| Content | Pixellot Prime introduces affordable multi-feed production, enabling professional and semi-professional leagues, colleges and youth academies to produce and distribute HD quality broadcasts with a limited video crew and without an OB van.
Advanced Production Suite
Streamlining the production workflow, Pixellot Prime deploys an unmanned panoramic camera to capture the entire field at native 50-60 FPS. From the sporting event venue, the SDI footage is automatically fed into any production suite where the final broadcast is mixed, in real-time.
The suite displays a variety of views and streams, including an auto-produced feed featuring the center of action, streams from additional cameras and preset camera stations to create close-ups and replays. An array of transition options and graphic elements lets directors create TV-grade broadcasts for web portals and mobile apps. Clients opt for either a “clean” feed, streaming only the sports action or a program (“dirty”) feed.
- 8K capture and HD-SDI output, 50/60 FPS
- End-to-end production system, enables production of sports event with single-person crew
- Remote Production Suite to create multi-feed broadcast
- Embedded graphics and ad formats
- Additional audio input for commentator
- Panoramic footage to power VR applications
KEY FEATURES:
- Auto Production
- Panoramic Video
- Spatial Replay
- Auto-Director & Ads
- Automatic Highlights
| LiveU LU300 with BirdDog BDP200 Live Production Bundle with IP Pipe PTZ Control
LiveU LU300 - Compact HEVC Field Unit for On-the-Go Live Streaming. The LU300 is a small-sized, cost-effective and reliable HEVC encoder, enabling broadcasters and other content creators to transmit high-quality video on-the-go.
BirdDog P200 - Combining BirdDog's custom NDI silicon chip, 30x optical zoom, and Sony backlit sensor and image module, the BirdDog Eyes P200, in black, is a full NDI 1080p60 PTZ camera designed for large indoor spaces. Thanks to the fast autofocus and zoom ensured by the true Sony image module, the P200 is highly suitable for catching all the fast action in places such as sporting events.
LiveU LU2000 - The LU2000 bonded video decoder is used to receive, decode and playout any HEVC/H.264 bonded video streams sent by LiveU’s range of field units. The LU2000 can also be used as a transmission node when sharing video over the LiveU Matrix video management and distribution platform.
LiveU IP Pipe - Enhance your remote production set-up and reduce costs by remotely controlling your IP-based gear. LiveU’s IP Pipe gives you remote control over a wide variety of network-based equipment.
| The highest quality full NDI Camera on the planet.
Hello Sony 1” Sensor. Meet NDI.
BDP4K is the real deal. A huge 1” Sony Exmor R CMOS back lit Sensor and 14.4 million effective pixels enable P4K to deliver stunning pictures in 4K resolutions with Full Bandwidth NDI. Excellent light sensitivity makes P4K perfect for all broadcast applications, sports, remote studios, newsrooms, house of worship and any shoot where quality matters.
Sony 1” Sensor. Size does matter.
The best images come from the best sensors and the P4K is built exclusively around the best sensor in its category. The massive 1” Sony Exmor R CMOS backlit sensor delivers truly stunning pictures in all shoot modes and frame rates whether in HD or 4K.
Full NDI. No compromises.
In the world of NDI® there are two flavours, NDI® and NDI|HX. NDI® is a variable bit rate, I-Frame codec that is reaches around 140Mbits at 1080p60 and is visually lossless. NDI|HX is a compressed, long-GOP, H.264 variant that reaches around 12Mbits at 1080p60. P4K is a Full NDI® camera.
BirdDog Cloud Integration.Directly in the camera.
P4K can communicate directly to BirdDog Cloud without the need for a computer running Cloud Core. Simply plug the P4K into your network and configure it through BirdDog Cloud Command to control all functions of P4K from literally anywhere in the world. Roads? Where we’re going you don’t need roads.
More than just a production PTZ. Shoot true cinematic styles.
P4K is a PTZ designed for the most demanding live production shoots and supports all the traditional frame rates you would expect including 29.97 but now you can use your PTZ as a camera for TVC’s, drama, and shoot 24p for that wonderful cinematic look.
Advanced Colour Controls.
With user selectable gamma settings and black gamma adjustment, fine tuning your shot has never been more flexible in a PTZ. Sony’s legendary sensor technology sets the tone for your next quality production.
NDI HX2. Welcome to the party pal.
