Content | DRM Series Professional Powered Loudspeakers represent decades of innovation in acoustic, DSP, and amplifier design. Combining extensive tuning, premium components, and cutting-edge DSP – DRM Series Loudspeakers deliver the power, clarity, and ease of use you’ve been dreaming of in a system that won’t cost a fortune.
The DRM Series is perfect for mobile DJs, bands, clubs, houses of worship, production/install, and more. Available in multiple point source configurations, line array, plus companion powered subwoofer. When setup time is limited, changes need to happen on the fly, or you just want to get your system going without extra hassle, the last thing you need is the controls on your loudspeakers being difficult.
Mackie DRM212 Features
- High-efficiency 1600W Class-D amplifier offers ample headroom for professional applications
- Universal power supply (100-240 VAC) with Power Factor Correction technology ensures consistent performance even with unstable AC power
- Advanced Impulse DSP module
- Precision crossovers and transducer time alignment deliver reference-quality sound that is consistent throughout the frequency range
- Linear-Phase FIR Filtering drastically reduces inherent anomalies, phase issues, and muddy midrange resulting in crystal-clear sound
- DRM Control Dashboard features a high-contrast, full-color display for easy single-knob access to configuration, processing, and more
- Overview window shows current EQ and voicing mode, high-resolution metering, and more
- Application and venue-specific modes (Live, Monitor, Club, Speech) provide easy-to-use voicing with minimal setup time
- Adjustable 3-band parametric EQ allows for additional customization and tuning
- Alignment Delay control for delay stacks
- Save and recall up to 6 user presets
- Screensaver plus dimmer and contrast control
- System lock with 4-digit passcode
- Dual independent inputs that support mic, line, and instrument signals plus a dedicated 3.5mm stereo aux input
- Premium components and cabinet design
- Unique ported design provides exceptionally smooth yet punchy low-frequency response while providing forced-air cooling directly to the internal amplifier
- 1.4” Titanium diaphragm compression driver
- 12” high-excursion woofer
- Angled cabinet design allows for use as a high-performance floor monitor
- Dual-angle pole-mount provides optimal coverage and minimal reflections in most venues
- Flyable – 8 x M10 fly points for vertical orientation
- Ideal for medium to large size club/band PA systems, houses of worship, DJs, rehearsal spaces, gyms, banquet halls, and more
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Housed within the gorgeous piano-gloss black enclosure are two horizontally-opposed 12" ultra-long-throw active drivers and two vertically-opposed 15" x 13" planar infrasonic radiators. This dual-plane, patented† dynamic inertial-balancing preserves and focuses all the energy produced by the transducers in order to more effectively move the air in the room, rather than wasting energy moving the box. It also enables you to hear all the fine subtle details in your recordings.
GoldenEar's best subwoofer, the new SuperSub™ Series models are ultra-high-performance yet amazingly compact subwoofers that incorporate many recently developed unique and advanced technologies and components. The goal was to create beautifully styled, finely finished, reasonably sized subwoofers that could generate very low-frequency pressure waves of extremely high amplitude, while delivering accurate and precise low-frequency performance that is both highly impactful and extremely musical.
In order to achieve this, the SuperSubs, GoldenEar's best subwoofer series, incorporates a unique, patented* 360 degree dual-plane inertially-balanced driver and sub-bass radiator topology, combined with a very advanced electronics package. With two active drivers separated horizontally in space, as well as two passive radiators separated vertically, the driver-to-room coupling is distributed much more smoothly, for in-room bass performance that can’t typically be achieved with a single subwoofer.
The electronics packages that drive the SuperSubs' fully balanced array are a 1600 watt (XXL) and 1400 watt (X) Class D Digital amplifiers whose design is based on the technology originally developed for the GoldenEar Triton One tower. Features include: Discrete multi-band limiting, phase-perfect equalization, fully balanced and advanced reconstruction filters and a strong focus on keeping latency to an absolute minimum. Input facilities include a direct-coupled, unfiltered LFE input for home theater, or stereo Left/Right low-level inputs with low-pass for two-channel setups. Sonically, the result of all this technology is a rock-solid bass response that is both exceptionally fast and tuneful for music and extraordinarily deep and powerful, in order to effortlessly reproduce the most extreme movie sound effects.
- Two 12" long-throw high-output bass drivers
- Two 15" x 13" quadratic planar infrasonic radiators
- 1600 Watt ForceField digital amplifier
- LFE Line-Level Input: Unfiltered (no low pass), direct-coupled
- Right/Left Line-Level Input: Variable Low-Pass from 40 Hz – 150 Hz
- Fuse Size: 8-amp 250-volt slow blow fuse (110-volt version) / 6.3-amp 250-volt slow blow fuse (240-volt version)
| The Triton Three+ Loudspeaker is a smaller version of the award-winning Triton One and Triton Two+. It includes a built-in powered subwoofer and is engineered for superb performance in both high quality two channel stereo systems as well as in multi-channel home theater and music systems.
