| Content | The most complete production system available today, TriCaster TC1 represents the continued innovation of the iconic product that defined an industry. Designed with the way you work in mind and equipped with hundreds of advanced production capabilities, it has everything you need to do video your way today—and tomorrow.
Product Highlights
- Switching, streaming, recording in HD, 3G, and 4K UHD 60p
- Native software driven processing for maximum production power and flexibility
- Comprehensive camera coverage and compelling multi-source video mixing, including 16 external inputs and 4 M/Es
- Studio-grade Skype® video calling with multi-channel Skype TX software integration
- Integrated video servers allowing playback, replay, and live editing without any additional hardware
- Multi-channel ISO recording to full-resolution QuickTime® and H.264 files for VOD, post-production, and archive
- Dual-channel live streaming to Facebook Live, Microsoft® Azure®, Periscope, Twitch, YouTube™ Live, and more
- Real-time social media sharing to Facebook, Imgur, LinkedIn, Twitter, Vimeo, YouTube, and more
- Powerful production automation with custom macro commands, sophisticated full-motion compositing, and flexible control options
- Advanced audio mixing with multi-source configuration and control, professional DSPs, and 4 x 4 x 4 channel routing
- Premier creative capabilities, including multi-bus mix effects, animated titles and transitions, advanced chromakeying, spectacular live virtual sets, and more
Video Input
16 x simultaneous external video inputs, supporting any combination of compatible sources in resolutions up to 4K UHD at frame rates up to 60fps (2160p 59.94)
Network Video Input
16 x IP video inputs via NDI™, resolution-independent, with support for key and fill
SDI Video Input
4 x 3G/HD/SD-SDI connections supporting video input in any combination of standard formats, resolutions, and frame rates
- 1080p: 59.94, 50, 29.97, 25, 24, 23.976
- 1080i: 59.94, 50
- 720p: 59.94, 50, 29.97, 25, 24, 23.976
- 576i 50
- 480i 59.94
PTZ
Support for up to 8 simultaneous Pan-Tilt-Zoom (PTZ) robotic cameras via serial and network protocols, including RS232, RS422 and IP, with integrated controls and preset system
Skype TX
Native support for up to 2 simultaneous Skype® video call inputs via Skype TX software integration
Apple® AirPlay®
Native support for input of compatible iOS mobile devices via Apple AirPlay
Video Output
Configurable for up to 4 independent video mix outputs, with simultaneous delivery via IP and SDI
Network Video Output
- IP video output via NDI, optionally configurable for:
- 4 x independent video mix outputs
- 1 x 4K UHD video mix output
SDI Video Output
- 4 x 3G/HD/SD-SDI connections, optionally configurable for:
- 4 x independent 3G/HD/SD video mix outputs
- 1 x 4K UHD video mix output via 3G-SDI quad-link grouping
Stream Output
2 x resolution-independent streaming video outputs, independently configurable, with simultaneous stream archive
Multiviewer Output
- 3 x multiviewer outputs supporting standard display resolutions
- 1 x DVI user interface with multiviewer
- 1 x HDMI multiviewer
- 1 x DisplayPort multiviewer
Mix/Effect Buses (M/E)
- 4 x M/E buses supporting video re-entry
- 1 x Mix/Effect channel per bus with support for up to 4 sources
- 4 x KEY layers per bus
- 9 x memory slots per bus
- 1 x PREVIZ configuration and preview bus
DSK Channels
4 x DSK channels
Media
- 5 x media players
- 2 x DDR
- 2 x GFX
- 1 x Sound
- 15 x media buffers
- 10 x animation buffers
- 5 x graphic buffers
- 30 x clip players (available for use as transitions or media depending on function)
Keyers
- Integrated LiveMatte™ chroma and luma keying technology on all source channels and M/E buses
- 16 x input keyers
- 4 x media player keyers
- 4 x M/E keyers
- 1 x PREVIZ keyer
- 15 x buffer keyers
COMPs
Integrated video composition engine on the switcher and each M/E bus to create, store, and apply layer configurations and DVE-style motion sequences
16 x configurable COMP presets per bus
Virtual Sets
Integrated LiveSet™ technology with 30+ live virtual sets and box effects included
DataLink
Integrated DataLink™ technology enabling real-time, automated data input from internal and external sources, including webpages, spreadsheets, scoreboards, databases, RSS feeds, watch files, XML, CSV, ASCII and more
Macros
- Record, store, edit and automate commands and user-configured operation sequences
- Attach to control panel buttons, keyboard shortcuts, hotspots, MIDI and X-keys® buttons or GPI triggers
