| Content | Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM advanced panel is added to an ATEM switcher as a control panel.
Although each switcher includes ATEM software control panel for Mac or Windows, an ATEM Advanced Panel is faster to use, making it ideal for demanding live production environments. Setup more complex effects with the enormous amount of control you’ll have in the ATEM 2 M/E. The ATEM 2 M/E Advanced Panel features broadcast buttons, knobs, and a t-bar fader.
The ATEM 2 M/E has two M/E rows with 20 input buttons and two independent system control LCDs for reach row. Each row has an independent select bus, and can control up to four M/Es in larger switchers. Input buttons have customizable colors and button label LCDs.
Modern design with the latest broadcast technology combine to enable faster workflows. Built in LCD control screen identifies work processes. Buttons are curved and have color backlighting to reduce incorrect key presses and quickly identify the keys you need. Professional joystick controls DVE and camera adjustments, smooth weighted t-bar fader, and more.
Durable and compact, the ATEM 2 M/E fits in a standard equipment rack. It can be used seamlessly for shelf mounting in broadcast trucks, mobile racks, and fly away kits.
Blackmagic Design ATEM 2 M/E Features
- Add to an ATEM switcher for accessible control panel functions
- Faster workflow
- Two independent rows of control, each with 20 input buttons
- Backlit buttons make identification easy and lower incorrect key presses
- Joystick for DVE and camera adjustments
- Smooth weighted t-bar fader
| Power supply not included - requires IEC cable.
Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM advanced panel is added to an ATEM switcher as a control panel.
Although each switcher includes ATEM software control panel for Mac or Windows, an ATEM Advanced Panel is faster to use, making it ideal for demanding live production environments. Setup more complex effects with the enormous amount of control you’ll have in the ATEM 1 M/E. The ATEM 1 M/E Advanced Panel features broadcast buttons, knobs, and a t-bar fader.
The ATEM 1 M/E has one row with 10 input buttons, and one system control LCD screen. Input buttons have customizable colors and button label LCDs. Use the shift buttons to double the number of inputs for control of up to 20 inputs. DVE and t-bar fader can be controlled with a joystick. Even though it’s a 1 M/E panel, you can control all M/Es in larger switchers.
Modern design with the latest broadcast technology combine to enable faster workflows. Built in LCD control screen identifies work processes. Buttons are curved and have color backlighting to reduce incorrect key presses and quickly identify the keys you need. Professional joystick controls DVE and camera adjustments, smooth weighted t-bar fader, and more.
Durable and compact, the ATEM 1 M/E fits in a standard equipment rack. It can be used seamlessly for shelf mounting in broadcast trucks, mobile racks, and fly away kits.
Blackmagic Design ATEM 1 M/E Features
- Add to an ATEM switcher for accessible control panel functions
- Faster workflow
- Backlit buttons make identification easy and lower incorrect key presses
- Control up to 20 inputs
- Joystick for DVE and camera adjustments
- Smooth weighted t-bar fader
- Fits in a standard equipment rack
| The most complete production system available today, TriCaster TC1 represents the continued innovation of the iconic product that defined an industry. Designed with the way you work in mind and equipped with hundreds of advanced production capabilities, it has everything you need to do video your way today—and tomorrow.
