| Content | RÉSUMÉ DES FONCTIONNALITÉS
Images de 24, 32, 40 et 48 canaux
Options de canal mono / stéréo A, B, C, D
Mélanges principaux LR et M
8 groupes audio avec panoramique et routage vers LR et M
10 auxiliaires dont un envoi stéréo dédié avec commandes de niveau et de panoramique
2 canaux stéréo multifonctions chacun avec entrées micro et ligne stéréo
2 doubles stéréos supplémentaires fournissent 4 retours stéréo additionnés ou indépendants
Matrice 12 × 4 complète
Double fonctionnalité appropriée pour FoH, mixage de moniteur ou les deux
Enregistrement capable avec des sorties directes de canal
M peut être utilisé pour le mixage centre / sous, la somme mono LR ou le coin d'ingénierie
Entrées externes matricielles avec trims de niveau et capacité d'entrée commune
Les entrées micro du canal stéréo peuvent se croiser dans la matrice pour une alimentation d'ambiance
EQ réactif 4 bandes, 2 balayages
Filtres passe-haut de canal 100Hz
Alimentation fantôme individuelle et commutation de polarité
Compteur intégré avec 11 VU-mètres à bobine mobile éclairés par LED
Canal LED grand angle et compteurs principaux
Compteurs de contrôle stéréo dédiés
Commutation auxiliaire par canal pré / post fader pour une flexibilité totale
Commutateurs pré / post-EQ du panneau avant pour les préférences de l'utilisateur
Coupe le son de tous les faders masters
Faders à double rail de qualité supérieure de 100 mm
Talkback assignable à toutes les sorties, comprend un mode de verrouillage de commutateur de conversation
Oscillateur 1 kHz / générateur de bruit rose avec sortie externe
Surveillance 2 pistes et relecture sur LR
3 prises casque / écouteurs et sorties moniteur locales
Sorties XLR symétrisées électroniquement avec capacité d'entraînement + 26 dBu
Gamme de préamplis 74 dB avec capacité d'entrée +34 dBu pour micro ou ligne
Conception d'ampli micro à très faible bruit
Combiner intégré pour une alimentation de secours redondante
Assemblage de cartes de circuits individuelles avec des pots écroués
Option de liaison d'entrée / sortie de console Sys-Link V2
Douilles de lampe XLR 4 broches - Lampe LED Allen & Heath disponible.
Options de canal mono / stéréo:
A = tous les canaux mono
B = 4 stéréos à droite des masters
C = 4 stéréos à l'extrême droite
D = 8 stéréos à l'extrême droite | If you're seeking to take your projects to a level on par with world-class analog consoles, the AMS Neve 8816 will lead you to new sonic frontiers and beyond. The 8816's handbuilt, handwired 16-channel mixer employs the same transformer-balanced mix bus circuitry as a '70s-era Neve 80-series console, infusing every signal that flows through it with increased headroom, punch, and dimensionality. The 8816 does more than mere analog summing, however. This feature-laden box also includes cue mixing, metering, per-channel solo/mute, and talkback functionality. Its capable monitoring section includes a volume knob, an auxiliary input, dual headphone outputs, and alternate speaker outputs. Beyond that, the 8816 includes a main stereo insert send/return for strapping a compressor, EQ, or other processing across your entire mix, while its unique Width knob gives you a level of control over your mix’s stereo field that’s generally reserved for top-level mastering facilities. Craving tactile, hands-on control over your mix? Add an 8804 Fader Pack (sold separately). The 8816 also includes a USB port for saving and recalling settings to and from your computer, plus a digital I/O option, which provides you with A/D conversion (option card sold separately).
Inject your projects with the unmistakable Neve sound
Vintage Neve 80-series consoles are simply legendary. Watch Dave Grohl’s Sound City documentary for definitive proof, or listen to any of the countless chart-topping recordings that were made with one. Elton John, Steely Dan, Nirvana, Pink Floyd, Dire Straits, George Clinton, Chick Corea, Grateful Dead, REO Speedwagon, Cheap Trick, Foreigner, Tom Petty and the Heartbreakers, Pat Benatar, Santana, Ratt, Rage Against the Machine, Tool, Slayer, Kings of Leon, Slipknot, Elvis Costello, Everclear, Mastodon, and many other artists were recorded or mixed on a Neve 80-series console. The AMS Neve 8816 contains genuine 80-series topology, boasting two custom Neve Marinair specification transformers on its stereo mix bus. Whether you use it for tracking and overdubbing, submixing and summing, or mastering, the 8816 will infuse your projects with the authoritative sound of a classic Neve console. All the sonic hallmarks are present: the heft, the muscle, the three-dimensional non-linearities — enabling you to add color and vibrancy to every project.
