Heritage Audio MCM-20.4 20-channel Summing Mixer

$2,827.29

GTIN: 702877907221 SKU: 702877907221 Category: Tags: , , ,

Description

The Heritage Audio MCM-20.4 is a rackmount analog summing mixer that delivers vintage-quality sonics along with sophisticated routing options to streamline your hybrid studio setup. The MCM-20.4 offers 16 input channels arranged into two subgroups of eight. Each channel features concentric pan and level controls plus a balanced insert and a mute switch. Each group has its own stereo fader and balanced insert point. Both stereo subgroups are passively summed into the master bus, which has its own balanced insert point and VU meters. Makeup gain is provided by a transformer-coupled, 1073-style Class A mic preamplifier with four transformers (two per channel). Four channels of pre/post-fader aux sends are provided: AUX 1 and 2 are mono; AUX 3 is stereo. Insert send points are always signal-present, giving them an alternative use as direct outputs for recording. Rear-panel connections are made via DB-25 connectors; except for the master bus, which has dedicated XLRs.

The best of both worlds

Done up in classic RAF blue-gray livery — complete with concentric pots and Marconi knobs — the Heritage Audio MCM-20.4 gives visual hints as to the sound lurking beneath the bonnet. Flavored by four transformers, that sound is decidedly vintage British, although Heritage has taken pains to improve crosstalk and self-noise specs from those of the vintage designs. The smart-summing topology employed in the company’s MCM series mixers delivers impressive headroom and low noise for a 20 channel, vintage-topology mixer. Sweetwater’s advice: If you want to smoothly integrate analog gear — and robust, colorful sonics — into your DAW-based workflow, the Heritage Audio MCM-20.4 is a great-sounding, elegant solution.

Heritage Audio MCM-20.4 20-channel, Vintage-topology Rackmount Mixer Features:

  • 16 input channels arranged into 2 subgroups of 8
  • Each channel features concentric pan and level controls plus a balanced insert and a mute switch
  • 2 stereo subgroups are passively summed into the master bus
  • Master bus has its own balanced insert point and VU meters
  • 4 channels of pre/post-fader aux sends
  • Rear-panel connections are made via DB-25 connectors
  • Master bus connections via dedicated XLRs

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SettingsHeritage Audio MCM-20.4 20-channel Summing Mixer removeShadow Hills Industries Equinox Summing Mixer and Monitor Controller removeZoom L 20 R Mixer Digitale 20 Canali. Recorder E Interfaccia Audio Formato Rack removeSSL Six Mixer removePurple Audio Moiyn 8-channel Summing Amp for Sweet 10 Rack removeAllen & Heath GL3800 2011 NOIR remove
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Description
ContentThe Heritage Audio MCM-20.4 is a rackmount analog summing mixer that delivers vintage-quality sonics along with sophisticated routing options to streamline your hybrid studio setup. The MCM-20.4 offers 16 input channels arranged into two subgroups of eight. Each channel features concentric pan and level controls plus a balanced insert and a mute switch. Each group has its own stereo fader and balanced insert point. Both stereo subgroups are passively summed into the master bus, which has its own balanced insert point and VU meters. Makeup gain is provided by a transformer-coupled, 1073-style Class A mic preamplifier with four transformers (two per channel). Four channels of pre/post-fader aux sends are provided: AUX 1 and 2 are mono; AUX 3 is stereo. Insert send points are always signal-present, giving them an alternative use as direct outputs for recording. Rear-panel connections are made via DB-25 connectors; except for the master bus, which has dedicated XLRs.

The best of both worlds

Done up in classic RAF blue-gray livery — complete with concentric pots and Marconi knobs — the Heritage Audio MCM-20.4 gives visual hints as to the sound lurking beneath the bonnet. Flavored by four transformers, that sound is decidedly vintage British, although Heritage has taken pains to improve crosstalk and self-noise specs from those of the vintage designs. The smart-summing topology employed in the company's MCM series mixers delivers impressive headroom and low noise for a 20 channel, vintage-topology mixer. Sweetwater's advice: If you want to smoothly integrate analog gear — and robust, colorful sonics — into your DAW-based workflow, the Heritage Audio MCM-20.4 is a great-sounding, elegant solution.

Heritage Audio MCM-20.4 20-channel, Vintage-topology Rackmount Mixer Features:

  • 16 input channels arranged into 2 subgroups of 8
  • Each channel features concentric pan and level controls plus a balanced insert and a mute switch
  • 2 stereo subgroups are passively summed into the master bus
  • Master bus has its own balanced insert point and VU meters
  • 4 channels of pre/post-fader aux sends
  • Rear-panel connections are made via DB-25 connectors
  • Master bus connections via dedicated XLRs
The Shadow Hills Industries Equinox microphone preamp, summing mixer, and monitor controller is like adding a mastering-grade console to your studio's rack. You get two Golden Age microphone preamplifiers, 30 channels of analog summing, a comprehensive mastering-quality monitor section, and switchable output transformers - everything you'll need to make your mixes sound like they were created in a world-class facility. You'll love the rich, open character of the microphone preamps. The summing mixer gives you ample headroom to craft exciting, dynamic mixes. And you'll hear every detail and nuance of your music, thanks to the precision-designed monitoring signal path. In short, the Shadow Hills Industries Equinox gives you the functionality and timeless sound of an analog console in a convenient, 2U rackmountable unit. In today's modern recording studio, the ability to work smarter is the key to success. The Equinox combines the most useful features of a traditional analog console, like premium summing capability, talkback functionality, and a flexible monitoring section. While you could buy a high-quality, dual-channel mic preamp, 30 channels of analog summing, and an impeccable monitoring controller separately, you would spend thousands more and still may not reach the same level of sonic excellence as you get with the Equinox. Shadow Hills Industries Equinox Microphone Preamp/Summing Mixer/Monitor Controller at a Glance:
  • Exceptional Golden Age microphone preamplifiers
  • 30 channels of analog summing
  • Comprehensive monitoring control
  • Switchable output transformers for sonic variations
Exceptional Golden Age microphone preamplifiers The Shadow Hills Industries Equinox gives you a pair of Golden Age mic preamps with extreme functionality. You have 60dB of gain on tap, with a -20dB pad to allow you to record loud sources like drums and guitar amps without unwanted distortion. A 1/4" instrument input is present for direct recording of guitar, bass, and acoustic-electric instruments, making the Equinox an all-around workhorse microphone preamplifier. 30 channels of analog summing The Equinox is ready to provide rich and punchy mixes with incredible depth, thanks to 30 channels of on-board analog summing. You'll have the incredibly high headroom of an analog console that will allow your tracks to reach their full dynamic potential. You'll also appreciate the incredible stereo imaging with a lifelike sense of depth. Comprehensive monitoring control With mastering-quality components, the Equinox gives you the monitoring quality you need to make crucial mix decisions with confidence. You can connect up to three sets of monitors, and a stereo cue output is ready to feed a separate headphone system from any of the Equinox's inputs. You'll have the flexibility you need to approach recording, mixing, and mastering projects with speed and precision when you add the Equinox to your studio setup. Switchable output transformers for sonic variations You have remarkable control over the tone and vibe of your music with the Equinox, thanks to three switchable output transformers. Switching transformers provides a subtle but significant tonal shift, both to signals recorded through the Equinox's mic pres as well as the output of the summing mixer section. Choose from steel, nickel, or iron output transformers to get the iconic sound of different styles of analog consoles. The nickel transformer gives you a natural low-end with smoothly enhanced high frequencies, outstanding on vocals and acoustic instruments. The iron transformer has a natural high end with a slight boost around 110Hz, and has a Class-A output stage that only passes even-ordered harmonic distortion - very musical. The steel transformer sounds very open with a detailed and fast response, with a very subtle boost around 40Hz that helps provide rock-solid low frequencies. With the Equinox, you can shape your recordings and mixes to suit whatever musical vibe you want. Shadow Hills Industries Equinox Microphone Preamp/Summing Mixer/Monitor Controller Features:
  • Combines fantastic mic preamps, 30 channels of high-quality analog summing, and mastering-quality monitor control to give you the best functions of an analog console
  • 24-position, gold-plated stepped attenuator knobs for precise recall of your session settings
  • Switchable nickel, iron, and steel output transformers give you the sound of a variety of vintage consoles
  • 30 channels of passive analog summing provide ample headroom to produce dynamic, hard-hitting mixes
  • Supports up to three sets of studio monitors
  • Cue output for connecting to your headphone distribution system
  • Requires Shadow Hills Power Supply, not included
