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Building on the ground breaking Juke Box E, Juke Box S2 is taking the first audiophile all-in-one system to the next level. By changing to a more sophisticated acrylic platter and an upgraded, Pro-Ject proprietary cartridge gave the Juke Box the extra bit of audiophilia it deserves. Juke Box S2 effectively saves space by implementing a pre-amplifier and power amplifier in its chassis. With the rated 50 Watts per channel it you will be able to use your stereo speakers and enjoy realistic sound stages and great depth.
- Instant playback with super-easy setup
- Bluetooth and 1 line input
- Acrylic platter
- High contrast display on top
- Line record output
- Gold plated sockets
- Pre-adjusted tracking force & anti-skating force
- Pick it 25A cartridge, pre-mounted
- 8.6" aluminium tonearm with sapphire bearings
- Belt drive with silicone belt
- Low vibration synchronous motor & DC power supply
- Special feet for effective decoupling
- IR remote control included
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The MMF-5.3 turntable is a 2-speed belt driven audiophile turntable employing the unique dual-plinth construction originated by Music Hall.
- Counterweight's center of gravity is level with the stylus tip, is decoupled from the arm, and acts as a resonance damper.
- DC synchronous motor for superior speed stability separately isolated on the lower platform.
- Includes properly aligned and pre-mounted Ortofon 2M Blue cartridge with a replaceable nude elliptical diamond stylus.
- Dynamically balanced alloy platter with soft felt mat.
- Dust cover and 45 rpm adaptor included.
| Thanks to extensive research and development, we have now elevated our classic RPM design to an even higher level. The RPM 10 Carbon uses a new extra-heavy chassis which features a special CNC-machined MDF base with resin-coated steel pellets to form an extra-heavy and precise sandwich construction. A special, complex heat treatment and carbon surface coating ensures superior low resonance levels. The mass-loaded chassis is effectively decoupled from its surface using magnetic feet. Combined with a new special polished aluminum platter with internal TPE damping and a vinyl layer on top, the inverted ceramic main bearing delivers an absolutely stable turntable speed with extra-low rumble due to the magnetic suspension of the platter. The heavy outboard motor unit is equipped with precise motor control and features a built-in switch between 33 & 45 rpm. Last but not least, the no-compromise 10" EVO tonearm with conical carbon-fiber arm tube and inverted bearing design ensures perfect tracking, even with demanding cartridges. Highly flexible, top-grade copper internal wiring is used. The RPM 10 Carbon is delivered with Ground it Carbon equipment base and top-grade 5P phono cable "Connect It CC" with RCA plugs (XLR as an option). An acrylic dust cover, "Cover it 1", is also available.
Specifications
Speed: 33, 45 rpm (electronic speed change)
Drive: Belt drive
Platter: 10.4 kg aluminum (300mm diameter)
Main Bearing: inverted stainless steel with ceramic ball/plate
Wow & Flutter: 33 +/- 0.11% 45: +/- 0.10%
Speed Drift: 33: +/- 0.01% 45: +/- 0.01%
Signal to Noise: -75dB
Tonearm: 10" Carbon EVO
Effective Arm Length: 254 mm
Effective Arm Mass: 8.5 g
Overhang: 16mm
Tracking Force: 10 - 35mN
Supplied Counterweights: 5 - 7.5g / 7 - 10g / 9 - 11g / 10 - 14g
External Power Supply: 15 volts DC / 1.6A
Power Connection: 110/120 or 230/240 Volt - 50 or 60 Hz
Power Consumption: 15 watts max | The C-Major is EAT's best value turntable, incorporating many of the design features of the more expensive C-Sharp. You'll get a heavy platter for great speed stability, a solid record clamp, and the C-Note 9" tonearm, which uses very precision bearings. Combine this with the included $500 Ortofon Quintet Blue cartridge and fitted dustcover, and you will be getting a real value. This package will bring all your vinyl to life and give you many years of listening pleasure.
Design & Build Quality
The first time that we had a chance to play with the EAT turntables there were a couple of things that really impressed us right off the bat. Their striking appearance will obviously catch your attention. We’ve even had several happy EAT customers tell us that when they first got their table out of the box they just stared at it in awe. Once you start to put the table together, however, you will immediately get a great sense of the superb craftsmanship.
The EAT C-Major has a very similar look to the C-Sharp -- the same low slung body and mix of high gloss black, carbon fiber, and brushed aluminum which make many of the other tables on the market look chunky in comparison. The plinth is made of carbon fiber and is nestled on some floating isolators inside a thin, high-gloss black base. The C-Major’s 9” tonearm features a carbon fiber arm tube and the heavy platter supports a special mat that is made from recycled LPs. It’s then topped off with a substantial record clamp. The whole combination just looks fantastic!
