Allen & Heath GL3800 2011 NOIR

$2,716.96

GTIN: 6938122227811 SKU: 6938122227811 Category: Tags: , ,

Description

RÉSUMÉ DES FONCTIONNALITÉS

Images de 24, 32, 40 et 48 canaux

Options de canal mono / stéréo A, B, C, D

Mélanges principaux LR et M

8 groupes audio avec panoramique et routage vers LR et M

10 auxiliaires dont un envoi stéréo dédié avec commandes de niveau et de panoramique

2 canaux stéréo multifonctions chacun avec entrées micro et ligne stéréo

2 doubles stéréos supplémentaires fournissent 4 retours stéréo additionnés ou indépendants

Matrice 12 × 4 complète

Double fonctionnalité appropriée pour FoH, mixage de moniteur ou les deux

Enregistrement capable avec des sorties directes de canal

M peut être utilisé pour le mixage centre / sous, la somme mono LR ou le coin d’ingénierie

Entrées externes matricielles avec trims de niveau et capacité d’entrée commune

Les entrées micro du canal stéréo peuvent se croiser dans la matrice pour une alimentation d’ambiance

EQ réactif 4 bandes, 2 balayages

Filtres passe-haut de canal 100Hz

Alimentation fantôme individuelle et commutation de polarité

Compteur intégré avec 11 VU-mètres à bobine mobile éclairés par LED

Canal LED grand angle et compteurs principaux

Compteurs de contrôle stéréo dédiés

Commutation auxiliaire par canal pré / post fader pour une flexibilité totale

Commutateurs pré / post-EQ du panneau avant pour les préférences de l’utilisateur

Coupe le son de tous les faders masters

Faders à double rail de qualité supérieure de 100 mm

Talkback assignable à toutes les sorties, comprend un mode de verrouillage de commutateur de conversation

Oscillateur 1 kHz / générateur de bruit rose avec sortie externe

Surveillance 2 pistes et relecture sur LR

3 prises casque / écouteurs et sorties moniteur locales

Sorties XLR symétrisées électroniquement avec capacité d’entraînement + 26 dBu

Gamme de préamplis 74 dB avec capacité d’entrée +34 dBu pour micro ou ligne

Conception d’ampli micro à très faible bruit

Combiner intégré pour une alimentation de secours redondante

Assemblage de cartes de circuits individuelles avec des pots écroués

Option de liaison d’entrée / sortie de console Sys-Link V2

Douilles de lampe XLR 4 broches – Lampe LED Allen & Heath disponible.

Options de canal mono / stéréo:

A = tous les canaux mono
B = 4 stéréos à droite des masters
C = 4 stéréos à l’extrême droite
D = 8 stéréos à l’extrême droite

