| Content | Packed with ultra-fast, rock-solid performance, the Behringer S32 32-channel digital snake system bridges the gap between your band, your FOH engineer, and your audience. With the S32, you get 32 remote-controllable Midas-designed preamps and 16 analog, servo-balanced XLR returns at the stage end, and it's all piped through a single, convenient Cat 5e cable, thanks to integrated SuperMac technology from Klark Teknik. In other words: no more bulky analog snake! So step up to the digital age — order your Behringer S32 32-channel digital snake system from Sweetwater today!
AES50 networking capability provides compatibility with many digital mixers
When Behringer first developed their S32 digital snake system, they intended it to go hand-in-hand with their powerful X32 digital mixing system. But limiting such a convenient and affordable digital snake to the X32 alone would have been a shame, which is why Behringer designed it around the strict guidelines established by Klark Teknik. The result is an affordable digital snake that's completely compatible with any digital console that sports an AES50 digital Ethernet connection. So if you're running a Midas or Behringer digital mixing board, if it's got an AES50 Ethernet port on it, if you've got an S32 digital snake, you're never more than a single connection away from your stage box.
Remote-controllable preamps make setup fast, easy, and painless
Even if you try to get a jog in every day, no one likes having to run up to the stage every time you have to make an adjustment to your stage box. Thanks to the Behringer S32 digital snake system's remote-controllable preamp design, those back-and-forth cross-venue dashes are a thing of the past. Using the Klark Teknik SuperMAC protocol, your S32 will show up in your digital mixer's OS, giving you the control you need over your pres, right from the front of house position. And by the way, these preamps are the exact same high-quality Midas-designed preamps found in the X32 console, so you know you're getting quality sound with low noise and tons of headroom.
Total integration with Behringer's P-16 personal monitoring system
Streamlined, affordable, and super-easy-to-use, everyone's raving about Behringer's Powerplay P16 personal monitoring systems. When you add a Behringer S32 digital snake system to your PA rig, you're not just getting a great set of remote-controllable preamps and ditching tons of bulky cable, you're ready to add an advanced personal monitoring system directly inline with the rig you already have. That's because your S32 digital snake comes equipped with Ultranet connectivity, which provides your Powerplay P16-M monitor controllers with a digital split straight from the stage box.
Behringer S32 32-channel Digital Snake System Features:
- Simple, flexible, and affordable digital snake system that works with any AES50 network-ready digital console
- 32 x fully programmable and remote-controllable Midas-designed mic preamps give you exceptional sound, right from the stage
- 16 x analog, servo-balanced XLR outputs let you send complete monitor mixes to the stage
- AES50 network ports featuring Klark Teknik SuperMac technology, providing you with ultra-low latency digital audio that's in-ear compatible
- Up to 328' of networking capability via a single lightweight CAT-5e cable (not included)
- Dual AES50 ports let you cascade multiple S32 units, without a merger or a router
- Precise LED metering plus 7-segment displays let you keep a close eye on your levels
- Ultranet connectivity for Behringer's Powerplay P16 Personal Monitoring System is perfect for In-ear applications
- Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
- MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
- USB connector for system updates via PC
- Planet Earth switching power supply for maximum flexibility, noise-free audio, superior transient response plus low power consumption for energy saving
- Durable yet compact, all-steel 3U rack-mount chassis provides flexible mounting
| NAD C 388 INTEGRATED AMPLIFIER
A prime example of what we stand for here at NAD, the C 388 Hybrid Digital DAC Amplifier is at the top of its class in the world of affordable amplification. An incredibly powerful amp, the C 388 employs NAD technologies like Asymmetrical PowerDrive™ to ensure that even the most demanding speakers can be driven to life-like listening levels without dynamic compression. Thanks to its advanced preamplifier circuit, the C 388 gives low noise at all volume settings, ensuring that you’ll be able to listen to your music without any distractions. Another technology that’s available to the C 388 is the BluOS™ module, a music management system that can stream your music library wirelessly across your home Wi-Fi network. You can also instantly connect to the C 388 with Bluetooth® giving you access to various streaming services. With the ability to accommodate a variety of sources both past and present, the C 388 is a remarkably flexible product that will become a core addition to your home audio system.
NAD'S NEW CLASSIC AMPLIFIERS. INTELLIGENT. POWERFUL. EFFICIENT.
Introducing the NAD C388
Expansive Power with Unprecedented Flexibility.
The C 388 ties together all the critical elements of a top performing music system; music sources past, present, and future, in addition to providing a nearly unrestricted reservoir of power that allows your speakers to reveal every nuance of musical detail. This advanced amplifier includes many cutting edge technological breakthroughs developed by NAD over decades of creating affordable ultra-high performance audio components.
