Allen & Heath GL3800 2011 NOIR

$2,716.96

GTIN: 6938122227811 SKU: 6938122227811 Category: Tags: , ,

Description

RÉSUMÉ DES FONCTIONNALITÉS

Images de 24, 32, 40 et 48 canaux

Options de canal mono / stéréo A, B, C, D

Mélanges principaux LR et M

8 groupes audio avec panoramique et routage vers LR et M

10 auxiliaires dont un envoi stéréo dédié avec commandes de niveau et de panoramique

2 canaux stéréo multifonctions chacun avec entrées micro et ligne stéréo

2 doubles stéréos supplémentaires fournissent 4 retours stéréo additionnés ou indépendants

Matrice 12 × 4 complète

Double fonctionnalité appropriée pour FoH, mixage de moniteur ou les deux

Enregistrement capable avec des sorties directes de canal

M peut être utilisé pour le mixage centre / sous, la somme mono LR ou le coin d’ingénierie

Entrées externes matricielles avec trims de niveau et capacité d’entrée commune

Les entrées micro du canal stéréo peuvent se croiser dans la matrice pour une alimentation d’ambiance

EQ réactif 4 bandes, 2 balayages

Filtres passe-haut de canal 100Hz

Alimentation fantôme individuelle et commutation de polarité

Compteur intégré avec 11 VU-mètres à bobine mobile éclairés par LED

Canal LED grand angle et compteurs principaux

Compteurs de contrôle stéréo dédiés

Commutation auxiliaire par canal pré / post fader pour une flexibilité totale

Commutateurs pré / post-EQ du panneau avant pour les préférences de l’utilisateur

Coupe le son de tous les faders masters

Faders à double rail de qualité supérieure de 100 mm

Talkback assignable à toutes les sorties, comprend un mode de verrouillage de commutateur de conversation

Oscillateur 1 kHz / générateur de bruit rose avec sortie externe

Surveillance 2 pistes et relecture sur LR

3 prises casque / écouteurs et sorties moniteur locales

Sorties XLR symétrisées électroniquement avec capacité d’entraînement + 26 dBu

Gamme de préamplis 74 dB avec capacité d’entrée +34 dBu pour micro ou ligne

Conception d’ampli micro à très faible bruit

Combiner intégré pour une alimentation de secours redondante

Assemblage de cartes de circuits individuelles avec des pots écroués

Option de liaison d’entrée / sortie de console Sys-Link V2

Douilles de lampe XLR 4 broches – Lampe LED Allen & Heath disponible.

Options de canal mono / stéréo:

A = tous les canaux mono
B = 4 stéréos à droite des masters
C = 4 stéréos à l’extrême droite
D = 8 stéréos à l’extrême droite