Product Highlights
- Switching, streaming, recording in HD, 3G, and 4K UHD 60p
- Native software driven processing for maximum production power and flexibility
- Comprehensive camera coverage and compelling multi-source video mixing, including 16 external inputs and 4 M/Es
- Studio-grade Skype® video calling with multi-channel Skype TX software integration
- Integrated video servers allowing playback, replay, and live editing without any additional hardware
- Multi-channel ISO recording to full-resolution QuickTime® and H.264 files for VOD, post-production, and archive
- Dual-channel live streaming to Facebook Live, Microsoft® Azure®, Periscope, Twitch, YouTube™ Live, and more
- Real-time social media sharing to Facebook, Imgur, LinkedIn, Twitter, Vimeo, YouTube, and more
- Powerful production automation with custom macro commands, sophisticated full-motion compositing, and flexible control options
- Advanced audio mixing with multi-source configuration and control, professional DSPs, and 4 x 4 x 4 channel routing
- Premier creative capabilities, including multi-bus mix effects, animated titles and transitions, advanced chromakeying, spectacular live virtual sets, and more
Video Input
16 x simultaneous external video inputs, supporting any combination of compatible sources in resolutions up to 4K UHD at frame rates up to 60fps (2160p 59.94)
Network Video Input
16 x IP video inputs via NDI™, resolution-independent, with support for key and fill
SDI Video Input
4 x 3G/HD/SD-SDI connections supporting video input in any combination of standard formats, resolutions, and frame rates
- 1080p: 59.94, 50, 29.97, 25, 24, 23.976
- 1080i: 59.94, 50
- 720p: 59.94, 50, 29.97, 25, 24, 23.976
- 576i 50
- 480i 59.94
PTZ
Support for up to 8 simultaneous Pan-Tilt-Zoom (PTZ) robotic cameras via serial and network protocols, including RS232, RS422 and IP, with integrated controls and preset system
Skype TX
Native support for up to 2 simultaneous Skype® video call inputs via Skype TX software integration
Apple® AirPlay®
Native support for input of compatible iOS mobile devices via Apple AirPlay
Video Output
Configurable for up to 4 independent video mix outputs, with simultaneous delivery via IP and SDI
Network Video Output
- IP video output via NDI, optionally configurable for:
- 4 x independent video mix outputs
- 1 x 4K UHD video mix output
SDI Video Output
- 4 x 3G/HD/SD-SDI connections, optionally configurable for:
- 4 x independent 3G/HD/SD video mix outputs
- 1 x 4K UHD video mix output via 3G-SDI quad-link grouping
Stream Output
2 x resolution-independent streaming video outputs, independently configurable, with simultaneous stream archive
Multiviewer Output
- 3 x multiviewer outputs supporting standard display resolutions
- 1 x DVI user interface with multiviewer
- 1 x HDMI multiviewer
- 1 x DisplayPort multiviewer
Mix/Effect Buses (M/E)
- 4 x M/E buses supporting video re-entry
- 1 x Mix/Effect channel per bus with support for up to 4 sources
- 4 x KEY layers per bus
- 9 x memory slots per bus
- 1 x PREVIZ configuration and preview bus
DSK Channels
4 x DSK channels
Media
- 5 x media players
- 2 x DDR
- 2 x GFX
- 1 x Sound
- 15 x media buffers
- 10 x animation buffers
- 5 x graphic buffers
- 30 x clip players (available for use as transitions or media depending on function)
Keyers
- Integrated LiveMatte™ chroma and luma keying technology on all source channels and M/E buses
- 16 x input keyers
- 4 x media player keyers
- 4 x M/E keyers
- 1 x PREVIZ keyer
- 15 x buffer keyers
COMPs
Integrated video composition engine on the switcher and each M/E bus to create, store, and apply layer configurations and DVE-style motion sequences
16 x configurable COMP presets per bus
Virtual Sets
Integrated LiveSet™ technology with 30+ live virtual sets and box effects included
DataLink
Integrated DataLink™ technology enabling real-time, automated data input from internal and external sources, including webpages, spreadsheets, scoreboards, databases, RSS feeds, watch files, XML, CSV, ASCII and more
Macros
- Record, store, edit and automate commands and user-configured operation sequences
- Attach to control panel buttons, keyboard shortcuts, hotspots, MIDI and X-keys® buttons or GPI triggers
