| Content | Heritage Audio's MCM-8 MK2 is an 8-slot 500 Series chassis with an integrated 10-channel summing mixer. The top-of-the-line MCM-8 MK2 features On Slot Technology that leverages next-generation power electronics to handle power supply on a per slot basis. Each slot has its own power supply linear regulation stages, isolating each module from the rest. Your modules simply share the metal enclosure. Each slot even has test LEDs for checking correct power operation. Dual-concentric potentiometers handle Volume and Pan for each slot, with pan pots being center detented for precise center positioning. Each channel is equipped with an On switch to assign it to the mix bus. MK2 improvements include a lower noise floor and the addition of a bypass switch for each slot that still lets you use the summing mixer functions. Heritage Audio has earned the respect of Sweetwater engineers, and the MCM-8 MK2 lives up to that sterling reputation.
Superb build and feature set
From its RAF blue-gray enclosure to the solid tactile feedback from its knobs and switches, the Heritage Audio MCM-8 MK2 unabashedly rocks vintage British Class A vibe. And just like the classic gear that inspires all Heritage Audio equipment, the MCM-8 MK2 boasts superb build quality and a very smart feature set. There's an additional stereo input on the back panel, which allows several MCM-8 MK2 units to be daisy-chained — or signals not needing further 500 Series processing to be mixed together. The central section sports analog VU meters and a Stereo Master fader. Gold-plated XLRs and DSUB25s handle the I/O.
Smart technology, superior sound
Thanks to Heritage Audio's On Slot Technology (OST), the MCM-8 MK2's power capability is a maximum of 400mA per rail, per slot — with an overall of 1.4A (1.6A non-continuous) per rail, whichever is reached first. Total available phantom power is 140mA. The mix bus has a passive voltage summing topology, similar to that found in Rupert Neve's 80 Series consoles of the 1970s. The gain loss is restored by the same Class A, 2n3055 driven, transformer-based output stage used in the Heritage Audio's modern-day version of the classic 1073. If you're not into specs, what this all means is that the MCM-8 MK2 is built right to give you many years of authoritative sonic performance and trouble-free use in your studio or on the road.
Heritage Audio MCM-8 MK2 Features:
- 8-slot 500 Series chassis with integrated 10-channel summing mixer
- NEW lower noise floor
- NEW bypass switch for each slot that leaves summing mixer functions enabled
- Mix bus with vintage Neve-style passive voltage summing topology
- Additional stereo input on the back panel allows several MCM-8s to be daisy-chained
- Central section sports analog VU meters and a Stereo Master fader
- Handles power supply on a per slots basis, isolating each module from the rest
- Gold-plated XLRs and DSUB25s handle your I/O
- 140mA total available phantom power
- Class A transformer-based output stage
- Solid build quality for many years of trouble-free use
| UF8 is SSL’s latest studio controller, designed for today’s DAW-based production workflows and ultrafast turn-around times. An expandable 8-channel advanced DAW controller, UF8 connects engineers, producers and artists directly to the creative process, offering absolute command of their workflow and significantly accelerating the speed of audio production and content creation.
