| Content | The Panasonic Live Production Streaming Switcher Controller and PTZ Camera Controller
A well suited for use in a variety of environments including live events, education, live musical performances, and lectures. It supports ten channels of video and can simultaneously accept input from SDI, HDMI, and NDI/IP. Supporting up to 12 audio channels, the switcher can use the audio embedded in digital video, as well as from analog audio, and even the microphone input.
Still image capture is available at the push of a button on the console. The T-bar (transition bar) is pretty much a given on a switcher panel, offering you manual control over transitions. The built-in joystick works in conjunction with the panel's built-in PTZ controls. The NDI input and output options make this board suitable for live streaming as well as IP recording.
Usability
User-friendly operations and compatibility with NDI and NDI/HX standards for smooth live productions.
Transition Slider
A physical transition slider provides tactile control of a transition, for moments when a manual slider is preferable to a preprogramed transition.
Camera Control and Document Sharing for Lectures and Presentations
Connect the AV-HLC100 to Panasonic's HD integrated cameras to switch between footage from up to eight cameras, controlling each camera easily through a single LAN cable. Lecture documents can be input from a computer or captured in advance, then displayed on sub-screens during live streaming.
Simultaneous Live Streaming and Recording
Footage can be output directly to video streaming services without an external converter, and can even be recorded simultaneously. The content is recorded in formats that can be played on off-the-shelf computers, enabling streaming to users who are unable to view the live broadcast. Streaming and recording can all be done on one AV-HLC100 unit.
PTZ
Tele/Wide zooming can be done with the seesaw switch similar to what you would find on a camera. This is found on the left of the control panel.
Iris and Focus adjustment can be performed by individual dials, while position control such as PTZ camera, PiP, or Title can be assigned to the 3D joystick at the top right
Audio
The volume knob is the master audio level control. Audio levels can be checked in the LCD display. Detailed adjustments can be made using a GUI.
LCD Menu Bar
Small and unobtrusive, the built-in LCD menu bar provides a wealth of information. It displays a wide range of statuses and settings including PTZ camera selection, PTZ/PST operation, PiP material selection, title material selection, transition pattern selection, CLIP/STILL operation, and input-source selection.
Effects & Transitions
The switcher supports over 190 transitions, as well as PiP and 3D-DVE.
Titles
Built-in title templates speed title creation and customization.
RTMP
The AV-HLC100 supports RTMP, which allows you to stream your PGM output. | The HD integrated camera AW-HE145 realizes high sensitivity of F9/2000lx with the mounted 1.0-type MOS sensor, and can shoot beautifully at stage events or church services with low light. The operation mechanism is the same design as the high-end model, so the operating performance of the pan/tilt and zoom is smooth and accurate, allowing you to shoot without stress. Furthermore, it is equipped with an optical 20x zoom and horizontal 75.1° wide-angle lens to realize flexible video production.
KEY FEATURES
- High Sensitivity Achieved with the 1” Large-sized Sensor
- Optical 20x Zoom/Horizontal 75.1° Wide-angle Shooting
- Pan/tilt Performance that Achieves Smooth and Accurate Operation
- Enables high-quality video production even in dark environments
- SRT support for stable video transmission
High-Quality Full-HD 60p Shooting
Full-HD output and 59.94p shooting achieve extremely smooth video, even in live sports and other environments containing rapid movement.
SRT support for stable video transmission over public lines
SRT, a next-generation video transmission protocol with strong security suitable for unstable network environments, is supported.
Multiple Interfaces Supported
A wide range of outputs are supported: 3G-SDI, HDMI and IP.
Useful Software for Simplified Workflow
Compatible with a wide range of software, including the PTZ Control Center and Auto Tracking Software. This software will simplify the workflow of the PTZ camera shooting and reduces the burden of operation and management.