- Attach to internal events and state changes, including audio, media playback, tally and specific switcher actions
- Supports control via web-based interface
Recording
- 6 x configurable video recording channels via IsoCorder™ technology
- 4 x QuickTime® archival video recorders (XDCAM HD compatible, 4:2:2 encoding, 24-bit audio, with timecode)3
- 2 x H.264 distribution video recorders (multiple profiles)
- 1 x MP3 audio recorder
- 3 QuickTime Player not required for playback in common NLE applications
Storage
- 2 x 3TB internal drive
- Capacity varies by format, resolution and file specification
- Supports recording to external storage via USB 3.0 and eSATA
- Supports shared storage integration and third-party partner solutions
Grab
Grab full-resolution, deinterlaced still images from external video sources and outputs
Export
Export video and image files to social media, FTP, local or external volumes, and network servers, with optional transcoding
Audio Mixer
Integrated multi-channel audio mixer with support for quad-channel audio, DSPs and 4x4x4 audio input routing
Local Audio Input
- 4 x SDI embedded
- 1 x Balanced XLR stereo pair (Line)
- 3 x Balanced 1/4” stereo pairs (Line)
Local Audio Output
- 4 x SDI embedded
- 1 x Balanced XLR stereo pair
- 1 x Balanced 1/4” stereo pair
- 1 x Stereo 1/4" (phones)
Network Audio
- Native support for network audio input and output via NDI
- Embedded audio supported for all NDI input and output video signals
- Integrated support4 for Dante™ networking protocol from Audinate®
- Support for AES67 protocol via compatible WDM audio drivers5
- 4Requires Dante Virtual Soundcard license from Audinate (sold separately)
- 5Requires third-party virtual sound card license (sold separately)
Supported Media File Formats
Import, store, and play back multimedia files, with optional transcoding, including:
- Video: AVI, DV, DVCPro, DVCProHD, FLV, F4V, H.263, H.264, MOV, MKV, MJPEG, MPEG, MP4, WMV, WebM, and more
- Image: PSD, PNG, TGA, BMP, JPEG, JPEG-XR, JPEG2000, EXR, RAW, TIF, WebP, and more
- Audio: AIFF, MP3, WAV, and more
Monitoring
Support for up to 3 multiviewer displays with configurable workspaces and viewports
Signal Monitoring
Integrated waveform and vectorscope, full field rate with digital calibration, color preview and support for ITU-R Rec. 709
Processing
- Video: Floating Point YCbCr +A 4:4:4:4
- Audio: Floating Point, 96 kHz
Throughput Latency
~1.0-1.5 frames
A/V Standards
- 4K UHD video conforms to SMPTE 2036 (UHDTV1 using Square Division Quad Split)
- 3G-SDI video conforms to SMPTE 424M (Level A)
- HD-SDI video conforms to SMPTE 292M
- SD video conforms to SMPTE 259M and ITU-R BT.656
- Analog audio levels conform to SMPTE RP-155
Tally
Support for hardware tally via HD15 GPI connector, network tally via NDI, and Blackmagic Design® SDI tally standard
Genlock
Genlock input supporting SD (Bi-level) or HD (Tri-level) reference signals
GPI
Supports GPI signals via JLCooper Electronics eBox GPI interface
MIDI
Support for standard MIDI protocol enabling third-party device control
System Drive
120GB SSD
NIC
2 x 1 Gigabit NIC
System Physical
TriCaster TC1
2RU chassis with 400W PSU and multi-tiered hardware and software fail-safe
- 19.0 x 3.5 x 19.57 in (48.3 x 8.9 x 49.7 cm) with rack ears attached
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Blackmagic Design’s ATEM production switcher series create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. With a machined aluminum front panel and multi voltage power supplies, ATEM live production switchers can power live production needs at live concerts, sporting events, theater productions, and conferences around the world.
The ATEM 4 M/E has 20 12G-SDI inputs that allow embedded audio mixing and can be used on sources without genlock, such as laptops. Two balanced XLR audio inputs can connect to professional mixers, and a HiFi audio input can connect to an iPod. Thirteen video outputs can be used with any TV or monitor to connect with LED screens, projectors, disk recorders, and broadcast decks. Monitor up to 16 cameras simultaneously with the two independent multi view outputs. An independent aux output can feed big screens on stage, and pairs excellently with SmartScope Duo 4K for tech monitoring.