UF8 is the culmination of SSL’s 40+ year legacy of mastering production workflows and studio ergonomics built into generations of classic SSL consoles. This depth of understanding of studio production, combined with decades of engineering excellence, delivers a premium finish tactile USB controller that distills SSL workflow and quality. | SPL MixDream Analogue Summing Unit
- Analogue outboard summing mixer
- Active Class A/60-volt stages
- 16 inserts for mixing external effects
- Individual and overall bypass relays
- Reduced of A/D conversions
- Efficient resampling individual tracks
- Latency-free monitoring
- Stereo expansion control for additional transparency
- Analogue peak limiter for gain optimisation
- Lundahl output transformers and inserts
- Adjustable insert levels, output levels and peak limiters
- Multiple units linkable for larger mixes
| Espandibile fino a 32 canali - QCon Pro XS8 + 1 fader motorizzati sensibili al tocco con risoluzione a 10 bitFader LED a 12 segmentiDoppio display LCD retroilluminato 2 × 56 per visualizzare il nome del canale. i valori di controllo. ecc. Per ogni canaleDisplay LED a 12 segmenti che mostra la posizione temporale del progetto in formato SMPTE o BBT - 18 pulsanti assegnabiliRotella jog shuttle per ricerca e controllo velociPulsanti illuminati per ogni canale. inclusi Record Enable. Solo. Mute. Select e Monitor6 pulsanti illuminati tra cui Play. Stop. Rec. Rewind. Fast Forward e LoopPulsante ZOOM illuminato con 4 pulsanti di direzione9 pulsanti funzione MIDI assegnabili illuminatiEspandibile a 32 canali utilizzando 3 unità di espansione QCon XSDue (2) connettori da 1/4 per interruttori a pedale e pedaliClasse compatibile con Windows XP. Vista (32 bit). Windows 7 (32 bit e 64 bit). Windows 8 (32 bit e 64 bit). Windows 10 (32 bit e 64 bit) e Mac OS XConnettività USB 2.0 ad alta velocitàIl driver ICON Quick-Setup è disponibile per Cubase. Nuendo. Reason e Bitwig per la compatibilità plug & play istantaneaBitwig Studio 8-Track DAW è incluso.Mackie Control integrato per tutte le DAW elencate (ad eccezione di ProTools che utilizza il protocollo Mackie HUI)Facile aggiornamento del firmware disponibile tramite connessione USB e software iMapQualità costruttiva superiore e robusto involucro in metallo con porta per blocco Kensington
Dimensioni: Lunghezza 51cm - Profondità 23.5cm - Altezza 57.5cm - Volume 0.068m³
Icon # Qcon Pro X - controller per DAW # Controller Midi / Controller Midi USB # Serie Qcon | The Heritage Audio MCM-20.4 is a rackmount analog summing mixer that delivers vintage-quality sonics along with sophisticated routing options to streamline your hybrid studio setup. The MCM-20.4 offers 16 input channels arranged into two subgroups of eight. Each channel features concentric pan and level controls plus a balanced insert and a mute switch. Each group has its own stereo fader and balanced insert point. Both stereo subgroups are passively summed into the master bus, which has its own balanced insert point and VU meters. Makeup gain is provided by a transformer-coupled, 1073-style Class A mic preamplifier with four transformers (two per channel). Four channels of pre/post-fader aux sends are provided: AUX 1 and 2 are mono; AUX 3 is stereo. Insert send points are always signal-present, giving them an alternative use as direct outputs for recording. Rear-panel connections are made via DB-25 connectors; except for the master bus, which has dedicated XLRs.
The best of both worlds
Done up in classic RAF blue-gray livery — complete with concentric pots and Marconi knobs — the Heritage Audio MCM-20.4 gives visual hints as to the sound lurking beneath the bonnet. Flavored by four transformers, that sound is decidedly vintage British, although Heritage has taken pains to improve crosstalk and self-noise specs from those of the vintage designs. The smart-summing topology employed in the company's MCM series mixers delivers impressive headroom and low noise for a 20 channel, vintage-topology mixer. Sweetwater's advice: If you want to smoothly integrate analog gear — and robust, colorful sonics — into your DAW-based workflow, the Heritage Audio MCM-20.4 is a great-sounding, elegant solution.
Heritage Audio MCM-20.4 20-channel, Vintage-topology Rackmount Mixer Features:
- 16 input channels arranged into 2 subgroups of 8
- Each channel features concentric pan and level controls plus a balanced insert and a mute switch
- 2 stereo subgroups are passively summed into the master bus
- Master bus has its own balanced insert point and VU meters
- 4 channels of pre/post-fader aux sends
- Rear-panel connections are made via DB-25 connectors
- Master bus connections via dedicated XLRs
| Brand New Midas ProX with Neutron.
In person demos are available. Shipping cost is the buyers responsibility and will be determined by buyers location. Please message to discuss shipping. If purchased without a shipping agreement in place, the buyer will be responsible for local pickup.
The Midas PRO Series family moves up a gear with the PRO X control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the PRO X sets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all PRO Series consoles, the PRO X features managed latency and 40 bit floating point processing precision.
HyperMAC and AES50 audio networking technologies allow the PRO X to dynamically assign up to 288 inputs and 294 outputs at 96 kHz sampling rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO X equally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals. |
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