| Content | Ki Pro GO is a portable multi-channel H.264 recorder offering up to 4-channels of simultaneous HD and SD recording to off the shelf USB drives with redundant recording capabilities, and now with new v3.0 firmware, recording to network storage.
4x 3G-SDI and 4x HDMI digital video inputs with flexible channel assignments provides connections to the latest video sources, including cameras and DSLRs. Incoming video sources do not have to be genlocked due to Ki Pro GO's input frame syncs. Ki Pro GO also features AJA's high quality de-interlacers on each input so progressive recordings can be made from interlaced inputs. High quality 2-channel embedded audio or balanced XLR analog audio can be assigned to any recording channel. Multi-Channel Matrix Monitoring enables multiple video channels to be viewed on any single HDMI or SDI display, and Enhanced Super Out offers timecode, media status and audio meter overlays over the SDI and HDMI monitor outputs.
Designed to be either portable or rackmountable with half rack wide, 2RU high dimensions, Ki Pro GO is well suited for use in any environment.
AJA Ki Pro GO Features
- Multi-channel H.264 recording
- 5x USB recording media ports, compatible with off-the-shelf USB 3.2 Gen 1 media
- In system exFAT drive formatting
- Redundant recording to user selectable USB ports
- Recording to network (SMB) storage (new in v3.0)
- Redundant recording to user selectable destinations – USB or SMB (new in v3.0)
- Genlock free inputs
- 4x 3G-SDI inputs
- 4x 3G-SDI outputs
- 1x 3G-SDI monitoring output
- 4x HDMI inputs
- 1x HDMI monitoring output
- HDMI and SDI multi-channel matrix monitoring
- HDMI and SDI Enhanced Super Out for monitoring: timecode, media status and audio levels
- Single-channel H.264 playback
- Selectable VBR recording settings with 5 options
- Timecode Input Support: Time of Day, Timecode Value, SDI RP-188, LTC (available using 1-channel of Analog Audio In)
- Balanced XLR analog audio inputs, mic/line/48v switchable
- 2-channel embedded audio per video input
- Easy-to-use web UI, compatible with standard web browsers
- Network web UI based file downloads
- Front panel button controls with integrated HD resolution screen
- Stand-alone operation
- 3 Year Warranty
| Power supply not included - requires IEC cable.
The UltraStudio 4K Extreme 3 lets you connect Thunderbolt 3 computers to any video equipment. Connect to the Thunderbolt 3 port for video and audio connections compatible with SD, HD, Ultra HD, and 4K DCI formats up to 60 frames per second. Use the UltraStudio 4K Extreme 3 to build high performance edit workstations, archive from old broadcast decks, output broadcast graphics, and live stream.
Connect and work with the equipment of your choice. SDI in and out, HDMI out, and balanced analog input provide high quality connections to just about any equipment you could want to work with. An extra HDMI input and balanced analog audio out connect for in-studio audio monitoring use. Larger design than the Mini UltraStudios lets the UltraStudio 4 Extreme fit 4 channel analog audio via XLR connections, 2 channels of AES/EBU digital audio, and dedicated timecode connections. Video reference for sync playback to broadcast systems and RS-422 remote are included. The UltraStudio 4K Extreme 3 can feed SDI fill and key from RGB graphics from your computer to a live production switcher for high quality live broadcast graphics keying.
12G-SDI technology brings the most powerful video capture and playback solution at high speeds. Speed supports work of Ultra HD and 4K 60p over one BNC cable. Multi rate 12G-SDI connections provide greater compatibility, working with existing SD and HD equipment and newer Ultra HD formats up to 2160p60.
With the UltraStudio 4K Extreme 3, you’re not locked into a single format. Popular compressed video formats and 10-bit uncompressed video are both supported. Images in uncompressed video are a perfect pixel-for-pixel clone of the source without any loss of quality.
Thunderbolt 3™ technology ensures the UltraStudio 4K Extreme 3 is a power-driven solution. Low latency and highly accurate time synchronization provide the highest possible quality capture and playback. UltraStudio 4K Extreme 3 uses a fast one cable connection to a computer with the bandwidth to easily handle high resolution video formats. Powered by the Thunderbolt connection, the UltraStudio 4K Extreme 3 can run from a laptop battery without needing a power connection. An AC power connection is also included.
Front panel has fast control buttons and integrated color LCD. Back panel uses industry standard BNC and HDMI connectors. Enjoy broadcast and digital cinema quality capture and playback in any workflow.
Blackmagic Design UltraStudio 4K Extreme 3 Features
- Connect Thunderbolt 3 computers to video equipment
- Compatible with SD, HD, Ultra HD, and 4K DCI formats up to 60 frames per second
- Designed to work with popular video editing software on Mac, Windows, and Linux systems
- Video reference for sync playback to broadcast systems
- RS-422 remote
- Support for compressed and uncompressed formats
- Low latency and accurate time synchronization in Thunderbolt 3 technology
- Easily portable
- Stand alone on desktop or rack mount
- Broadcast and digital cinema quality capture and playback
| Until now, creating slow-motion instant replays in live sports productions has required an arsenal of complicated and expensive gear—and the knowledge to run it all. Roland’s P-20HD changes all that, providing an affordable and easy-to-use solution that lets you bring pro replay capabilities to any production setup. Offering seamless integration with most Roland A/V switchers and HDMI camcorders and cameras, the P-20HD transforms everyday sports video productions into edge-of-seat fan experiences.
