$7,210.69
Sweetwater’s Dangerous Music CONVERT-8 D/A Converter with 2-BUS+ Analog Summing Mixer and Cable Kit Bundle gives you high-definition surround reference monitoring for up to 16 channels, mastering-grade front-end playback conversion, and 16 channels of analog summing, plus a cabling kit to get you up and running right out of the box.
| Settings | Dangerous Music CONVERT-8 D/A Converter with 2-BUS+ Analog Summing Mixer remove | SPL MixDream Analogue Summing Unit remove | Dangerous Music 2-BUS+ Analog Summing Mixer remove | Solid State Logic UF-8 remove | Allen & Heath GL3800 2011 NOIR remove | Midas PRO2C remove |
|---|---|---|---|---|---|---|
| Image | |  |  |  |  |  |
| SKU | CONVERT-8-2BUS | 4260149320476 | 646437008235 | UF-8 | 6938122227811 | 736211842671 |
| Rating | ||||||
| Price | $7,210.69 | $2,524.29 | $2,120.29 | $726.39 | $2,716.96 | $7,325.90 |
| Stock | ||||||
| Availability | ||||||
| Add to cart | ||||||
| Description | ||||||
| Content | 16 Channels of High-end Conversion, Monitoring, and SummingSweetwater's Dangerous Music CONVERT-8 D/A Converter with 2-BUS+ Analog Summing Mixer and Cable Kit Bundle gives you high-definition surround reference monitoring for up to 16 channels, mastering-grade front-end playback conversion, and 16 channels of analog summing, plus a cabling kit to get you up and running right out of the box. | SPL MixDream Analogue Summing Unit
| The Dangerous Music 2-BUS+ is a 2U, 16-channel analog summing mixer with both XLR and D-sub inputs. It raises the bar on its legendary 2-BUS predecessor with even lower crosstalk, distortion, and noise-floor performance, along with stunningly precise soundstaging and center focus. Dangerous spent over two years developing three onboard audio processors that, with a simple push of a button and twist of a knob, add tone and color to your stems or across your entire mix directly from the 2-BUS+. The 2-BUS+ is smartly designed, extremely useful, and sounds incredible.
A trio of custom audio processorsIn sync with Dangerous Music's doctrine of tonal coloration as a per-project artistic choice, the 2-BUS+ features three separate custom audio processors that selectively add tone and color to your mixes. In parallel processing mode, you can deploy Harmonics, a tuned harmonic distortion generator, and Paralimit, a FET limiter on steroids. At Sweetwater, we've applied both of these across stereo mixes and on pairs of stems. X-Former kicks in a pair of custom transformers with core-saturation control on your stereo mix outs. You can have all three tone processors active concurrently, and you can flip the order of signal flow through distortion and limiting.Outstanding flexibilityDangerous Music knows that each engineer — and session — is unique, so they designed the 2-BUS+ for outstanding professional flexibility. They spec'd it with an XLR stereo insert before the outputs for adding a separate compressor or processing chain that you can bypass at the touch of a button for a quick reference comparison. Channels 1/2 and 9/10 can be set to mono to rout; for instance, vocals/bass and kick/snare each to its own mono input. They also gave the 2-BUS+ an output control stepped in 0.5dB increments from -4dB to +6dB, and included XLR connections for both the main and monitor outputs. Gang 'em for high channel countNeed a full-on analog "console" summing experience? Gang together multiple 2-BUS+ units via the stereo expansion inputs XLR to create a customized channel count. For the ultimate in tonal flexibility and control, the custom audio processors on each unit apply across the ganged group output. With three units, for instance, you'll have 48 channels of analog summing, with the first two units employing Harmonics (distortion), and Paralimit (limiter) across two separate stereo stems, and the third unit applying X-Former transformer saturation on the master stereo outputs.What the pros are saying about the 2-BUS+:
Dangerous Music 2-BUS+ Analog Summing Mixer Features:
| UF8 is SSL’s latest studio controller, designed for today’s DAW-based production workflows and ultrafast turn-around times. An expandable 8-channel advanced DAW controller, UF8 connects engineers, producers and artists directly to the creative process, offering absolute command of their workflow and significantly accelerating the speed of audio production and content creation. UF8 is the culmination of SSL’s 40+ year legacy of mastering production workflows and studio ergonomics built into generations of classic SSL consoles. This depth of understanding of studio production, combined with decades of engineering excellence, delivers a premium finish tactile USB controller that distills SSL workflow and quality. | RÉSUMÉ DES FONCTIONNALITÉS Images de 24, 32, 40 et 48 canaux Options de canal mono / stéréo A, B, C, D Mélanges principaux LR et M 8 groupes audio avec panoramique et routage vers LR et M 10 auxiliaires dont un envoi stéréo dédié avec commandes de niveau et de panoramique 2 canaux stéréo multifonctions chacun avec entrées micro et ligne stéréo 2 doubles stéréos supplémentaires fournissent 4 retours stéréo additionnés ou indépendants Matrice 12 × 4 complète Double fonctionnalité appropriée pour FoH, mixage de moniteur ou les deux Enregistrement capable avec des sorties directes de canal M peut être utilisé pour le mixage centre / sous, la somme mono LR ou le coin d'ingénierie Entrées externes matricielles avec trims de niveau et capacité d'entrée commune Les entrées micro du canal stéréo peuvent se croiser dans la matrice pour une alimentation d'ambiance EQ réactif 4 bandes, 2 balayages Filtres passe-haut de canal 100Hz Alimentation fantôme individuelle et commutation de polarité Compteur intégré avec 11 VU-mètres à bobine mobile éclairés par LED Canal LED grand angle et compteurs principaux Compteurs de contrôle stéréo dédiés Commutation auxiliaire par canal pré / post fader pour une flexibilité totale Commutateurs pré / post-EQ du panneau avant pour les préférences de l'utilisateur Coupe le son de tous les faders masters Faders à double rail de qualité supérieure de 100 mm Talkback assignable à toutes les sorties, comprend un mode de verrouillage de commutateur de conversation Oscillateur 1 kHz / générateur de bruit rose avec sortie externe Surveillance 2 pistes et relecture sur LR 3 prises casque / écouteurs et sorties moniteur locales Sorties XLR symétrisées électroniquement avec capacité d'entraînement + 26 dBu Gamme de préamplis 74 dB avec capacité d'entrée +34 dBu pour micro ou ligne Conception d'ampli micro à très faible bruit Combiner intégré pour une alimentation de secours redondante Assemblage de cartes de circuits individuelles avec des pots écroués Option de liaison d'entrée / sortie de console Sys-Link V2 Douilles de lampe XLR 4 broches - Lampe LED Allen & Heath disponible. Options de canal mono / stéréo: A = tous les canaux mono B = 4 stéréos à droite des masters C = 4 stéréos à l'extrême droite D = 8 stéréos à l'extrême droite | Midas Pro2C. Brand new, full Midas warranty. Compact Live Digital Console Control Centre with 64 Input Channels, 8 Midas Microphone Preamplifiers, 27 Mix Buses, 96 kHz Sample Rate and Touring Grade Road Case Shipping will cost extra based on buyers location. If purchased without an agreement in place, buyer will be responsible for organizing their own pickup or shipping. |
| Weight | ||||||
| Dimensions | N/A | N/A | N/A | N/A | N/A | N/A |
| Additional information |
Reviews
There are no reviews yet.