Dimensions (W x H x D)
213 mm x 267 mm x 219 mm (8-3/8 inches x 10-1/2 inches x 8-5/8 inches)
(excluding protrusions, direct ceiling mount bracket)
General
Storage Temperature
–20 °C to 50 °C (–4 °F to 122 °F)
Current consumption
4.0 A (XLR IN connector), 1.2 A (PoE++ power supply)
Power Requirements
12 V DC (10.8 V to 13.2 V), DC 42 V to 57 V (Camera Input, PoE++ power supply)
Ambient Operating Temperature
0 °C to 40 °C (32 °F to 104 °F)
Ambient Operating Humidity
20 % to 90 % (no condensation)
Finish
AW‑HE145W: Pearl white
AW‑HE145K: Metallic Black
Mass
Approx. 4.1 kg (9.04 lb) (excluding mount bracket)
Controller Supported
AW-RP150, AW-RP60, AK-HRP1000GJ, AK-HRP1015GJ, AK-HRP250GJ*1
LENS
Motorized Optical 20x zoom, F2.8 to F4.5
[f=8.8 mm (11/32 inches) to 176.0 mm (6‑15/16 inches);
35 mm (1‑3/8 inches) equivalent: 24.5 mm (31/32 inches) to 490.0 mm (19‑9/32 inches)]
MINIMUM ILLUMINATION
2 lx (F2.8, 59.94p, 50IRE, 42 dB, without accumulation)
Synchro scan
59.94p/59.94i: 60.00 Hz to 7200 Hz
29.97p: 30.00 Hz to 7200 Hz
23.98p/24p: 24.00 Hz to 7200 Hz
50p/50i: 50.00 Hz to 7200 Hz
25p: 25.00 Hz to 7200 Hz
Zoom
• Optical zoom: 20x
• i.Zoom: FHD 32x
• Digital zoom: 10x
Horizontal Resolution
1000 TV lines Typ (Center area)
Gain Selection
Auto, 0 dB to 36 dB*2
Super Gain function equipped : +37 dB to 42 dB
WHITE BALANCE
ATW : 3200K, 5600K
ATW Speed : Normal / Slow / Fast
AWB : AWB-A / AWB-B
VAR (selectable between 2000K and 15000K by designating a value)
Optical Filter
Through, 1/4, 1/16, 1/64, IR through (IR through is used as “Night mode”)
Output Format
1080/59.94p, 1080/50p, 1080/29.97p*4, 1080/29.97PsF, 1080/25p*4, 1080/25PsF, 1080/23.98p*5, 1080/24p*4, 1080/23.98p*4, 1080/23.98PsF, 1080/59.94i, 1080/50i, 720/59.94p, 720/50p
Color separation optical system
1MOS
Focus
Switching between auto and manual
Focus Distance
Entire zooming range: 1000 mm (3.3 ft)
Wide end: 100 mm (0.33 ft)
Gamma
HD / FILMLIKE1 / FILMLIKE2 / FILMLIKE3/ FILM REC / VIDEO REC / HLG
Scene File
Scene1, Scene2, Scene3, Scene4
Electronic Shutter Speed
59.94p/59.94i: 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
29.97p: 1/30, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
23.98p/24p: 1/24, 1/48, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
50p/50i: 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
25p: 1/25, 1/50, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
Imaging Sensors
1-type Full-HD MOSx1
Chroma Amount Variability
OFF, –99 % to 99 %
Camera Unit
-
Frame mix*3
0 dB, 6 dB, 12 dB, 18 dB, 24 dB
Conversion Lens
Not supported
Angle of View Range
Horizontal angle of view: 75.1° (wide) to 4.0° (tele)
Vertical angle of view: 46.7° (wide) to 2.3° (tele)
Diagonal angle of view: 82.8° (wide) to 4.6° (tele)
Standard Sensitivity
F9, 2000 lx (When normal mode is selected)
INPUT
-
OUTPUT
-
Input/Output Connector
LAN
LAN connector for IP control (RJ‑45)
RS-422
CONTROL IN RS-422A (RJ‑45)
MIC/LINE input
AAC compatible (compatible with IP only)
ø 3.5 mm stereo mini jack
Input impedance: Approx. 10 kΩ (unbalanced)
• During MIC input
Supported mic: Stereo mic (plug-in power, on/off switching via menu)
Supply voltage: 2.5 V ± 0.5 V
Mic input sensitivity: Approx. –40 dBV (0 dB=1 V/Pa, 1 kHz)
• During LINE input
Input level: Approx. –10 dBV
INPUT/OUTPUT
-
Pan/Tilt Operation Speed
Minimum speed 0.08°/s
