| Content | The design of the HDA range draws upon all of Arcam’s experience as one of the UK’s most respected audio companies, to produce Arcam’s best performing range of audio products yet.
The SA10 is a 50 W class A/B amp with an onboard MM phonostage and DAC. Note, there is no streamer, the Ethernet port is for monitoring and amp control only.
Features
- Extremely efficient class A/B amplification
- 50W of power per channel
- 5 analog inputs including phono
- 3 digital inputs
- 32-bit DAC,Sabre ESS9016K2M
- Full I/P control
Specifications
Continuous power output (8 ohm, 4 ohm): 50 W, 85 W
Phono (MM) input
Input sensitivity (1 kHz): 5 mV
Input impedance: 47 kΩ + 100 pF
Line inputs
Input impedance: 10 kΩ
Digital inputs
DAC chip: ESS9016K2M
Supported sample rates (optical, coaxial): 32-96 kHz, 32-192 kHz (16-24 bit)
Bit depth 16-bit – 24-bit
Preamp output
Output impedance: 230 ohm
Headphone output
Max output (into 600 ohm): 5 Vrms
Output impedance: 1 ohm
Load range: 16 - 2,000 ohm
Dimensions (WHD): 17" x 3.4" x 12.2" (433 mm x 87 mm x 310 mm)
Weight: 18.5 lb
Supplied accessories: Power cord, remote control, 2 x AAA batteries | BluOS Enabled 4K Ultra HD Receiver with Immersive Sound
NAD’s reference Audio Video Receiver (AVR) is a cutting-edge powerhouse for state of the art music and home theater.
The T 778 features the latest developments in NAD’s Hybrid Digital technology to create 9 high current/high power channels of amplification with improved efficiency. Designed with NAD’s full disclosure approach to power ratings, the NAD AVR conservatively delivers 80W FDP and 9 x 160W FTC, all channels driven at rated distortion. For flexibility, the amp channels are configurable to be used for surround or second zone audio. The silent black background and explosive dynamics afforded by this amplifier technology adds lifelike realism, drama and excitement to all your music and movies.
Features
- 9 channels of NAD’s latest Hybrid Digital Amplifier Technology
- New touch screen and improved ergonomics for user-friendly operation
- 4K UHD video pass-through
- High-Res BluOS enabled network streaming
- Dirac Live Room Correction
- AirPlay2
- MDC (Modular Design Construction) offers ability to upgrade to future digital formats as they become available. Two MDC slots provided.
- CI friendly- RS232 Serial Control Port. Trigger In/Out
- IR in with learning function
| Rupert Neve Designs RNHP is a state-of-the-art headphone amplifier. Now when Mr. Neve turns his attention to anything, you know it's going to be good. And spectacularly so. What the RNHP delivers is reliable, reference-grade amplification for any pair of headphones. Based on the headphone amp in the RND 5060 Centerpiece, the dedicated 24-volt design is spec'd with calibrated +4dBu Line, RCA, and 1/8" stereo inputs. Everything's housed in a road-tough, VESA-mountable steel chassis. The unit's effortless sonic performance and the ability to drive virtually any 'phones without compromise let you perform, mix, and savor your music with stunning clarity.
Rupert Neve Designs RNHP at a Glance:
- Unerring accuracy for better performances
- The benefits of near-zero-ohm output impedance
Unerring accuracy for better performances
You know you perform your best when your cans sound great - and that's where the RNHP can make a huge difference. Many integrated headphone amps are plagued with a non-linear frequency response, as well as noise, distortion, and skimpy headroom. To some, these units' lackluster sonic performance may seem "close enough for rock 'n' roll," however at Sweetwater, we believe there is the performer's subconscious response to consider. After all, if you're not inspired by what you're hearing, your performance will suffer.