Getting the Basics Right
It is surprising how many seemingly advanced products in the market today often miss many of the most basic requirements for satisfying performance. Low noise circuits, precise volume control action, accurate channel balance, proper input and output impedance characteristics, high overload margins and stability with difficult speaker loads.
NAD starts by getting these things precisely right and advances from there. We include an MM Phono stage with precisely accurate RIAA equalization, high overload margins, extremely low noise, and an innovative circuit to suppress infrasonic noise that is present on all LPs – all without affecting bass response. Our line inputs can accommodate all kinds of analogue source components by offering ideal input impedance characteristics with linear ultra-low-noise buffer amplifiers to prevent any sonic degradation caused by inappropriate loading of the source device. We include a separate headphone amplifier with low output impedance and very high output voltage capability – enough to drive even high impedance studio monitor headphones. Low impedance line outputs that can connect to other amplifiers or subwoofers extend the versatility of this well thought out amplifier. These are all details you can hear.
Future-Proof Modular Design
This NAD exclusive feature allows you to customize your NAD amplifier with additional capabilities and features, now or in the future. The two available MDC slots can accommodate a variety of upgrade modules including 4K video capable HDMI switching, additional Digital Inputs, additional Analogue and Phono Inputs, and one of the most advanced Hi-Res Audio multi-room wireless systems available, the BluOS™ music management system developed by Bluesound. BluOS connects to your network and is controlled via smartphone, tablet, or desktop device to manage your music collection and connect to a growing list of high-quality streaming music services.
Connected and Smart
You can connect instantly to the C 388 with Bluetooth® allowing you to stream music wirelessly from any Bluetooth-enabled device. The high performance aptX® codec is fully supported for true CD-quality sound. Bluetooth can also be used to listen to other sources connected to the C 388 via wireless headphones such as NAD’s own HP70. There is also a control app that allows your smartphone or tablet to control all functions of your C 388. Adding the optional BluOS Module provides access to your local area network via Wi-Fi or wired Ethernet connection and adds Hi-Res Audio streaming. The BluOS Module also makes the C 388 a singlezone streamer in a complete multi-room wireless music system that is fully compatible with BluOS-enabled music systems and wireless speakers. These are available in a variety of sizes and shapes to fit every room and extend the performance of your primary music system to create a warm ambience of sound in your home.
Sophisticated Power
NAD has moved away from the old-fashioned power-hungry linear power supplies and Class AB output stages that waste nearly half of the energy consumed and produce heat rather than sound. Instead, we have developed even better performing circuits based on switch mode power supplies and Class D output stages. Once thought to be inferior to traditional topologies, NAD’s advanced work in this area has created some of the best performing amplifiers regardless of basic design principle. These new designs are very linear over a wide bandwidth and provide consistent performance into all speaker loads, providing a dramatic advance over previous models.
The power supply is capable of 150 watts continuously and over 250 watts instantaneously to allow for short-term musical transients. It can operate with any AC mains voltage from 100 to 240 volts and provides pure DC power to all the various stages of the C 388. This highly efficient supply also provides near perfect regulation of voltage across a wide range of conditions and provides a solid noise-free foundation for the amplifying stages.
The C 388 uses a customized version of the proven Hypex UcD output stage operating in a fully balanced bridge configuration. This allows for massive power with nearly immeasurable distortion and noise in the audible range. Every detail of this design has been carefully planned and perfectly executed to wring out every last drop of performance.
KEY FEATURES
- 150W x 2 Continuous power into 8 or 4 Ohms
- Bluetooth ADP4 with aptX supported
- MM Phono input
- Analogue line inputs
- USB input for support purposes
- SPDIF coax and optical inputs
- Speaker A, Speaker B
- Preamp/Subwoofer out
- Headphone amplifier
- MDC Slots for future upgrades
- IR remote
- Smartphone Control App
- 12V Trigger in/out
- IR in/out
- RS-232 Serial port for control
- Control4, Crestron, RTI, URC, AMX, Savant, Elan certified
OVERALL SPECS
- Continuous output Power into 4 Ω and 8 Ω (Stereo)
- >150W (at rated THD, 20-20kHz, both channels driven)
- IHF Dynamic Power
- 2 Ω 400W
4 Ω 350W
8 Ω 250W
- THD (20Hz-20kHz)
- <0.02% (250mW to 150W, 8Ω and 4Ω)
- Signal/Noise Ratio
- >95dB (A-weighted, 500mV input ref. 1W out in 8 Ω)
< 13dB (IHF; A-weighted, ref. 50W in 8 Ω, max volume)
- Damping Factor
- >150 (ref. 8 Ω, 20Hz and 6.5kHtz)
- Frequency Response
- ±0.03 (20Hz-20kHz)
- Channel Separation
- >75dB (1kHz)
>70dB (10kHz)
GENERAL
- Standby Power
- <0.5W
- Inputs
- Digital: Coax x2, Optical x2
Analogue: Line In x2, Moving Magnet Phono Preamp (0.3mV input sensitivity ref. 200mV pre-out)
- Dimensions (W x H x D)
- 435 x 120 x 390mm (17 1/8 x 4 3/4 x 15 3/8)”
- Net Weight
- 11.2kg (24.7lb)
- Shipping Weight
- 13.6kg (30lb)
| The design of the HDA range draws upon all of Arcam’s experience as one of the UK’s most respected audio companies, to produce Arcam’s best performing range of audio products yet.