Maximum speed 60°/s or higher*8
• Maximum speed is 180°/s in high-speed mode
Quietness
NC35 or less
Tilting Range
–30° to 210°*9
Panning range
±175°
Pan-tilt Head Unit
-
Installation Method
Stand-alone (Desktop) or suspended (Hanging)*7
Camera/pan-tilt head control
IP connecting cable:
LAN cable*6: (category 5e or above, straight cable), max. 100 m (328 ft)
AW protocol connecting cable:
LAN cable*6: (category 5e or above, straight cable), max. 1000 m (3280 ft)
Supported operating systems and web browsers
Windows
Microsoft(R) Windows(R) 10
Windows(R) Internet Explorer(R) 11 (64-bit/32-bit)
Microsoft Edge
Google Chrome
Mac
MacOS v11.0.1 / Safari 14.01
MacOS v11.0.1 / Google Chrome
MacOS V10.15 / Google Chrome
MacOS V10.14 / Google Chrome
iPhone / iPad
iOS
Google Chrome
Supported Operating Systems and Web Browsers*10
-
Image Resolution
-
IP Streaming
-
Image Streaming Mode
JPEG (MJPEG), H.264, H.265
1920x1080, 1280x720, 640x360, 320x180
-
Image Transmission Setting
JPEG
Frame Rate: Maximum 30 fps, Image quality (Fine / Normal)
H.264
Transmission Type: Unicast port (AUTO), Unicast port (MANUAL), Multicast port
Transmission Priority: Constant bit rate, Frame rate, Best effort
Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps
Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
H.265
Transmission Type: Unicast port (AUTO), Unicast port (MANUAL), Multicast port
Frame Rate: [60Hz] 60fps / 30fps, [50Hz] 50fps / 25fps
Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
NDI|HX
Transmission Type: Unicast port (AUTO), Unicast port (MANUAL), Multicast port
Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps
Max Bit Rate 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
SRT H.264
Transmission Type: UDP Unicast Only
Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps
Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
SRT H.265
Transimission Type: UDP Unicast Only
Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps
Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
RTMP/RTMPS
Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps, [24Hz] 24fps
Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
Supported protocol
IPv6: TCP / IP, UDP / IP, HTTP, HTTPS, DNS, NTP, DHCPv6, MLD, ICMP, ARP, RTSP/RTP
IPv4: TCP / IP, UDP / IP, HTTP, HTTPS, RTSP/RTP, DHCP, DNS, DDNS, NTP, IGMP, ICMP, ARP, RTMP, RTMPS, SRT, MPEG2-TS over UDP
Audio Compression Type
AAC-LC, 48 kHz / 16 bit / 2ch
Other Function
-
Tally LED display color
red / green
NDI Support*11
NDI | HX
Note
*1: Available in September 2021.
*2: 1 dB step increments can be set.
*3: This cannot be configured when the format is 2160/29.97p, 2160/23.98p, 2160/24p, 2160/25p, 1080/29.97p, 1080/23.98p(59.94i), 1080/29.97PsF, 1080/23.98PsF, 1080/25p, 1080/25PsF.
*4: Native output.
*5: It denotes “1080/23.98p over 59.94i”.
*6: Use of an STP (shielded twisted pair) cable is recommended.
*7: To ensure safety, the unit must be secured using the mount bracket supplied.
*8: Quietness, stationary accuracy, etc., in high-speed mode may vary from normal mode.
*9: Depending on the pan or tilt position, the camera may be reflected in the image.
*10: Supported OS indicated are for browsers current as of October 2018. See Service and Support (https://eww.pass.panasonic.co.jp/p2ui/guest/TopLogin.do?lang=en&category=pav) for the latest information on browser support.