The benefits of near-zero-ohm output impedance
Rupert Neve Designs spec'd the RNHP with near-zero-ohm output impedance to minimize frequency-based reactive-load impedance shifts - a problem unique to headphone monitoring. This ensures accurate sound reproduction, which is obviously important if you need to trust the decisions you make with headphones. You'll find the RNHP's unerring accuracy beneficial when you're using just one set of cans, and also when you're comparing a mix on multiple pairs of headphones.
Rupert Neve Designs RNHP Features:
- Reliable, reference-grade amplification for any pair of headphones
- Based on the headphone amp in the RND 5060 Centerpiece
- Effortless sonic performance
- The ability to drive virtually any headphones
- Dedicated 24-volt design
- Calibrated +4dBu Line, RCA, and 1/8" stereo inputs
- Near-zero-ohm output impedance minimizes frequency-based reactive-load impedance shifts
- Road-tough, VESA-mountable steel chassis
| Looking ahead to the future has always been a major factor when it comes to the creation of our products. With the C 368 Hybrid Digital DAC Amplifier, your home audio system will never fall behind the pack. Thanks to our MDC technology, the C 368 is easily customisable and ready for all future features and upgrades. With the optional BluOS module, the C 368 can connect to your network and be controlled through a smartphone, tablet, or desktop, and connect wirelessly to any other BluOS-enabled device to create a multi-room High Resolution Audio system. You can also instantly connect to the C 368 through Bluetooth, giving you the ability to stream wirelessly from any Bluetooth-enabled device, and if you’re a vinyl fan, you can also add a turntable. Enjoying music has never been so easy. A totally modern approach to amplification, the C 368 is the ultimate amp for any music lover’s system.
INTRODUCING THE NAD C 368.
Getting it Right
When it comes time to create a product, we never overlook the most crucial of requirements. From low noise circuits to precise volume control action, to accurate channel balance and proper input and output impedance characteristics, we here at NAD do everything we can to get these things exactly right. We also include an MM Phono stage with precisely accurate RIAA equalization, high overload margins, extremely low noise, and an innovative circuit to suppress infrasonic noise that is present on all LPs – all without affecting bass response. Our line inputs can accommodate all kinds of analogue source components by offering ideal input impedance characteristics with linear ultra-low-noise buffer amplifiers to prevent any sonic degradation caused by inappropriate loading of the source device. We include a separate headphone amplifier with low output impedance and very high output voltage capability – enough to drive even high impedance studio monitor headphones. Low impedance line outputs that can connect to subwoofers extend the versatility of this well thought out amplifier. These are all details you can hear.
Forward Thinking
Modular Design Construction (MDC), an exclusive feature of NAD products, allows you to customise your NAD amplifier with additional capabilities and features, now or in the future. The two available MDC slots can accommodate a variety of upgrade modules including 4K video capable HDMI switching, additional Digital Inputs, additional Analogue and Phono Inputs, and one of the most advanced Hi-Res Audio multi-room wireless systems available, the BluOS music management system developed by Bluesound. BluOS connects to your network and is controlled via smartphone, tablet or desktop to manage your music collection and connect you to a growing list of high-quality streaming music services.
Instant Connection
As previously revealed, you can connect instantly to the C 368 with Bluetooth®, allowing you to stream music wirelessly from any Bluetooth-enabled device. The high performance aptX® codec is fully supported for true CD quality sound. Bluetooth can also be used to listen to other sources connected to the C 368 via wireless headphones. There is also a control app that allows your smartphone or tablet to control all functions of your C 368. Adding the optional BluOS Module provides access to your local area network via Wi-Fi or wired Ethernet connection and adds Hi-Res Audio streaming. The BluOS Module also makes the C 368 a single-zone streamer in a complete multi-room wireless music system that is fully compatible with BluOS-enabled music systems and wireless speakers. These are available in a variety of sizes and shapes to fit every room and extend the performance of your primary music system to create a warm ambience of sound in your home.