The SA10 is a 50 W class A/B amp with an onboard MM phonostage and DAC. Note, there is no streamer, the Ethernet port is for monitoring and amp control only.
Features
- Extremely efficient class A/B amplification
- 50W of power per channel
- 5 analog inputs including phono
- 3 digital inputs
- 32-bit DAC,Sabre ESS9016K2M
- Full I/P control
Specifications
Continuous power output (8 ohm, 4 ohm): 50 W, 85 W
Phono (MM) input
Input sensitivity (1 kHz): 5 mV
Input impedance: 47 kΩ + 100 pF
Line inputs
Input impedance: 10 kΩ
Digital inputs
DAC chip: ESS9016K2M
Supported sample rates (optical, coaxial): 32-96 kHz, 32-192 kHz (16-24 bit)
Bit depth 16-bit – 24-bit
Preamp output
Output impedance: 230 ohm
Headphone output
Max output (into 600 ohm): 5 Vrms
Output impedance: 1 ohm
Load range: 16 - 2,000 ohm
Dimensions (WHD): 17" x 3.4" x 12.2" (433 mm x 87 mm x 310 mm)
Weight: 18.5 lb
Supplied accessories: Power cord, remote control, 2 x AAA batteries | The M3si integrated amplifier produces high quality sound, has an extensive range of useful inputs and offers high reliability, compact size and a fair price. With its strong 85 watts per channel, the M3si will drive a huge variety of appropriate loudspeakers. It has inputs for phono (MM), 4 line inputs and USB ‘B’ up to 24bit 96 kHz.
The M3si’s sound is effortless, clear and sweet. It projects wide and deep images and has plenty of power to deliver excellent dynamic range.
The M3si is unconditionally stable and will drive any appropriate loudspeaker with ease.
Although it is Musical Fidelity’s lowest price amplifier, it embodies our hallmark values of uncoloured, stress-free sound, outstanding technical performance and great value for money.
M3si In Brief
- 85WPC
- Excellent technical performance
- Preamp output
- Unconditional stability, will drive any loudspeaker
- Wide range of useful inputs
- including asynchronous USB and MM phono
- Excellent build quality and convenient size
Specifications
Power output: 85 W per channel into 8 ohm
THD(+ noise): <0.014 % typical, 20 Hz to 20 kHz
Signal to Noise Ratio: >98 dB ‘A’-weighted
Frequency Response: +0, –0.1 dB, 10 Hz to 20 kHz
Inputs: 4x Line Level RCA / Phono, 1x USB type ‘B’ connector - Asynchronous data stream at up to 24-bit/96kHz, 1x MM Phono input
Phono
Sensitivity (nominal): 3 mV (suitable for cartridges giving 1.5mV or more including high output MC types)
Signal / noise ratio: >70 dB ‘A’-weighted
Input impedance: 50 k ohm
Frequency response: RIAA/IEC ±1 dB, 20 Hz to 20 kHz
Dimensions - WxHxD (mm): 440 x 100 x 400
Weight (unpacked / packed): 9.2 kg/ 13 kg |
NAD has a distinct reputation for creating some of the best performing budget amplifiers of all time. The lineage is impressive, all the way from the 3020 of 1978 to the current C 328, with many “Best Amp” awards and five-star reviews along the way. The C 316BEE lived up to expectations, garnering multiple accolades including an EISA award for ‘Best Product 2008-2009’ and top recommendations from the world’s leading audio publications.
With the resurgence of vinyl, NAD decided to update the design by including its highly acclaimed RIAA phono stage. This sophisticated circuit combines low noise with high overload margins to eliminate noise and distortion. RIAA equalization is extremely accurate (a rarity at this price) and there is even an infrasonic filter to reject airborne vibrations that can cause parasitic feedback.