*11: Contact your local Panasonic vendor for further information. |
Unbox Your Creativity
High-performance livestream camera is small and light, with expandability and multi-camera control, perfect for livestreamers, broadcasters, and cinema.
Box-Style Cinema & Live Camera
Dual Native ISO, C4K 60p 10-bit recording, 13 stops of dynamic range with V-LogL all in an easy to deploy box-style camera for increased shooting flexibility.
Superior Low Light Performance
High-sensitive 10.2MP Live MOS sensor with Dual Native ISO technology for outstanding low-light video performance.
The Micro Four Thirds name and logos are trademarks or registered trademarks of Olympus Corporation in Japan, the United States, the European Union, and other countries and regions.
A LUMIX First: Simultaneous SDI/HDMI Output
You can simultaneously monitor SDI output, record HDMI output externally, and control the camera remotely via USB or LAN tethering for professional cinematic quality.
A LUMIX First: Ethernet / PoE+ Compatible Camera
Simply by connecting the BGH1 via Ethernet cable, your camera will be powered over Ethernet and allow multiple-camera remote control through the LUMIX Tether software.
IEEE802.3at compliant.
Remote Control Multiple Cameras with LUMIX Tether
Multiple camera recording enabled by Ethernet cable connection on LUMIX Tether software enables more efficient video production.
LUMIX Tether for Multicam software will be released at the product shipment of BGH1.
Front Tally Lamp / Rear Tally Lamp
Thanks to the clean lines of the body design, the tally lamps can be monitored from the front, top, side, or back, a welcome convenience on any shoot.
Stable Connectivity with Simultaneous SDI/HDMI Output
Supports extended cable runs and external monitoring. Supports simultaneous C4K/4K 60p 4:2:0 10-bit internal recording and C4K/4K 60p 4:2:2 10-bit HDMI live output external recording.
Product Specifications:
Image Sensor
Image Sensor Size
19 x 13 mm (4/3")
Sensor Type
MOS
Sensor Resolution
Actual: 10.2 MP
Color Filter
Bayer
Shutter Type
Mechanical Shutter
ISO
160 to 51,200 (Native) / 80 to 204,800 (Expanded)
Advertised Dynamic Range
13 Stops
Signal-to-Noise Ratio
9.7 dB
Camera
Lens Mount
Micro Four Thirds
Lens Communication
Yes
Interchangeable Lens Mount
Yes
Built-In ND Filter
None
Built-In Microphone Type
Stereo
Recording Media
2 x SD Card Slots
Variable Frame Rates
DCI 4K: 1 to 60 fps / 1080p: 1 to 240 fps
Internal Recording
Recording Modes
AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MOV 4:2:0 10-Bit:
4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 400 Mb/s)
3840 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 200 Mb/s)
3328 x 2496p at 23.98/24/25/29.97/50/59.94 fps (100 to 400 Mb/s)
1920 x 1080p at 23.98/24/25/29.97/50/59.94 fps (100 to 200 Mb/s)
AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MOV 4:2:0 8-Bit:
4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
3840 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
3328 x 2496p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
1920 x 1080p at 23.98/24/25/29.97/50/59.94 fps (100 Mb/s)
AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MP4 4:2:0 10-Bit:
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (72 to 100 Mb/s)
AVC-Intra/AVC-LongG/H.264/H.264 Long GOP/H.265/MP4 4:2:0 8-Bit:
3840 x 2160p at 23.98/25/29.97 fps (100 Mb/s)
1920 x 1080p at 23.98/25/29.97/50/59.94 fps (24 to 28 Mb/s)
Gamma Curve
Panasonic V-Gamut, Panasonic V-Log
Audio Recording
MOV: 24-Bit 48 kHz LPCM Audio
MOV: 24-Bit 96 kHz LPCM Audio
MP4: 24-Bit 48 kHz LPCM Audio
MP4: 24-Bit 96 kHz LPCM Audio
Still Image Support
None
External Recording
Video Output
4:2:2 10-Bit via SDI/BNC:
1920 x 1080p at 60 fps
4:2:2 10-Bit via HDMI:
4096 x 2160p at 60 fps
Interfaces
Video Connectors
1 x BNC (3G-SDI) Output
