| Content | The AMS Neve 8816 Digital-Option adds two channels of A/D conversion to your 8816 Summing Mixer. This convenient add-on supports standard sample rates up to 192kHz, along with direct conversion to DSD. At Sweetwater, we’ve found the 8816 Digital-Option easy to install — it fits effortlessly inside of the 8816 mixer. If you want to fully integrate the 8816 into your computer-centered studio, the 8816 Digital-Option is an essential.
The legend continues
At Sweetwater, the name Neve commands reverence. Rupert Neve started designing audio equipment in the tube console era but made his mark with solid-state designs. Setting up shop in Little Shelford in the ’60s, Mr. Neve faced many obstacles establishing his brand amid a new technological landscape. Transistors were new, expensive, and difficult to obtain in quantity in the UK. Reliable faders didn’t exist yet — a far cry from today’s world, where parts are affordable and readily available from multiple suppliers, all competing to win bids. Nevertheless, Rupert persisted. And by the early 1970s, the Neve company was humming along, taking orders and building custom transformer-balanced consoles for recording and broadcast studios the world over.
Neve 80-series consoles had a huge, punchy, and authoritative sound that defined the sound of ’70s rock. From London to New York to Los Angeles and beyond, top studios were installing Neve desks as fast as they could. By 1978, with the introduction of the majestic 8078 — the pinnacle of handwired analog “production” consoles — and NECAM automation system, Neve boards were the main component of the success formula for any recording studio with world-class aspirations. In the decades since, AMS Neve has innovated with groundbreaking products such as the VR, VX, and 88R series consoles. And today, the company continues to advance the state of the art with cutting-edge pro audio gear that sounds incredible and intelligently addresses the challenges of the digital age.
AMS Neve 8816 Digital-Option Features:
- 2-channel A/D card for your AMS Neve 8816 summing mixer
- Supports standard sample rates up to 192kHz
- Provides direct conversion to DSD (Direct Stream Digital)
- Installs effortlessly inside of your 8816 mixer
| Midas Pro2C. Brand new, full Midas warranty.
Compact Live Digital Console Control Centre with 64 Input Channels, 8 Midas Microphone Preamplifiers, 27 Mix Buses, 96 kHz Sample Rate and Touring Grade Road Case
Shipping will cost extra based on buyers location. If purchased without an agreement in place, buyer will be responsible for organizing their own pickup or shipping. | Espandibile fino a 32 canali - QCon Pro XS8 + 1 fader motorizzati sensibili al tocco con risoluzione a 10 bitFader LED a 12 segmentiDoppio display LCD retroilluminato 2 × 56 per visualizzare il nome del canale. i valori di controllo. ecc. Per ogni canaleDisplay LED a 12 segmenti che mostra la posizione temporale del progetto in formato SMPTE o BBT - 18 pulsanti assegnabiliRotella jog shuttle per ricerca e controllo velociPulsanti illuminati per ogni canale. inclusi Record Enable. Solo. Mute. Select e Monitor6 pulsanti illuminati tra cui Play. Stop. Rec. Rewind. Fast Forward e LoopPulsante ZOOM illuminato con 4 pulsanti di direzione9 pulsanti funzione MIDI assegnabili illuminatiEspandibile a 32 canali utilizzando 3 unità di espansione QCon XSDue (2) connettori da 1/4 per interruttori a pedale e pedaliClasse compatibile con Windows XP. Vista (32 bit). Windows 7 (32 bit e 64 bit). Windows 8 (32 bit e 64 bit). Windows 10 (32 bit e 64 bit) e Mac OS XConnettività USB 2.0 ad alta velocitàIl driver ICON Quick-Setup è disponibile per Cubase. Nuendo. Reason e Bitwig per la compatibilità plug & play istantaneaBitwig Studio 8-Track DAW è incluso.Mackie Control integrato per tutte le DAW elencate (ad eccezione di ProTools che utilizza il protocollo Mackie HUI)Facile aggiornamento del firmware disponibile tramite connessione USB e software iMapQualità costruttiva superiore e robusto involucro in metallo con porta per blocco Kensington
Dimensioni: Lunghezza 51cm - Profondità 23.5cm - Altezza 57.5cm - Volume 0.068m³
Icon # Qcon Pro X - controller per DAW # Controller Midi / Controller Midi USB # Serie Qcon | The Dangerous Music Liaison puts the fun back into trying out creative combinations of gear. The Liaison also lets your setup remain absolutely flexible — just what you need if you want to survive in a market that often demands recording, mixing, and mastering services from a single studio. The Liaison's claim to fame is that it combines your favorite pieces of music gear together in various configurations, allowing you to try out new gear combinations and recall them later. But there's a lot more to the Dangerous Music Liaison than mere signal routing.