20 canali (16 mono e 2 stereo) con ingressi combo jack 1/4/XLR - 22 tracce di registrazione simultanea e 20 tracce di playback - 22in/4 out USB come interfaccia - 6 monitor out - uscita cuffie con jack da 1/4 - phantom su tutti i canali XLR a gruppi di 4 - ingresso Hi-z sui canali 1 e 2 - pad di 26dB - compressore sui canali da 1 a 16 - tasto master mute - low-cut 40-600 Hz. 12dB/OCT - stereo panning - master e monitor out (A-F) - fino a 9 scene salvabili - doppio processore effetti regolabili - class compliant con sistemi iOS - App iOS per controllo a distanza tamite BTA-1 Bluetooth adapter (incluso) - registrazione su SD card (fino a 24bit/96kHz) o su PC/MAC come scheda audio - Rack ears incluse Dimensioni: Lunghezza 55.5cm - Profondità 23.7cm - Altezza 43.6cm - Volume 0.057m³ Zoom # L-20R - Mixer digitale 20 canali. recorder e interfaccia audio - formato rack # P.A. / Mixer # Serie LiveTrackSSL Six Mixer The SSL Six Mixer is a condensed professional console for use in the studio, in post-production, on stage, and for podcasting, SiX offers big console sound and an impressive set of utility features in a format that is small enough to stick in a bag. SiX is stunning value; it offers two recording channels with SuperAnalogueTM mic pres, an essential one knob version of the classic SSL Channel Compressor, a new two-band Channel EQ, inserts and 100mm faders. There is a two-knob version of the legendary G-Series Bus Compressor on the main mix bus and the unique Listen Mic Compressor on the Talkback. In mixdown mode it is a very capable twelve channel summing system that offers analogue detail, depth and width to your mixes. The Six Mixer carries the DNA of 40 years of true expertise in creative studio workflow. Listen to SiX and you will experience the impeccable sonic performance that is the hallmark of every SSL console. It is powerful, intuitive, inspired and rewarding. SSL Six Mixer Features
  • Benchmark SuperAnalogueTM audio performance
  • Stunning Recording Path
  • Classic SSL Channel Processing
  • The unique Listen Mic Compressor
  • Professional routing & Monitoring
  • 12 Input summing at Mixdown
  • Legendary Master Bus Compressor
  • Completely balanced signal path
  • Auto switching Power supply (100 - 240V)
The Purple Audio Moiyn is an innovative 500 Series 8-channel summing amp module that transforms your Sweet Ten rack into an 8 x 2 mixer. When using this feature, you can still use the first eight modules' outputs as you normally would into your DAW or tape machine. Place the Moiyn in slot nine of the rack, and you then are able to assign each module (in slots 1-8) to either of the two outputs via the Moiyn's front-panel buttons. Finally, use the rotary knob to adjust your output volume. The Purple Audio Moiyn is an ideal way to get the most from your Sweet Ten rack. Purple Audio - the quality is designed in Sweetwater is proud to carry Purple Audio. Founded in 1997 by Andrew Roberts, Purple Audio has kept the analog flame burning brightly with acclaimed professional signal processors and studio problem solvers based on inspired new designs and fresh takes on coveted classic gear. Handcrafted in Pennsylvania, Purple Audio equipment is built for the long haul, using only the finest components. Let Purple Audio's innovative engineering elevate your studio's sonic quality and juice your workflow. Purple Audio Moiyn 500 Series Summing Amplifier Features:
  • Designed specifically for mounting in Slot 9 of Purple Audio's Sweet Ten 500 Series rack
  • Transforms your Sweet Ten rack into an 8 x 2 mixer
  • Discrete signal path with 2 KDJ3 Summing Amplifiers and 2 KDJ4 Output Amplifiers
  • Differential summing amplifier with 15 Kilohm inputs
  • Stereo balanced inject
  • 8 Input left/right assignable
  • Current consumption: 90mA
  • Discrete signal path
  • Auto-resetting fuse shuts down individual module without affecting entire rack or console
  • Includes high-quality 2-bus rotary master fader
  • Cascade multiple Sweet Tens with Moiyns for more channels
  • Requires Purple Audio's Sweet Ten rack
  • ROHS certified lead-free
RÉSUMÉ DES FONCTIONNALITÉS Images de 24, 32, 40 et 48 canaux Options de canal mono / stéréo A, B, C, D Mélanges principaux LR et M 8 groupes audio avec panoramique et routage vers LR et M 10 auxiliaires dont un envoi stéréo dédié avec commandes de niveau et de panoramique 2 canaux stéréo multifonctions chacun avec entrées micro et ligne stéréo 2 doubles stéréos supplémentaires fournissent 4 retours stéréo additionnés ou indépendants Matrice 12 × 4 complète Double fonctionnalité appropriée pour FoH, mixage de moniteur ou les deux Enregistrement capable avec des sorties directes de canal M peut être utilisé pour le mixage centre / sous, la somme mono LR ou le coin d'ingénierie Entrées externes matricielles avec trims de niveau et capacité d'entrée commune Les entrées micro du canal stéréo peuvent se croiser dans la matrice pour une alimentation d'ambiance EQ réactif 4 bandes, 2 balayages Filtres passe-haut de canal 100Hz Alimentation fantôme individuelle et commutation de polarité Compteur intégré avec 11 VU-mètres à bobine mobile éclairés par LED Canal LED grand angle et compteurs principaux Compteurs de contrôle stéréo dédiés Commutation auxiliaire par canal pré / post fader pour une flexibilité totale Commutateurs pré / post-EQ du panneau avant pour les préférences de l'utilisateur Coupe le son de tous les faders masters Faders à double rail de qualité supérieure de 100 mm Talkback assignable à toutes les sorties, comprend un mode de verrouillage de commutateur de conversation Oscillateur 1 kHz / générateur de bruit rose avec sortie externe Surveillance 2 pistes et relecture sur LR 3 prises casque / écouteurs et sorties moniteur locales Sorties XLR symétrisées électroniquement avec capacité d'entraînement + 26 dBu Gamme de préamplis 74 dB avec capacité d'entrée +34 dBu pour micro ou ligne Conception d'ampli micro à très faible bruit Combiner intégré pour une alimentation de secours redondante Assemblage de cartes de circuits individuelles avec des pots écroués Option de liaison d'entrée / sortie de console Sys-Link V2 Douilles de lampe XLR 4 broches - Lampe LED Allen & Heath disponible. Options de canal mono / stéréo: A = tous les canaux mono B = 4 stéréos à droite des masters C = 4 stéréos à l'extrême droite D = 8 stéréos à l'extrême droite
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