Blackmagic Design ATEM Camera Control Panel

$2,176.85

GTIN: 9338716005363 SKU: 9338716005363 Category: Tags: , ,

Description

Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM Camera Control panel can be added to any ATEM switcher model and is connected via Ethernet.

The ATEM Camera Control panel uses traditional broadcast style controls and adjustments in a compact design so one person can monitor and adjust technical parameters such as black levels, gain, color balance, shutter speed, and more. With this control panel, there are four separate LCD displays and control sections for control of up to four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. Control layout is familiar and logical for fast and easy operation by operators of all levels. This control panel is meant to be portable, so does not need to be bolted down.

Quickly adapt to changes in the scene with the top section of controls. Top section controls include white balance, master gain, bars, and shutter speed. You can save and recall presets with the load scenes function. RGB controls in the center section allow you to adjust the individual red, green and blue levels in blacks and whites when you need to compensate for unwanted color. The bottom section is dedicated to lens and iris controls, a joystick to adjust iris and master black. There are buttons for talkback with the operator, panel lock, and a number indicator for preview and on air status.

Blackmagic Design ATEM Camera Control Panel Features

  • Traditional broadcast style controls and adjustments
  • Portable control panel
  • Iris control
  • Shutter speed
  • White balance
  • Master gain
  • Pedestal
  • RGB controls for white and black

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Quick Comparison

SettingsBlackmagic Design ATEM Camera Control Panel removeMatrox Maevex 6120 Dual 4K Enterprise Encoder removeBlackmagic Design ATEM 4 M/E Advanced Panel removeRoland VR-50HD MK II Multiformat AV Streaming Mixer removeBlackmagic Design Ultimatte 12 removeBlackmagic Design ATEM 2 M/E Advanced Panel remove
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Description
ContentUse the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM Camera Control panel can be added to any ATEM switcher model and is connected via Ethernet. The ATEM Camera Control panel uses traditional broadcast style controls and adjustments in a compact design so one person can monitor and adjust technical parameters such as black levels, gain, color balance, shutter speed, and more. With this control panel, there are four separate LCD displays and control sections for control of up to four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. Control layout is familiar and logical for fast and easy operation by operators of all levels. This control panel is meant to be portable, so does not need to be bolted down. Quickly adapt to changes in the scene with the top section of controls. Top section controls include white balance, master gain, bars, and shutter speed. You can save and recall presets with the load scenes function. RGB controls in the center section allow you to adjust the individual red, green and blue levels in blacks and whites when you need to compensate for unwanted color. The bottom section is dedicated to lens and iris controls, a joystick to adjust iris and master black. There are buttons for talkback with the operator, panel lock, and a number indicator for preview and on air status.

Blackmagic Design ATEM Camera Control Panel Features

  • Traditional broadcast style controls and adjustments
  • Portable control panel
  • Iris control
  • Shutter speed
  • White balance
  • Master gain
  • Pedestal
  • RGB controls for white and black
Matrox® Maevex 6122 is an HDMI® video encoder that delivers dual 4K capture, encode, stream, and record—with zero latency pass-through. The encoder supports multiple streaming protocols, including SRT and on-device HLS, for easy and secure streaming locally or across the world. Two Gigabit Ethernet ports allow for dual network streaming or separate networks for control data and video data. The complimentary Maevex SDK enables you to build new applications or integrate the functionalities of PowerStream Plus into existing applicationsUse the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM advanced panel is added to an ATEM switcher as a control panel. Although each switcher includes ATEM software control panel for Mac or Windows, an ATEM Advanced Panel is faster to use, making it ideal for demanding live production environments. Setup more complex effects with the enormous amount of control you’ll have in the ATEM 4 M/E. The ATEM 4 M/E Advanced Panel features broadcast buttons, knobs, and a t-bar fader. The ATEM 4 M/E has four M/E rows with 40 input buttons and four independent system control LCDs for reach row. All input buttons have customizable colors and button label LCDs. Modern design with the latest broadcast technology combine to enable faster workflows. Built in LCD control screen identifies work processes. Buttons are curved and have color backlighting to reduce incorrect key presses and quickly identify the keys you need. Professional joystick controls DVE and camera adjustments, smooth weighted t-bar fader, and more. Durable and compact, the ATEM 4 M/E fits in a standard equipment rack. It can be used seamlessly for shelf mounting in broadcast trucks, mobile racks, and fly away kits.