Like the Triton Two+, the newly updated Triton Three+ incorporates technologies developed for the Triton One. Its built-in powered subwoofer (a technology first pioneered by GoldenEar principals Sandy Gross and Don Givogue) includes an integral 800 watt GoldenEar ForceField digital/DSP controlled power amp driving an active front-mounted long-throw 5" x 9" quadratic subwoofer driver. This is coupled to two opposing, inertially balanced 6-3/4" x 8" quadratic planar infrasonic passive radiators which are located on the sides, near the floor, in order to take full advantage of boundary coupling. There is one of the same 4.5" high-definition spider-leg, cast-basket MVPP™ drivers as used in the Triton Two+, along with the same GoldenEar signature High-Velocity Folded Ribbon (HVFR™) tweeter. Performance-wise, the Triton Three+ delivers the same boxless three-dimensional imaging as the bigger Tritons. Likewise, the powerful, deep subwoofer bass blends perfectly with the silky smooth, utterly transparent midrange and high frequencies, putting many dramatically more expensive speakers to shame.
- Features a built-in powered subwoofer, and an integral 800 watt GoldenEar ForceField digital/DSP controlled power amp driving an active front-mounted long-throw 5" x 9" quadratic subwoofer driver.
- Also features 4.5" high-definition spider-leg, cast-basket MVPP™ drivers used in the Triton Two+, along with the same GoldenEar signature High-Velocity Folded Ribbon (HVFR™) tweeter.
Driver Complement:
One - 5˝ x 9˝ Long-Throw Quadratic Subwoofer Bass Driver, coupled to:
Two - 6-3/4˝ x 8˝ Quadratic Planar Infrasonic Radiators
One - 4-1/2˝ High-Definition Cast-Basket MVPP™ Upper-Bass/Mid Driver
One - HVFR™ High-Velocity Folded Ribbon Tweeter
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S4 speaker stands are the perfect addition to your desktop speaker setup. With 16 of upward tilt, they ensure you experience the full range of frequencies your speakers have to offer. Each stand features foam padding to reduce vibration when you have the sound cranked up, and includes a mounting hole and 1/4"-20 screw to secure your YU4 or other compatible speakers in place.
- Get the most out of your speakers by tilting them toward your ears, ensuring you never miss out on those higher frequencies.
- Improve stabilization by securing YU4 or other compatible speakers in place with the provided 1/4"-20 screw.
- Foam padding on the top and bottom of each stand helps to maintain stability and reduce undesirable resonance.
Features
Desktop Stands: Pair the Kanto S4 desktop stands with your Kanto YU4 powered desktop speakers or another brand of desktop speakers of similar size and weight.
- Overall Dimensions: 5.5625" (w) x 2.0625" (h) x 7.9375" (d)
- Top Plate Dimensions: 3.875" (w) x 6.25" (d)
- Base Dimensions: 5.5625" (w) x 7.9375" (d)
- Weight Capacity: up to 8 lbs
- Your compatible desktop speakers should measure 5" to 7" (w) x 7" to 10" (d), and weigh no more than 8 lbs.
- 1/4"-20 screws are included to secure the Kanto YU4 speakers to the desktop stands; other brands of similar size speakers will not use these screws.
16° Vertical Tilt: With 16° of vertical tilt, the S4 desktop speaker stands angle your speakers towards your ears, ensuring you experience the full range of frequencies they have to offer.
Vibration Resistant: The S4 desktop speaker stands feature multiple areas of foam padding to maintain stability and reduce vibration.
Available In A Variety Of Colors: The S4 desktop stands are available in a variety of colors ( black, white, aluminum, brass, copper, or stainless steel) to compliment your decor
| With the ElectroMotion ESL, Martin Logan has created the world's most affordable high-performance hybrid electrostatic loudspeaker, with a legendary CLS™ XStat™ transducer and an 8-inch woofer to deliver ideal home theater front/surround sound.
ElectroMotion ESL
The ElectroMotion ESL represents a bold new direction for electrostatic loudspeaker design. Featuring a full-sized 34-inch tall curvilinear XStat™ electrostatic transducer and a superbly integrated high-performance woofer, the new EM-ESL performs more like a mini-flagship than an entry level audiophile speaker. Designed for both 2-channel music enthusiasts and those seeking the worlds most articulate and dynamic multi-channel home theater systems, the EM-ESL is the most compelling 'affordable' audiophile-grade speaker ever brought to market.