- Attach to internal events and state changes, including audio, media playback, tally and specific switcher actions
- Supports control via web-based interface
Recording
- 6 x configurable video recording channels via IsoCorder™ technology
- 4 x QuickTime® archival video recorders (XDCAM HD compatible, 4:2:2 encoding, 24-bit audio, with timecode)3
- 2 x H.264 distribution video recorders (multiple profiles)
- 1 x MP3 audio recorder
- 3 QuickTime Player not required for playback in common NLE applications
Storage
- 2 x 3TB internal drive
- Capacity varies by format, resolution and file specification
- Supports recording to external storage via USB 3.0 and eSATA
- Supports shared storage integration and third-party partner solutions
Grab
Grab full-resolution, deinterlaced still images from external video sources and outputs
Export
Export video and image files to social media, FTP, local or external volumes, and network servers, with optional transcoding
Audio Mixer
Integrated multi-channel audio mixer with support for quad-channel audio, DSPs and 4x4x4 audio input routing
Local Audio Input
- 4 x SDI embedded
- 1 x Balanced XLR stereo pair (Line)
- 3 x Balanced 1/4” stereo pairs (Line)
Local Audio Output
- 4 x SDI embedded
- 1 x Balanced XLR stereo pair
- 1 x Balanced 1/4” stereo pair
- 1 x Stereo 1/4" (phones)
Network Audio
- Native support for network audio input and output via NDI
- Embedded audio supported for all NDI input and output video signals
- Integrated support4 for Dante™ networking protocol from Audinate®
- Support for AES67 protocol via compatible WDM audio drivers5
- 4Requires Dante Virtual Soundcard license from Audinate (sold separately)
- 5Requires third-party virtual sound card license (sold separately)
Supported Media File Formats
Import, store, and play back multimedia files, with optional transcoding, including:
- Video: AVI, DV, DVCPro, DVCProHD, FLV, F4V, H.263, H.264, MOV, MKV, MJPEG, MPEG, MP4, WMV, WebM, and more
- Image: PSD, PNG, TGA, BMP, JPEG, JPEG-XR, JPEG2000, EXR, RAW, TIF, WebP, and more
- Audio: AIFF, MP3, WAV, and more
Monitoring
Support for up to 3 multiviewer displays with configurable workspaces and viewports
Signal Monitoring
Integrated waveform and vectorscope, full field rate with digital calibration, color preview and support for ITU-R Rec. 709
Processing
- Video: Floating Point YCbCr +A 4:4:4:4
- Audio: Floating Point, 96 kHz
Throughput Latency
~1.0-1.5 frames
A/V Standards
- 4K UHD video conforms to SMPTE 2036 (UHDTV1 using Square Division Quad Split)
- 3G-SDI video conforms to SMPTE 424M (Level A)
- HD-SDI video conforms to SMPTE 292M
- SD video conforms to SMPTE 259M and ITU-R BT.656
- Analog audio levels conform to SMPTE RP-155
Tally
Support for hardware tally via HD15 GPI connector, network tally via NDI, and Blackmagic Design® SDI tally standard
Genlock
Genlock input supporting SD (Bi-level) or HD (Tri-level) reference signals
GPI
Supports GPI signals via JLCooper Electronics eBox GPI interface
MIDI
Support for standard MIDI protocol enabling third-party device control
System Drive
120GB SSD
NIC
2 x 1 Gigabit NIC
System Physical
TriCaster TC1
2RU chassis with 400W PSU and multi-tiered hardware and software fail-safe
- 19.0 x 3.5 x 19.57 in (48.3 x 8.9 x 49.7 cm) with rack ears attached
| Designed for broadcasters and AV professionals, the ATEM Television Studio series can turn any live event into a professional HD or Ultra HD program. Switching between multiple cameras, game consoles, and computers happens in real time with broadcast quality support so changing sources won’t cause glitching. The ATEM Television Studio Pro 4K is a great switching solution for sporting events, concerts, seminars, video gaming competitions, episodic television, and more.
Streamline your workflow to handle more complex and faster paced productions with the ATEM Television Studio Pro 4K. The ideal combination of a professional control panel and switcher, it is faster to switch sources, add effects, efficiently manage and color grade remote cameras, mix audio, and key graphics.The ATEM Television Studio Pro 4K has all the features of the other models, adding Ultra HD capability and more SDI inputs. Eight independent 12G-SDI inputs support popular HD and Ultra HD formats up to 2160p60 automatically re-sync to the switcher.
Connect up to 8 cameras, game consoles, computers, or other sources from the 8 independent video inputs. Output sources include professional SDI program and aux outputs, with SDI and HDMI outputs supporting multiview monitoring. The ATEM Television Studio Pro 4K supports multiview in Ultra HD.