Sophisticated Power
In the last few years, NAD has moved away from the old-fashioned linear power supplies and Class AB output stages that waste energy, and have instead developed even better performing circuits based on switch mode power supplies and Class D output stages. Once thought to be inferior to traditional topologies, NAD’s advanced work in this area has created some of the best performing amplifiers regardless of basic design principle. These new designs are very linear over a wide bandwidth and provide consistent performance into all speaker loads, providing a dramatic advance over previous models.
Furthermore, the power supply is capable of 200 watts continuously and over 600 watts instantaneously to allow for short-term musical transients. It can operate with any AC mains voltage from 100 to 240 volts and provides pure DC power to all the various stages of the C 368. This highly efficient supply also provides near perfect regulation of voltage across a wide range of conditions and provides a solid noise-free foundation for the amplifying stages.
Using a customized version of the proven Hypex UcD output stage, the C 368 allows for massive power with nearly unmeasurable distortion and noise in the audible range. Every detail of this design has been carefully planned and perfectly executed to produce every last drop of performance.
KEY FEATURES
- 80W x 2 Continuous power into 8 or 4 Ohms
- Bluetooth ADP4 with aptX® supported
- MM Phono input
- Analogue line inputs
- SPDIF coax and optical inputs
- Speaker A, Speaker B
- Stereo or Bridge mode configuration
- Preamp/Subwoofer out
- Headphone amplifier
- MDC Slots for future upgrades
- IR Remote
- Smartphone Control App
- 12V Trigger in/out
- IR in/out
- RS-232 Serial port for control
- Control4, Crestron, RTI, URC, AMX, Savant, Elan certified
OVERALL SPECS
- Continuous Output Power into 4 Ω and 8 Ω (Stereo)
- >80W (at rated THD, 20-20kHz, both channels driven)
- Continuous Output Power into 8 Ω (Bridge Mode)
- 160W (at 20-20kHz, at THD 0.03%)
- IHF Dynamic Power
- 2 Ω 250W
4 Ω 200W
8 Ω 120W
- IHF Dynamic Power (Bridge Mode)
- 2 Ω 400W
4 Ω 350W
8 Ω 250W
- THD (20Hz – 20kHz
- <0.03% (250mW to 80W, 8 ohm and 4 ohm)
- Signal/Noise Ratio
- >98dB (A-weighted, 500mV input ref. 1W out in 8 Ω)
- Clipping Power
- >95W (at 1kHz 0.1% THD)
- Clipping Power (Bridge Mode)
- >170W (at 1 kHz 0.1% THD)
- Damping Factor
- >300 (ref. 8 Ω, 20Hz and 6.5kHz)
- Frequency Response
- ±0.3dB (20Hz-6.5kHz)
- Channel Separation
- >75dB (1kHz)
>70dB (10kHz)
- Sample Rate
- 192kHz/24bit
GENERAL
- Standby Power
- <0.5W
- Dimensions (W x H x D)
- 435 x 100 x 390mm (17 1/8 x 3 15/16 x 15 3/8)”
- Net Weight
- 7.8kg (17.2lb)
- Shipping Weight
- 10.1kg (22.3lb)
| Rupert Neve Designs' Shelford Channel, over a half century in the making, is the definitive evolution of Mr. Neve's renowned 80 Series channel module technology, updated and refined for the contemporary studio. The Shelford Channel is fitted with Rupert's latest Class A transformer-gain mic preamp, the best-of-the-classics Inductor EQ from the Shelford 5052, a punchy diode-bridge compressor, the alluring analog textures of variable Silk saturation, a state-of-the-art dual-tap transformer output stage with massive headroom, and double the operating voltage of vintage designs. Offering rich tonal options for making audacious statements with your music, along with precision-detented controls for recall, the Shelford Channel delivers the authoritative sonic essence of classic Rupert Neve designs, along with modern versatility.