1 x HDMI (HDMI 2.0) Output
Audio Connectors
1 x 1/8" / 3.5 mm Stereo Mic Level Input
1 x 1/8" / 3.5 mm Stereo Headphone Output
Other I/O
1 x USB Type-C Camera Interface, USB 3.1 Gen 1 Data, Control, Video Input
1 x BNC Timecode Data Input/Output
1 x BNC Genlock Data Input/Output
1 x RJ45 LAN Control, Monitor, Video Input/Output
1 x 2.5 mm LANC Control Input
Wireless Interfaces
2.4 GHz Wi-Fi, Bluetooth Video Output, Control
EVF
EVF
Optional, Not Included
Power
Battery Type
Panasonic AG-VBR Series
Power Connectors
1 x Weipu SF610/S2 (12 VDC) Input
PoE Support
PoE+ 802.3at
General
Tripod Mounting Thread
1/4"-20 Female (Bottom)
Material of Construction
Aluminum
Dimensions
3.7 x 3.7 x 3.1" / 9.3 x 9.3 x 7.8 cm (Without Protrusions)
Weight
1.2 lb / 545 g
| End to End Automatic Production
Reducing production costs to a minimum, our fully automated production systems enable amateur clubs, schools, federations, media platforms and venues to generate live HD content to power their own digital media services, boost fan engagement and improve their coaching processes. What’s more, Pixellot footage is interactive and delivered to any device lets fans watch their favorite team from anywhere, produce their own highlight clips and even share them on social networks.
Pixellot S is based on their patented, fully automated production workflow that generates and delivers TV-like footage without a person in the loop.
Fixed Installation: Indoors or outdoors, weatherproof
Unmanned capture: Panoramic field capture in 6K resolution
Automated production: Auto-tracking algorithms follow the flow of play and produce TV-like footage
Distributed to any device: Streamed in 4K quality to mobile devices and web platforms
Personalized viewing experience: Zoom into any scene, replay, clip and share.
Pixellot S comes with a variety of modules to optimize your system for media or coaching use:
Automatic highlights
Taking auto-production to the next level, this module identifies game highlights like baskets or goals and automatically produces highlight clips.
Editing Module
Share the most exciting plays with your fans! Our editing module lets you cut high quality clips from HD footage, live and post-game, and distribute them on your media channels.
Manual Production Module
Produce any type of sports game and events and cover also anything that happens on the field before and after the game.
Coaching Module
Get more insight by reviewing the game by zooming into any play and cut high-quality clips to review with your team and players.
Scoreboard Module
Enrich your broadcasts through an integrated scoreboard display. Choose from a selection of fonts, colors and designs or upload your own personalized scoreboard graphics.
Commentator
Add a remote or local commentator to follow the action and improve the viewing experience
KEY FEATURES:
- Two camera lenses
- 1080p or 720p at 25 or 29.97 FPS
- Uses Cat6 cables (POE)
| Bring UHD 4K quality video to your production with the white AW-UE150W UHD 4K 20x PTZ Camera from Panasonic. This pro PTZ camera outputs up to UHD 4K 60p over a variety of 4K connections including 12G-SDI, HDMI, optical fiber, and IP streaming. It features a large 1" type MOS sensor, a 20x optical zoom with a wide 75.1° angle-of-view, and PoE++ compatibility. With the v2.28 firmware upgrade, the AW-UE150W offers V-Log output, a UHD crop function in 720p, a preset on/off iris function, and more.
Camera features include an HDR mode with BT.2020 color gamut support, optical image stabilization (OIS), a fast 180° pan/tilt speed in high-speed mode, and an infrared Night Mode to capture wildlife or other low-light situations in monochrome HD video. A cropping function enables you to create a multicamera look by selecting up to three angles from a single 4K image.