Broadcast quality transitions give you creative freedom throughout your live production. Choose and instantly apply transitions among mixes, wipes, dips, DVE, and more. Customize duration of transitions and add visual effects to the transitions with borders. The built in DVE powers adjustments to position, size, and scale of live video in real time.
ATEM advanced chroma keyer provides greater color control with clean green screen keying in real time for seamless multi-layer creations.
Talkback can be enabled to send audio to and from the camera. A professional audio mixer also gives the switcher the essential functions for mixing audio.
Blackmagic Design ATEM Television Studio Pro Features
- 8 12G-SDI inputs for popular HD and Ultra HD sources up to 2160p60
- Connected video sources re-sync to the switcher
- Multiview monitoring
- Power supply not included - requires IEC cable
- Broadcast quality transitions
- Built in 2D DVE
- ATEM advanced chroma key
- Talkback
- Audio mixer capabilities
- Software control panel for Mac or Windows included
| Power supply not included - requires IEC cable.
Blackmagic Design’s ATEM production switcher series create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. With a machined aluminum front panel and multi voltage power supplies, ATEM live production switchers can power live production needs at live concerts, sporting events, theater productions, and conferences around the world.
The ATEM 2 M/E has 20 6G-SDI inputs that allow embedded audio mixing and can be used on sources without genlock, such as laptops. Two balanced XLR audio inputs can connect to professional mixers, and a HiFi audio input can connect to an iPod. Sixteen video outputs can be used with any TV or monitor to connect with LED screens, projectors, disk recorders, and broadcast decks. Monitor up to 16 cameras simultaneously with the two independent multi view outputs. An independent aux output can feed big screens on stage, and pairs excellently with SmartScope Duo 4K for tech monitoring.
Let your creative expression take the lead with the ATEM 2 M/E. Creative transitions can be used in all resolutions, and the transition type, pattern, and length are customizable. The ATEM 2 M/E also has animated stingers and DVE transitions. Powerful digital video effects processor gives you the ability to position, resize, rotate, and scale live video in real time. Built in chroma, luminance, linear and pattern keyers, and two independent downstream keyers all come standard.
Add multi box compositions quickly and easily with SuperSource’s separate 5 layer switcher. SuperSource can be assigned to any ATEM video input, so you can produce multi camera interviews or picture in picture while the M/Es, keyers, and DVE are available for other uses. Compositions from SuperSource can be saved and automatically recalled.
Recall saved sequences with dual media players and HyperDeck SSD recorders. Dual media players support popular image formats for downloading still frames and graphics for keying. Set up and automatically start complex sequences with power macros. These macros are saved as XML files for instant recall and can even be copied to use on another switcher. For other pre-recorded sequences, connect up to four HyperDeck SSD recorders to the ATEM switcher.
Software control panel can be used on Mac or Windows computers. This included software panel offers a full visual switcher control panel and parameter palettes. For greater control access, add an ATEM advanced panel.
Blackmagic Design ATEM 2 M/E Features
- Switch between SD, HD, or Ultra HD video standards for ultimate flexibility in live production
- 3840 x 2160 frame size
- 20 video inputs and 16 video outputs
- Dozens of effects and creative transitions
- Powerful digital effects processor
- Built in keyers
- SuperSource function extends the ATEM’s power by adding a separate 5 layer switcher
- Dual media players with large graphic memory
- Power macros to save and instantly recall sequences
- Compatible with HyperDeck SSD recorders
- Included software control panel for Mac or Windows
- Add a hardware-based ATEM advanced panel for control in demanding live sound applications
| The power of Ki Pro in a 1RU format, the perfect fit for your file based workflow.
With a wealth of professional connections including SDI and HDMI, Ki Pro Rack will fit right into your existing cabling and routing system. Ki Pro Rack also features AJA’s industry leading conversion technology, enabling you to perform broadcast quality up, down, cross-conversion during recording or playback without the need for additional conversion hardware.
AJA Ki Pro Rack Features
- HD/SD recorder and player
- Record and playback Apple ProRes or Avid DNxHD files
- SDI, HDMI, and Component Video I/O
- AES (BNC) and analog (XLR) audio I/O
- 2x KiStor media bays with Ki Protect
- Balanced XLR analog audio inputs, mic/line/48v switchable
- Multi-channel embedded SDI and HDMI audio
- Up, down, cross-conversion built-in
- REF, LTC, RP-188 and RS-422 support
- REST interface
- Front panel button controls
- Easy to use web UI, configure and control from standard web browsers
- Compact 1RU design
- 3 year warranty
| Ki Pro GO is a portable multi-channel H.264 recorder offering up to 4-channels of simultaneous HD and SD recording to off the shelf USB drives with redundant recording capabilities, and now with new v3.0 firmware, recording to network storage.
