| Content | TouchMix™ is quite simply the most powerful small-format digital mixer series ever created. From the highly compact TouchMix-8 to the flagship TouchMix-30 Pro, the TouchMix Series uniquely offers the features, capabilities and sound quality of the world's most esteemed large format consoles in a refined and portable package that's small enough to be carry-on luggage. Perfect for musicians, bands, AV production professionals and small performance venues, TouchMix also goes "Beyond Mixing" by also offering Wizards, Presets and other beneficial tools that help both seasoned audio professionals and novices alike get great results quickly and easily.
QSC TouchMix-16 Features
- Mega console performance in a compact form factor
- Capacitive touch screen graphical user interface combined with hardware controls for fast and intuitive operation - Multi-touch screen on TouchMix-30 Pro
- Over 135 Live Sound Channel Presets for a wide range of sources and instruments
- Automatic Microphone Mixer - Gain sharing, 24 channels, 2 auto mixers
- 4-Band full Parametric EQ, variable Highand Low-Pass Filters on all input channels
- Gate, Compressor and Delay on all input channels
- On-board settings for popular QSC loudspeakers including K and K.2 Series
- Four professional quality Stereo DSP Processors plus a Pitch Corrector (Six processors on TouchMix-30 Pro)
- Interfaces with most DAW software running on Mac® and Windows® computers
- MP3 USB playback
- Remote control via mobile devices over Wi-Fi
- External control using 3rd party control surfaces with motorized faders
- Rack-mountable with optional Accessory Kit
| The Dangerous Music 2-BUS+ is a 2U, 16-channel analog summing mixer with both XLR and D-sub inputs. It raises the bar on its legendary 2-BUS predecessor with even lower crosstalk, distortion, and noise-floor performance, along with stunningly precise soundstaging and center focus. Dangerous spent over two years developing three onboard audio processors that, with a simple push of a button and twist of a knob, add tone and color to your stems or across your entire mix directly from the 2-BUS+. The 2-BUS+ is smartly designed, extremely useful, and sounds incredible.
A trio of custom audio processors
In sync with Dangerous Music's doctrine of tonal coloration as a per-project artistic choice, the 2-BUS+ features three separate custom audio processors that selectively add tone and color to your mixes. In parallel processing mode, you can deploy Harmonics, a tuned harmonic distortion generator, and Paralimit, a FET limiter on steroids. At Sweetwater, we've applied both of these across stereo mixes and on pairs of stems. X-Former kicks in a pair of custom transformers with core-saturation control on your stereo mix outs. You can have all three tone processors active concurrently, and you can flip the order of signal flow through distortion and limiting.
Outstanding flexibility
Dangerous Music knows that each engineer — and session — is unique, so they designed the 2-BUS+ for outstanding professional flexibility. They spec'd it with an XLR stereo insert before the outputs for adding a separate compressor or processing chain that you can bypass at the touch of a button for a quick reference comparison. Channels 1/2 and 9/10 can be set to mono to rout; for instance, vocals/bass and kick/snare each to its own mono input. They also gave the 2-BUS+ an output control stepped in 0.5dB increments from -4dB to +6dB, and included XLR connections for both the main and monitor outputs.
Gang 'em for high channel count
Need a full-on analog "console" summing experience? Gang together multiple 2-BUS+ units via the stereo expansion inputs XLR to create a customized channel count. For the ultimate in tonal flexibility and control, the custom audio processors on each unit apply across the ganged group output. With three units, for instance, you'll have 48 channels of analog summing, with the first two units employing Harmonics (distortion), and Paralimit (limiter) across two separate stereo stems, and the third unit applying X-Former transformer saturation on the master stereo outputs.
