Electrodyne Summing Station

$2,470.97

GTIN: N/A SKU: 00645606456 Category: Tags: , ,

Description

Electrodyne consoles served up some of the hottest hits of the late ’60s and early ’70s at top studios like Capitol, Warners, Stax, Decca, and Motown. Now the Electrodyne Summing Station fortifies your rack with the iconic Electrodyne sound from analog’s golden era. The Summing Station is, essentially, the center section of a classic 1970s Electrodyne large-format console, providing a 16-channel active summing network and stereo mix bus facilities for modern DAW-based studios. Boasting an extremely low-distortion balanced signal path for monitoring accuracy, the Summing Station uses classic Electrodyne design technology that includes original Electrodyne design output transformers, discrete transistor op-amps, and transformer control for “tight” vs. “warm” mix bus sonics.

Analog warmth and punch — optimized for the digital era

Can’t afford a vintage Electrodyne console for your DAW-based studio? No worries. Designed for professional project studios and production facilities, the Summing Station is perfect for enhancing clinical-sounding digital stems and mixes with classic Electrodyne analog warmth and punch. Optimized for the digital era, Summing Station delivers all the functionality you don’t get from your DAW.

In addition to its studio-grade 16-channel active summing network, the Summing Station includes a comprehensive Control Room Monitor section with Stereo Mix and Artist Cue facilities; a high-power, low-distortion headphone amplifier; a 3.5mm TRS Mobile Device input; Mono, Dim, and Mute controls; a Main/Alt Monitor selector with precision level trims for Alternate speakers; a precision-detented Control Room Level pot; and an integrated Talkback mic and CR-to-Studio Listen function. Lastly, you get the legendary all-discrete Electrodyne console sound in a compact, cost-effective package.

The Electrodyne legacy

As one of the very first console manufacturers, Electrodyne was instrumental in transforming the way records and films were recorded and mixed. Sweetwater is proud to be part of that great legacy. And we are very excited about the Electrodyne Summing Station — it sounds amazing! We’re sure you’ll agree.

Electrodyne Summing Station Features:

  • Classic Electrodyne 1970s large-format console summing and stereo mix bus
  • 16-channel active summing network and Stereo Bus with fully balanced stereo insert path
  • Transformer-balanced analog outputs
  • Transformer control for “tight” vs. “warm” mix bus sonics
  • Precision-detented Master Bus Level pot with Stereo Bus calibration trimmers
  • Original Electrodyne design transformers and discrete transistor op-amps
  • Studio-grade Control Room Monitor section:
  • Stereo Mix and Artist Cue facilities
  • Balanced XLR I/O; 3.5mm TRS Mobile Device inputs
  • Precision-detented Control Room Level pot
  • Mono, Dim, and Mute controls
  • Main/Alt Monitor selector with precision level trimmers for Alternate speakers
  • Extremely low-distortion balanced signal path for quality and accuracy of monitoring
  • High-power, low-distortion headphone amplifier
  • Artist Cue and Talkback:
  • Cue input Talkback Loop for Artist Headphone / Studio Monitor Mix
  • Integrated Talkback mic with Control Room Monitor Dim function and Remote Talkback jack
  • Control Room Listen function allows artists in the Studio to hear Control Room Sources for playback and rehearsal

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Description
ContentElectrodyne consoles served up some of the hottest hits of the late '60s and early '70s at top studios like Capitol, Warners, Stax, Decca, and Motown. Now the Electrodyne Summing Station fortifies your rack with the iconic Electrodyne sound from analog's golden era. The Summing Station is, essentially, the center section of a classic 1970s Electrodyne large-format console, providing a 16-channel active summing network and stereo mix bus facilities for modern DAW-based studios. Boasting an extremely low-distortion balanced signal path for monitoring accuracy, the Summing Station uses classic Electrodyne design technology that includes original Electrodyne design output transformers, discrete transistor op-amps, and transformer control for "tight" vs. "warm" mix bus sonics.

