| Content | High-end Monitoring, Conversion, and Summing Bundle
Sweetwater's Dangerous Music D-Box+, CONVERT-AD+, and CONVERT-8 with Cabling Kit Bundle gives you high-definition surround reference monitoring for up to eight channels, mastering-grade stereo conversion, and eight channels of analog summing, plus a cabling kit to get you up and running right out of the box. | Brand New, in sealed original box, never used, in perfect condition!
Tascam product info:
Built-in DSP 4 line outputs Dante converter to respond to various needs of contractor market and professional audio scene.
The ML-4D/OUT-E is a compact converter that converts Dante input signals into 4-channel line output signals. With half the size of a standard 1U rack, the ML-4D/OUT-E is suitable for different Dante systems as an exquisite analog output unit. The built-in DSP mixer enables small scale systems to fully perform with a variety of input/output models the TASCAM Dante Compact Processor Series offers. ML-4D/OUT-E supports up to 96kHz/24bit and uses Euroblock connectors for analog line output.
4 line output
4 Dante input/output
Supports PoE (Power over Ethernet)
Up to 24bit/96kHz
Includes a variety of DSP functions for optimal use in different scenes/environments (Output effects, 4 in/4 out matrix mixer)
Supports Dante daisy chain; this allows two Dante Compact Processor models to be connected without a network switch
Compatible with Dante Domain Manager and Dante AES67 Mode
Flexible scene preset function allows to work in different area situations (Up to 50 presets)
Timer event function allows to automatically switch scenes at a specified time (planned to be compatible on a future version update)
2 types of user control software available for Windows/Mac/iOS/Android devices:
For integrators: input/output routing selection, DSP/design/scene settings of the complete system, etc.
For end-users: simple app design for only the necessary functions such as area volume settings, etc.
Remote control via GPI and Dante
Half-rack mountable size
Equipped with indicators that show LAN/Dante connection status and sample rate
Equipped with signal indicators that monitor line output signals
Configurable reference level (via remote control only) | Heritage Audio's MCM-8 MK2 is an 8-slot 500 Series chassis with an integrated 10-channel summing mixer. The top-of-the-line MCM-8 MK2 features On Slot Technology that leverages next-generation power electronics to handle power supply on a per slot basis. Each slot has its own power supply linear regulation stages, isolating each module from the rest. Your modules simply share the metal enclosure. Each slot even has test LEDs for checking correct power operation. Dual-concentric potentiometers handle Volume and Pan for each slot, with pan pots being center detented for precise center positioning. Each channel is equipped with an On switch to assign it to the mix bus. MK2 improvements include a lower noise floor and the addition of a bypass switch for each slot that still lets you use the summing mixer functions. Heritage Audio has earned the respect of Sweetwater engineers, and the MCM-8 MK2 lives up to that sterling reputation.
Superb build and feature set
From its RAF blue-gray enclosure to the solid tactile feedback from its knobs and switches, the Heritage Audio MCM-8 MK2 unabashedly rocks vintage British Class A vibe. And just like the classic gear that inspires all Heritage Audio equipment, the MCM-8 MK2 boasts superb build quality and a very smart feature set. There's an additional stereo input on the back panel, which allows several MCM-8 MK2 units to be daisy-chained — or signals not needing further 500 Series processing to be mixed together. The central section sports analog VU meters and a Stereo Master fader. Gold-plated XLRs and DSUB25s handle the I/O.
Smart technology, superior sound
Thanks to Heritage Audio's On Slot Technology (OST), the MCM-8 MK2's power capability is a maximum of 400mA per rail, per slot — with an overall of 1.4A (1.6A non-continuous) per rail, whichever is reached first. Total available phantom power is 140mA. The mix bus has a passive voltage summing topology, similar to that found in Rupert Neve's 80 Series consoles of the 1970s. The gain loss is restored by the same Class A, 2n3055 driven, transformer-based output stage used in the Heritage Audio's modern-day version of the classic 1073. If you're not into specs, what this all means is that the MCM-8 MK2 is built right to give you many years of authoritative sonic performance and trouble-free use in your studio or on the road.
Heritage Audio MCM-8 MK2 Features:
- 8-slot 500 Series chassis with integrated 10-channel summing mixer
- NEW lower noise floor
- NEW bypass switch for each slot that leaves summing mixer functions enabled
- Mix bus with vintage Neve-style passive voltage summing topology
- Additional stereo input on the back panel allows several MCM-8s to be daisy-chained
- Central section sports analog VU meters and a Stereo Master fader
- Handles power supply on a per slots basis, isolating each module from the rest
- Gold-plated XLRs and DSUB25s handle your I/O
- 140mA total available phantom power
- Class A transformer-based output stage
- Solid build quality for many years of trouble-free use
| Midas Pro2C. Brand new, full Midas warranty.