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SettingsAllen & Heath GL3800 2011 NOIR removeSSL Six Mixer removeSolid State Logic UF-8 removeSPL MixDream Analogue Summing Unit removeZoom L 20 R Mixer Digitale 20 Canali. Recorder E Interfaccia Audio Formato Rack removeDangerous Music LIAISON Analog Master Router remove
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Description
ContentRÉSUMÉ DES FONCTIONNALITÉS Images de 24, 32, 40 et 48 canaux Options de canal mono / stéréo A, B, C, D Mélanges principaux LR et M 8 groupes audio avec panoramique et routage vers LR et M 10 auxiliaires dont un envoi stéréo dédié avec commandes de niveau et de panoramique 2 canaux stéréo multifonctions chacun avec entrées micro et ligne stéréo 2 doubles stéréos supplémentaires fournissent 4 retours stéréo additionnés ou indépendants Matrice 12 × 4 complète Double fonctionnalité appropriée pour FoH, mixage de moniteur ou les deux Enregistrement capable avec des sorties directes de canal M peut être utilisé pour le mixage centre / sous, la somme mono LR ou le coin d'ingénierie Entrées externes matricielles avec trims de niveau et capacité d'entrée commune Les entrées micro du canal stéréo peuvent se croiser dans la matrice pour une alimentation d'ambiance EQ réactif 4 bandes, 2 balayages Filtres passe-haut de canal 100Hz Alimentation fantôme individuelle et commutation de polarité Compteur intégré avec 11 VU-mètres à bobine mobile éclairés par LED Canal LED grand angle et compteurs principaux Compteurs de contrôle stéréo dédiés Commutation auxiliaire par canal pré / post fader pour une flexibilité totale Commutateurs pré / post-EQ du panneau avant pour les préférences de l'utilisateur Coupe le son de tous les faders masters Faders à double rail de qualité supérieure de 100 mm Talkback assignable à toutes les sorties, comprend un mode de verrouillage de commutateur de conversation Oscillateur 1 kHz / générateur de bruit rose avec sortie externe Surveillance 2 pistes et relecture sur LR 3 prises casque / écouteurs et sorties moniteur locales Sorties XLR symétrisées électroniquement avec capacité d'entraînement + 26 dBu Gamme de préamplis 74 dB avec capacité d'entrée +34 dBu pour micro ou ligne Conception d'ampli micro à très faible bruit Combiner intégré pour une alimentation de secours redondante Assemblage de cartes de circuits individuelles avec des pots écroués Option de liaison d'entrée / sortie de console Sys-Link V2 Douilles de lampe XLR 4 broches - Lampe LED Allen & Heath disponible. Options de canal mono / stéréo: A = tous les canaux mono B = 4 stéréos à droite des masters C = 4 stéréos à l'extrême droite D = 8 stéréos à l'extrême droiteSSL Six Mixer The SSL Six Mixer is a condensed professional console for use in the studio, in post-production, on stage, and for podcasting, SiX offers big console sound and an impressive set of utility features in a format that is small enough to stick in a bag. SiX is stunning value; it offers two recording channels with SuperAnalogueTM mic pres, an essential one knob version of the classic SSL Channel Compressor, a new two-band Channel EQ, inserts and 100mm faders. There is a two-knob version of the legendary G-Series Bus Compressor on the main mix bus and the unique Listen Mic Compressor on the Talkback. In mixdown mode it is a very capable twelve channel summing system that offers analogue detail, depth and width to your mixes. The Six Mixer carries the DNA of 40 years of true expertise in creative studio workflow. Listen to SiX and you will experience the impeccable sonic performance that is the hallmark of every SSL console. It is powerful, intuitive, inspired and rewarding. SSL Six Mixer Features
  • Benchmark SuperAnalogueTM audio performance
  • Stunning Recording Path
  • Classic SSL Channel Processing
  • The unique Listen Mic Compressor
  • Professional routing & Monitoring
  • 12 Input summing at Mixdown
  • Legendary Master Bus Compressor
  • Completely balanced signal path
  • Auto switching Power supply (100 - 240V)
UF8 is SSL’s latest studio controller, designed for today’s DAW-based production workflows and ultrafast turn-around times. An expandable 8-channel advanced DAW controller, UF8 connects engineers, producers and artists directly to the creative process, offering absolute command of their workflow and significantly accelerating the speed of audio production and content creation. UF8 is the culmination of SSL’s 40+ year legacy of mastering production workflows and studio ergonomics built into generations of classic SSL consoles. This depth of understanding of studio production, combined with decades of engineering excellence, delivers a premium finish tactile USB controller that distills SSL workflow and quality.

SPL MixDream Analogue Summing Unit

  • Analogue outboard summing mixer
  • Active Class A/60-volt stages
  • 16 inserts for mixing external effects
  • Individual and overall bypass relays
  • Reduced of A/D conversions
  • Efficient resampling individual tracks
  • Latency-free monitoring
  • Stereo expansion control for additional transparency
  • Analogue peak limiter for gain optimisation
  • Lundahl output transformers and inserts
  • Adjustable insert levels, output levels and peak limiters
  • Multiple units linkable for larger mixes
20 canali (16 mono e 2 stereo) con ingressi combo jack 1/4/XLR - 22 tracce di registrazione simultanea e 20 tracce di playback - 22in/4 out USB come interfaccia - 6 monitor out - uscita cuffie con jack da 1/4 - phantom su tutti i canali XLR a gruppi di 4 - ingresso Hi-z sui canali 1 e 2 - pad di 26dB - compressore sui canali da 1 a 16 - tasto master mute - low-cut 40-600 Hz. 12dB/OCT - stereo panning - master e monitor out (A-F) - fino a 9 scene salvabili - doppio processore effetti regolabili - class compliant con sistemi iOS - App iOS per controllo a distanza tamite BTA-1 Bluetooth adapter (incluso) - registrazione su SD card (fino a 24bit/96kHz) o su PC/MAC come scheda audio - Rack ears incluse Dimensioni: Lunghezza 55.5cm - Profondità 23.7cm - Altezza 43.6cm - Volume 0.057m³ Zoom # L-20R - Mixer digitale 20 canali. recorder e interfaccia audio - formato rack # P.A. / Mixer # Serie LiveTrackThe Dangerous Music Liaison puts the fun back into trying out creative combinations of gear. The Liaison also lets your setup remain absolutely flexible — just what you need if you want to survive in a market that often demands recording, mixing, and mastering services from a single studio. The Liaison's claim to fame is that it combines your favorite pieces of music gear together in various configurations, allowing you to try out new gear combinations and recall them later. But there's a lot more to the Dangerous Music Liaison than mere signal routing.