16 feature-packed channels of classic Neve character
The AMS Neve 8816 is centered around a feature-rich 16-channel analog mixer. Each channel boasts a line-level input with a rotary Level control, a rotary Pan control, a Cue button, and a Cut/Solo button. The Level knob, which accommodates both +4dBu and -10dBV sources, ranges from ∞dB to +15dB with 0dB set at approximately 12 o’clock. The Pan knob offers smooth, progressive operation with -3dB center attenuation. The Cue button sends the channel’s input, pre-fader, and pre-pan to the 8816’s cue mix. Channels 1–14 are individually switchable to the cue mix, while Channels 15–16 are stereo linked. At Sweetwater, we’ve found channels 15–16 incredibly useful for playback of a rough 2-track artist mix while overdubbing. The Cut/Solo button enables you to mute or solo a track. Since the 8816’s solo system is latching, you can also build solo groups, then use the master Cut/Solo button to audition or mute a group — a must-have feature when comping or sorting out EQ or balance problems.
A full-blown Neve console in a 2U rackmount format
The sheer number of the 8816's mix send/return options is enough to make your head spin, in a good way. Place a stereo compressor, EQ, or other processing across your entire mix, or create a parallel return for New York-style compression. Access high-end, mastering-studio-level stereo image enhancement with the Width control. Route the 8816’s 2-track return to its cue mix, or replace your headphone cue mix with the main monitor mix. The insert return and 2-track return feature independent level controls, providing you with near-endless customization. You can also put the 8816’s sends/return in Mid-Side mode. There’s even a hidden talkback mic that you can engage with a push of the 8816’s headphone level knob. With all of this complexity, you may be concerned that you’ll lose your settings. Don't worry: the 8816’s USB port allows for easy recall of your settings via control software on your Mac or PC. And if you need more inputs, you can cascade up to 32 units for up to 512 channels.
Comprehensive monitoring section
The AMS Neve 8816’s comprehensive monitoring section puts it at the very heart of your studio. You get four monitoring sources: the 8816’s 2-track return, channels 1/2 (pre-fader), its auxiliary input, and your main monitor mix. A Mon Level knob allows you to calibrate your mixing levels (we recommend aiming for 85dB), while a Mix Level knob controls the output level to your DAW. Main/alternate speaker outputs enable you to reference your mixes on a second set of studio monitors. The 8816’s dual headphone outputs are wired in parallel, one on the front panel and the other on the rear, where there are also balanced line outputs for feeding a separate headphone amp. You also get two quasi-PPM VU meters fed from the 8816’s main outputs, along with analog and digital clip indicator LEDs.
The legend continues
At Sweetwater, the name Neve commands reverence. Rupert Neve started designing audio equipment in the tube console era but made his mark with solid-state designs. Setting up shop in Little Shelford in the ’60s, Mr. Neve faced many obstacles establishing his brand amid a new technological landscape. Transistors were new, expensive, and difficult to obtain in quantity in the UK. Reliable faders didn’t exist yet — a far cry from today’s world, where parts are affordable and readily available from multiple suppliers, all competing to win bids. Nevertheless, Rupert persisted. And by the early 1970s, the Neve company was humming along, taking orders and building custom transformer-balanced consoles for recording and broadcast studios the world over.
Neve 80-series consoles had a huge, punchy, and authoritative sound that defined the sound of ’70s rock. From London to New York to Los Angeles and beyond, top studios were installing Neve desks as fast as they could. By 1978, with the introduction of the majestic 8078 — the pinnacle of handwired analog “production” consoles — and NECAM automation system, Neve boards were the main component of the success formula for any recording studio with world-class aspirations. In the decades since, AMS Neve has innovated with groundbreaking products such as the VR, VX, and 88R series consoles. And today, the company continues to advance the state of the art with cutting-edge pro audio gear that sounds incredible and intelligently addresses the challenges of the digital age.