Like all great turntables, the C-Major is a fully manual turntable. You might think that a high-end table like this would be difficult to use, but we were pleasantly surprised to discover that it’s just the opposite! You simply turn it on, move the tonearm over the record, lower it down, and enjoy the tunes!
Features & Technology
We’ll start from the bottom of the table and work our way up. The sleek and slim base is made out of a super dense MDF material. Inside, the low-noise motor is mounted to the lower sub-chassis which is isolated from the upper plinth with eight cone-shaped pieces of a high tech damping material called Thermoplastic Elastomer, or TPE. These provide great isolation from the motor and really do a great job damping out external vibrations. If you want to feel the damping effect, simply push down gently on the plinth.
The plinth is made from an outer shell of carbon fiber sandwiched over MDF. The C-Major has three adjustable feet which make leveling everything a snap. The feet are also internally damped to reduce any external noise from getting up to the table. The EAT also includes a low profile dust cover with the C-Major, which not only protects it, but also matches up with its sleek appearance.
The bearing for the inner platter is pretty similar to what you find in most turntables in this category. The inner platter has a shaft that drops into a bronze bearing well where its tip spins on a special plate made of a near friction-free, teflon-like material.
The outer platter weighs in at a stout 4 lbs and has a great design. The top part that touches the record is made out of recycled vinyl, while the rest of the platter is a sandwich design of an aluminum/magnesium alloy with TPE in the center. EAT puts more mass on the outer edge of the platter, which helps to give it a great flywheel effect. This combination of bearing and platter is one reason the EAT tables all have great speed consistency. Like the more expensive C-Sharp, the C-major also comes with an aluminum record clamp.
While there are lots of things we love about this table, one of our favorite aspects is the carbon fiber tonearm that we mentioned earlier. It’s incredibly adjustable, allowing you to use a wide range of phono cartridges on it. These adjustments exude European precision.
The design of the tonearm is a combination of a uni-pivot and a more conventional Carden type.
Uni-pivot arms can move freely, not only across the record and up and down, but also rotating on the horizontal plane. Imagine an airplane coming in for a landing when you see the wings move up and down on each side in relation to the ground. The theory is there is some movement like this in the record grooves and being able to have freedom of movement allows the cartridge to track better.
The downside of uni-pivots is they are a royal pain to adjust. EAT came up with a brilliant solution that gives you the best of both worlds and we can attest to the fact that it works great! You get a small amount of movement where the arm can tip left to right, but it behaves more like a traditional pivoted arm.
The rear counterweight has an additional weighted insert that you can install for cartridges that are heavier than normal. The counterweight doesn’t have any markings like a lot of high end tonearms, so you will need a stylus pressure gauge to set the right force, but luckily EAT includes one in the box.
You also have azimuth adjustment which allows you to adjust the tonearm left and right. When you look at your tonearm from the front while sitting on a record, the headshell should be parallel to the record surface. EAT lets you really fine tune this if you desire. Finally, you can even adjust the height of the tonearm rest and the cueing cylinder, allowing you to really dial things in for your cartridge.
For anti-skating, EAT uses a gravity-based system which we really like. It is a little bit of a pain to set up, but we’ve been able to help everyone through it, so if you purchase one and have any trouble, just give us a call.
Finally, to change from 33 to 45, like a lot of tables out there, you simply lift off the outer platter and move the belt on the motor pulley.
Please don’t let all of these adjustments make you think this table is finicky or hard to set up. The best way to buy it is with the deal EAT has on the Ortofon Blue, Black MC, or their own JO5. These all come preset up and you save quite a bit with the package -- $250 or $500, which makes the table an amazing deal!
Performance
To test out the EAT C-Major, we set up what we thought might be a typical rig. We used the Cambridge CXA80 integrated amp, a Sutherland KC Vibe phono stage and a pair of Paradigm’s new Premier 800F towers. The table used the Ortofon Blue, which we think is probably the best way to go for the money with the C-Major.
First up was the classic Landside from Fleetwood Mac. When you have a great system that is well set up Stevie Nick’s voice should be dead center while the guitars float in between the speakers. This combo aced this test!
Next up was Robbie Robertson’s Somewhere Down the Crazy River from his first solo album in 1987. We look for two things on this one. First, there are some very dynamic bass attacks as the track begins. Then later on, you can hear lots of emotion in his voice when he says "Why do you always end up down at Nick's Cafe?" , "I don't know, the wind just kind of pushed me this way." It’s in the first “why” and “pushed me this way” on a great system you’ll hear all kinds of subtle inflections in his voice. While we have heard more on much more expensive rigs, this combination once again, really drew us into the music. Plus, it nailed the bass attacks.
After hearing this, we wanted to pull out our favorite cut for testing speed stability. This is Pink Houses from John Cougar's Uh-Huh album. If the table has great speed stability, you’ll be tapping your foot to the music. Once again, the EAT was very impressive.