Whilst P4K is designed to be a Full bandwidth NDI camera, it can also do the lower bandwidth version of NDI so you have the flexibility to choose between Full NDI and NDI HX2. P4K also supports H.264 and HEVC/H.265 in both 4K and HD resolutions.
10-bit. NDI4.
P4K is a 10-bit sensor and with NDI4 you can have an end to end 10-bit workflow. Perfect for broadcasters and other productions where bit depth matters. With 10-bit support you can record the NDI feeds using free tools such as NewTek NDI Monitor or IsoCorder Pro.
Full NDI. 6G SDI. HDMI 2.0. Life is all about connections.
Full NDI. Two independent 6G SDI outputs and one HDMI 2.0 output, all live all the time to create amazingly flexible workflows.
Genlock. Let that sync in.
With Genlock you can now synchronise multiple cameras using the Genlock input. Now all your cameras can be hitting your NDI enabled vision mixer at the same time and lets you eliminate the need to add frame buffers.
Superfine Robotics. Precise control at your fingers.
P4K’s robotics are super precise and super sensitive. Wind down the panning and tilting speeds to create super professional shots that are dramatic, or crank up the speeds for high action sports to allow you to follow the movements.
360 degree Tally lights.
The front, rear, and side Tally lights combine to create a 360 degree Tally light. Now everyone on the production set can see which camera is live to air.
Optional Modules. HDBaseT and Fiber.
Added to the Full NDI, Baseband 6G SDI, Baseband HDMI 2.0, NDI HX2, H.264, HEVC/H.265 format support you can also add HDBaseT with an optional module. Add the Fiber module to run SDI over Fiber directly out of the camera.
ePTZ in HD Mode.
In HD Mode you can take advantage of the massive sensor to create Region of Interest for your HD production. Pull any HD frame out of the 4K frame.
Free Comms Lite. Upgrade to Comms Pro.
P4K includes free Audio Intercom software, Comms Lite. Comms Lite supports four BirdDog devices and one Director. For more information on Comms Lite
Need a more powerful Audio Intercom solution? Comms Pro gives you all the amazing features of Comms Lite plus allows you create you up to five groups, adds additional push to talk buttons for the director, ability to change groups on the fly, plus more. Comms Pro is sold separately.
Distribute NDI® content everywhere. Just add Central.
BirdDog Central is a software platform set to redefine the way we think about driving content to TV screens. By teaming up Central with any NDI® source, including all BirdDog hardware capable of creating NDI® sources, you can now drive your NDI® streams to any BirdDog Studio NDI or Mini to decode NDI® back to SDI or HDMI.
CAMERA
- 4K Video Output: Main 4K HDMI Type-A (x1)
- HD Video Output: Main HD HDMI Type-A (x1)
- Lens: Optical, 12X
- Image Sensor: 1.0-type back-illuminated Exmor R CMOS sensor
- Number of effective pixels: 14.2 Megapixels
- Picture elements: 3840 x 2160, 8.29 Megapixels
- Digital Zoom: Digital Zoom 12X, with SRZ feature,18X zoom at 4K, or 24X zoom at FHD.
- Horizontal Angle of View Focal Length: 64.6 ̊ (Wide) – 6.1 ̊ (Tele), f=9.3 to 111.6mm, F2.8(Wide), F4.5(Tele)
- Min. object distance: 0mm (Wide), 1000mm (Tele)
- Aperture: F2.8 Constant (W)~(T), 16 Steps
- Min. Illumination: 0.5 lx (1/30 sec, 50%, High Sensitivity mode On) 2.0 lx (1/30 sec, 50%, High Sensitivity mode Off) 0.067 lx (1/4 sec (1/3 sec), 50%, High Sensitivity mode On) 0.267 lx (1/4 sec (1/3 sec), 50%, High Sensitivity mode Off)
- Shutter Speed: 1/10000s to 1/8 (59.94/29.97)
- Focus: Auto Focus(Trigger/Interval), Manual Focus(Variable Speed), One Push Trigger, Near Limit
- White Balance: AUTO, ATW, Indoor, Outdoor, One Push WB, Manual WB, Outdoor Auto, Sodium Vapor Lamp(Fix/Auto/Outdoor Auto)
- Exposure: Full Auto, Gain, Gain Limit, Shutter Priority, Iris Priority, Manual, Bright, Slow Shutter, Max/Min Shutter Limit, Slow AE