AMS Neve 8816 Summing Mixer Features:
- Packs the sound and functionality of a Neve console into a 2U rackmount unit
- Contains genuine Neve 80-series topology, including 2 custom Marinair transformers
- Ideal for tracking, overdubbing, submixing, summing, and mastering alike
- 16 channels of analog summing add color and vibrancy to every project
- Each channel boasts rotary Level and Pan controls, plus Cue and Cut/Solo buttons
- Mix insert points for adding effects to individual channels
- Comprehensive cue mixing for creating custom-tailored headphone mixes
- Main stereo insert send/return for adding processing to your mix bus
- Width knob supplies high-end-mastering-studio-level stereo image enhancement
- Main/alternate speaker outputs enable referencing on a second set of studio monitors
- 2-track return, auxiliary input, and dual headphone outputs
- Sends/returns boast a Mid-Side mode for added flexibility
- Hidden talkback mic is engaged with a push of the headphone level knob
- 2 quasi-PPM VU meters for the main outputs, plus analog and digital clip indicator LEDs
- USB port allows for recall of your settings via control software on your Mac or PC
- Cascade up to 32 units for up to 512 channels
- 8804 Fader Pack gives you tactile, hands-on control over your mix (sold separately)
- Digital I/O option provides A/D conversion (option card sold separately)
| Espandibile fino a 32 canali - QCon Pro XS8 + 1 fader motorizzati sensibili al tocco con risoluzione a 10 bitFader LED a 12 segmentiDoppio display LCD retroilluminato 2 × 56 per visualizzare il nome del canale. i valori di controllo. ecc. Per ogni canaleDisplay LED a 12 segmenti che mostra la posizione temporale del progetto in formato SMPTE o BBT - 18 pulsanti assegnabiliRotella jog shuttle per ricerca e controllo velociPulsanti illuminati per ogni canale. inclusi Record Enable. Solo. Mute. Select e Monitor6 pulsanti illuminati tra cui Play. Stop. Rec. Rewind. Fast Forward e LoopPulsante ZOOM illuminato con 4 pulsanti di direzione9 pulsanti funzione MIDI assegnabili illuminatiEspandibile a 32 canali utilizzando 3 unità di espansione QCon XSDue (2) connettori da 1/4 per interruttori a pedale e pedaliClasse compatibile con Windows XP. Vista (32 bit). Windows 7 (32 bit e 64 bit). Windows 8 (32 bit e 64 bit). Windows 10 (32 bit e 64 bit) e Mac OS XConnettività USB 2.0 ad alta velocitàIl driver ICON Quick-Setup è disponibile per Cubase. Nuendo. Reason e Bitwig per la compatibilità plug & play istantaneaBitwig Studio 8-Track DAW è incluso.Mackie Control integrato per tutte le DAW elencate (ad eccezione di ProTools che utilizza il protocollo Mackie HUI)Facile aggiornamento del firmware disponibile tramite connessione USB e software iMapQualità costruttiva superiore e robusto involucro in metallo con porta per blocco Kensington
Dimensioni: Lunghezza 51cm - Profondità 23.5cm - Altezza 57.5cm - Volume 0.068m³
Icon # Qcon Pro X - controller per DAW # Controller Midi / Controller Midi USB # Serie Qcon | The Heritage Audio MCM-20.4 is a rackmount analog summing mixer that delivers vintage-quality sonics along with sophisticated routing options to streamline your hybrid studio setup. The MCM-20.4 offers 16 input channels arranged into two subgroups of eight. Each channel features concentric pan and level controls plus a balanced insert and a mute switch. Each group has its own stereo fader and balanced insert point. Both stereo subgroups are passively summed into the master bus, which has its own balanced insert point and VU meters. Makeup gain is provided by a transformer-coupled, 1073-style Class A mic preamplifier with four transformers (two per channel). Four channels of pre/post-fader aux sends are provided: AUX 1 and 2 are mono; AUX 3 is stereo. Insert send points are always signal-present, giving them an alternative use as direct outputs for recording. Rear-panel connections are made via DB-25 connectors; except for the master bus, which has dedicated XLRs.
The best of both worlds
Done up in classic RAF blue-gray livery — complete with concentric pots and Marconi knobs — the Heritage Audio MCM-20.4 gives visual hints as to the sound lurking beneath the bonnet. Flavored by four transformers, that sound is decidedly vintage British, although Heritage has taken pains to improve crosstalk and self-noise specs from those of the vintage designs. The smart-summing topology employed in the company's MCM series mixers delivers impressive headroom and low noise for a 20 channel, vintage-topology mixer. Sweetwater's advice: If you want to smoothly integrate analog gear — and robust, colorful sonics — into your DAW-based workflow, the Heritage Audio MCM-20.4 is a great-sounding, elegant solution.
Heritage Audio MCM-20.4 20-channel, Vintage-topology Rackmount Mixer Features:
- 16 input channels arranged into 2 subgroups of 8
- Each channel features concentric pan and level controls plus a balanced insert and a mute switch
- 2 stereo subgroups are passively summed into the master bus
- Master bus has its own balanced insert point and VU meters
- 4 channels of pre/post-fader aux sends
- Rear-panel connections are made via DB-25 connectors
- Master bus connections via dedicated XLRs
| KORG MW 2408 MIXER MIXER | Midas Pro2C. Brand new, full Midas warranty.
Compact Live Digital Console Control Centre with 64 Input Channels, 8 Midas Microphone Preamplifiers, 27 Mix Buses, 96 kHz Sample Rate and Touring Grade Road Case
Shipping will cost extra based on buyers location. If purchased without an agreement in place, buyer will be responsible for organizing their own pickup or shipping. |
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