Analog warmth and punch — optimized for the digital era

Can't afford a vintage Electrodyne console for your DAW-based studio? No worries. Designed for professional project studios and production facilities, the Summing Station is perfect for enhancing clinical-sounding digital stems and mixes with classic Electrodyne analog warmth and punch. Optimized for the digital era, Summing Station delivers all the functionality you don't get from your DAW. In addition to its studio-grade 16-channel active summing network, the Summing Station includes a comprehensive Control Room Monitor section with Stereo Mix and Artist Cue facilities; a high-power, low-distortion headphone amplifier; a 3.5mm TRS Mobile Device input; Mono, Dim, and Mute controls; a Main/Alt Monitor selector with precision level trims for Alternate speakers; a precision-detented Control Room Level pot; and an integrated Talkback mic and CR-to-Studio Listen function. Lastly, you get the legendary all-discrete Electrodyne console sound in a compact, cost-effective package.

The Electrodyne legacy

As one of the very first console manufacturers, Electrodyne was instrumental in transforming the way records and films were recorded and mixed. Sweetwater is proud to be part of that great legacy. And we are very excited about the Electrodyne Summing Station — it sounds amazing! We're sure you'll agree.

Electrodyne Summing Station Features:

  • Classic Electrodyne 1970s large-format console summing and stereo mix bus
  • 16-channel active summing network and Stereo Bus with fully balanced stereo insert path
  • Transformer-balanced analog outputs
  • Transformer control for "tight" vs. "warm" mix bus sonics
  • Precision-detented Master Bus Level pot with Stereo Bus calibration trimmers
  • Original Electrodyne design transformers and discrete transistor op-amps
  • Studio-grade Control Room Monitor section:
  • Stereo Mix and Artist Cue facilities
  • Balanced XLR I/O; 3.5mm TRS Mobile Device inputs
  • Precision-detented Control Room Level pot
  • Mono, Dim, and Mute controls
  • Main/Alt Monitor selector with precision level trimmers for Alternate speakers
  • Extremely low-distortion balanced signal path for quality and accuracy of monitoring
  • High-power, low-distortion headphone amplifier
  • Artist Cue and Talkback:
  • Cue input Talkback Loop for Artist Headphone / Studio Monitor Mix
  • Integrated Talkback mic with Control Room Monitor Dim function and Remote Talkback jack
  • Control Room Listen function allows artists in the Studio to hear Control Room Sources for playback and rehearsal
SSL Six Mixer The SSL Six Mixer is a condensed professional console for use in the studio, in post-production, on stage, and for podcasting, SiX offers big console sound and an impressive set of utility features in a format that is small enough to stick in a bag. SiX is stunning value; it offers two recording channels with SuperAnalogueTM mic pres, an essential one knob version of the classic SSL Channel Compressor, a new two-band Channel EQ, inserts and 100mm faders. There is a two-knob version of the legendary G-Series Bus Compressor on the main mix bus and the unique Listen Mic Compressor on the Talkback. In mixdown mode it is a very capable twelve channel summing system that offers analogue detail, depth and width to your mixes. The Six Mixer carries the DNA of 40 years of true expertise in creative studio workflow. Listen to SiX and you will experience the impeccable sonic performance that is the hallmark of every SSL console. It is powerful, intuitive, inspired and rewarding. SSL Six Mixer Features
  • Benchmark SuperAnalogueTM audio performance
  • Stunning Recording Path
  • Classic SSL Channel Processing
  • The unique Listen Mic Compressor
  • Professional routing & Monitoring
  • 12 Input summing at Mixdown
  • Legendary Master Bus Compressor
  • Completely balanced signal path
  • Auto switching Power supply (100 - 240V)
Avid S1 eight-fader EUCON control surface The Avid S1 is an eight-fader EUCON control surface with unparalleled speed, rich visual feedback, and software integration of Avid's high-end consoles in a slimline surface that's an easy fit for any space or budget. Avid S1 gives you deep hands-on control of your favorite audio and video software and, together with the free Pro Tools | Control app for iPad (iPad not included), provides great ergonomic efficiency, easy touch workflows, and S6-style metering and processing views, so you can navigate large sessions quickly, mix more intuitively, and turn around better sounding mixes fast. Mix big on a smaller scale While Avid S1 fits easily between your display and keyboard, it packs a lot of mixing power into its small surface. From motorized faders and knobs that respond to your touch, to fast-access touchscreen workflows and Soft Keys that enable you to perform complex tasks with a single press, S1 provides the speed and versatility to accelerate any music, audio post, or video project. Get unmatched software integration S1 is powered by EUCON, Avid’s high-speed Ethernet control protocol that delivers deep hardware/software integration, giving you full touch and tactile access to a host of Avid and third-party software functions and controls. You can even switch between multiple applications—and workstations—at the touch of a button, providing the most fluid editing and mixing experience. Specifications:
  • Faders: Eight motorized, touch-sensitive, 100 mm long-throw faders
  • Knobs: Eight push-top, touch-sensitive rotary encoders
  • Additional controls: Assorted hardware buttons/keys for various functions and mode selections, including Mute, Solo, Record-enable, Bank, Nudge, and more
  • Software interface: Supports the free Pro Tools | Control app running on iPad (iPad not included), providing touchscreen control, project navigation, macro triggers, and more
  • Displays: Eight high-resolution OLED displays, plus multiple status LEDs and multicolor track buttons; channel metering, monitoring, processing, track status, automation modes, and other views provided by Pro Tools | Control on iPad
  • Height (front, rear): 1.2 inches, 3.8 inches (29 mm, 97 mm)
  • Width: 12.3 inches (312 mm)
  • Depth: 14.9 inches (377 mm)
SSL UF8 Advanced DAW Controller The SSL UF8 is an advanced DAW controller designed to fit the needs of DAW-based workflows and ultra-fast turn-around times. The SSL UF8 features 8, 100mm touch sensitive faders, 8 endless rotary encoders and 43 assignable keys. An expandable 8-channel advanced DAW controller, UF8 connects engineers, producers and artists directly to the creative process, offering absolute command of their workflow and significantly accelerating the speed of audio production and content creation. Advanced Workflow UF8 offers intuitive features that are developed from a true understanding of production workflow. Take ultimate control with simultaneous access to multiple DAW sessions, and precise navigation with a multi-purpose Master Encoder for DAW timeline access, track banking and mouse wheel emulation. 'Dual-purpose Selection Keys permit rapid access to select functions as well as solo and mute clearing in Pro Tools and Logic Pro. New CHANNEL and PLUG-IN control modes provide enhanced workflows for those using UF8 with Pro Tools, with easy access to sends and plug-ins without slowing down your creativity. Configurability Each UF8 comes equipped with 43 assignable user keys set across 5 configurable banks, allowing users to configure their essential keyboard shortcuts and macros for total session control. Add multiple controllers to create your unique mixing system; build your perfect 16-24 channel music creation hub, or connect 4 UF8’s within a single system to create a 32-channel controller ideal for large post production or mixing sessions. Multiple UF8s can be chained together using the THRU port and provide a safe place for iLok storage. For perfect positioning, each UF8 includes an adjustable stand allowing for six different angles of elevation for user defined placement. 19” rack mount kits are also available for installation into an ORIGIN console center section or other 19” studio racking. 360° Control SSL’s new 360° software application provides fast configuration and admin control of your UF8. With an expanded system, ‘drag-n-drop’ configuration gives quick and dynamic access to each individual controller set up. Customise workflows and define up to 3 different DAW layers for simultaneous session control, with all changes managed without getting in the way of your productivity. SSL UF8 Features:
  • High-quality 100 mm touch sensitive faders
  • High-resolution colour displays
  • All metal enclosure, finished with a brushed, anodised top plate
  • 8 Endless Rotary Encoders
  • Custom Workflows with 43 assignable keys per UF8; 5 banks of 8 User Keys + 3 Quick Keys
  • Intelligent Multi-Purpose CHANNEL Encoder
  • Mouse Scroll Emulation; control of any plug-in parameter you hover the mouse over with absolute precision
  • Integrates With All Major DAWs with workflow ready templates
  • Pro Tools | Logic Pro | Cubase | Ableton Live | Studio One
  • Hi-Speed USB connectivity
  • Switch Control between 3 Simultaneously connected DAWs
  • Bundled with SSL Native Vocalstrip 2 & Drumstrip plug-in
The Dangerous Music Liaison puts the fun back into trying out creative combinations of gear. The Liaison also lets your setup remain absolutely flexible — just what you need if you want to survive in a market that often demands recording, mixing, and mastering services from a single studio. The Liaison's claim to fame is that it combines your favorite pieces of music gear together in various configurations, allowing you to try out new gear combinations and recall them later. But there's a lot more to the Dangerous Music Liaison than mere signal routing.

