Mesa Boogie 4×12 Rectifier Traditional Straight Cabinet

$930.00

00809404000896 00809404000896 SKU: 00809404000896 Category:

Description

Rectifier Traditional Straight 4×12″ 240W Guitar Speaker Cabinet Specifications:

  • Style/Type: Closed Back (sealed)
  • Speaker(s: Celestion Vintage 30s
  • Wattage: 240 Watts
  • Cabinet Impedance: 8 Ohm Mono / 4 Ohm Stereo
  • Height: 30.25″
  • Width: 29.875″
  • Depth: 14.25″
  • Weight: 101 lb.

Rectifier Traditional 4×12 cabinets are three inches shorter than the oversized Standard Rectifier 4×12 (width and depth dimensions are the same). This slight size difference produces a tighter and more focused low-end response, though still delivering massive 4×12 punch and authority. Compared to Standard Recto 4x12s, the Traditional 4×12 provides more balance between lows, mids and highs and a greater emphasis on attack. The mid-range is more pronounced and this cabinet is often preferred for styles that require tight tracking and articulate response. Straight cabinet designs also provide for a small increase of interior cabinet space, which yields slightly more bass and low-end resonance compared to slants. Some players prefer the straight-style cabinets with all speakers attached to a one-piece baffle and all facing the same direction, effectively coupled for maximum punch and frontal projection. Other players prefer SLANT-style Recto 4×12 Cabinets, which offers a monitor effect due to the top speakers sloping up toward your ears. This can be a benefit when playing live. Regardless of Slant or Straight, if you are playing a Recto 4×12, your tone has authority, clarity and detail that only MESA Traditional or Standard 4×12 Rectifier cabinets deliver

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Description
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Rectifier Traditional Straight 4x12" 240W Guitar Speaker Cabinet Specifications:

  • Style/Type: Closed Back (sealed)
  • Speaker(s: Celestion Vintage 30s
  • Wattage: 240 Watts
  • Cabinet Impedance: 8 Ohm Mono / 4 Ohm Stereo
  • Height: 30.25"
  • Width: 29.875"
  • Depth: 14.25"
  • Weight: 101 lb.
Rectifier Traditional 4x12 cabinets are three inches shorter than the oversized Standard Rectifier 4x12 (width and depth dimensions are the same). This slight size difference produces a tighter and more focused low-end response, though still delivering massive 4x12 punch and authority. Compared to Standard Recto 4x12s, the Traditional 4x12 provides more balance between lows, mids and highs and a greater emphasis on attack. The mid-range is more pronounced and this cabinet is often preferred for styles that require tight tracking and articulate response. Straight cabinet designs also provide for a small increase of interior cabinet space, which yields slightly more bass and low-end resonance compared to slants. Some players prefer the straight-style cabinets with all speakers attached to a one-piece baffle and all facing the same direction, effectively coupled for maximum punch and frontal projection. Other players prefer SLANT-style Recto 4x12 Cabinets, which offers a monitor effect due to the top speakers sloping up toward your ears. This can be a benefit when playing live. Regardless of Slant or Straight, if you are playing a Recto 4x12, your tone has authority, clarity and detail that only MESA Traditional or Standard 4x12 Rectifier cabinets deliver
The Rupert Neve Designs Portico II Master Bus Processor lets you enhance, reshape, and polish your sound to perfection. Whether you want to add finishing touches to your master bus, level out a stereo group, or add new life to mono sound sources, the Portico II Master Bus Processor gives you the compression, limiting, and stereo field manipulation you need. Featuring custom input and output transformers designed by Rupert Neve, the Portico II Master Bus Processor implements the same ultra-smooth Class A signal processing made famous by the 5088 console and the Portico II Channel, as well as 72V topology, which gives it enormous headroom while allowing it to integrate seamlessly with virtually any system. If you’re serious about your sound, then it’s time to ask your Sales Engineer about the Rupert Neve Designs Portico II Master Bus Processor!