Blackmagic Design ATEM 4 M/E Features

  • Add to an ATEM switcher for accessible control panel functions
  • Faster workflow
  • Four independent rows of control, each with 40 input buttons
  • Backlit buttons make identification easy and lower incorrect key presses
  • Joystick for DVE and camera adjustments
  • Smooth weighted t-bar fader
The VR-50HD MK II Multi-Format AV Mixer is the next evolution of Roland’s industry-leading, all-in-one AV switcher with USB 3.0 streaming. Easily operated by a single person, the VR-50HD MK II continues to deliver best-in-class connectivity and flexibility, allowing you to work a wide range of events with different I/O requirements. The powerful VR-50HD MK II is a completely self-contained AV solution, consolidating video switching, digital audio mixing, multi-viewer touchscreen control, and USB AV streaming into a single unit that’s simple to run. And with the comprehensive rear patch panel, it’s quick and easy to make on-the-fly input assignments to cross-points on the switcher. With the VR-50HD MK II, you can send any of the connected input devices to a dedicated Aux output without affecting the main PGM destination. Use the Aux assignment panel buttons to switch the source, or synchronize the Aux output with the PGM (mixer) output to act as a built-in distribution amp. Drilling down into menus while switching is a thing of the past, thanks to dedicated broadcast-style buttons for Aux, PinP, and Still sources. Select, Solo, and Mute buttons are included for all audio channels, speeding up the monitoring process. And with the large touchscreen multi-view monitor, you can view and assign inputs, display up to four still images, execute preview/program functions, and much more. Offering a number of automation functions the VR-50HD MK II allows a single operator to switch video and mix pro-level audio at the same time. Use Auto Mixing to balance audio levels, Video Follows Audio to switch cameras based on sound input, and Anti-Feedback to automatically tame howling mic feedback. Adaptive noise reduction helps with noise canceling and hum suppression. The VR-50HD MK II is also equipped with a variety of standard audio production inputs, including four XLR/TRS combo jacks with 48 V phantom power, four stereo pairs (two ¼-inch and two RCA), and embedded audio from 3G/HD/SD-SDI and HDMI. Built-in support can directly control select JVC, Panasonic, Sony, PTZOptics, Avonic and VISCA compatible PTZ LAN cameras. Up to six PTZ cameras can be operated at once via the LAN port. Use the same technology as webcams to reach worldwide audiences by plugging into a computer via USB 3.0 and using a streaming service that's able to use a webcam as its source.

Roland VR-50HD MK II Features

  • Aux output for dedicated record, streaming, or confidence monitor feeds
  • Updated user interface for fast, trouble-free operation
  • High-quality audio preamps and converters for crystal-clear sound
  • Direct control of select PTZ cameras from JVC, Panasonic, Sony, PTZOptics, Avonic and VISCA compatible over LAN
  • Automatic audio mixing, adaptive noise reduction and automatic video switching functions to support single operators
  • All-in-one convenience and ultra-flexible connectivity
  • Four-layer composition and still store
Blackmagic Design’s Ultimatte 12 goes beyond the power of even the most advanced keyers, also functioning as a high power real time compositing processor. Enjoy superb edge handling, color separation, color fidelity, spill suppression, and more. 12G-SDI technology supports work in HD and Ultra HD for real-time compositing of weather, sports, news, and entertainment in studio environments. Incredibly life-like composites place your talent into any scene. Computer generated augmented reality objects provide realistic transparency and depth talent can walk behind, even with glass-style objects. The Ultimatte 12 works with fixed cameras and static backgrounds, or automated virtual set systems. On set previsualization is another plus, since actors and directors can see the virtual sets while shooting against a green screen. Remove the background without affecting foreground colors. Advanced flare, edge and transition processing isolates and treats image sections differently while keeping color transitions smooth. High-level compositing keeps the final product photorealistic. Green tinting and spill are no longer problematic thanks to the adjustments made to flare algorithms in the Ultimatte 12. Flare automatically samples colors to create seamless mattes for walls, floors, or other parts of your image. Shadows get mapped and composited onto the new background for a realistically three-dimensional view, spill is removed, and transparent objects are cleaned. Advanced algorithms and large internal color space make it feel like you’re using several Ultimatte keyers on one image. For example, fine edge detail is a great feature for visuals of hair but is not something you would want applied to an entire image. Images are automatically processed based on the colors in each area, so fine edge detail is applied to just the hair portion. Cameras at different angles see the same green screen slightly differently, which keyers in live production switchers aren’t designed to correct. Ultimatte 12 makes it possible to add keyers to every camera in a shot for the best possible key. The Ultimatte 12 includes 7 input connections dedicated to compositing different elements together. 12G-SDI connections offer high frame rate Ultra HD from one BNC connection that can plug into your regular HD equipment. Connections let you work with SD, HD, 3G, 6G and 12G-SDI equipment, and in HD or Ultra HD formats up to 2160p60.

Blackmagic Design Ultimatte 12 Features

  • Connect to SDI equipment in HD and Ultra HD
  • Add augmented reality and virtual elements
  • One touch keying
  • Advanced image processing
  • Expanded internal color space
  • New math and sub pixel processing designed for high quality and clarity in HD and Ultra HD
  • Incredible color fidelity
  • Flare removes green tinting, spill, shadows, and reflections
  • Ideal for broadcast news, sports, and traditional TV and film production
  • 12 Month Limited Manufacturer's Warranty
Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM advanced panel is added to an ATEM switcher as a control panel. Although each switcher includes ATEM software control panel for Mac or Windows, an ATEM Advanced Panel is faster to use, making it ideal for demanding live production environments. Setup more complex effects with the enormous amount of control you’ll have in the ATEM 2 M/E. The ATEM 2 M/E Advanced Panel features broadcast buttons, knobs, and a t-bar fader. The ATEM 2 M/E has two M/E rows with 20 input buttons and two independent system control LCDs for reach row. Each row has an independent select bus, and can control up to four M/Es in larger switchers. Input buttons have customizable colors and button label LCDs. Modern design with the latest broadcast technology combine to enable faster workflows. Built in LCD control screen identifies work processes. Buttons are curved and have color backlighting to reduce incorrect key presses and quickly identify the keys you need. Professional joystick controls DVE and camera adjustments, smooth weighted t-bar fader, and more. Durable and compact, the ATEM 2 M/E fits in a standard equipment rack. It can be used seamlessly for shelf mounting in broadcast trucks, mobile racks, and fly away kits.

Blackmagic Design ATEM 2 M/E Features

  • Add to an ATEM switcher for accessible control panel functions
  • Faster workflow
  • Two independent rows of control, each with 20 input buttons
  • Backlit buttons make identification easy and lower incorrect key presses
  • Joystick for DVE and camera adjustments
  • Smooth weighted t-bar fader
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