Features
- PowerDrive
- 5 line-level inputs
- MM phono input for vinyl
- Front-panel input for portable media players
- Bass and treble controls
- Tone defeat
- Headphone output
- IR remote control
- Multi-way speaker binding posts
- Gold-plated RCA jacks
- Toroidal power transformer
- <0.5W standby consumption
Specifications
Continuous output power: 40 W
Damping factor: >200
Dimensions: 17-1/8" x 3-9/16" x 11-1/4"
Weight: 12.1 lb
| The Rupert Neve Designs Portico II Master Bus Processor lets you enhance, reshape, and polish your sound to perfection. Whether you want to add finishing touches to your master bus, level out a stereo group, or add new life to mono sound sources, the Portico II Master Bus Processor gives you the compression, limiting, and stereo field manipulation you need. Featuring custom input and output transformers designed by Rupert Neve, the Portico II Master Bus Processor implements the same ultra-smooth Class A signal processing made famous by the 5088 console and the Portico II Channel, as well as 72V topology, which gives it enormous headroom while allowing it to integrate seamlessly with virtually any system. If you’re serious about your sound, then it’s time to ask your Sales Engineer about the Rupert Neve Designs Portico II Master Bus Processor!
Powerful and flexible compression
Both channels of the Portico II Master Bus Processor feature one of Rupert Neve Designs’ most versatile compressors to date. Whether you want to add punch to your mix or smooth out your vocal subgroup, the Portico II Master Bus Processor has the compression you need. Controls for ratio, threshold, attack, release, blend, sidechain highpass filter, limiting, and makeup gain let you dial in the perfect dynamics quickly and easily. Use the two compressors independently, or instantly link them with the push of a button. Variable Silk Red/Blue Texture controls let you add classic Neve harmonic warmth; while a blend control lets you dial in the dry signal for instant parallel processing, so you can get all of the compression you want without losing transients. In addition, the Portico II Master Bus Processor gives you a choice of either vintage-flavored feed-back or modern-sounding feed-forward compression modes.
Transparent, musical limiter that’s effortless to use
Often overlooked at first glance, the Portico II Master Bus Processor’s 1-knob limiter is a powerful, flexible, and remarkably easy-to-use tool that lets you get the most out of the Portico II Master Bus Processor’s compression section. Rupert Neve Designs’ Adaptive Release Technology gives this limiter its unique ability to grab onto fast transients, without smothering the rest of the signal. Plus, you have the option to blend compressed and dry signals together for parallel processing that maintains natural-sounding dynamics without clipping. This gracious behavior means you can set it and forget it, with the added security of knowing your masters will be free from clipping and broadcast-ready.
Sidechain inserts for creative ducking
Every dynamics processor has a sidechain circuit that examines the signal and determines how much the VCA will reduce gain — but not every unit provides access to its sidechain. In compressors without a separate sidechain input, your main input signal is, essentially, compressing itself. With compressors like the one in the RND Portico II Master Bus Processor, you can insert external processing on the sidechain — or introduce a different signal that determines the compression action on the main signal. It’s an incredibly useful feature that lets you, for instance, automatically duck a track to make space for another (very popular for that EDM mix pumping effect). Combined with the sidechain HP filter, it gives you an impressive amount of tonal versatility.
Amazing Stereo Field Editor
Although the Rupert Neve Designs Portico II Master Bus Processor functions wonderfully as a dual-mono processor, it really shines in stereo mode. That’s thanks to its unique Stereo Field Editor. The Stereo Field Editor uses advanced Mid/Side stereo manipulation techniques, allowing you to adjust your stereo bus’s width, depth, and ambience. Beyond widening your stereo image, the Portico II Master Bus Processor can actually bring center-panned instruments out in your mix. That makes the Portico II Master Bus Processor an invaluable tool for mastering, as well as defining the spread of your subgroups during mixdown.
The legend continues
Rupert Neve’s 80 Series consoles had a huge, punchy, and authoritative sound that defined the sound of ’70s rock. From London to New York to Los Angeles and beyond, top studios were installing Neve boards as fast as they could. By 1977, with the introduction of the NECAM automation system, 80 Series boards were the main component of the success formula for any recording studio with world-class aspirations. Mr. Neve’s current company, Rupert Neve Designs, continues to advance the state of the art with cutting-edge products that sound incredible and intelligently address the challenges of the digital age. With your Rupert Neve Designs Portico II Master Bus Processor from Sweetwater, the legend continues.
Rupert Neve Designs Portico II Master Bus Processor Features:
- Powerful 2-channel compressor/limiter/stereo field manipulator
- Custom input and output transformers designed by Rupert Neve
- Full compression sections for both channels, including attack, release, ratio, and threshold controls
- Sidechain inserts and highpass filters for both compressors
- Feed-back/Feed-forward switch lets you select between vintage-style and modern compression modes
- Silk Texture control with Red/Blue modes for classic Neve harmonic warmth
- Blend controls allow you to mix dry signal back into your compression, preserving transients while adding punch
- Simple and highly musical 1-knob limiter with Adaptive Release Technology allows for brickwall limiting that doesn’t distort or affect signal under the threshold
- Stereo Field Editor section includes independent level and EQ for width and depth, allowing you to dial in the perfect stereo field
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