Powerful and flexible compression

Both channels of the Portico II Master Bus Processor feature one of Rupert Neve Designs’ most versatile compressors to date. Whether you want to add punch to your mix or smooth out your vocal subgroup, the Portico II Master Bus Processor has the compression you need. Controls for ratio, threshold, attack, release, blend, sidechain highpass filter, limiting, and makeup gain let you dial in the perfect dynamics quickly and easily. Use the two compressors independently, or instantly link them with the push of a button. Variable Silk Red/Blue Texture controls let you add classic Neve harmonic warmth; while a blend control lets you dial in the dry signal for instant parallel processing, so you can get all of the compression you want without losing transients. In addition, the Portico II Master Bus Processor gives you a choice of either vintage-flavored feed-back or modern-sounding feed-forward compression modes.

Transparent, musical limiter that’s effortless to use

Often overlooked at first glance, the Portico II Master Bus Processor’s 1-knob limiter is a powerful, flexible, and remarkably easy-to-use tool that lets you get the most out of the Portico II Master Bus Processor’s compression section. Rupert Neve Designs’ Adaptive Release Technology gives this limiter its unique ability to grab onto fast transients, without smothering the rest of the signal. Plus, you have the option to blend compressed and dry signals together for parallel processing that maintains natural-sounding dynamics without clipping. This gracious behavior means you can set it and forget it, with the added security of knowing your masters will be free from clipping and broadcast-ready.

Sidechain inserts for creative ducking

Every dynamics processor has a sidechain circuit that examines the signal and determines how much the VCA will reduce gain — but not every unit provides access to its sidechain. In compressors without a separate sidechain input, your main input signal is, essentially, compressing itself. With compressors like the one in the RND Portico II Master Bus Processor, you can insert external processing on the sidechain — or introduce a different signal that determines the compression action on the main signal. It’s an incredibly useful feature that lets you, for instance, automatically duck a track to make space for another (very popular for that EDM mix pumping effect). Combined with the sidechain HP filter, it gives you an impressive amount of tonal versatility.

Amazing Stereo Field Editor

Although the Rupert Neve Designs Portico II Master Bus Processor functions wonderfully as a dual-mono processor, it really shines in stereo mode. That’s thanks to its unique Stereo Field Editor. The Stereo Field Editor uses advanced Mid/Side stereo manipulation techniques, allowing you to adjust your stereo bus’s width, depth, and ambience. Beyond widening your stereo image, the Portico II Master Bus Processor can actually bring center-panned instruments out in your mix. That makes the Portico II Master Bus Processor an invaluable tool for mastering, as well as defining the spread of your subgroups during mixdown.

The legend continues

Rupert Neve’s 80 Series consoles had a huge, punchy, and authoritative sound that defined the sound of ’70s rock. From London to New York to Los Angeles and beyond, top studios were installing Neve boards as fast as they could. By 1977, with the introduction of the NECAM automation system, 80 Series boards were the main component of the success formula for any recording studio with world-class aspirations. Mr. Neve’s current company, Rupert Neve Designs, continues to advance the state of the art with cutting-edge products that sound incredible and intelligently address the challenges of the digital age. With your Rupert Neve Designs Portico II Master Bus Processor from Sweetwater, the legend continues.

Rupert Neve Designs Portico II Master Bus Processor Features:

  • Powerful 2-channel compressor/limiter/stereo field manipulator
  • Custom input and output transformers designed by Rupert Neve
  • Full compression sections for both channels, including attack, release, ratio, and threshold controls
  • Sidechain inserts and highpass filters for both compressors
  • Feed-back/Feed-forward switch lets you select between vintage-style and modern compression modes
  • Silk Texture control with Red/Blue modes for classic Neve harmonic warmth
  • Blend controls allow you to mix dry signal back into your compression, preserving transients while adding punch
  • Simple and highly musical 1-knob limiter with Adaptive Release Technology allows for brickwall limiting that doesn’t distort or affect signal under the threshold
  • Stereo Field Editor section includes independent level and EQ for width and depth, allowing you to dial in the perfect stereo field
The M3si integrated amplifier produces high quality sound, has an extensive range of useful inputs and offers high reliability, compact size and a fair price. With its strong 85 watts per channel, the M3si will drive a huge variety of appropriate loudspeakers. It has inputs for phono (MM), 4 line inputs and USB ‘B’ up to 24bit 96 kHz. The M3si’s sound is effortless, clear and sweet. It projects wide and deep images and has plenty of power to deliver excellent dynamic range. The M3si is unconditionally stable and will drive any appropriate loudspeaker with ease. Although it is Musical Fidelity’s lowest price amplifier, it embodies our hallmark values of uncoloured, stress-free sound, outstanding technical performance and great value for money.

M3si In Brief

  • 85WPC
  • Excellent technical performance
  • Preamp output
  • Unconditional stability, will drive any loudspeaker
  • Wide range of useful inputs
  • including asynchronous USB and MM phono
  • Excellent build quality and convenient size

Specifications

Power output: 85 W per channel into 8 ohm THD(+ noise): <0.014 % typical, 20 Hz to 20 kHz Signal to Noise Ratio: >98 dB ‘A’-weighted Frequency Response: +0, –0.1 dB, 10 Hz to 20 kHz Inputs: 4x Line Level RCA / Phono, 1x USB type ‘B’ connector - Asynchronous data stream at up to 24-bit/96kHz, 1x MM Phono input Phono Sensitivity (nominal): 3 mV (suitable for cartridges giving 1.5mV or more including high output MC types) Signal / noise ratio: >70 dB ‘A’-weighted Input impedance: 50 k ohm Frequency response: RIAA/IEC ±1 dB, 20 Hz to 20 kHz Dimensions - WxHxD (mm): 440 x 100 x 400 Weight (unpacked / packed): 9.2 kg/ 13 kg

BluOS Enabled 4K Ultra HD Receiver with Immersive Sound

NAD’s reference Audio Video Receiver (AVR) is a cutting-edge powerhouse for state of the art music and home theater. The T 778 features the latest developments in NAD’s Hybrid Digital technology to create 9 high current/high power channels of amplification with improved efficiency. Designed with NAD’s full disclosure approach to power ratings, the NAD AVR conservatively delivers 80W FDP and 9 x 160W FTC, all channels driven at rated distortion. For flexibility, the amp channels are configurable to be used for surround or second zone audio. The silent black background and explosive dynamics afforded by this amplifier technology adds lifelike realism, drama and excitement to all your music and movies.

Features

  • 9 channels of NAD’s latest Hybrid Digital Amplifier Technology
  • New touch screen and improved ergonomics for user-friendly operation
  • 4K UHD video pass-through
  • High-Res BluOS enabled network streaming
  • Dirac Live Room Correction
  • AirPlay2
  • MDC (Modular Design Construction) offers ability to upgrade to future digital formats as they become available. Two MDC slots provided.
  • CI friendly- RS232 Serial Control Port. Trigger In/Out
  • IR in with learning function
The design of the HDA range draws upon all of Arcam’s experience as one of the UK’s most respected audio companies, to produce Arcam’s best performing range of audio products yet. The SA10 is a 50 W class A/B amp with an onboard MM phonostage and DAC. Note, there is no streamer, the Ethernet port is for monitoring and amp control only.

