Allen & Heath GL3800 2011 NOIR

$2,716.96

GTIN: 6938122227811 SKU: 6938122227811 Category: Tags: , ,

Description

RÉSUMÉ DES FONCTIONNALITÉS

Images de 24, 32, 40 et 48 canaux

Options de canal mono / stéréo A, B, C, D

Mélanges principaux LR et M

8 groupes audio avec panoramique et routage vers LR et M

10 auxiliaires dont un envoi stéréo dédié avec commandes de niveau et de panoramique

2 canaux stéréo multifonctions chacun avec entrées micro et ligne stéréo

2 doubles stéréos supplémentaires fournissent 4 retours stéréo additionnés ou indépendants

Matrice 12 × 4 complète

Double fonctionnalité appropriée pour FoH, mixage de moniteur ou les deux

Enregistrement capable avec des sorties directes de canal

M peut être utilisé pour le mixage centre / sous, la somme mono LR ou le coin d’ingénierie

Entrées externes matricielles avec trims de niveau et capacité d’entrée commune

Les entrées micro du canal stéréo peuvent se croiser dans la matrice pour une alimentation d’ambiance

EQ réactif 4 bandes, 2 balayages

Filtres passe-haut de canal 100Hz

Alimentation fantôme individuelle et commutation de polarité

Compteur intégré avec 11 VU-mètres à bobine mobile éclairés par LED

Canal LED grand angle et compteurs principaux

Compteurs de contrôle stéréo dédiés

Commutation auxiliaire par canal pré / post fader pour une flexibilité totale

Commutateurs pré / post-EQ du panneau avant pour les préférences de l’utilisateur

Coupe le son de tous les faders masters

Faders à double rail de qualité supérieure de 100 mm

Talkback assignable à toutes les sorties, comprend un mode de verrouillage de commutateur de conversation

Oscillateur 1 kHz / générateur de bruit rose avec sortie externe

Surveillance 2 pistes et relecture sur LR

3 prises casque / écouteurs et sorties moniteur locales

Sorties XLR symétrisées électroniquement avec capacité d’entraînement + 26 dBu

Gamme de préamplis 74 dB avec capacité d’entrée +34 dBu pour micro ou ligne

Conception d’ampli micro à très faible bruit

Combiner intégré pour une alimentation de secours redondante

Assemblage de cartes de circuits individuelles avec des pots écroués

Option de liaison d’entrée / sortie de console Sys-Link V2

Douilles de lampe XLR 4 broches – Lampe LED Allen & Heath disponible.

Options de canal mono / stéréo:

A = tous les canaux mono
B = 4 stéréos à droite des masters
C = 4 stéréos à l’extrême droite
D = 8 stéréos à l’extrême droite