Input stage and transformer-gain mic pre
Rupert Neve's first new Class A, transformer-gain mic preamplifier in over 40 years makes its debut in the Shelford Channel. Rupert has spec'd this preamp with a direct-coupled transformer input; gain is provided by the custom transformer itself. The proprietary input transformer, and its meticulous integration with the surrounding Class A input amplifiers, plays an outsized role in the Channel's immediately recognizable sonics: punchy and creamy-smooth, with excellent isolation and vanishingly low noise.
The Shelford Channel's front-panel hi-Z instrument input uses the same discrete Class A field-effect transistor with transformer topology as Rupert Neve Designs' acclaimed RNDI; for gain, however, it utilizes the new RN4012 input transformer directly into the mic preamp. This design provides astonishing clarity on hi-Z sources, with substantial low-end weight and silky-smooth high frequencies. The DI also gives you a passive thru output to feed a guitar or bass amp.
- Mic-DI/Line: switches between microphone/direct injection input and line input
- GND Lift: disconnects the audio signal ground from chassis earth
- Signal LED: green indicates Signal Present; red indicates imminent input stage clipping
- Mic Gain: 12-way precision rotary, controls gain from 0dB to 66dB in 6dB steps
- Trim: rotary switch provides further continuous gain adjustment of +/-6dB
- 48V: switch engages phantom power on the mic input
- Phase: inverts the polarity of the signal path (illuminates when engaged)
- HPF Freq: engages a 12dB/octave highpass filter, variable from 20Hz-250Hz
The best-of-the-classics inductor EQ
The Shelford Channel's EQ section is a 3-band, custom-tapped inductor circuit containing Rupert's favorite bands from his vintage equalizer designs. The low-frequency band is primarily based on the 1064 — acclaimed for its creamy, resonant bass. Unlike the 1064, though, the Channel gives you added dimension, punch, and control over your low end by letting you use the LF band as either a peaking or a shelving filter. The midrange band is based on the venerable 1073 and is perfect for sweetening instruments and vocals while nudging them forward in a mix. "Proportional Q" response also makes it ideal for attenuating problem frequencies. The high-frequency band is a hybrid design with the best of vintage and modern attributes. It should be noted that this EQ is in no way a clone; it's a decidedly modern design using components and techniques that simply did not exist in the 1970s — for instance, the use of capacitor-based topologies to achieve sonic richness and enhanced control.
- EQ In: engages all EQ frequency bands except HPF
- LF: adjusts up to 15dB of boost/cut at the selected low frequency
- Low Freq: 4-position rotary switch for selecting LF band corner or center frequency
- LF Peak: selects LF shelving (out) or peaking (in) mode
- Mid Hi Q: selects between a mid-band resonance of 2 (out) or 3.5 (in)
- Mid: adjusts up to 15dB of boost/cut at selected mid frequency
- Mid Freq: 6-position rotary switch selects center frequency of the midband EQ stage
- HF Peak: selects HF shelving (out) or peaking (in) mode
- 8K/16K: selects between an 8kHz (out) or 16kHz (in) center or corner frequency for HF band
- HF: adjusts up to 15dB of boost or cut at selected high frequency
The Super Diode-bridge Compressor
Like the Shelford Channel's inductor EQ and transformer-gain microphone preamp, the diode-bridge compressor/limiter is based on the topologies found in vintage Neve designs such as the 2254. It improves, however, on the early designs by the inclusion of full-wave rectification and a bevy of new control features. Although Rupert's vintage diode-bridge compressors were prized for their warm, punchy response, they were somewhat compromised by imprecise controls, attack-time inflexibility, low headroom, and high noise. The Shelford Channel's Super Diode-bridge Compressor delivers the attitude-packed, "in your face" sound of those classics, but with modern precision and flexibility — which makes it ideal on any source. Full Side-chain and stereo Link features are provided.
