamps are the exact same high-quality Midas-designed preamps found in the X32 console, so you know you're getting quality sound with low noise and tons of headroom.
Total integration with Behringer's P-16 personal monitoring system
Streamlined, affordable, and super-easy-to-use, everyone's raving about Behringer's Powerplay P16 personal monitoring systems. When you add a Behringer S32 digital snake system to your PA rig, you're not just getting a great set of remote-controllable preamps and ditching tons of bulky cable, you're ready to add an advanced personal monitoring system directly inline with the rig you already have. That's because your S32 digital snake comes equipped with Ultranet connectivity, which provides your Powerplay P16-M monitor controllers with a digital split straight from the stage box.
Behringer S32 32-channel Digital Snake System Features:
- Simple, flexible, and affordable digital snake system that works with any AES50 network-ready digital console
- 32 x fully programmable and remote-controllable Midas-designed mic preamps give you exceptional sound, right from the stage
- 16 x analog, servo-balanced XLR outputs let you send complete monitor mixes to the stage
- AES50 network ports featuring Klark Teknik SuperMac technology, providing you with ultra-low latency digital audio that's in-ear compatible
- Up to 328' of networking capability via a single lightweight CAT-5e cable (not included)
- Dual AES50 ports let you cascade multiple S32 units, without a merger or a router
- Precise LED metering plus 7-segment displays let you keep a close eye on your levels
- Ultranet connectivity for Behringer's Powerplay P16 Personal Monitoring System is perfect for In-ear applications
- Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
- MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
- USB connector for system updates via PC
- Planet Earth switching power supply for maximum flexibility, noise-free audio, superior transient response plus low power consumption for energy saving
- Durable yet compact, all-steel 3U rack-mount chassis provides flexible mounting
| MARANTZ NR1200 STEREO RECEIVER
2ch Slim Stereo Streaming Receiver with HEOS Built-in
Indulge in high-resolution sonic perfection with the Marantz NR1200 two-channel slim stereo receiver that powers detailed, high-fidelity audio from a compact chassis. At half the height of a traditional receiver, the NR1200 drives impeccable sound for your movies, shows, hi-fi audio and more. The NR1200 supports the latest HDMI connectivity with its 5 inputs, each one supporting HDCP 2.3, 4K Ultra HD 60Hz video, HLG and more. Stream music from leading music services and control the NR1200 with voice control compatibility via Amazon Alexa, Google Assistant, and Apple Siri.
Features
- Slim profile that’s half the height of a traditional AV receiver: Delivers exceptional performance and sound quality
- Power to suit your audio preferences: Two-channel discrete power amplifier with separate L/R power amp circuit and power transformer with 75 W per channel (8-ohm, 20 Hz – 20 kHz, 0.08% THD)
- Hi-Fi construction and performance: Engineered with dedicated Hi-Fi parts for two-channel Hi-Fi performance, including custom-designed power capacitors, sound parts exquisitely tuned by sound masters and dual DAC circuit design
- Versatile HDMI ARC connectivity: 5 HDMI inputs with full HDCP 2.3 support plus one HDMI out with ARC support for single cable connection with your television
- Flexibility for all configurations: Speaker A/B, tone control to tune the sound to your exact specifications and dedicated dual subwoofer output for evenly dispersed bass, and no audible peaks or dips
- AM / FM tuner: Hear all of your favorite radio stations with exquisite detail