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SettingsAllen & Heath GL3800 2011 NOIR removeSolid State Logic UF-8 removeHeritage Audio MCM-8 II 500 Series Chassis and Summing Mixer removeKorg Mw 2408 Mixer Mixer removeHeritage Audio MCM-20.4 20-channel Summing Mixer removeSSL UF8 Advanced DAW Controller remove
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Description
ContentRÉSUMÉ DES FONCTIONNALITÉS Images de 24, 32, 40 et 48 canaux Options de canal mono / stéréo A, B, C, D Mélanges principaux LR et M 8 groupes audio avec panoramique et routage vers LR et M 10 auxiliaires dont un envoi stéréo dédié avec commandes de niveau et de panoramique 2 canaux stéréo multifonctions chacun avec entrées micro et ligne stéréo 2 doubles stéréos supplémentaires fournissent 4 retours stéréo additionnés ou indépendants Matrice 12 × 4 complète Double fonctionnalité appropriée pour FoH, mixage de moniteur ou les deux Enregistrement capable avec des sorties directes de canal M peut être utilisé pour le mixage centre / sous, la somme mono LR ou le coin d'ingénierie Entrées externes matricielles avec trims de niveau et capacité d'entrée commune Les entrées micro du canal stéréo peuvent se croiser dans la matrice pour une alimentation d'ambiance EQ réactif 4 bandes, 2 balayages Filtres passe-haut de canal 100Hz Alimentation fantôme individuelle et commutation de polarité Compteur intégré avec 11 VU-mètres à bobine mobile éclairés par LED Canal LED grand angle et compteurs principaux Compteurs de contrôle stéréo dédiés Commutation auxiliaire par canal pré / post fader pour une flexibilité totale Commutateurs pré / post-EQ du panneau avant pour les préférences de l'utilisateur Coupe le son de tous les faders masters Faders à double rail de qualité supérieure de 100 mm Talkback assignable à toutes les sorties, comprend un mode de verrouillage de commutateur de conversation Oscillateur 1 kHz / générateur de bruit rose avec sortie externe Surveillance 2 pistes et relecture sur LR 3 prises casque / écouteurs et sorties moniteur locales Sorties XLR symétrisées électroniquement avec capacité d'entraînement + 26 dBu Gamme de préamplis 74 dB avec capacité d'entrée +34 dBu pour micro ou ligne Conception d'ampli micro à très faible bruit Combiner intégré pour une alimentation de secours redondante Assemblage de cartes de circuits individuelles avec des pots écroués Option de liaison d'entrée / sortie de console Sys-Link V2 Douilles de lampe XLR 4 broches - Lampe LED Allen & Heath disponible. Options de canal mono / stéréo: A = tous les canaux mono B = 4 stéréos à droite des masters C = 4 stéréos à l'extrême droite D = 8 stéréos à l'extrême droiteUF8 is SSL’s latest studio controller, designed for today’s DAW-based production workflows and ultrafast turn-around times. An expandable 8-channel advanced DAW controller, UF8 connects engineers, producers and artists directly to the creative process, offering absolute command of their workflow and significantly accelerating the speed of audio production and content creation. UF8 is the culmination of SSL’s 40+ year legacy of mastering production workflows and studio ergonomics built into generations of classic SSL consoles. This depth of understanding of studio production, combined with decades of engineering excellence, delivers a premium finish tactile USB controller that distills SSL workflow and quality.Heritage Audio's MCM-8 MK2 is an 8-slot 500 Series chassis with an integrated 10-channel summing mixer. The top-of-the-line MCM-8 MK2 features On Slot Technology that leverages next-generation power electronics to handle power supply on a per slot basis. Each slot has its own power supply linear regulation stages, isolating each module from the rest. Your modules simply share the metal enclosure. Each slot even has test LEDs for checking correct power operation. Dual-concentric potentiometers handle Volume and Pan for each slot, with pan pots being center detented for precise center positioning. Each channel is equipped with an On switch to assign it to the mix bus. MK2 improvements include a lower noise floor and the addition of a bypass switch for each slot that still lets you use the summing mixer functions. Heritage Audio has earned the respect of Sweetwater engineers, and the MCM-8 MK2 lives up to that sterling reputation.

Superb build and feature set

From its RAF blue-gray enclosure to the solid tactile feedback from its knobs and switches, the Heritage Audio MCM-8 MK2 unabashedly rocks vintage British Class A vibe. And just like the classic gear that inspires all Heritage Audio equipment, the MCM-8 MK2 boasts superb build quality and a very smart feature set. There's an additional stereo input on the back panel, which allows several MCM-8 MK2 units to be daisy-chained — or signals not needing further 500 Series processing to be mixed together. The central section sports analog VU meters and a Stereo Master fader. Gold-plated XLRs and DSUB25s handle the I/O.

Smart technology, superior sound

Thanks to Heritage Audio's On Slot Technology (OST), the MCM-8 MK2's power capability is a maximum of 400mA per rail, per slot — with an overall of 1.4A (1.6A non-continuous) per rail, whichever is reached first. Total available phantom power is 140mA. The mix bus has a passive voltage summing topology, similar to that found in Rupert Neve's 80 Series consoles of the 1970s. The gain loss is restored by the same Class A, 2n3055 driven, transformer-based output stage used in the Heritage Audio's modern-day version of the classic 1073. If you're not into specs, what this all means is that the MCM-8 MK2 is built right to give you many years of authoritative sonic performance and trouble-free use in your studio or on the road.

Heritage Audio MCM-8 MK2 Features:

  • 8-slot 500 Series chassis with integrated 10-channel summing mixer
  • NEW lower noise floor
  • NEW bypass switch for each slot that leaves summing mixer functions enabled
  • Mix bus with vintage Neve-style passive voltage summing topology
  • Additional stereo input on the back panel allows several MCM-8s to be daisy-chained
  • Central section sports analog VU meters and a Stereo Master fader
  • Handles power supply on a per slots basis, isolating each module from the rest
  • Gold-plated XLRs and DSUB25s handle your I/O
  • 140mA total available phantom power
  • Class A transformer-based output stage
  • Solid build quality for many years of trouble-free use
KORG MW 2408 MIXER MIXERThe Heritage Audio MCM-20.4 is a rackmount analog summing mixer that delivers vintage-quality sonics along with sophisticated routing options to streamline your hybrid studio setup. The MCM-20.4 offers 16 input channels arranged into two subgroups of eight. Each channel features concentric pan and level controls plus a balanced insert and a mute switch. Each group has its own stereo fader and balanced insert point. Both stereo subgroups are passively summed into the master bus, which has its own balanced insert point and VU meters. Makeup gain is provided by a transformer-coupled, 1073-style Class A mic preamplifier with four transformers (two per channel). Four channels of pre/post-fader aux sends are provided: AUX 1 and 2 are mono; AUX 3 is stereo. Insert send points are always signal-present, giving them an alternative use as direct outputs for recording. Rear-panel connections are made via DB-25 connectors; except for the master bus, which has dedicated XLRs.