The AW-UE150W camera supports embedded audio and audio input via a stereo mini-jack. Its redesigned web interface is compatible with PCs, Macs, tablets, and both Android and iOS smartphones. Additional features include an adjustable tally light, 1/4, 1/16, and 1/64 ND filters, and live streaming via RTMP. The AW-UE150W is upgradable to NDI/HX compatibility with a separately available license.
PoE++ Compatible
Power the camera using a separately available PoE++ (IEEE802.3bt) hub to minimize installation costs
Firmware Upgrade v2.28
Add V-Log output, a UHD crop function for 720/59.94p and 720/50p, a preset iris on/off function, and more by upgrading to firmware version 2.28
Features
-Large 1" type MOS sensor
-HDMI, SDI, and IP output up to UHD 4K
-20x optical, 32x iZoom in HD, 24x iZoom in UHD 4K
-Wide 75.1° horizontal angle of view (DRS)
-High Dynamic Range (HDR) mode with BT.2020 gamut support
-Optical Image Stabilization (IOS)
-Crop up to three shots from a single 4K image
-Large, adjustable tally light
-Adaptive Matrix function adjusts for strong LED blue light
1/4, 1/16, 1/64 ND filters
-Audio input and embedding
-Improved web UI for use with PC, tablet, or smartphone (iOS, Android)
-Maximum 180°/s pan/tilt in high-speed mode
-Monochrome Night Mode
-Digital Noise Reduction (DNR)
-Live streaming via RTMP
-Upgradable to NDI/HX with license
Video Output
- HDMI 2.0 standard 4:2:2/10bit
- HDCP is not supported.
- Viera Link is not supported.
- 12G-SDI OUT
- SMPTE 2082‑1 standard / 75 Ω (BNC x 1)
- 3G-SDI OUT
- SMPTE292 / 75 Ω (BNC x 1)
- Level-A/Level-B supported
- MONI OUT
- SMPTE292 / 75 Ω (BNC x 1)
- Optical Fiber SFP+ standard
- Single Fiber
- The signal sent is the same as 12G-SDI OUT.
- his unit does not support input by optical signals.
Zoom
- Optical zoom: 20x
- i.Zoom: UHD 24x, FHD 32x
- Digital zoom: 10x
Image Resolution: 3840×2160, 1920×1080, 1280×720, 640×360, 320×180
Power Requirements: 12 V DC (10.8 V to 13.2 V)
PoE++: IEEE802.3bt standard: DC 42 V to 57 V (Camera Input)
Current Consumption: 4.0 A (XLR IN connector), 1.2 A (PoE++ power supply)
Ambient Operating Temperature: 0 °C to 40 °C (32 °F to 104 °F)
Ambient Operating Humidity: 20 % to 90 % (no condensation)
Storage Temperature: –20 °C to 50 °C (–4 °F to 122 °F)
Mass: Approx. 4.2 kg (9.24 lb) (excluding mount bracket)
Dimensions (W x H x D): 213 mm x 267 mm x 219 mm (8-3/8 inches x 10-1/2 inches x 8-5/8 inches) (excluding protrusions, direct ceiling mount bracket)
Finish
- AW‑UE150WP/AW‑UE150WE: Pearl white
- AW‑UE150KP/AW‑UE150KE: Black
Controller Supported: AW-RP150GJ, AW-RP60GJ (Support planned for the future)*1, AW-RP50*1, AK-HRP1000GJ*1, AK-HRP1005GJ*1
Camera Unit
Imaging Sensors: 1-type 4K MOS×1
Lens
- Motorized Optical 20x zoom, F2.8 to F4.5
- [f=8.8 mm (11/32 inches) to 176.0 mm (6‑15/16 inches); 35 mm (1‑3/8 inches) equivalent: 24.5 mm (31/32 inches) to 490.0 mm (19‑9/32 inches)]
Conversion Lens: Not supported
Angle of View Range
- Horizontal angle of view: 75.1° (wide) to 4.0° (tele)
- Vertical angle of view: 46.7° (wide) to 2.3° (tele)
- Diagonal angle of view: 82.8° (wide) to 4.6° (tele)
Optical Filter: Through, 1/4, 1/16, 1/64, IR through (IR through is used as “Night mode”)
Focus: Switching between auto and manual
Focus Distance
- Entire zooming range: 1000 mm (3.3 ft)