- Play vinyl with exceptional clarity: Integrated phono input that easily connects to your turntable
- Drive an exceptional gaming experience: Auto Low Latency Mode (ALLM) ensures Xbox One users have a more responsive and immersive gaming experience when connected with select TV models that also support ALLM
- Smart TV connectivity: Control the NR1200 with your TV remote, and HDMI-CEC support for seamless pass-through of the latest picture and audio coding from your TV to the stereo receiver
- High-performance, high-resolution audio playback: Ability to decode high-resolution audio ALAC, FLAC and WAV lossless files up to 24-bit/192-kHz — plus, DSD 2.8MHz and 5.6MHz tracks for high-resolution listening
- HEOS Built-in: Enjoy more flexible music streaming in one room or many
- Stream your favorite music from popular services: Play music on Spotify, Pandora, TuneIn, Deezer and many others via Bluetooth, AirPlay 2 or the HEOS Built-in app
- Integrate with your home-network: Built-in Wi-Fi with 2.4GHz/5GHz dual band support (dual antenna)
- Speak your commands: Supports all major voice control agents and streaming services for seamless control
Specifications
NETWORK
- HEOS multiroom and streaming, Wi-Fi, Bluetooth, AirPlay 2
- FLAC / ALAC / WAV up to 192/24
- DSD up to DSD5.6
- TuneIn internet radio
- Spotify Connect, Deezer, Tidal, Napster, Pandora, Sirius XM
HDMI
No. of inputs: 5
No. of outputs: 1
Supported formats / features:
- 4K 60 Hz 4:4:4, HDCP 2.3
- Enhanced ARC
- HDR / HLG
- 3D signal pass-through
- HDMI pass-through in stand-by
OTHER INPUTS AND OUTPUTS
Audio
Analog in: 3
Phono (MM): 1
Digital in (optical / coax): 1 / 1
USB (iPhone, iPod): 1
Multichannel pre-out: 2.2
Subwoofer out: 2
Power output (8 ohm / 6 ohm): 75 W / 100 W
Dimensions (WDH): 17.3" x 14.9" x 4.1"
Weight: 18.1 lb |
The M5si is a sensational integrated amplifier with exceptional power and clarity.
The M5si is a real high end amplifier. At 150wpc, with high current delivery, it will drive virtually any loudspeaker easily.
Internally the M5si is configured as two independent monoblocs with a separate preamp, but all mounted on one pcb. Its technical performance is about equal to the M6si.
The M5si In Brief
- 150wpc
- Excellent technical performance
- Preamp output
- Unconditional stability, will drive any loudspeaker
- Wide range of useful inputs including asynchronous USB and MM phono
- Excellent hunky build quality
Specifications
Power output: 150 W per channel into 8 ohm
Signal to Noise Ratio: >100 dB ‘A’ - weighted
Frequency Response: +0, –0.1 dB, 10 Hz to 20 kHz
Inputs: 4x Line Level RCA, 1x USB type ‘B’ connector - asynchronous data stream at up to 24-bit/96kHz, 1 x MM phono input, Trigger in
Phono
Sensitivity: 3 mV nominal (MM)
Signal / noise ratio: >70 dB ‘A’-weighted
Input impedance: 50 k ohm (MM)
Frequency response: RIAA/IEC ±0.5 dB 20 Hz-20 kHz
Outputs: Trigger out, Fixed, line level output, Variable, preamp output
Dimensions - WxHxD (mm): 440 x 100 x 405
Weight (unpacked / packed): 14.6 kg/ 18.8 kg
| The M3si integrated amplifier produces high quality sound, has an extensive range of useful inputs and offers high reliability, compact size and a fair price. With its strong 85 watts per channel, the M3si will drive a huge variety of appropriate loudspeakers. It has inputs for phono (MM), 4 line inputs and USB ‘B’ up to 24bit 96 kHz.
The M3si’s sound is effortless, clear and sweet. It projects wide and deep images and has plenty of power to deliver excellent dynamic range.
The M3si is unconditionally stable and will drive any appropriate loudspeaker with ease.
Although it is Musical Fidelity’s lowest price amplifier, it embodies our hallmark values of uncoloured, stress-free sound, outstanding technical performance and great value for money.