Let your creative expression take the lead with the ATEM 4 M/E. Creative transitions can be used in all resolutions, and the transition type, pattern, and length are customizable. Powerful digital video effects processor gives you the ability to position, resize, rotate, and scale live video in real time. Built in chroma, luminance, linear and pattern keyers, and two independent downstream keyers all come standard. The ATEM 4 M/E adds an advanced chroma keyer on each mix effects row for massive multi-layer effects. On-screen adjustable controls can select and sample a region of color. Chroma keyer also features foreground, background and edge adjustment controls, and chroma correction tools.
Add multi box compositions quickly and easily with SuperSource’s separate five layer switcher. SuperSource can be assigned to any ATEM video input, so you can produce multi camera interviews or picture in picture while the M/Es, keyers, and DVE are available for other uses. Compositions from SuperSource can be saved and automatically recalled.
Recall saved sequences with dual media players and HyperDeck SSD recorders. Dual media players support popular image formats for downloading still frames and graphics for keying. Set up and automatically start complex sequences with power macros. These macros are saved as XML files for instant recall and can even be copied to use on another switcher. For other pre-recorded sequences, connect up to four HyperDeck SSD recorders to the ATEM switcher.
Software control panel can be used on Mac or Windows computers. This included software panel offers a full visual switcher control panel and parameter palettes. For greater control access, add an ATEM advanced panel.
Blackmagic Design ATEM 4 M/E Features
- Switch between SD, HD, or Ultra HD video standards for ultimate flexibility in live production
- 3840 x 2160 frame size
- 12G-SDI performance
- 20 video inputs and 13 video outputs
- Dozens of effects and creative transitions
- Powerful digital effects processor
- Built in keyers
- Advanced chroma keyer to create multi-layer effects
- SuperSource function extends the ATEM’s power by adding a separate 5 layer switcher
- Dual media players with large graphic memory
- Power macros to save and instantly recall sequences
- Compatible with HyperDeck SSD recorders
- Included software control panel for Mac or Windows
- Add a hardware-based ATEM advanced panel for control in demanding live sound applications
In The Box
- ATEM 4 M/E Broadcast Studio 4K1
| The power of Ki Pro in a 1RU format, the perfect fit for your file based workflow.
With a wealth of professional connections including SDI and HDMI, Ki Pro Rack will fit right into your existing cabling and routing system. Ki Pro Rack also features AJA’s industry leading conversion technology, enabling you to perform broadcast quality up, down, cross-conversion during recording or playback without the need for additional conversion hardware.
AJA Ki Pro Rack Features
- HD/SD recorder and player
- Record and playback Apple ProRes or Avid DNxHD files
- SDI, HDMI, and Component Video I/O
- AES (BNC) and analog (XLR) audio I/O
- 2x KiStor media bays with Ki Protect
- Balanced XLR analog audio inputs, mic/line/48v switchable
- Multi-channel embedded SDI and HDMI audio
- Up, down, cross-conversion built-in
- REF, LTC, RP-188 and RS-422 support
- REST interface
- Front panel button controls
- Easy to use web UI, configure and control from standard web browsers
- Compact 1RU design
- 3 year warranty
| Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM Camera Control panel can be added to any ATEM switcher model and is connected via Ethernet.
The ATEM Camera Control panel uses traditional broadcast style controls and adjustments in a compact design so one person can monitor and adjust technical parameters such as black levels, gain, color balance, shutter speed, and more. With this control panel, there are four separate LCD displays and control sections for control of up to four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. Control layout is familiar and logical for fast and easy operation by operators of all levels. This control panel is meant to be portable, so does not need to be bolted down.
Quickly adapt to changes in the scene with the top section of controls. Top section controls include white balance, master gain, bars, and shutter speed. You can save and recall presets with the load scenes function. RGB controls in the center section allow you to adjust the individual red, green and blue levels in blacks and whites when you need to compensate for unwanted color. The bottom section is dedicated to lens and iris controls, a joystick to adjust iris and master black. There are buttons for talkback with the operator, panel lock, and a number indicator for preview and on air status.
Blackmagic Design ATEM Camera Control Panel Features
- Traditional broadcast style controls and adjustments
- Portable control panel
- Iris control
- Shutter speed
- White balance
- Master gain
- Pedestal
- RGB controls for white and black
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