Mix, match, store, and recall all your favorite gear combinations
Dangerous Music has always been dedicated to providing serious engineers with the most useful gear possible. They've upped the ante again, with the Liaison. The Liaison lets you experiment with different combinations of gear, giving you a total of six discrete 2-channel inputs and two 2-channel buses. Want to hear how that compressor sounds pre- and post-EQ? With a Liaison, you can audition various hardware combinations as easily as swapping around plug-ins in a DAW. What's more, you can store and recall your favorite setups, so you can keep that killer vocal compression chain or that thumping kick drum processing path close at hand.
Flexible stereo buses give you advanced configuration options
When we ran the Dangerous Music Liaison through its paces here at Sweetwater, we found that its stereo buses do more than just compare two discrete signal paths. Depending on how you configure them, these stereo buses can provide you with two completely independent, flexible signal chains, each serving as its own small routing matrix. You can also combine both buses to create a long and flexible continuous signal-processing chain, in which you can reorder entire sections of your gear setup. Even cooler, you can use the Liaison's buses to establish complex parallel signal processing — opening up limitless sonic possibilities.
Mastering-grade components for unrivaled sound quality
As is the case with all Dangerous Music products, the Liaison is made entirely from mastering-grade components, so you never have to worry about audio coloration or latency. In fact, when set to simply pass audio, professional grade testers used to measure the Liaison read as though they were plugged into themselves. Talk about quality control! Here are some of the other specifics. Both the inserts and the buses feature straight-wire, unamplified, balanced signal paths. All audio is relay-switched via top-quality, gas-filled, bifurcated contact relays — ensuring that all switching is absolutely noiseless. The rest of the Liaison's signal paths feature mastering-grade components made by THAT Corp. and Burr-Brown.
What the pros are saying about the LIAISON:
- "The Dangerous LIAISON feels like engaging light-speed for my workflow...and make no mistake: workflow IS sound. The sheer speed at which you can do critical comparisons of entire signal chains does have a direct and positive impact how your music will sound." — Alberto Rizzo Schettino (Engineer)
- "One of the best features of the LIAISON is the monitor outs...you can monitor the signal at four points in the chain: before and after Bus A and B. The usefulness of this feature is huge, and Dangerous deserves major props for including it! The switching of inserts is managed by beefy relays that are as transparent as any I've ever heard." — Adam Gonsalves (Mastering Engineer)
- "LIAISON gives you the impetus to rethink how you record, mix, and master your music...[and] using the LIAISON is dead simple. I think of LIAISON not as an insert switcher, but as a creativity enabler." — Andy Hong (Writer/Reviewer)
- "The Dangerous LIAISON is incredibly exciting. To have a device that lets you so easily switch between processors, swap the order of processors, do quick A-B comparisons of signal chains. It makes my work better!" — Jonathan Wyner (Mastering Engineer)
- "Being able to switch devices from one bus to the other is extremely useful. The fast switching is amazing!" — Jeff Lipton (Mastering Engineer)
- "The LIAISON is really important — I can do a lot of combinations of chaining gear and I am able to work a lot faster. Before the LIAISON [I had to] switch the patchbay and compare the sounds. Now I am 20-times faster than before, I like the way the LIAISON allows me to still be in the energy of the music. — Antoine "Chab" Chabert (Mastering Engineer)
- "So happy with the LIAISON. Being able to switch gear in and out from the listening position without leaning over a patch bay is fantastic. After sitting in this chair for so many years, it actually improves my mixing ergonomics considerably." — Bob Power (Mastering Engineer)
Dangerous Music Liaison Features:
- Flexible signal routing matrix that allows you to combine the gear in your studio in fun, exciting, and creative ways
- Leverage all your gear, all the time
- Improve your tracks, mixes, and masters by auditioning and marrying the perfect ensemble of equipment
- 2 independent stereo buses mean you can set up 1 as a tracking path and the other as a mix path, without repatching, or chain them together
- Separate parallel processing loop to let drums breathe and crush simultaneously
- Create complex combinations of gear and A/B instantly
- Store your favorite settings to recall any tracking, mixing, or mastering configuration
- 6 stereo insert loops, assignable to 2 stereo buses
- Mastering-grade components ensure silent, relay-based switching and color-free audio
| The Purple Audio Moiyn is an innovative 500 Series 8-channel summing amp module that transforms your Sweet Ten rack into an 8 x 2 mixer. When using this feature, you can still use the first eight modules' outputs as you normally would into your DAW or tape machine. Place the Moiyn in slot nine of the rack, and you then are able to assign each module (in slots 1-8) to either of the two outputs via the Moiyn's front-panel buttons. Finally, use the rotary knob to adjust your output volume. The Purple Audio Moiyn is an ideal way to get the most from your Sweet Ten rack.