4x 3G-SDI and 4x HDMI digital video inputs with flexible channel assignments provides connections to the latest video sources, including cameras and DSLRs. Incoming video sources do not have to be genlocked due to Ki Pro GO's input frame syncs. Ki Pro GO also features AJA's high quality de-interlacers on each input so progressive recordings can be made from interlaced inputs. High quality 2-channel embedded audio or balanced XLR analog audio can be assigned to any recording channel. Multi-Channel Matrix Monitoring enables multiple video channels to be viewed on any single HDMI or SDI display, and Enhanced Super Out offers timecode, media status and audio meter overlays over the SDI and HDMI monitor outputs.
Designed to be either portable or rackmountable with half rack wide, 2RU high dimensions, Ki Pro GO is well suited for use in any environment.
AJA Ki Pro GO Features
- Multi-channel H.264 recording
- 5x USB recording media ports, compatible with off-the-shelf USB 3.2 Gen 1 media
- In system exFAT drive formatting
- Redundant recording to user selectable USB ports
- Recording to network (SMB) storage (new in v3.0)
- Redundant recording to user selectable destinations – USB or SMB (new in v3.0)
- Genlock free inputs
- 4x 3G-SDI inputs
- 4x 3G-SDI outputs
- 1x 3G-SDI monitoring output
- 4x HDMI inputs
- 1x HDMI monitoring output
- HDMI and SDI multi-channel matrix monitoring
- HDMI and SDI Enhanced Super Out for monitoring: timecode, media status and audio levels
- Single-channel H.264 playback
- Selectable VBR recording settings with 5 options
- Timecode Input Support: Time of Day, Timecode Value, SDI RP-188, LTC (available using 1-channel of Analog Audio In)
- Balanced XLR analog audio inputs, mic/line/48v switchable
- 2-channel embedded audio per video input
- Easy-to-use web UI, compatible with standard web browsers
- Network web UI based file downloads
- Front panel button controls with integrated HD resolution screen
- Stand-alone operation
- 3 Year Warranty
| The VR-50HD MK II Multi-Format AV Mixer is the next evolution of Roland’s industry-leading, all-in-one AV switcher with USB 3.0 streaming. Easily operated by a single person, the VR-50HD MK II continues to deliver best-in-class connectivity and flexibility, allowing you to work a wide range of events with different I/O requirements.
The powerful VR-50HD MK II is a completely self-contained AV solution, consolidating video switching, digital audio mixing, multi-viewer touchscreen control, and USB AV streaming into a single unit that’s simple to run. And with the comprehensive rear patch panel, it’s quick and easy to make on-the-fly input assignments to cross-points on the switcher.
With the VR-50HD MK II, you can send any of the connected input devices to a dedicated Aux output without affecting the main PGM destination. Use the Aux assignment panel buttons to switch the source, or synchronize the Aux output with the PGM (mixer) output to act as a built-in distribution amp. Drilling down into menus while switching is a thing of the past, thanks to dedicated broadcast-style buttons for Aux, PinP, and Still sources. Select, Solo, and Mute buttons are included for all audio channels, speeding up the monitoring process. And with the large touchscreen multi-view monitor, you can view and assign inputs, display up to four still images, execute preview/program functions, and much more.
Offering a number of automation functions the VR-50HD MK II allows a single operator to switch video and mix pro-level audio at the same time. Use Auto Mixing to balance audio levels, Video Follows Audio to switch cameras based on sound input, and Anti-Feedback to automatically tame howling mic feedback. Adaptive noise reduction helps with noise canceling and hum suppression. The VR-50HD MK II is also equipped with a variety of standard audio production inputs, including four XLR/TRS combo jacks with 48 V phantom power, four stereo pairs (two ¼-inch and two RCA), and embedded audio from 3G/HD/SD-SDI and HDMI.
Built-in support can directly control select JVC, Panasonic, Sony, PTZOptics, Avonic and VISCA compatible PTZ LAN cameras. Up to six PTZ cameras can be operated at once via the LAN port. Use the same technology as webcams to reach worldwide audiences by plugging into a computer via USB 3.0 and using a streaming service that's able to use a webcam as its source.
Roland VR-50HD MK II Features
- Aux output for dedicated record, streaming, or confidence monitor feeds
- Updated user interface for fast, trouble-free operation
- High-quality audio preamps and converters for crystal-clear sound
- Direct control of select PTZ cameras from JVC, Panasonic, Sony, PTZOptics, Avonic and VISCA compatible over LAN
- Automatic audio mixing, adaptive noise reduction and automatic video switching functions to support single operators
- All-in-one convenience and ultra-flexible connectivity
- Four-layer composition and still store
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