What the pros are saying about the 2-BUS+:
- "The Paralimit and X-Former appear to be magic knobs. Special mention goes to the Paralimit because it does that lovely thing of bringing up the general ambience without slamming the track, something I particularly love on drums. Plugged it into my system along with my old 2-BUS and Dangerous MONITOR ST, and wow ... it's fantastic! Bags of air and space around the mix." — Chris Blackwell (drummer/composer)
- "Since the 2-BUS has so much headroom, it's really easy for me to decide that I want the entire vocal submix to be brighter or warmer, or more or less compressed." — Michael James (producer/mix engineer)
- "The Dangerous Music 2-BUS is one of the reasons my studio delivers a killer sound that grants the edge on the competition." — Alberto Rizzo Schettino (engineer)
- "Between SSL, in-the-box, and 2-BUS ... in blind tests ... it was a unanimous decision that the Dangerous mixes beat out everything. The 2-BUS mixes ... were simply cleaner and warmer than the SSL or in-the-box mixing ... I just don't miss my console." — Gina Fant-Saez (mix engineer)
- "With the 2-BUS LT, elements have their own place. You end up with a quicker, bigger mix and retain a more natural, less processed sound." — Phil Greiss (producer/engineer)
- "The Dangerous Music equipment is the centerpiece of my mixing rig. Everything I do goes through a Dangerous MONITOR, 2-BUS, MASTER, and BAX EQ. Everything." — Fab Dupont (mix engineer)
- "I don't understand how the 2-BUS has been in the studio for so long, but hasn't gotten to live shows — the sound is unbelievable." — Horace Ward (FOH engineer)
- "The harmonic and transformer flavors are great options to have and the parallel limiter is a genius idea." — Chris Tabron (producer/mix engineer)
Dangerous Music 2-BUS+ Analog Summing Mixer Features:
- Stunning 16-channel analog summing mixer injects your mixes with exceptional headroom and dimensionality
- 3 analog options (Harmonics, Paralimit, and X-Former) for adding tonal coloration to your mix
- XLR and D-sub input connectivity and flexible routing allow for a customized workflow
- Integrate your outboard gear easily with the switchable stereo analog insert
- Output control is stepped in 0.5dB increments for perfect recallability
- High-quality components ensure audiophile-grade sound
| Espandibile fino a 32 canali - QCon Pro XS8 + 1 fader motorizzati sensibili al tocco con risoluzione a 10 bitFader LED a 12 segmentiDoppio display LCD retroilluminato 2 × 56 per visualizzare il nome del canale. i valori di controllo. ecc. Per ogni canaleDisplay LED a 12 segmenti che mostra la posizione temporale del progetto in formato SMPTE o BBT - 18 pulsanti assegnabiliRotella jog shuttle per ricerca e controllo velociPulsanti illuminati per ogni canale. inclusi Record Enable. Solo. Mute. Select e Monitor6 pulsanti illuminati tra cui Play. Stop. Rec. Rewind. Fast Forward e LoopPulsante ZOOM illuminato con 4 pulsanti di direzione9 pulsanti funzione MIDI assegnabili illuminatiEspandibile a 32 canali utilizzando 3 unità di espansione QCon XSDue (2) connettori da 1/4 per interruttori a pedale e pedaliClasse compatibile con Windows XP. Vista (32 bit). Windows 7 (32 bit e 64 bit). Windows 8 (32 bit e 64 bit). Windows 10 (32 bit e 64 bit) e Mac OS XConnettività USB 2.0 ad alta velocitàIl driver ICON Quick-Setup è disponibile per Cubase. Nuendo. Reason e Bitwig per la compatibilità plug & play istantaneaBitwig Studio 8-Track DAW è incluso.Mackie Control integrato per tutte le DAW elencate (ad eccezione di ProTools che utilizza il protocollo Mackie HUI)Facile aggiornamento del firmware disponibile tramite connessione USB e software iMapQualità costruttiva superiore e robusto involucro in metallo con porta per blocco Kensington
Dimensioni: Lunghezza 51cm - Profondità 23.5cm - Altezza 57.5cm - Volume 0.068m³
Icon # Qcon Pro X - controller per DAW # Controller Midi / Controller Midi USB # Serie Qcon | The Purple Audio Moiyn is an innovative 500 Series 8-channel summing amp module that transforms your Sweet Ten rack into an 8 x 2 mixer. When using this feature, you can still use the first eight modules' outputs as you normally would into your DAW or tape machine. Place the Moiyn in slot nine of the rack, and you then are able to assign each module (in slots 1-8) to either of the two outputs via the Moiyn's front-panel buttons. Finally, use the rotary knob to adjust your output volume. The Purple Audio Moiyn is an ideal way to get the most from your Sweet Ten rack.