Mix, match, store, and recall all your favorite gear combinations

Dangerous Music has always been dedicated to providing serious engineers with the most useful gear possible. They've upped the ante again, with the Liaison. The Liaison lets you experiment with different combinations of gear, giving you a total of six discrete 2-channel inputs and two 2-channel buses. Want to hear how that compressor sounds pre- and post-EQ? With a Liaison, you can audition various hardware combinations as easily as swapping around plug-ins in a DAW. What's more, you can store and recall your favorite setups, so you can keep that killer vocal compression chain or that thumping kick drum processing path close at hand.

Flexible stereo buses give you advanced configuration options

When we ran the Dangerous Music Liaison through its paces here at Sweetwater, we found that its stereo buses do more than just compare two discrete signal paths. Depending on how you configure them, these stereo buses can provide you with two completely independent, flexible signal chains, each serving as its own small routing matrix. You can also combine both buses to create a long and flexible continuous signal-processing chain, in which you can reorder entire sections of your gear setup. Even cooler, you can use the Liaison's buses to establish complex parallel signal processing — opening up limitless sonic possibilities.

Mastering-grade components for unrivaled sound quality

As is the case with all Dangerous Music products, the Liaison is made entirely from mastering-grade components, so you never have to worry about audio coloration or latency. In fact, when set to simply pass audio, professional grade testers used to measure the Liaison read as though they were plugged into themselves. Talk about quality control! Here are some of the other specifics. Both the inserts and the buses feature straight-wire, unamplified, balanced signal paths. All audio is relay-switched via top-quality, gas-filled, bifurcated contact relays — ensuring that all switching is absolutely noiseless. The rest of the Liaison's signal paths feature mastering-grade components made by THAT Corp. and Burr-Brown.

What the pros are saying about the LIAISON:

  • "The Dangerous LIAISON feels like engaging light-speed for my workflow...and make no mistake: workflow IS sound. The sheer speed at which you can do critical comparisons of entire signal chains does have a direct and positive impact how your music will sound." — Alberto Rizzo Schettino (Engineer)
  • "One of the best features of the LIAISON is the monitor outs...you can monitor the signal at four points in the chain: before and after Bus A and B. The usefulness of this feature is huge, and Dangerous deserves major props for including it! The switching of inserts is managed by beefy relays that are as transparent as any I've ever heard." — Adam Gonsalves (Mastering Engineer)
  • "LIAISON gives you the impetus to rethink how you record, mix, and master your music...[and] using the LIAISON is dead simple. I think of LIAISON not as an insert switcher, but as a creativity enabler." — Andy Hong (Writer/Reviewer)
  • "The Dangerous LIAISON is incredibly exciting. To have a device that lets you so easily switch between processors, swap the order of processors, do quick A-B comparisons of signal chains. It makes my work better!" — Jonathan Wyner (Mastering Engineer)
  • "Being able to switch devices from one bus to the other is extremely useful. The fast switching is amazing!" — Jeff Lipton (Mastering Engineer)
  • "The LIAISON is really important — I can do a lot of combinations of chaining gear and I am able to work a lot faster. Before the LIAISON [I had to] switch the patchbay and compare the sounds. Now I am 20-times faster than before, I like the way the LIAISON allows me to still be in the energy of the music. — Antoine "Chab" Chabert (Mastering Engineer)
  • "So happy with the LIAISON. Being able to switch gear in and out from the listening position without leaning over a patch bay is fantastic. After sitting in this chair for so many years, it actually improves my mixing ergonomics considerably." — Bob Power (Mastering Engineer)

Dangerous Music Liaison Features:

  • Flexible signal routing matrix that allows you to combine the gear in your studio in fun, exciting, and creative ways
  • Leverage all your gear, all the time
  • Improve your tracks, mixes, and masters by auditioning and marrying the perfect ensemble of equipment
  • 2 independent stereo buses mean you can set up 1 as a tracking path and the other as a mix path, without repatching, or chain them together
  • Separate parallel processing loop to let drums breathe and crush simultaneously
  • Create complex combinations of gear and A/B instantly
  • Store your favorite settings to recall any tracking, mixing, or mastering configuration
  • 6 stereo insert loops, assignable to 2 stereo buses
  • Mastering-grade components ensure silent, relay-based switching and color-free audio
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