- Wide end: 100 mm (0.33 ft)
Color Separation Optical System: 1MOS
Standard Sensitivity: F9, 2000 lx (When normal mode is selected)
Minimum Illumination: 2 lx (F2.8, 59.94p, 50IRE, 42 dB, without accumulation)
S/N: 60 dB or more
Horizontal Resolution: 1600 TV lines Typ (Center area)
Gain Selection
- Auto, 0 dB to 36 dB*2
- Super Gain function equipped : 37 dB to 42 dB
Frame Mix: 0 dB, 6 dB, 12 dB, 18 dB, 24 dB
Electronic Shutter Speed
- 59.94p/59.94i: 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
- 29.97p: 1/30, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
- 23.98p/24p: 1/24, 1/48, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
- 50p/50i: 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
- 25p: 1/25, 1/50, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
Synchro Scan
- 59.94p/59.94i: 60.00 Hz to 7200 Hz
- 29.97p: 30.00 Hz to 7200 Hz
- 23.98p/24p: 24.00 Hz to 7200 Hz
- 50p/50i: 50.00 Hz to 7200 Hz
- 25p: 25.00 Hz to 7200 Hz
Gamma: HD / FILMLIKE1 / FILMLIKE2 / FILMLIKE3/ FILM REC / VIDEO REC / HLG
White Balance
- ATW : 3200K, 5600K
- ATW Speed : Normal / Slow / Fast
- AWB : AWB-A / AWB-B
- VAR (selectable between 2000K and 15000K by designating a value)
Chroma Amount Variability: OFF, –99 % to 99 %
Scene File: Scene1, Scene2, Scene3, Scene4
Output Format
- 4K: 2160/59.94p, 2160/50p, 2160/29.97p*4, 2160/25p*4, 2160/24p*4, 2160/23.98p*4
- HD: 1080/59.94p, 1080/50p, 1080/29.97p*4, 1080/29.97PsF,1080/25p*4, 1080/25PsF, 1080/23.98p*5, 1080/24p*4, 1080/23.98p*4, 1080/23.98PsF, 1080/59.94i, 1080/50i,720/59.94p, 720/50p
Synchronization System: Internal / External synchronization (BBS / Tri-level sync)
INPUT
Input Connector
- DC 12 V IN, G/L IN (BNC)
- BBS (Black Burst Sync), tri-level sync supported
Input/Output Connector:
- LAN
- LAN connector for IP control (RJ‑45)
- RS-422
- CONTROL IN RS-422A (RJ‑45)
- MIC/LINE input
- ø 3.5 mm stereo mini jack Input impedance: High impedance
- During MIC input Supported mic: Stereo mic (plug-in power, on/off switching via menu) Supply voltage: 2.5 V ± 0.5 V Mic input sensitivity: Approx. –40 dBV ± 3 dBV (0 dB=1 V/Pa, 1 kHz)
- During LINE input Input level: Approx. –10 dBV ±3 dBV
Pan-tilt Head Unit
Camera/Pan-tilt Head Control:
- IP connecting cable
- LAN cable*6*7: (category 5e or above, straight cable / crossover cable) max. 100 m (328 ft)
- AW protocol connecting cable
- LAN cable*6 (category 5e or above, straight cable)
- max. 1000 m (3280 ft)
Installation Method: Stand-alone (Desktop) or suspended (Hanging)
Pan/tilt Operation Speed
- Minimum speed 0.08°/s
- Maximum speed 60°/s or higher
- Maximum speed is 180°/s in high-speed mode
Panning Range: ±175°
Tilting range: –30° to 210° 0
Quietness: NC35 or less
Supported operating systems and web browsers
- Windows
- Microsoft® Windows® 7, 10
- Windows® Internet Explorer® 11 (64‑bit/32‑bit)
- Microsoft Edge
- Google Chrome
- Mac
- Mac OS 10.13
- Mac OS 10.12
- Mac OS 10.11,
- Safari 11
- Google Chrome
- iPhone / iPad
- iOS 11.4.1
- Google Chrome
IP Streaming
Image Streaming Mode: JPEG (MJPEG), H.264, H.265
Image Transmission setting (JPEG):
- Frame Rate: Maximum 30 fps
- Image quality (Fine / Normal)
Image Transmission Setting (H.264)
- Image quality (Motion priority / Image quality priority) UHD 60 fps / 50 fps
- Transmission Type: Unicast port (AUTO), Unicast port (MANUAL), Multicast port