With the P-20HD, adding the magic of instant replay to your workflow has never been more simple and affordable. Using intuitive controls and the integrated color LCD, you can easily cue up replays of important action to let fans relive the moment, either on your streaming feed or live event screens—or both at once.
The P-20HD records directly to high-capacity SD cards, which are widely available and easy to swap out. And as you cue up and replay clips, the game keeps recording in the background, with no gaps in the action. The P-20HD can be seamlessly inserted into a variety of workflows. Use it on its own, or upstream or downstream of any Roland video switcher. Connect two cameras and switch/composite between sources to capture them for replay. Both HDMI inputs feature built-in scalers, providing worry-free connectivity with nearly any video source.
Roland P-20HD Features
- Slow-motion instant replay and variable speed playback
- Intuitive controls for single-operator sports production
- Simultaneous recording and playback
- Clip playlist builder for creating highlight reels
- Integrated color LCD for preview monitoring
- Capture long events to low cost and widely available SD cards
- Compact, portable, and reliable hardware design
- Ideal for school sports, esports, and sports training
| Power supply not included - requires IEC cable.
Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM advanced panel is added to an ATEM switcher as a control panel.
Although each switcher includes ATEM software control panel for Mac or Windows, an ATEM Advanced Panel is faster to use, making it ideal for demanding live production environments. Setup more complex effects with the enormous amount of control you’ll have in the ATEM 1 M/E. The ATEM 1 M/E Advanced Panel features broadcast buttons, knobs, and a t-bar fader.
The ATEM 1 M/E has one row with 10 input buttons, and one system control LCD screen. Input buttons have customizable colors and button label LCDs. Use the shift buttons to double the number of inputs for control of up to 20 inputs. DVE and t-bar fader can be controlled with a joystick. Even though it’s a 1 M/E panel, you can control all M/Es in larger switchers.
Modern design with the latest broadcast technology combine to enable faster workflows. Built in LCD control screen identifies work processes. Buttons are curved and have color backlighting to reduce incorrect key presses and quickly identify the keys you need. Professional joystick controls DVE and camera adjustments, smooth weighted t-bar fader, and more.
Durable and compact, the ATEM 1 M/E fits in a standard equipment rack. It can be used seamlessly for shelf mounting in broadcast trucks, mobile racks, and fly away kits.
Blackmagic Design ATEM 1 M/E Features
- Add to an ATEM switcher for accessible control panel functions
- Faster workflow
- Backlit buttons make identification easy and lower incorrect key presses
- Control up to 20 inputs
- Joystick for DVE and camera adjustments
- Smooth weighted t-bar fader
- Fits in a standard equipment rack
| Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM Camera Control panel can be added to any ATEM switcher model and is connected via Ethernet.
The ATEM Camera Control panel uses traditional broadcast style controls and adjustments in a compact design so one person can monitor and adjust technical parameters such as black levels, gain, color balance, shutter speed, and more. With this control panel, there are four separate LCD displays and control sections for control of up to four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. Control layout is familiar and logical for fast and easy operation by operators of all levels. This control panel is meant to be portable, so does not need to be bolted down.
Quickly adapt to changes in the scene with the top section of controls. Top section controls include white balance, master gain, bars, and shutter speed. You can save and recall presets with the load scenes function. RGB controls in the center section allow you to adjust the individual red, green and blue levels in blacks and whites when you need to compensate for unwanted color. The bottom section is dedicated to lens and iris controls, a joystick to adjust iris and master black. There are buttons for talkback with the operator, panel lock, and a number indicator for preview and on air status.
Blackmagic Design ATEM Camera Control Panel Features
- Traditional broadcast style controls and adjustments
- Portable control panel
- Iris control
- Shutter speed
- White balance
- Master gain
- Pedestal
- RGB controls for white and black
| Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM advanced panel is added to an ATEM switcher as a control panel.
Although each switcher includes ATEM software control panel for Mac or Windows, an ATEM Advanced Panel is faster to use, making it ideal for demanding live production environments. Setup more complex effects with the enormous amount of control you’ll have in the ATEM 4 M/E. The ATEM 4 M/E Advanced Panel features broadcast buttons, knobs, and a t-bar fader.
The ATEM 4 M/E has four M/E rows with 40 input buttons and four independent system control LCDs for reach row. All input buttons have customizable colors and button label LCDs.
Modern design with the latest broadcast technology combine to enable faster workflows. Built in LCD control screen identifies work processes. Buttons are curved and have color backlighting to reduce incorrect key presses and quickly identify the keys you need. Professional joystick controls DVE and camera adjustments, smooth weighted t-bar fader, and more.
Durable and compact, the ATEM 4 M/E fits in a standard equipment rack. It can be used seamlessly for shelf mounting in broadcast trucks, mobile racks, and fly away kits.
Blackmagic Design ATEM 4 M/E Features
- Add to an ATEM switcher for accessible control panel functions
- Faster workflow
- Four independent rows of control, each with 40 input buttons
- Backlit buttons make identification easy and lower incorrect key presses
- Joystick for DVE and camera adjustments
- Smooth weighted t-bar fader
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