Compact Live Digital Console Control Centre with 64 Input Channels, 8 Midas Microphone Preamplifiers, 27 Mix Buses, 96 kHz Sample Rate and Touring Grade Road Case
Shipping will cost extra based on buyers location. If purchased without an agreement in place, buyer will be responsible for organizing their own pickup or shipping. | Dangerous Music's MASTER brings the amazing analog sound and functionality of previous Dangerous boxes to the mastering world with a truly unique approach that will give your projects an edge over your competitors. Three insert points are front-panel switchable for integrating external analog processing and there's something special lurking behind the S&M Width knob. With the S&M button depressed, MASTER engages a "Sum or Minus" mode that controls the stereo spread and much more. Every mastering engineer that incorporates outboard gear into their rig needs a MASTER!
Powerful processing at your fingertips
There's truly nothing quite like MASTER. The S&M functionality adds a remarkable element to your mastering arsenal. Imagine being able to modify the frequency content of the program material residing in the left/right aspects of the stereo field without changing the spectrum of the center material. With MASTER, you can. Hit the S&M button, activate insert #2 with a stereo EQ connected, and you can work wonders with the sound. Say the vocals (panned center) sound fine in the mix, but you'd like to brighten the guitars and cymbals a bit (which reside in the left and right panning positions). S&M removes the center material temporarily so you can process the extreme left and right signals without coloring the center material. The S&M Width knob can also modify the width of the overall stereo field. The engineers here at Sweetwater love the flexibility of the MASTER!
A plethora of useful controls
From left to right, you've got L/R Level controls, three buttons that trigger the insertion of outboard gear in the signal path, a button that individually selects which inputs are being processed, a button that triggers Stereo or Middle Sides mode on insert 2, and a button that selects whether the Monitor Output jacks have the Input or Output signal sent to the monitor section. Next up is the Input Monitor Offset. This is very handy to match the input and output levels to listen to the effect of processing without the level difference clouding one's judgment. The engineer can also match input and output level, look down at the scale, and determine the relative gain obtained from the mastering process. This control has a scale of -2 to +8dB in 0.5 dB steps. The S&M Width was covered in depth in the previous paragraph. Lastly, the Output level control dictates the final level that passed on to the A/D convertor.


What the pros are saying about the MASTER:
- "I've never mastered a song without a Dangerous MASTER! And I can't imagine it. With the S&M feature on the MASTER, you can really fix some problems in mixes, and address balance issues... Comparing it to Mid-Side processors in the digital realm I just think it's a 'Day and Night' difference." — Colin Leonard (Mastering Engineer)
- "I'm a huge fan of the Dangerous MASTER's S&M circuitry. It always seems to add an elegant width and depth to the mix. The Dangerous gear has certainly created an advantage. Another reason we have been able to establish ourselves in a highly competitive field is that aside from the gear sounding great...our Dangerous gear has been truly steady and stable." — Emily Lazar (Mastering Engineer)
- "I can't say enough about the quality components and sonic integrity...it doesn't get much better than this. I could hear the difference between AD/DA converters...choosing between them...for each session...has become effortless. I cannot imagine working without the Dangerous MASTER." — Larry DiVivo (TapeOp Magazine)
- "Dangerous Music really got it right with the Dangerous MASTER." — Andrew Mendelson (Mix Magazine)
- "I love all the Dangerous Music equipment. I use the MONITOR ST, the MASTER, and two 2-BUS LTs for my mixing and stem-mastering." — Noël Jackson (Mastering Engineer)
- "The Dangerous MASTER immediately made a huge improvement in the quality of my work. I think it's the cleanest sounding solution available." — Dave McNair (Mastering Engineer)
Dangerous Music MASTER Features:
- Audiophile-grade components yield crystal-clear sound
- 3 insert points are front-panel switchable for integrating external analog processing
- S&M button provides you with integrated Mid-Side processing
- S&M Width knob modifies the width of your overall stereo field
- Stepped controls ensure easy repeatability
- 2 stereo inputs and 3 stereo outputs (1 for monitoring)
- Seamless connection with the Dangerous Liaison
| BEHRINGER X32 RACK " Rack Mixer
- 32 Channels
- 16 XLR Mic/Line inputs
- 8 Stereo FX returns
- 25 Buses
- 6 Matrix buses with insert
- 6 Mute groups
- 8 DCA groups
- 8 XLR outputs
- 6 AUX inputs via 6.3 mm jack (optional: 2 via RCA)
- 6 AUX outputs via 6.3 mm jack (optional: 2 via RCA)
- Adjustable headphone jack
- 32 x 32 USB audio interface
- Talkback microphone input (XLR)
- 4-Band fully parametric EQ on each channel
- Adjustable delays on all channels
- Virtual effects rack with 8 FX slots
- Built-in stereo USB recorder
- Remote control via Ethernet
- 5" TFT display
- Compatible with the Behringer P-16 personal monitoring system
- Format: 19" / 3U
- Dimensions: 132 x 483 x 287 mm
- Weight: 6.5 kg
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