- Features: High Sensitivity, Defog mode, Backlight Compensation, HLC, E-FLIP, Mirror, Flicker Control, Day/Night, Defog
- WDR: YES(130dB)
- ND Filter: YES
- Image Stabilizer: YES
- Color Gain: Yes (15 step)
- Color Hue: Yes (15 step)
- Gamma: Standard/Straight/MOVIE/STILL/CINE1/CINE2/CINE3/CINE4/ITU709//Pattern
- Gamma Level: Yes (15 step)
- Black Level: Yes (97 step)
- Flicker Cancel: Yes
- Noise Reduction: On/Off (level 5 to 1 / Off, 6 steps), 2D/3D
- S/N Ratio: ≥50db
MECHANICAL
- Body Color: Black, White
- Pan Movement: Horizontal:±350 degrees continuous pan (Zoom Adaptive Speed Range: 0.05°~100°/S )
- Tilt Movement: Vertical:+90 degrees to -30 degrees (Zoom Adaptive Speed Range: 0.05°~50°/S)
- Preset Position: 0~5 Level Adjustable
- Preset Speed: 0~5 Level Adjustable
- Preset Memory: YES, ( Picture Profile Preset-Preset Memory for image parameters)
- Quietness: 45db
- Home Position: Supported
- Environmental: Indoor
INTERFACE
- HDMI Color Space: YCbCr, 4:2:2 RGB, 4:4:4
- NDI Video Encode: Full bandwidth NDI, NDI HX2 long-GOP
- NDI Video Decode: Full bandwidth HD NDI
- NDI Version: NDI v4.0 (Firmware upgradeable)
- IP Video Stream: UP to 4K/30 and 1080p60 h.264/h.265 HEVC
- Camera Control Interface: RS232/RS-422/RS485(RJ45 x2), NDI/IP Control (RJ45), IR Remote Control
- Control Protocol: NDI, VISCA, VISCA Over IP
- LAN: RJ45X1(1000Mb), NDI/IP video streaming, System upgrade, PoE(IEEE802.3bt)
- External Sync. Input: BNCX1, 75Ω, HD 3-level sync, SD Black Burst
- Audio I/O: Audio input x1, Audio output x1, 3.5mm audio jack
- Audio Output: Embedded with main HDMI, 24bit Stereo, Embedded with SDI, 24bit Stereo, Embedded with NDI
- Tally Light: Front and Back
ENVIRONMENTAL
- Mount: Ceiling mount, Wall mount, Tripod
- Operating Temperature: -10 to +40 (°C), 32 to 104 (°F)
- Operating Humidity: ≤80% Suitable for Use
- Power Input: 12VDC, PoE++ (IEEE 802.3bt)
- Power Consumption: 22W
- Dimension: 165x196x247mm
- Weight: 3.4kg
| The Panasonic Live Production Streaming Switcher Controller and PTZ Camera Controller
A well suited for use in a variety of environments including live events, education, live musical performances, and lectures. It supports ten channels of video and can simultaneously accept input from SDI, HDMI, and NDI/IP. Supporting up to 12 audio channels, the switcher can use the audio embedded in digital video, as well as from analog audio, and even the microphone input.
Still image capture is available at the push of a button on the console. The T-bar (transition bar) is pretty much a given on a switcher panel, offering you manual control over transitions. The built-in joystick works in conjunction with the panel's built-in PTZ controls. The NDI input and output options make this board suitable for live streaming as well as IP recording.
Usability
User-friendly operations and compatibility with NDI and NDI/HX standards for smooth live productions.
Transition Slider
A physical transition slider provides tactile control of a transition, for moments when a manual slider is preferable to a preprogramed transition.
Camera Control and Document Sharing for Lectures and Presentations
Connect the AV-HLC100 to Panasonic's HD integrated cameras to switch between footage from up to eight cameras, controlling each camera easily through a single LAN cable. Lecture documents can be input from a computer or captured in advance, then displayed on sub-screens during live streaming.
Simultaneous Live Streaming and Recording
Footage can be output directly to video streaming services without an external converter, and can even be recorded simultaneously. The content is recorded in formats that can be played on off-the-shelf computers, enabling streaming to users who are unable to view the live broadcast. Streaming and recording can all be done on one AV-HLC100 unit.
PTZ
Tele/Wide zooming can be done with the seesaw switch similar to what you would find on a camera. This is found on the left of the control panel.