This is one very special table. It has the ability with its precision tonearm to track really well and its isolation system helps it provide that great bass impact. EAT designs are also winning us over for their speed purity. Finally, with its jewel of a tonearm, it's just fun to use!
- The C-Note tonearm on the C-Major is 9" in length instead of 10" on the C-Sharp
- There is no separate speed control
- The main chassis has a more compact footprint
- The platter clamp is smaller
- The platter is smaller
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- Ultra lightweight plinth: The Planar 8 is the second Rega turntable constructed using the latest ultra lightweight Tancast 8 polyurethane foam core (a material developed for the aerospace industry). This material is sandwiched between two layers of HPL (high-pressure laminate). HPL is exceptionally thin and extremely rigid. This new construction makes the new Planar 8 skeletal plinth 30% lighter than the original RP8 while offering increased rigidity over the previous model.
- Double Brace Technology: A super lightweight plinth combined with a phenolic resin double brace mounted specifically where the increased rigidity is required (between the tonearm mounting and the main hub bearing) forms a structurally sound a oestressed beam" assembly. This rigid plinth design prevents energy absorption and unwanted resonances which will add unnatural distortions to the music. Equally, heavier mass can transfer more unwanted energy such as motor or bearing noise directly into the rotating record. The use of braces instead of the complete skin allows double thickness phenolic resin in these key areas while providing further weight reduction to the plinth, which directly addresses the issue of mass absorption and unwanted energy transmission.
- RB880 Tonearm: For the new RB880, Rega has introduced an improved vertical bearing assembly constructed using an aluminum and stainless-steel, low mass assembly with vastly improved stability and rigidity. This tonearm is using their advanced preloaded zero tolerance bearing assembly adjusted to less than 1000th of a mm, this gives friction-free movement and zero levels of unwanted play. This subtle but effective new structure is only visible via small windows at the rear of the new bias housing assembly. A thinner stainless steel balance weight is used, allowing greater adjustability and compatibility. Finally, the RB880 is terminated with a re-designed, low capacitance phono cable terminated with high quality, locking phono plugs to ensure the best possible connection.
- Hub bearing assembly: The Planar 8 uses a new low mass central bearing assembly. A single piece machined aluminum sub-platter and hardened tool steel spindle run inside a custom brass housing which is cleverly mounted within the chassis. This new mounting is designed to eradicate unwanted potential energy being transferred or stored in the plinth.
- Super flywheel effect triple layer glass platter: The Planar 8 uses a three-piece laminated glass platter which is the result of collaboration with a British glass engineering company. This brand new platter is constructed from two different high quality Pilkington glasses. As a general rule, the only part of a turntable that requires extra mass is the turntable platter in order to achieve constant rotational speed. However, a heavier platter creates more problems for the main bearing design so again an ideal compromise creates the best solution. Practically this means keeping as much of the mass to the outside rim of the glass platter to create more flywheel effect but keeping the inside of the platter as light as possible without sacrificing stiffness.
- 24v Low noise motor assembly: The Planar 8 uses Rega's latest generation, 24v, synchronous, low vibration motor technology. Uniquely mounted using the highest level of coupling while retaining higher vibration isolation than any previous model. This new motor mounting technique (mounted from the bottom) has been taken directly from the ultimate Rega turntable, the Naiad. This unique mounting method removes all stress on the motor body. The reduced vibration and more rigid mounting delivers superior drive from the new EBLT drive belts. Each motor is hand tuned to match its own custom Neo power supply before fitting to the turntable to optimize the anti-vibration circuit.
- EBLT Drive Belts: For three years Rega has been researching and developing with chemists the use of a bespoke new rubber compound for drive belts. Using a specialized curing system, the new drive belt offers superior consistency of modulus (a constant representing the degree to which a substance has a particular property, especially elasticity). These new belts are manufactured on Rega designed, state of the art, super-accurate tools which produce 'perfectly round' and 'dimensionally accurate' belts, critical for perfect speed stability.
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Designing a new turntable to celebrate VPI's 40th anniversary provided VPI an opportunity to update the direct drive motor technology to incorporate advances in motion control and materials technologies.
Harry Weisfeld's 2012 CLASSIC DIRECT direct drive turntable was an outstanding technical achievement, earning Stereophile Magazine's Class A+ rating. This award-winning table was loosely based on the VPI Classic Series table technology and included a thick aluminum plinth and armboard and an inverted platter bearing riding on a PEEK thrust disc. Combined with a cutting-edge BLDC direct drive motor, the CLASSIC DIRECT was created. The Classic Direct provided a stable, solid foundation for the music, allowing the listener to hear deeply into the recorded grooves to the treasures buried with-in!
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