M3si In Brief
- 85WPC
- Excellent technical performance
- Preamp output
- Unconditional stability, will drive any loudspeaker
- Wide range of useful inputs
- including asynchronous USB and MM phono
- Excellent build quality and convenient size
Specifications
Power output: 85 W per channel into 8 ohm
THD(+ noise): <0.014 % typical, 20 Hz to 20 kHz
Signal to Noise Ratio: >98 dB ‘A’-weighted
Frequency Response: +0, –0.1 dB, 10 Hz to 20 kHz
Inputs: 4x Line Level RCA / Phono, 1x USB type ‘B’ connector - Asynchronous data stream at up to 24-bit/96kHz, 1x MM Phono input
Phono
Sensitivity (nominal): 3 mV (suitable for cartridges giving 1.5mV or more including high output MC types)
Signal / noise ratio: >70 dB ‘A’-weighted
Input impedance: 50 k ohm
Frequency response: RIAA/IEC ±1 dB, 20 Hz to 20 kHz
Dimensions - WxHxD (mm): 440 x 100 x 400
Weight (unpacked / packed): 9.2 kg/ 13 kg | The Shelford Channel is built around Rupert Neve’s first new transformer-gain, class-A microphone preamplifier in over 40 years, a “best-of-the-classics” inductor EQ section, a tone-packed diode bridge compressor, the power of variable Silk saturation, a new dual-tap transformer output stage, and twice the operating voltage of vintage designs.
The Input Stage and Transformer Gain Mic Pre
Like Rupert’s designs from his time in Little Shelford , the Shelford Channel’s preamplifier uses a directly-coupled transformer input with gain provided by the custom transformer itself – a first in over 40 years for Rupert Neve. This new custom-designed input transformer, along with its careful integration with the surrounding class-A circuitry, is critical to the Channel’s bold and instantly recognizable character.
Conveniently, the Direct Input uses the same topology as the best-selling RNDI Active Transformer Direct Interface, providing astonishing clarity for high-Z instrument signals, with unparalleled low-frequency response and an incredibly smooth high end.
What is Silk?
The Silk & Texture circuit on the Shelford Channel allows you to fine-tune the amount (and type) of harmonic content in the output stage. This means your signal can be adjusted from quite transparent to settings that produce nearly 10x the amount of sonic color as Rupert’s vintage modules – and in two very unique modes. No matter what sound you’re looking for, Silk can help get you there.
The Dual Tap Transformer Output
Complementing the Silk circuit is the custom-designed output transformer, which uses Rupert Neve Designs’ unique dual-tap output topology. This offers both full-headroom (+26dBu) and -6dB outputs, allowing the engineer to drive the unit fully into classic transformer saturation without clipping converters and other devices later in the chain.
The “Best-Of” EQ
The Shelford Channel’s 3-band, custom-tapped inductor EQ was inspired by our favorite elements of Rupert’s vintage EQ designs. The low frequency band is designed to produce a creamy, resonant bass response similar to a vintage 1064 – but unlike the vintage modules, the LF band on the Shelford Channel can be used as either a shelf or a peak filter, adding punch, dimension, and control to your low end.
The midrange band is based on that of the 1073, ideal for sweetening vocals and instruments while bringing them forward in a mix, and its proportional “Q” response makes it well-suited for minimizing problematic frequencies. The high frequency band is a hybrid vintage / modern design, blending inductor circuitry with capacitor-based topologies to achieve vintage tones with enhanced control, with the shelf / peak corner switchable between 8K or 16K.
The Diode Bridge Compressor
Like the Inductor EQ and Transformer Gain microphone preamp, the Diode Bridge Compressor in the Shelford Channel is based on the same topologies found in Rupert’s vintage designs – but refined & adapted for the modern engineer.
What is diode bridge compression? Where the VCA compressor found in the Master Buss Processor provides unmatched clarity, the weighty, harmonically rich tonality of diode bridge compression can be essential in pushing key sources like vocals, electric guitars, bass and drums to the forefront of a mix.
By understanding the limitations of vintage units like the legendary 2254, painstaking effort was taken to reproduce the unique tone of these classics while improving the noise floor & accuracy, expanding inflexible time constants, adding full wave sidechain detection for improved dynamic response, and widening the range of threshold and ratio controls.
Delivering the powerful sound of these iconic designs with enhanced flexibility for the modern age, the Shelford’s diode bridge compressor is a dynamic tool equipped to make a statement on virtually any mix or track.