The best of both worlds

Done up in classic RAF blue-gray livery — complete with concentric pots and Marconi knobs — the Heritage Audio MCM-20.4 gives visual hints as to the sound lurking beneath the bonnet. Flavored by four transformers, that sound is decidedly vintage British, although Heritage has taken pains to improve crosstalk and self-noise specs from those of the vintage designs. The smart-summing topology employed in the company's MCM series mixers delivers impressive headroom and low noise for a 20 channel, vintage-topology mixer. Sweetwater's advice: If you want to smoothly integrate analog gear — and robust, colorful sonics — into your DAW-based workflow, the Heritage Audio MCM-20.4 is a great-sounding, elegant solution.

Heritage Audio MCM-20.4 20-channel, Vintage-topology Rackmount Mixer Features:

  • 16 input channels arranged into 2 subgroups of 8
  • Each channel features concentric pan and level controls plus a balanced insert and a mute switch
  • 2 stereo subgroups are passively summed into the master bus
  • Master bus has its own balanced insert point and VU meters
  • 4 channels of pre/post-fader aux sends
  • Rear-panel connections are made via DB-25 connectors
  • Master bus connections via dedicated XLRs
SSL UF8 Advanced DAW Controller The SSL UF8 is an advanced DAW controller designed to fit the needs of DAW-based workflows and ultra-fast turn-around times. The SSL UF8 features 8, 100mm touch sensitive faders, 8 endless rotary encoders and 43 assignable keys. An expandable 8-channel advanced DAW controller, UF8 connects engineers, producers and artists directly to the creative process, offering absolute command of their workflow and significantly accelerating the speed of audio production and content creation. Advanced Workflow UF8 offers intuitive features that are developed from a true understanding of production workflow. Take ultimate control with simultaneous access to multiple DAW sessions, and precise navigation with a multi-purpose Master Encoder for DAW timeline access, track banking and mouse wheel emulation. 'Dual-purpose Selection Keys permit rapid access to select functions as well as solo and mute clearing in Pro Tools and Logic Pro. New CHANNEL and PLUG-IN control modes provide enhanced workflows for those using UF8 with Pro Tools, with easy access to sends and plug-ins without slowing down your creativity. Configurability Each UF8 comes equipped with 43 assignable user keys set across 5 configurable banks, allowing users to configure their essential keyboard shortcuts and macros for total session control. Add multiple controllers to create your unique mixing system; build your perfect 16-24 channel music creation hub, or connect 4 UF8’s within a single system to create a 32-channel controller ideal for large post production or mixing sessions. Multiple UF8s can be chained together using the THRU port and provide a safe place for iLok storage. For perfect positioning, each UF8 includes an adjustable stand allowing for six different angles of elevation for user defined placement. 19” rack mount kits are also available for installation into an ORIGIN console center section or other 19” studio racking. 360° Control SSL’s new 360° software application provides fast configuration and admin control of your UF8. With an expanded system, ‘drag-n-drop’ configuration gives quick and dynamic access to each individual controller set up. Customise workflows and define up to 3 different DAW layers for simultaneous session control, with all changes managed without getting in the way of your productivity. SSL UF8 Features:
  • High-quality 100 mm touch sensitive faders
  • High-resolution colour displays
  • All metal enclosure, finished with a brushed, anodised top plate
  • 8 Endless Rotary Encoders
  • Custom Workflows with 43 assignable keys per UF8; 5 banks of 8 User Keys + 3 Quick Keys
  • Intelligent Multi-Purpose CHANNEL Encoder
  • Mouse Scroll Emulation; control of any plug-in parameter you hover the mouse over with absolute precision
  • Integrates With All Major DAWs with workflow ready templates
  • Pro Tools | Logic Pro | Cubase | Ableton Live | Studio One
  • Hi-Speed USB connectivity
  • Switch Control between 3 Simultaneously connected DAWs
  • Bundled with SSL Native Vocalstrip 2 & Drumstrip plug-in
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