- Transmission Priority: Constant bit rate, Frame rate, Best effort
- Frame Rate: [60Hz] 5fps/15fps/30fps/60fps (UHD: 30fps, 60fps)[50Hz] 5fps/12.5fps/25fps/50fps (UHD: 25fps, 50fps)
- Max Bit Rate
- HD:512kbps/768kbps/1024kbps/1536kbps/2048kbps/3072kbps/4096kbps/6144kbps/8192kbps/10240kbps/12288kbps/14336kbps/16384kbps/20480kbps/24576kbps/32768kbps/40960kbps/51200kbps/76800kbps
- UHD:12800kbps/25600kbps/51700kbps/76800kbps
Image Transmission Setting (H.265)
- Image Transmission Type: Unicast port (AUTO), Unicast port (MANUAL), Multicast port
- Frame Rate: [60Hz] 30fps, [50Hz] 25fps
- Max Bit Rate: 8192kbps/12800kbps/25600kbps/51200kbps/76800kbps
- Audio Compression Type: AAC-LC, 48 kHz / 16 bit / 2ch
Supported Protocol
- IPv6 : TCP / IP, UDP / IP, HTTP, HTTPS, DNS, NTP, DHCPv6, RTP,MLD, ICMP, ARP, RTMP, RTMPS
- IPv4 : TCP / IP, UDP / IP, HTTP, HTTPS, RTSP, RTP / RTCP, DHCP, DNS, DDNS, NTP, UPnP, IGMP, ICMP, ARP, RTMP, RTMPS
Other Function
NDI support: NDI | HX
Tally LED display color: red / green | End to End Automatic Production
Reducing production costs to a minimum, our fully automated production systems enable amateur clubs, schools, federations, media platforms and venues to generate live HD content to power their own digital media services, boost fan engagement and improve their coaching processes. What’s more, Pixellot footage is interactive and delivered to any device lets fans watch their favorite team from anywhere, produce their own highlight clips and even share them on social networks.
Pixellot S is based on their patented, fully automated production workflow that generates and delivers TV-like footage without a person in the loop.
Fixed Installation: Indoors or outdoors, weatherproof
Unmanned capture: Panoramic field capture in 6K resolution
Automated production: Auto-tracking algorithms follow the flow of play and produce TV-like footage
Distributed to any device: Streamed in 4K quality to mobile devices and web platforms
Personalized viewing experience: Zoom into any scene, replay, clip and share.
Pixellot S comes with a variety of modules to optimize your system for media or coaching use:
Automatic highlights
Taking auto-production to the next level, this module identifies game highlights like baskets or goals and automatically produces highlight clips.
Editing Module
Share the most exciting plays with your fans! Our editing module lets you cut high quality clips from HD footage, live and post-game, and distribute them on your media channels.
Manual Production Module
Produce any type of sports game and events and cover also anything that happens on the field before and after the game.
Coaching Module
Get more insight by reviewing the game by zooming into any play and cut high-quality clips to review with your team and players.
Scoreboard Module
Enrich your broadcasts through an integrated scoreboard display. Choose from a selection of fonts, colors and designs or upload your own personalized scoreboard graphics.
Commentator
Add a remote or local commentator to follow the action and improve the viewing experience
KEY FEATURES:
- Auto Production Multiple Sports
- Panoramic Video
- Full Field Video Coverage
- Personal Video
- Identifying Game States
- Automatic Highlights
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