Features

  • Extremely efficient class A/B amplification
  • 50W of power per channel
  • 5 analog inputs including phono
  • 3 digital inputs
  • 32-bit DAC,Sabre ESS9016K2M
  • Full I/P control

Specifications

Continuous power output (8 ohm, 4 ohm): 50 W, 85 W Phono (MM) input Input sensitivity (1 kHz): 5 mV Input impedance: 47 kΩ + 100 pF Line inputs Input impedance: 10 kΩ Digital inputs DAC chip: ESS9016K2M Supported sample rates (optical, coaxial): 32-96 kHz, 32-192 kHz (16-24 bit) Bit depth 16-bit – 24-bit Preamp output Output impedance: 230 ohm Headphone output Max output (into 600 ohm): 5 Vrms Output impedance: 1 ohm Load range: 16 - 2,000 ohm Dimensions (WHD):  17" x 3.4" x 12.2" (433 mm x 87 mm x 310 mm) Weight: 18.5 lb Supplied accessories: Power cord, remote control, 2 x AAA batteries
Mu-so 2nd Generation is the successor to the multiple award-winning Mu-so wireless music system, re-engineered for class-leading performance, functionality, and usability by Naim's experts in Salisbury, England. Combining Naim's 45 years of hi-fi mastery with the very latest music-streaming technology and premium design quality, this is the ultimate single-box system you and your music deserve. From up to 32bit high-resolution streaming to multiroom music to HDMI TV sound; you’ve never heard it so good from an all-in-one wireless system. The all-new multicore Digital Signal Processor (DSP) drives higher performance, providing 2000 MIPS (Million Instructions Per Second) compared to the original Mu-so’s single-core, 150MIPS DSP. Naim has also created a new limiter algorithm that keeps each of Mu-so 2nd Generation’s speaker drivers’ movement under control when at high volume levels. The new limiter, by design; is only active at extreme volume levels, and helps to retain the music’s clarity and increase long-term reliability. Premium aluminum casing, in a new burnished grey finish. It may look similar outside, but inside Mu-so 2nd Generation, the majority of components have been upgraded to improve performance. The cabinet design has been re-engineered to create 13% more internal volume, enabling bigger, better bass. Both the cabinet bracing and baffle molding have been redesigned for improved rigidity, which suppresses and controls vibrations. The distinctive heat-sink fins are now more compact, while still being ultra-effective, and continuing to feature Naim patented technology that discreetly incorporates the Wi-Fi antenna.

Specifications

Audio Inputs HDMI: ARC in with CEC Streaming: Apple AirPlay 2, Chromecast Built-in, UPnP, Spotify® Connect, TIDAL, Roon Ready, Bluetooth, Internet Radio Analog input: 3.5mm Jack USB: USB2 (Type A connector) Digital (S/PDIF): Optical S/PDIF up to 96 kHz Connectivity Multiroom: Sync up to five Naim streaming products and control via the Naim App Network: Ethernet (10/100Mbps), Wi-Fi (802.11a/b/g/n/ac), BLE v4.2 Formats Internet radio formats: Windows Media-formatted content, MP3, ACC, Ogg Vorbis streams and MMS Internet radio provider: vTuner Premium 5* Audio formats WAV, FLAC and AIFF – up to 24bit/384kHz ALAC (Apple Lossless) – up to 24bit/384kHz MP3 – up to 48kHz, 320kbit (16 bit) AAC – up to 48kHz, 320kbit (16bit) OGG and WMA – up to 48kHz (16bit) DSD- 64 and 128Fs Bluetooth - SBC, AAC Note: Gapless playback supported on all formats Warranty: Two years Physical Finishes: Burnished and anodized aluminum casework, CNC milled, bead blasted and anodized aluminum heatsinks, dual-tone grey and black fabric grill or light wood veneer and beige fabric grill. Weight: 24.69 lb Dimensions (HWD): 4.8" x 24.7" x 10.4" Amplifier output: 450 W – (6 x 75 W) Power Consumption Typical use: 17 W Standby mode: < 2 W Deep sleep (No-network standby mode): < 0.5 W Speaker system: Stereo 3-way; DSP-optimised vented box acoustic system Supplied with: Dual-tone grey and black grill, remote control, power cord, reset pin-hole tool and information booklets
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