- Side Chain Insert Jacks (rear-panel): for fine tuning of compressor operation
- Comp In: engages the Channel's compressor-limiter section
- Threshold: sets level where the compressor "kicks in"
- Ratio: sets compression slope from 1.5:1 (minimal) to 8:1 (heavy)
- SC Insert: inserts rear-panel sidechain insert jacks into sidechain signal path
- HPF to S/C: routes highpass filter into the circuit that compressor uses to determine level
- Gain: for adding make-up gain to compensate for level attenuation lost to compression
- Timing: 6-position rotary adjusts attack/release speed of the compressor
- Link: links the sidechain control of multiple units for ganged or stereo operation
- Pre EQ: changes the order of compressor in the circuit chain
- Blend: mixes the dry and compressed signal for handy parallel compression
- Fast: speeds up both attack and release of the selected compressor time constant
Dual-tap transformer output
The Shelford Channel's output stage serves up the inimitable sound of Rupert Neve's classic designs while providing far more tonal versatility. The dual-tap output for the RN2042 square-core output transformer provides both high- and low-headroom outputs without compromising performance. The high-headroom tap takes advantage of the Shelford's higher-voltage design, delivering a pristine sound without non-linear output-stage coloration at high levels. The low-headroom tap, on the other hand, lets you drive the full voltage range of the Channel to accentuate this non-linear harmonic content — without clipping most pro interfaces. For vocals, drums, guitars, bass, and other instruments, this output lets you hit the transformer's sweet spot, which can inject life into a recorded performance in a way that other effects cannot.
The Silk and Texture controls
The Shelford Channel is packing a secret weapon the classics never had: its output transformer features the Silk Red/Blue and Texture controls from the Portico II Series that let you tailor the harmonic content and tonality of the output stage. By engaging these controls and sufficiently driving your output, you can dial in delectable 2nd- and 3rd-order harmonic distortion (that's the good kind) and saturation of the output transformer, imbuing your tracks with juicy rich thickness (think: 1073 on steroids) — with no danger of overloading the output stage. The Silk Red mode emphasizes harmonic content generated by the source's high frequencies; Blue mode, conversely, works off the low frequencies. The Texture knob controls the amount of added harmonic content. Disengage Silk, and your output is pristine and modern, while retaining Rupert's bigger-than-life transformer sonic signature.
The magical sound of Neve
Rupert Neve is an audio legend whose electronics designs defined the golden age of analog. Those of us at Sweetwater who have had the privilege of working on a Neve 8078 or its predecessors can attest to the fact that Neve's Series 80 consoles were indeed the pinnacle of hand-wired analog mixing desks. Mr. Neve has remained at the forefront of audio-circuit innovation for over half a century, and his current company, Rupert Neve Designs, continues to advance the state of the art with cutting-edge products that sound incredible and intelligently address the challenges of the digital age.
Rupert Neve Designs Shelford Channel Features:
- The definitive evolution of Rupert Neve's renowned 80 Series channel module technology
- A complete channel strip that delivers the essence of classic designs, along with modern versatility
- Input stage and transformer-gain mic pre
- Front-panel hi-Z direct input
- Best-of-the-classics inductor EQ
- Super Diode-bridge Compressor
- Dual-tap transformer output
- Silk and Texture controls
| The Rupert Neve Designs Portico II Master Bus Processor lets you enhance, reshape, and polish your sound to perfection. Whether you want to add finishing touches to your master bus, level out a stereo group, or add new life to mono sound sources, the Portico II Master Bus Processor gives you the compression, limiting, and stereo field manipulation you need. Featuring custom input and output transformers designed by Rupert Neve, the Portico II Master Bus Processor implements the same ultra-smooth Class A signal processing made famous by the 5088 console and the Portico II Channel, as well as 72V topology, which gives it enormous headroom while allowing it to integrate seamlessly with virtually any system. If you’re serious about your sound, then it’s time to ask your Sales Engineer about the Rupert Neve Designs Portico II Master Bus Processor!