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SettingsAllen & Heath GL3800 2011 NOIR removeHeritage Audio MCM-8 II 500 Series Chassis and Summing Mixer removeKorg Mw 2408 Mixer Mixer removeSPL MixDream Analogue Summing Unit removeSSL UF8 Advanced DAW Controller removeRupert Neve Designs 5059 Satellite Summing Mixer - Shelford Edition remove
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SKU6938122227811MCM8MK249591121911504260149320476878076001470763854076859
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Description
ContentRÉSUMÉ DES FONCTIONNALITÉS Images de 24, 32, 40 et 48 canaux Options de canal mono / stéréo A, B, C, D Mélanges principaux LR et M 8 groupes audio avec panoramique et routage vers LR et M 10 auxiliaires dont un envoi stéréo dédié avec commandes de niveau et de panoramique 2 canaux stéréo multifonctions chacun avec entrées micro et ligne stéréo 2 doubles stéréos supplémentaires fournissent 4 retours stéréo additionnés ou indépendants Matrice 12 × 4 complète Double fonctionnalité appropriée pour FoH, mixage de moniteur ou les deux Enregistrement capable avec des sorties directes de canal M peut être utilisé pour le mixage centre / sous, la somme mono LR ou le coin d'ingénierie Entrées externes matricielles avec trims de niveau et capacité d'entrée commune Les entrées micro du canal stéréo peuvent se croiser dans la matrice pour une alimentation d'ambiance EQ réactif 4 bandes, 2 balayages Filtres passe-haut de canal 100Hz Alimentation fantôme individuelle et commutation de polarité Compteur intégré avec 11 VU-mètres à bobine mobile éclairés par LED Canal LED grand angle et compteurs principaux Compteurs de contrôle stéréo dédiés Commutation auxiliaire par canal pré / post fader pour une flexibilité totale Commutateurs pré / post-EQ du panneau avant pour les préférences de l'utilisateur Coupe le son de tous les faders masters Faders à double rail de qualité supérieure de 100 mm Talkback assignable à toutes les sorties, comprend un mode de verrouillage de commutateur de conversation Oscillateur 1 kHz / générateur de bruit rose avec sortie externe Surveillance 2 pistes et relecture sur LR 3 prises casque / écouteurs et sorties moniteur locales Sorties XLR symétrisées électroniquement avec capacité d'entraînement + 26 dBu Gamme de préamplis 74 dB avec capacité d'entrée +34 dBu pour micro ou ligne Conception d'ampli micro à très faible bruit Combiner intégré pour une alimentation de secours redondante Assemblage de cartes de circuits individuelles avec des pots écroués Option de liaison d'entrée / sortie de console Sys-Link V2 Douilles de lampe XLR 4 broches - Lampe LED Allen & Heath disponible. Options de canal mono / stéréo: A = tous les canaux mono B = 4 stéréos à droite des masters C = 4 stéréos à l'extrême droite D = 8 stéréos à l'extrême droiteHeritage Audio's MCM-8 MK2 is an 8-slot 500 Series chassis with an integrated 10-channel summing mixer. The top-of-the-line MCM-8 MK2 features On Slot Technology that leverages next-generation power electronics to handle power supply on a per slot basis. Each slot has its own power supply linear regulation stages, isolating each module from the rest. Your modules simply share the metal enclosure. Each slot even has test LEDs for checking correct power operation. Dual-concentric potentiometers handle Volume and Pan for each slot, with pan pots being center detented for precise center positioning. Each channel is equipped with an On switch to assign it to the mix bus. MK2 improvements include a lower noise floor and the addition of a bypass switch for each slot that still lets you use the summing mixer functions. Heritage Audio has earned the respect of Sweetwater engineers, and the MCM-8 MK2 lives up to that sterling reputation.

Superb build and feature set

From its RAF blue-gray enclosure to the solid tactile feedback from its knobs and switches, the Heritage Audio MCM-8 MK2 unabashedly rocks vintage British Class A vibe. And just like the classic gear that inspires all Heritage Audio equipment, the MCM-8 MK2 boasts superb build quality and a very smart feature set. There's an additional stereo input on the back panel, which allows several MCM-8 MK2 units to be daisy-chained — or signals not needing further 500 Series processing to be mixed together. The central section sports analog VU meters and a Stereo Master fader. Gold-plated XLRs and DSUB25s handle the I/O.

Smart technology, superior sound

Thanks to Heritage Audio's On Slot Technology (OST), the MCM-8 MK2's power capability is a maximum of 400mA per rail, per slot — with an overall of 1.4A (1.6A non-continuous) per rail, whichever is reached first. Total available phantom power is 140mA. The mix bus has a passive voltage summing topology, similar to that found in Rupert Neve's 80 Series consoles of the 1970s. The gain loss is restored by the same Class A, 2n3055 driven, transformer-based output stage used in the Heritage Audio's modern-day version of the classic 1073. If you're not into specs, what this all means is that the MCM-8 MK2 is built right to give you many years of authoritative sonic performance and trouble-free use in your studio or on the road.