Iris and Focus adjustment can be performed by individual dials, while position control such as PTZ camera, PiP, or Title can be assigned to the 3D joystick at the top right
Audio
The volume knob is the master audio level control. Audio levels can be checked in the LCD display. Detailed adjustments can be made using a GUI.
LCD Menu Bar
Small and unobtrusive, the built-in LCD menu bar provides a wealth of information. It displays a wide range of statuses and settings including PTZ camera selection, PTZ/PST operation, PiP material selection, title material selection, transition pattern selection, CLIP/STILL operation, and input-source selection.
Effects & Transitions
The switcher supports over 190 transitions, as well as PiP and 3D-DVE.
Titles
Built-in title templates speed title creation and customization.
RTMP
The AV-HLC100 supports RTMP, which allows you to stream your PGM output. | End to End Automatic Production
Reducing production costs to a minimum, our fully automated production systems enable amateur clubs, schools, federations, media platforms and venues to generate live HD content to power their own digital media services, boost fan engagement and improve their coaching processes. What’s more, Pixellot footage is interactive and delivered to any device lets fans watch their favorite team from anywhere, produce their own highlight clips and even share them on social networks.
Pixellot S is based on their patented, fully automated production workflow that generates and delivers TV-like footage without a person in the loop.
Fixed Installation: Indoors or outdoors, weatherproof
Unmanned capture: Panoramic field capture in 6K resolution
Automated production: Auto-tracking algorithms follow the flow of play and produce TV-like footage
Distributed to any device: Streamed in 4K quality to mobile devices and web platforms
Personalized viewing experience: Zoom into any scene, replay, clip and share.
Pixellot S comes with a variety of modules to optimize your system for media or coaching use:
Automatic highlights
Taking auto-production to the next level, this module identifies game highlights like baskets or goals and automatically produces highlight clips.
Editing Module
Share the most exciting plays with your fans! Our editing module lets you cut high quality clips from HD footage, live and post-game, and distribute them on your media channels.
Manual Production Module
Produce any type of sports game and events and cover also anything that happens on the field before and after the game.
Coaching Module
Get more insight by reviewing the game by zooming into any play and cut high-quality clips to review with your team and players.
Scoreboard Module
Enrich your broadcasts through an integrated scoreboard display. Choose from a selection of fonts, colors and designs or upload your own personalized scoreboard graphics.
Commentator
Add a remote or local commentator to follow the action and improve the viewing experience
KEY FEATURES:
- Auto Production Multiple Sports
- Panoramic Video
- Full Field Video Coverage
- Personal Video
- Identifying Game States
- Automatic Highlights
| End to End Automatic Production
Reducing production costs to a minimum, our fully automated production systems enable amateur clubs, schools, federations, media platforms and venues to generate live HD content to power their own digital media services, boost fan engagement and improve their coaching processes. What’s more, Pixellot footage is interactive and delivered to any device lets fans watch their favorite team from anywhere, produce their own highlight clips and even share them on social networks.
Pixellot S is based on their patented, fully automated production workflow that generates and delivers TV-like footage without a person in the loop.
Fixed Installation: Indoors or outdoors, weatherproof
Unmanned capture: Panoramic field capture in 6K resolution
Automated production: Auto-tracking algorithms follow the flow of play and produce TV-like footage
Distributed to any device: Streamed in 4K quality to mobile devices and web platforms
Personalized viewing experience: Zoom into any scene, replay, clip and share.
Pixellot S comes with a variety of modules to optimize your system for media or coaching use:
Automatic highlights
Taking auto-production to the next level, this module identifies game highlights like baskets or goals and automatically produces highlight clips.
Editing Module
Share the most exciting plays with your fans! Our editing module lets you cut high quality clips from HD footage, live and post-game, and distribute them on your media channels.
Manual Production Module
Produce any type of sports game and events and cover also anything that happens on the field before and after the game.
Coaching Module
Get more insight by reviewing the game by zooming into any play and cut high-quality clips to review with your team and players.
Scoreboard Module
Enrich your broadcasts through an integrated scoreboard display. Choose from a selection of fonts, colors and designs or upload your own personalized scoreboard graphics.
Commentator
Add a remote or local commentator to follow the action and improve the viewing experience
KEY FEATURES:
- Two camera lenses
- 1080p or 720p at 25 or 29.97 FPS
- Uses Cat6 cables (POE)
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