The ElectroMotion ESL (EM-ESL) represents a brave new direction for electrostatic loudspeaker design. Featuring a full-sized 34-inch tall curvilinear XStat™ electrostatic transducer the new ESL performs more like a mini-flagship than an entry level audiophile speaker. Long time MartinLogan enthusiasts are sure to describe ElectroMotion ESL as the second-coming of the legendary Aerius electrostatic speaker which debuted in 1992 and went on to sell in record numbers. The new ESL, however, boasts 40 percent more radiating surface, a superbly integrated and authoritative bass performance, and a sensitivity rated at 91dB. In addition, the ESL is capable of being effortlessly powered by both receivers and high-end amplifiers alike.
ElectroMotion ESL's XStat electrostatic MicroPerf panel is housed within a radical aluminum and composite AirFrame™ similar to those found on MartinLogan's flagship products. AirFrame technology rigidifies the electrostatic panel without obstructing playable surface area or interfering with ambience enriching dipole sound radiation. At the same time, an AirFrame provides electrical and acoustical isolation, minimizing intermodulated distortion caused by vibration and resonance while enhancing imaging, low-level sonic detail, accuracy, and efficiency. MicroPerf design optimizes the individual holes of The EM-ESL's electrostatic panel. MicroPerf design substantially increases diaphragm radiating area, compared to early generations—without compromising structural integrity. The resulting increase in output capability and efficiency allows The EM-ESL's panel to enjoy a substantial leap in bandwidth and dynamics without growing larger. For example, The EM-ESL's XStat electrostatic panel features 129 square inches of sound radiating surface on both the front and back and a sensitivity of 91dB into 6 Ohms. The Aerius, well received its day, only had 93 square inches and a sensitivity of 89dB into 4 Ohms.
A unique XStat™ transducer was developed for the ElectroMotion ESL to reduce the gauge thickness of the electrostatic panel's steel stators. The reduced gauge does not alter the performance characteristics of the panel. However, as a natural byproduct of tighter build tolerances, it does increase the visual transparency of the panel. The EM-ESL's new XStat panel is so visually transparent it nearly vanishes when you're sitting and listening.
Controlled Dispersion Sound Radiation
Another key attribute of the ElectroMotion ESL is its naturally dipolar radiation pattern. A true dipole, The EM-ESL radiates sound with equal intensity from the front and back of its diaphragm, but the outputs are in opposite phase. As a result, sound waves rippling out toward the sides meet at the speaker's edge and cancel. That and the relatively large size of the ElectroMotion ESL's electrostatic panel cause output at the sides to be very low relative to that of a conventional loudspeaker, which in turn minimizes side-wall reflections that tend to muddle sonic detail and stereo imaging. While the reduction in output to the sides contributes to the astonishing clarity for which electrostats are revered, the energy reflected off the wall behind the speaker opens up and deepens the sound.
Superb Bass Integration
To seamlessly blend audio output from the high- and mid-frequency electrostatic panel to the low-frequency woofer the ElectroMotion ESL features a proprietary Vojtko™ topology filter utilizing custom air core coil and low DCR steel laminate inductors, polyester film capacitors in series, and low DF electrolytic capacitors in parallel.
A precise 8-inch high-excursion, perfectly balanced, audiophile grade, doped fiber cone woofer was custom designed exclusively for The EM-ESL by MartinLogan's in-house engineering team. This woofer precisely optimizes cone suspension and magnetic flux field to produce high levels of bass output and simultaneous precise midrange. The custom woofer's rigid light-weight diaphragm eliminates cone flexure and minimizes response time to achieve remarkably low-distortion approaching that of MartinLogan's award-winning electrostatic panel design.
Easy Connections, Solid Adjustable Footing
Convenient push-style speaker terminals and curved inserts help guide speaker wire effortlessly into place. The rubber end caps on the terminal are also removable for the use of banana plugs instead of bare wire. The EM-ESL is supplied with sturdy, 3/8-16 ETC™ spikes, which can be used to fine tune vertical wave launch, enhance stability on thick carpets, and create tighter coupling between speaker and floor to provide a tighter and detailed bass performance. Each spike is conveniently covered by removable rubber end caps if you prefer not to use spikes. | IsoAcoustics Aperta Isolation Stands can reduce your speakers sound vibrations from transferring to the surface below. Isolating your speakers and equipment can increase clarity and tighten bass. Featuring easy tilt adjustment for precision listening positions. IsoAcoustic Aperta 300 is designed to isolate center channel speakers, studio monitors and bookshelf speakers in horizontal positions.
- Helps eliminate vibrations created by speakers
- Best for center channel and horizontally positioned studio speakers
- Tilt feature to position your speaker to your ear
- Supports up to 60 lbs Each
- Size: 10L x 8W x 4H
- Sold as each.
- Designed for a speaker at least 11.8” wide and 7.8” deep with a max weight of 60 pounds
- Aluminum finish
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