Purple Audio - the quality is designed in
Sweetwater is proud to carry Purple Audio. Founded in 1997 by Andrew Roberts, Purple Audio has kept the analog flame burning brightly with acclaimed professional signal processors and studio problem solvers based on inspired new designs and fresh takes on coveted classic gear. Handcrafted in Pennsylvania, Purple Audio equipment is built for the long haul, using only the finest components. Let Purple Audio's innovative engineering elevate your studio's sonic quality and juice your workflow.
Purple Audio Moiyn 500 Series Summing Amplifier Features:
- Designed specifically for mounting in Slot 9 of Purple Audio's Sweet Ten 500 Series rack
- Transforms your Sweet Ten rack into an 8 x 2 mixer
- Discrete signal path with 2 KDJ3 Summing Amplifiers and 2 KDJ4 Output Amplifiers
- Differential summing amplifier with 15 Kilohm inputs
- Stereo balanced inject
- 8 Input left/right assignable
- Current consumption: 90mA
- Discrete signal path
- Auto-resetting fuse shuts down individual module without affecting entire rack or console
- Includes high-quality 2-bus rotary master fader
- Cascade multiple Sweet Tens with Moiyns for more channels
- Requires Purple Audio's Sweet Ten rack
- ROHS certified lead-free
| Heritage Audio's MCM-8 MK2 is an 8-slot 500 Series chassis with an integrated 10-channel summing mixer. The top-of-the-line MCM-8 MK2 features On Slot Technology that leverages next-generation power electronics to handle power supply on a per slot basis. Each slot has its own power supply linear regulation stages, isolating each module from the rest. Your modules simply share the metal enclosure. Each slot even has test LEDs for checking correct power operation. Dual-concentric potentiometers handle Volume and Pan for each slot, with pan pots being center detented for precise center positioning. Each channel is equipped with an On switch to assign it to the mix bus. MK2 improvements include a lower noise floor and the addition of a bypass switch for each slot that still lets you use the summing mixer functions. Heritage Audio has earned the respect of Sweetwater engineers, and the MCM-8 MK2 lives up to that sterling reputation.
Superb build and feature set
From its RAF blue-gray enclosure to the solid tactile feedback from its knobs and switches, the Heritage Audio MCM-8 MK2 unabashedly rocks vintage British Class A vibe. And just like the classic gear that inspires all Heritage Audio equipment, the MCM-8 MK2 boasts superb build quality and a very smart feature set. There's an additional stereo input on the back panel, which allows several MCM-8 MK2 units to be daisy-chained — or signals not needing further 500 Series processing to be mixed together. The central section sports analog VU meters and a Stereo Master fader. Gold-plated XLRs and DSUB25s handle the I/O.
Smart technology, superior sound
Thanks to Heritage Audio's On Slot Technology (OST), the MCM-8 MK2's power capability is a maximum of 400mA per rail, per slot — with an overall of 1.4A (1.6A non-continuous) per rail, whichever is reached first. Total available phantom power is 140mA. The mix bus has a passive voltage summing topology, similar to that found in Rupert Neve's 80 Series consoles of the 1970s. The gain loss is restored by the same Class A, 2n3055 driven, transformer-based output stage used in the Heritage Audio's modern-day version of the classic 1073. If you're not into specs, what this all means is that the MCM-8 MK2 is built right to give you many years of authoritative sonic performance and trouble-free use in your studio or on the road.
Heritage Audio MCM-8 MK2 Features:
- 8-slot 500 Series chassis with integrated 10-channel summing mixer
- NEW lower noise floor
- NEW bypass switch for each slot that leaves summing mixer functions enabled
- Mix bus with vintage Neve-style passive voltage summing topology
- Additional stereo input on the back panel allows several MCM-8s to be daisy-chained
- Central section sports analog VU meters and a Stereo Master fader
- Handles power supply on a per slots basis, isolating each module from the rest
- Gold-plated XLRs and DSUB25s handle your I/O
- 140mA total available phantom power
- Class A transformer-based output stage
- Solid build quality for many years of trouble-free use
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