Heritage Audio MCM-8 MK2 Features:

  • 8-slot 500 Series chassis with integrated 10-channel summing mixer
  • NEW lower noise floor
  • NEW bypass switch for each slot that leaves summing mixer functions enabled
  • Mix bus with vintage Neve-style passive voltage summing topology
  • Additional stereo input on the back panel allows several MCM-8s to be daisy-chained
  • Central section sports analog VU meters and a Stereo Master fader
  • Handles power supply on a per slots basis, isolating each module from the rest
  • Gold-plated XLRs and DSUB25s handle your I/O
  • 140mA total available phantom power
  • Class A transformer-based output stage
  • Solid build quality for many years of trouble-free use
KORG MW 2408 MIXER MIXER

SPL MixDream Analogue Summing Unit

  • Analogue outboard summing mixer
  • Active Class A/60-volt stages
  • 16 inserts for mixing external effects
  • Individual and overall bypass relays
  • Reduced of A/D conversions
  • Efficient resampling individual tracks
  • Latency-free monitoring
  • Stereo expansion control for additional transparency
  • Analogue peak limiter for gain optimisation
  • Lundahl output transformers and inserts
  • Adjustable insert levels, output levels and peak limiters
  • Multiple units linkable for larger mixes
SSL UF8 Advanced DAW Controller The SSL UF8 is an advanced DAW controller designed to fit the needs of DAW-based workflows and ultra-fast turn-around times. The SSL UF8 features 8, 100mm touch sensitive faders, 8 endless rotary encoders and 43 assignable keys. An expandable 8-channel advanced DAW controller, UF8 connects engineers, producers and artists directly to the creative process, offering absolute command of their workflow and significantly accelerating the speed of audio production and content creation. Advanced Workflow UF8 offers intuitive features that are developed from a true understanding of production workflow. Take ultimate control with simultaneous access to multiple DAW sessions, and precise navigation with a multi-purpose Master Encoder for DAW timeline access, track banking and mouse wheel emulation. 'Dual-purpose Selection Keys permit rapid access to select functions as well as solo and mute clearing in Pro Tools and Logic Pro. New CHANNEL and PLUG-IN control modes provide enhanced workflows for those using UF8 with Pro Tools, with easy access to sends and plug-ins without slowing down your creativity. Configurability Each UF8 comes equipped with 43 assignable user keys set across 5 configurable banks, allowing users to configure their essential keyboard shortcuts and macros for total session control. Add multiple controllers to create your unique mixing system; build your perfect 16-24 channel music creation hub, or connect 4 UF8’s within a single system to create a 32-channel controller ideal for large post production or mixing sessions. Multiple UF8s can be chained together using the THRU port and provide a safe place for iLok storage. For perfect positioning, each UF8 includes an adjustable stand allowing for six different angles of elevation for user defined placement. 19” rack mount kits are also available for installation into an ORIGIN console center section or other 19” studio racking. 360° Control SSL’s new 360° software application provides fast configuration and admin control of your UF8. With an expanded system, ‘drag-n-drop’ configuration gives quick and dynamic access to each individual controller set up. Customise workflows and define up to 3 different DAW layers for simultaneous session control, with all changes managed without getting in the way of your productivity. SSL UF8 Features:
  • High-quality 100 mm touch sensitive faders
  • High-resolution colour displays
  • All metal enclosure, finished with a brushed, anodised top plate
  • 8 Endless Rotary Encoders
  • Custom Workflows with 43 assignable keys per UF8; 5 banks of 8 User Keys + 3 Quick Keys
  • Intelligent Multi-Purpose CHANNEL Encoder
  • Mouse Scroll Emulation; control of any plug-in parameter you hover the mouse over with absolute precision
  • Integrates With All Major DAWs with workflow ready templates
  • Pro Tools | Logic Pro | Cubase | Ableton Live | Studio One
  • Hi-Speed USB connectivity
  • Switch Control between 3 Simultaneously connected DAWs
  • Bundled with SSL Native Vocalstrip 2 & Drumstrip plug-in
Working inside the box? Sweetwater would like to recommend a summing mixer that will seriously up your game: the Rupert Neve Designs 5059 Satellite Shelford Edition. If you record and mix entirely within your DAW, you’re hampered by the inability to leverage the sonic advantages of high-quality analog outboard gear. Enter the 5059 Satellite. The 5059 gives you 16 channels — each with individual level and pan, plus insert and bus-2 send buttons. You get two stereo buses with RND’s proprietary Silk Texture controls, giving you effortless integration with outboard equipment, total control for two separate stem mixes, and the facility to dial in harmonic enhancement in two distinct flavors.