Powerful and flexible compression
Both channels of the Portico II Master Bus Processor feature one of Rupert Neve Designs’ most versatile compressors to date. Whether you want to add punch to your mix or smooth out your vocal subgroup, the Portico II Master Bus Processor has the compression you need. Controls for ratio, threshold, attack, release, blend, sidechain highpass filter, limiting, and makeup gain let you dial in the perfect dynamics quickly and easily. Use the two compressors independently, or instantly link them with the push of a button. Variable Silk Red/Blue Texture controls let you add classic Neve harmonic warmth; while a blend control lets you dial in the dry signal for instant parallel processing, so you can get all of the compression you want without losing transients. In addition, the Portico II Master Bus Processor gives you a choice of either vintage-flavored feed-back or modern-sounding feed-forward compression modes.
Transparent, musical limiter that’s effortless to use
Often overlooked at first glance, the Portico II Master Bus Processor’s 1-knob limiter is a powerful, flexible, and remarkably easy-to-use tool that lets you get the most out of the Portico II Master Bus Processor’s compression section. Rupert Neve Designs’ Adaptive Release Technology gives this limiter its unique ability to grab onto fast transients, without smothering the rest of the signal. Plus, you have the option to blend compressed and dry signals together for parallel processing that maintains natural-sounding dynamics without clipping. This gracious behavior means you can set it and forget it, with the added security of knowing your masters will be free from clipping and broadcast-ready.
Sidechain inserts for creative ducking
Every dynamics processor has a sidechain circuit that examines the signal and determines how much the VCA will reduce gain — but not every unit provides access to its sidechain. In compressors without a separate sidechain input, your main input signal is, essentially, compressing itself. With compressors like the one in the RND Portico II Master Bus Processor, you can insert external processing on the sidechain — or introduce a different signal that determines the compression action on the main signal. It’s an incredibly useful feature that lets you, for instance, automatically duck a track to make space for another (very popular for that EDM mix pumping effect). Combined with the sidechain HP filter, it gives you an impressive amount of tonal versatility.
Amazing Stereo Field Editor
Although the Rupert Neve Designs Portico II Master Bus Processor functions wonderfully as a dual-mono processor, it really shines in stereo mode. That’s thanks to its unique Stereo Field Editor. The Stereo Field Editor uses advanced Mid/Side stereo manipulation techniques, allowing you to adjust your stereo bus’s width, depth, and ambience. Beyond widening your stereo image, the Portico II Master Bus Processor can actually bring center-panned instruments out in your mix. That makes the Portico II Master Bus Processor an invaluable tool for mastering, as well as defining the spread of your subgroups during mixdown.
The legend continues
Rupert Neve’s 80 Series consoles had a huge, punchy, and authoritative sound that defined the sound of ’70s rock. From London to New York to Los Angeles and beyond, top studios were installing Neve boards as fast as they could. By 1977, with the introduction of the NECAM automation system, 80 Series boards were the main component of the success formula for any recording studio with world-class aspirations. Mr. Neve’s current company, Rupert Neve Designs, continues to advance the state of the art with cutting-edge products that sound incredible and intelligently address the challenges of the digital age. With your Rupert Neve Designs Portico II Master Bus Processor from Sweetwater, the legend continues.
Rupert Neve Designs Portico II Master Bus Processor Features:
- Powerful 2-channel compressor/limiter/stereo field manipulator
- Custom input and output transformers designed by Rupert Neve
- Full compression sections for both channels, including attack, release, ratio, and threshold controls
- Sidechain inserts and highpass filters for both compressors
- Feed-back/Feed-forward switch lets you select between vintage-style and modern compression modes
- Silk Texture control with Red/Blue modes for classic Neve harmonic warmth
- Blend controls allow you to mix dry signal back into your compression, preserving transients while adding punch
- Simple and highly musical 1-knob limiter with Adaptive Release Technology allows for brickwall limiting that doesn’t distort or affect signal under the threshold
- Stereo Field Editor section includes independent level and EQ for width and depth, allowing you to dial in the perfect stereo field
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