MIC PREAMP
INPUT IMPEDANCE
2200 Ohm
MAXIMUM INPUT
- +21.5 dBu from 150 Hz to 22 kHz
- +8 dBu 20 Hz to 22 kHz
NOISE
- Un-weighted, 22 Hz-22 kHz, source impedance 150 Ohm balanced.
- Main Out @ unity gain -100.9 dBu
- -6 dB Out @ unity gain -106.6 dBu
- +30 dB gain (Main Out) -91.37 dBu
- +66 dB Gain (Main Out) -64.1 dBu
- Equivalent Input Noise -121.37 dBu
FREQUENCY RESPONSE
+/-0.25 dB from 17 Hz to 45 kHz
DIRECT INPUT
MAXIMUM INPUT
8 dBu @ 20 Hz to 120 kHz
NOISE (MAIN OUTPUT)
-100 dBu (22 Hz to 22 kHz)
LINE INPUT
MAXIMUM INPUT LEVEL
+30.5 dBu 20 Hz to 30 kHz
TOTAL HARMONIC DISTORTION AND NOISE
- @ 1 kHz, +20 dBu output level, no load: Better than 0.002%
- @ 20 Hz, +20 dBu output level, no load: 0.05% Typical (2nd and 3rd harmonic)
NOISE (MAIN OUTPUT)
Un-weighted, 22 Hz - 22 kHz, source impedance 40 Ohm balanced, no load.
-101.1 dBu
FREQUENCY RESPONSE
+/- 0.25 dBu from less than 10 Hz to 110 kHz
-0.32 dB @ 120 kHz
MAXIMUM OUTPUT LEVEL
+26 dBu @ 16 Hz to 20 kHz
TOTAL HARMONIC DISTORTION AND NOISE WITH SILK ENGAGED
RED
- MIN TEXTURE @ 100 Hz, +20 dBu input level, no load: 0.0131%, mostly 3rd harmonic (typical)
- MAX TEXTURE @ 100 Hz, +20 dBu input level, no load: 1.66%, mostly 2rd harmonic (typical)
BLUE
- MIN TEXTURE @ 100Hz, +20 dBu input level, no load: 0.0079%, mostly 3rd harmonic (typical)
- MAX TEXTURE @ 100Hz, +20 dBu input level, no load: 0.941%, mostly 2rd harmonic (typical)
HIGH PASS FILTER
- Continuously variable swept frequency from 20 Hz to 250 Hz.
- Slope: 12 dB/Octave
EQ NOISE
Un-weighted, 22 Hz-22 kHz: -92 dBu
SIGNAL PRESENT
Illuminates GREEN when input stage signal level reaches -20 dBu
OVERLOAD INDICATOR
Illuminates RED when input stage signal level reaches -23 dBu
DIODE BRIDGE COMPRESSOR
- NOISE (BW 22 Hz – 22 kHz)
- 0 dB Makeup Gain: -84.5 dBu
- +20 dB Makeup Gain: -64.2 dBu
TIME CONSTANTS
- Measurements taken represent full range achievable between 1.5:1 Ratio and 8:1 Ratio setting.
- 0 dBu I/P 1kHz Burst Tone used for all recorded measurements.
- Fast (TC1): Attack 180µS — 1.8mS // Release 100mS – 150mS
- MedFast (TC2): Attack 750µS – 5.25mS // Release 160mS – 250mS
- Med (TC3): 2.7mS – 18mS // Release 350mS – 525mS
- MedSlow (TC4): 4.6mS – 38mS // Release 600mS – 1 S
- Slow (TC5): 11mS – 72.5mS // Release 800mS – 1.25 S
- Auto (TC6): 5.75mS – 35.5mS // Release T1 400mS – 850mS, T2 TBD
- “Fast” Mode Multiplier: Modifies aforementioned TC’s by 70% of original value
PRODUCT DIMENSIONS
19” (48.3 cm) x 10.5” (26.7 cm) x 1.75” (4.4 cm) |
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