Korg Mw 2408 Mixer Mixer

$1,121.14

GTIN: 4959112191150 SKU: 4959112191150 Category: Tags: , , ,

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KORG MW 2408 MIXER MIXER

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SettingsKorg Mw 2408 Mixer Mixer removeDangerous Music 2-BUS+ Analog Summing Mixer removeMidas PRO2C removeSSL Six Mixer removeSolid State Logic UF-8 removeSPL MixDream XP Analog Summing Mixer remove
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Description
ContentKORG MW 2408 MIXER MIXERThe Dangerous Music 2-BUS+ is a 2U, 16-channel analog summing mixer with both XLR and D-sub inputs. It raises the bar on its legendary 2-BUS predecessor with even lower crosstalk, distortion, and noise-floor performance, along with stunningly precise soundstaging and center focus. Dangerous spent over two years developing three onboard audio processors that, with a simple push of a button and twist of a knob, add tone and color to your stems or across your entire mix directly from the 2-BUS+. The 2-BUS+ is smartly designed, extremely useful, and sounds incredible.

A trio of custom audio processors

In sync with Dangerous Music's doctrine of tonal coloration as a per-project artistic choice, the 2-BUS+ features three separate custom audio processors that selectively add tone and color to your mixes. In parallel processing mode, you can deploy Harmonics, a tuned harmonic distortion generator, and Paralimit, a FET limiter on steroids. At Sweetwater, we've applied both of these across stereo mixes and on pairs of stems. X-Former kicks in a pair of custom transformers with core-saturation control on your stereo mix outs. You can have all three tone processors active concurrently, and you can flip the order of signal flow through distortion and limiting.

Outstanding flexibility

Dangerous Music knows that each engineer — and session — is unique, so they designed the 2-BUS+ for outstanding professional flexibility. They spec'd it with an XLR stereo insert before the outputs for adding a separate compressor or processing chain that you can bypass at the touch of a button for a quick reference comparison. Channels 1/2 and 9/10 can be set to mono to rout; for instance, vocals/bass and kick/snare each to its own mono input. They also gave the 2-BUS+ an output control stepped in 0.5dB increments from -4dB to +6dB, and included XLR connections for both the main and monitor outputs.

Gang 'em for high channel count

Need a full-on analog "console" summing experience? Gang together multiple 2-BUS+ units via the stereo expansion inputs XLR to create a customized channel count. For the ultimate in tonal flexibility and control, the custom audio processors on each unit apply across the ganged group output. With three units, for instance, you'll have 48 channels of analog summing, with the first two units employing Harmonics (distortion), and Paralimit (limiter) across two separate stereo stems, and the third unit applying X-Former transformer saturation on the master stereo outputs.

What the pros are saying about the 2-BUS+:

  • "The Paralimit and X-Former appear to be magic knobs. Special mention goes to the Paralimit because it does that lovely thing of bringing up the general ambience without slamming the track, something I particularly love on drums. Plugged it into my system along with my old 2-BUS and Dangerous MONITOR ST, and wow ... it's fantastic! Bags of air and space around the mix." — Chris Blackwell (drummer/composer)
  • "Since the 2-BUS has so much headroom, it's really easy for me to decide that I want the entire vocal submix to be brighter or warmer, or more or less compressed." — Michael James (producer/mix engineer)
  • "The Dangerous Music 2-BUS is one of the reasons my studio delivers a killer sound that grants the edge on the competition." — Alberto Rizzo Schettino (engineer)
  • "Between SSL, in-the-box, and 2-BUS ... in blind tests ... it was a unanimous decision that the Dangerous mixes beat out everything. The 2-BUS mixes ... were simply cleaner and warmer than the SSL or in-the-box mixing ... I just don't miss my console." — Gina Fant-Saez (mix engineer)
  • "With the 2-BUS LT, elements have their own place. You end up with a quicker, bigger mix and retain a more natural, less processed sound." — Phil Greiss (producer/engineer)
  • "The Dangerous Music equipment is the centerpiece of my mixing rig. Everything I do goes through a Dangerous MONITOR, 2-BUS, MASTER, and BAX EQ. Everything." — Fab Dupont (mix engineer)
  • "I don't understand how the 2-BUS has been in the studio for so long, but hasn't gotten to live shows — the sound is unbelievable." — Horace Ward (FOH engineer)
  • "The harmonic and transformer flavors are great options to have and the parallel limiter is a genius idea." — Chris Tabron (producer/mix engineer)

Dangerous Music 2-BUS+ Analog Summing Mixer Features:

  • Stunning 16-channel analog summing mixer injects your mixes with exceptional headroom and dimensionality
  • 3 analog options (Harmonics, Paralimit, and X-Former) for adding tonal coloration to your mix
  • XLR and D-sub input connectivity and flexible routing allow for a customized workflow
  • Integrate your outboard gear easily with the switchable stereo analog insert
  • Output control is stepped in 0.5dB increments for perfect recallability
  • High-quality components ensure audiophile-grade sound
Midas Pro2C. Brand new, full Midas warranty. Compact Live Digital Console Control Centre with 64 Input Channels, 8 Midas Microphone Preamplifiers, 27 Mix Buses, 96 kHz Sample Rate and Touring Grade Road Case Shipping will cost extra based on buyers location. If purchased without an agreement in place, buyer will be responsible for organizing their own pickup or shipping.SSL Six Mixer The SSL Six Mixer is a condensed professional console for use in the studio, in post-production, on stage, and for podcasting, SiX offers big console sound and an impressive set of utility features in a format that is small enough to stick in a bag. SiX is stunning value; it offers two recording channels with SuperAnalogueTM mic pres, an essential one knob version of the classic SSL Channel Compressor, a new two-band Channel EQ, inserts and 100mm faders. There is a two-knob version of the legendary G-Series Bus Compressor on the main mix bus and the unique Listen Mic Compressor on the Talkback. In mixdown mode it is a very capable twelve channel summing system that offers analogue detail, depth and width to your mixes. The Six Mixer carries the DNA of 40 years of true expertise in creative studio workflow. Listen to SiX and you will experience the impeccable sonic performance that is the hallmark of every SSL console. It is powerful, intuitive, inspired and rewarding. SSL Six Mixer Features
  • Benchmark SuperAnalogueTM audio performance
  • Stunning Recording Path
  • Classic SSL Channel Processing
  • The unique Listen Mic Compressor
  • Professional routing & Monitoring
  • 12 Input summing at Mixdown
  • Legendary Master Bus Compressor
  • Completely balanced signal path
  • Auto switching Power supply (100 - 240V)
UF8 is SSL’s latest studio controller, designed for today’s DAW-based production workflows and ultrafast turn-around times. An expandable 8-channel advanced DAW controller, UF8 connects engineers, producers and artists directly to the creative process, offering absolute command of their workflow and significantly accelerating the speed of audio production and content creation. UF8 is the culmination of SSL’s 40+ year legacy of mastering production workflows and studio ergonomics built into generations of classic SSL consoles. This depth of understanding of studio production, combined with decades of engineering excellence, delivers a premium finish tactile USB controller that distills SSL workflow and quality.Add the undeniably vibrant sound of analog summing to your DAW with the SPL MixDream XP 16 x 2 analog summing mixer. Take one of your past projects and mix it through the MixDream XP and you'll hear more depth, enhanced stereo imaging, and noticeably punchier dynamic impact. The Class A design and 60-volt rails in the MixDream XP provide amazing headroom and ultra-low noise, rivaling the sound of full-featured analog consoles. Once you've got your submixes sounding just right, Sweetwater can highly recommend the SPL MixDream XP summing mixer to take your mix over the top. SPL MixDream XP 16 x 2 Summing Mixer at a Glance:
  • Deeper, wider mixes from analog summing
  • Premium analog design for top-notch sound
  • Expandable for higher channel counts
Deeper, wider mixes from analog summing While the debate over analog vs. digital summing is not new, most engineers agree that summing your mix through high-quality analog gear sounds awesome. Compared to the exact same mix summed in your DAW, you'll notice that the SPL MixDream XP sums your mix with greater depth and enhanced stereo definition, with an undeniably vibrant quality. Premium analog design for top-notch sound SPL designed the MixDream XP summing mixer with 60-volt rails for an outstanding 125dB dynamic range, with a very low noise floor too.The discrete Class A topology was designed to give you essentially the same sound as a high-end mixing console, in a convenient rackmount form factor. Expandable for higher channel counts Need more than 16 channels of analog summing? It's easy to expand your summing capabilities with additional MixDream XPs. Just use the expansion inputs to daisy-chain your MixDream XPs, or even mix and match with SPL MixDream model 2384 summing mixers. SPL MixDream XP 16 x 2 Summing Mixer Features:
  • 16-in, 2-out analog summing mixer
  • Amazing dynamic range and ultra low noise, thanks to discrete Class A design and 60-volt rails
  • Multiple units can be linked for surround operation
  • Allows you to achieve an analog vibe that's difficult to create with plug-ins
  • Ideal for mixing and mastering applications
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