Mix, match, store, and recall all your favorite gear combinations

Dangerous Music has always been dedicated to providing serious engineers with the most useful gear possible. They've upped the ante again, with the Liaison. The Liaison lets you experiment with different combinations of gear, giving you a total of six discrete 2-channel inputs and two 2-channel buses. Want to hear how that compressor sounds pre- and post-EQ? With a Liaison, you can audition various hardware combinations as easily as swapping around plug-ins in a DAW. What's more, you can store and recall your favorite setups, so you can keep that killer vocal compression chain or that thumping kick drum processing path close at hand.

Flexible stereo buses give you advanced configuration options

When we ran the Dangerous Music Liaison through its paces here at Sweetwater, we found that its stereo buses do more than just compare two discrete signal paths. Depending on how you configure them, these stereo buses can provide you with two completely independent, flexible signal chains, each serving as its own small routing matrix. You can also combine both buses to create a long and flexible continuous signal-processing chain, in which you can reorder entire sections of your gear setup. Even cooler, you can use the Liaison's buses to establish complex parallel signal processing — opening up limitless sonic possibilities.

Mastering-grade components for unrivaled sound quality

As is the case with all Dangerous Music products, the Liaison is made entirely from mastering-grade components, so you never have to worry about audio coloration or latency. In fact, when set to simply pass audio, professional grade testers used to measure the Liaison read as though they were plugged into themselves. Talk about quality control! Here are some of the other specifics. Both the inserts and the buses feature straight-wire, unamplified, balanced signal paths. All audio is relay-switched via top-quality, gas-filled, bifurcated contact relays — ensuring that all switching is absolutely noiseless. The rest of the Liaison's signal paths feature mastering-grade components made by THAT Corp. and Burr-Brown.

What the pros are saying about the LIAISON:

  • "The Dangerous LIAISON feels like engaging light-speed for my workflow...and make no mistake: workflow IS sound. The sheer speed at which you can do critical comparisons of entire signal chains does have a direct and positive impact how your music will sound." — Alberto Rizzo Schettino (Engineer)
  • "One of the best features of the LIAISON is the monitor outs...you can monitor the signal at four points in the chain: before and after Bus A and B. The usefulness of this feature is huge, and Dangerous deserves major props for including it! The switching of inserts is managed by beefy relays that are as transparent as any I've ever heard." — Adam Gonsalves (Mastering Engineer)
  • "LIAISON gives you the impetus to rethink how you record, mix, and master your music...[and] using the LIAISON is dead simple. I think of LIAISON not as an insert switcher, but as a creativity enabler." — Andy Hong (Writer/Reviewer)
  • "The Dangerous LIAISON is incredibly exciting. To have a device that lets you so easily switch between processors, swap the order of processors, do quick A-B comparisons of signal chains. It makes my work better!" — Jonathan Wyner (Mastering Engineer)
  • "Being able to switch devices from one bus to the other is extremely useful. The fast switching is amazing!" — Jeff Lipton (Mastering Engineer)
  • "The LIAISON is really important — I can do a lot of combinations of chaining gear and I am able to work a lot faster. Before the LIAISON [I had to] switch the patchbay and compare the sounds. Now I am 20-times faster than before, I like the way the LIAISON allows me to still be in the energy of the music. — Antoine "Chab" Chabert (Mastering Engineer)
  • "So happy with the LIAISON. Being able to switch gear in and out from the listening position without leaning over a patch bay is fantastic. After sitting in this chair for so many years, it actually improves my mixing ergonomics considerably." — Bob Power (Mastering Engineer)

Dangerous Music Liaison Features:

  • Flexible signal routing matrix that allows you to combine the gear in your studio in fun, exciting, and creative ways
  • Leverage all your gear, all the time
  • Improve your tracks, mixes, and masters by auditioning and marrying the perfect ensemble of equipment
  • 2 independent stereo buses mean you can set up 1 as a tracking path and the other as a mix path, without repatching, or chain them together
  • Separate parallel processing loop to let drums breathe and crush simultaneously
  • Create complex combinations of gear and A/B instantly
  • Store your favorite settings to recall any tracking, mixing, or mastering configuration
  • 6 stereo insert loops, assignable to 2 stereo buses
  • Mastering-grade components ensure silent, relay-based switching and color-free audio
KORG MW 2408 MIXER MIXER
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