Purple Audio - the quality is designed in
Sweetwater is proud to carry Purple Audio. Founded in 1997 by Andrew Roberts, Purple Audio has kept the analog flame burning brightly with acclaimed professional signal processors and studio problem solvers based on inspired new designs and fresh takes on coveted classic gear. Handcrafted in Pennsylvania, Purple Audio equipment is built for the long haul, using only the finest components. Let Purple Audio's innovative engineering elevate your studio's sonic quality and juice your workflow.
Purple Audio Moiyn 500 Series Summing Amplifier Features:
- Designed specifically for mounting in Slot 9 of Purple Audio's Sweet Ten 500 Series rack
- Transforms your Sweet Ten rack into an 8 x 2 mixer
- Discrete signal path with 2 KDJ3 Summing Amplifiers and 2 KDJ4 Output Amplifiers
- Differential summing amplifier with 15 Kilohm inputs
- Stereo balanced inject
- 8 Input left/right assignable
- Current consumption: 90mA
- Discrete signal path
- Auto-resetting fuse shuts down individual module without affecting entire rack or console
- Includes high-quality 2-bus rotary master fader
- Cascade multiple Sweet Tens with Moiyns for more channels
- Requires Purple Audio's Sweet Ten rack
- ROHS certified lead-free
| The A-Designs Mix Factory takes a fresh approach to analog summing, delivering analog warmth with the depth and imaging needed to make your mixes truly stand out. Mix Factory inputs 16 channels and sums to balanced stereo outputs. All channels are fitted with gain controls, pan pots, and mutes. Two 8-channel groups are provided, each has an insert with mute button, and there is a master insert for all 16 channels. Mix Factory lets you switch between "clean," which bypasses the transformers, to "tonal," which introduces the harmonic enhancement of custom Cinemag output transformers. The Mix Factory is linkable, letting you expand to 64 or more channels. Take your studio to the next level with the A-Designs Mix Factory.
Benefits of the hybrid studio
Producer/engineer Tony Shepperd came up with the idea for Mix Factory, and it was brought to life by noted circuit design wizard Paul Wolff. Mr. Shepperd had been one of the modern engineers who subscribed to the "all-in-the-box" school of digital music production. At some point, however, he came to believe that digital and analog could very well coexist in the contemporary studio in a synergistic union that delivered additional "best-of-both-worlds" sonic benefits. This hybrid approach worked exceptionally well for Tony, taking his mixes to a new level. So much so that other engineers took notice and started asking him for tips. Today, most high-end recording facilities (including Sweetwater Studios) are hybridized in one sense or another. A-Designs' Mix Factory is a smart and cost-effective way to realize the many advantages of this approach.
A-Designs Mix Factory Features:
- 2RU 16-channel analog summing mixer
- 2 x 8-channel Groups
- All channels fitted with gain controls, pan pots, and mutes
- Switchable Cinemag output transformers
- Linkable, for easy studio expansion
- External power supply (included) switches between 120V and 230V
| Midas Pro2C. Brand new, full Midas warranty.
Compact Live Digital Console Control Centre with 64 Input Channels, 8 Midas Microphone Preamplifiers, 27 Mix Buses, 96 kHz Sample Rate and Touring Grade Road Case
Shipping will cost extra based on buyers location. If purchased without an agreement in place, buyer will be responsible for organizing their own pickup or shipping. |
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