It’s a Neve

In serious audio circles, Rupert Neve needs no introduction. Large-format Neve consoles from the 1970s are considered by many to be the pinnacle of analog mixer design. Boasting the same design heritage and sonic perfectionism that went into the boards used to record countless hit records, the 5059 Satellite Summing Mixer graces your tracks with legendary Rupert Neve warmth, punch, and presence. With 16 channels of Rupert Neve designed Class A alchemy and flexible tonal and routing options, the Rupert Neve Designs 5059 Satellite Summing Mixer will take your DAW-based studio’s sound to a whole new level.

Dial in the Silk

The Rupert Neve Designs’ 5059 Satellite Summing Mixer’s continuously variable Texture controls with Silk and Silk+ modes let you fine-tune the harmonic ratio and tonality of each of 5059’s stereo buses. The Silk mode adds sparkle to your tracks by introducing alluringly airy transformer saturation in the high frequencies. Silk+ mode accentuates saturation in the low frequencies, adding density and thickness to the source — particularly desirable when you’ve got a dry, lackluster mix. Distinctly different sounding from equalization, Texture saturates the output transformers, adding sweet, musical even-order harmonics to your source material for authoritative, radio-ready mixes that blast right out of the speakers.

Flexibility: it’s a beautiful thing

The dual stereo outputs of the Rupert Neve Designs 5059 Satellite Summing Mixer are perfect for creating stem mixes, which you can enhance using the 5059’s Silk/Texture controls, then process through bus compressors or other devices via the inserts, finally feeding into the inputs of another mixer or your interface. You can send any input to stereo bus 1 or 2, and create two very different-sounding mixes from the same 16 channels. These are just some examples of the amazing flexibility you’ll enjoy when integrating the 5059 into your recording rig. Smartly attired in classic Shelford livery, the Rupert Neve Designs 5059 Satellite Summing Mixer is housed in a rugged, fan-cooled 2U steel chassis for dependable, no-compromise professional performance year after year, in the studio or on the road.

The legend continues

Rupert Neve’s 80-series consoles had a huge, punchy, and authoritative sound that defined the sound of ’70s rock. From London to New York to Los Angeles and beyond, top studios were installing Neve boards as fast as they could. By 1977, with the introduction of the NECAM automation system, 80-series boards were the main component of the success formula for any recording studio with world-class aspirations. Mr. Neve’s current company, Rupert Neve Designs, continues to advance the state of the art with cutting-edge products that sound incredible and intelligently address the challenges of the digital age. With your Rupert Neve Designs 5059 Satellite Shelford Edition from Sweetwater, the legend continues.

Rupert Neve Designs 5059 Satellite Summing Mixer Shelford Edition Features:

  • Classic Neve: Class A, all transformer-balanced, and awesome-sounding
  • Zero crossover distortion and unmatched purity
  • Custom transformers provide galvanic isolation and serve up "larger than life" sound
  • Sets a standard for rackmountable summing mixers
  • 16 inputs/channels (with level controls, pans, and inserts); 2 stereo buses
  • Send any input to stereo bus 1 or 2, each with variable Silk/Silk+ Texture
  • Dual Stereo Outputs let you split the input channels into 2 stems for further processing and mixing
  • Stereo buss 1 and 2 each has its own XLR outs
  • DB-25 line input, insert send/return connectors
  • Rugged 2U fan-cooled chassis, clad in classic Shelford livery
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