| Content | An 8-channel stereo summing mixer with 12AX7 tubes for sonic excitement, the Radial Space Heater can add incredible depth and harmonic richness to your tracks. Recording engineers at Sweetwater know that summing in the analog domain, as opposed to within your DAW, is a great way to get that big-console sound. The Space Heater's variable tube overdrive allows you to add everything from subtle transformer warmth to rich harmonic distortion. From gluing individual drum tracks into a cohesive kit to mixing down your final stems, the Radial Space Heater will add a great sound to your productions.
Tubes and transformers are just what your digital tracks need
No matter how well you record your tracks, or how you approach your mixes in your DAW, it's hard to beat the undeniably rich and deep sound that summing in the analog domain is known for. Instead of investing in a large analog console, a summing mixer like the Radial Space Heater is the perfect match for DAW-based studios. The transformer-coupled outputs add a touch of warmth, and variable tube overdrive is perfect for adding sparkle to vocals, depth to acoustic instruments, and even full-on distortion for extreme effects. Send your stems through the Space Heater, record the stereo mix back into your DAW, and you'll be impressed with the results.
Variable voltage for fine-tuning the tube sound
The Radial Space Heater not only gives you variable tube overdrive for each stereo input pair, but it also allows you to switch between 35-volt, 70-volt, and 140-volt operation. Use the 35-volt setting for maximum grit and distortion, or switch over to 70 volts for cleaner headroom and a smoother sound. When you want the cleanest headroom, switch over to 140 volts. You can adjust the voltage for each stereo input pair individually, which means you can add gritty overdrive to rock vocals while giving bass and drums tons of clean headroom for a deep, punchy sound.
Two useful studio tools in one
One look at the back panel tells you that the Radial Space Heater is ready to be a studio workhorse. Each of the eight channels can be set up as a hardware insert, which means you can send individual tracks through the Space Heater to add tube saturation and transformer warmth. Once your individual tracks are perfect and you're ready to sum your final mix, run your stems through the Space Heater and record the final stereo mix to your DAW. The Space Heater is effectively a smart combination of four outstanding tube/transformer modules plus an analog mixer.
Radial Space Heater 8-channel Tube Summing Mixer Features:
- Stereo summing mixer for adding warmth, depth, and harmonic richness
- A 12AX7 tube for each input pair lets you add anything from subtle sparkle to full-on distortion
- Transformer-coupled outputs add a touch of character while maintaining a high-quality, low-noise signal
- 3 adjustable voltage modes (35-volt/70-volt/140-volt) allow you to adjust how much clean headroom you have before distortion begins
- Use it as an analog summing mixer or as 4 individual tube saturation/transformer warmth modules
- Multiple units can be linked for higher channel count
| The Purple Audio Moiyn is an innovative 500 Series 8-channel summing amp module that transforms your Sweet Ten rack into an 8 x 2 mixer. When using this feature, you can still use the first eight modules' outputs as you normally would into your DAW or tape machine. Place the Moiyn in slot nine of the rack, and you then are able to assign each module (in slots 1-8) to either of the two outputs via the Moiyn's front-panel buttons. Finally, use the rotary knob to adjust your output volume. The Purple Audio Moiyn is an ideal way to get the most from your Sweet Ten rack.
Purple Audio - the quality is designed in
Sweetwater is proud to carry Purple Audio. Founded in 1997 by Andrew Roberts, Purple Audio has kept the analog flame burning brightly with acclaimed professional signal processors and studio problem solvers based on inspired new designs and fresh takes on coveted classic gear. Handcrafted in Pennsylvania, Purple Audio equipment is built for the long haul, using only the finest components. Let Purple Audio's innovative engineering elevate your studio's sonic quality and juice your workflow.
Purple Audio Moiyn 500 Series Summing Amplifier Features:
- Designed specifically for mounting in Slot 9 of Purple Audio's Sweet Ten 500 Series rack
- Transforms your Sweet Ten rack into an 8 x 2 mixer
- Discrete signal path with 2 KDJ3 Summing Amplifiers and 2 KDJ4 Output Amplifiers
- Differential summing amplifier with 15 Kilohm inputs
- Stereo balanced inject
- 8 Input left/right assignable
- Current consumption: 90mA
- Discrete signal path
- Auto-resetting fuse shuts down individual module without affecting entire rack or console
- Includes high-quality 2-bus rotary master fader
- Cascade multiple Sweet Tens with Moiyns for more channels
- Requires Purple Audio's Sweet Ten rack
- ROHS certified lead-free
| KORG MW 2408 MIXER MIXER | The Dangerous Music 2-BUS+ is a 2U, 16-channel analog summing mixer with both XLR and D-sub inputs. It raises the bar on its legendary 2-BUS predecessor with even lower crosstalk, distortion, and noise-floor performance, along with stunningly precise soundstaging and center focus. Dangerous spent over two years developing three onboard audio processors that, with a simple push of a button and twist of a knob, add tone and color to your stems or across your entire mix directly from the 2-BUS+. The 2-BUS+ is smartly designed, extremely useful, and sounds incredible.
A trio of custom audio processors
In sync with Dangerous Music's doctrine of tonal coloration as a per-project artistic choice, the 2-BUS+ features three separate custom audio processors that selectively add tone and color to your mixes. In parallel processing mode, you can deploy Harmonics, a tuned harmonic distortion generator, and Paralimit, a FET limiter on steroids. At Sweetwater, we've applied both of these across stereo mixes and on pairs of stems. X-Former kicks in a pair of custom transformers with core-saturation control on your stereo mix outs. You can have all three tone processors active concurrently, and you can flip the order of signal flow through distortion and limiting.
Outstanding flexibility
Dangerous Music knows that each engineer — and session — is unique, so they designed the 2-BUS+ for outstanding professional flexibility. They spec'd it with an XLR stereo insert before the outputs for adding a separate compressor or processing chain that you can bypass at the touch of a button for a quick reference comparison. Channels 1/2 and 9/10 can be set to mono to rout; for instance, vocals/bass and kick/snare each to its own mono input. They also gave the 2-BUS+ an output control stepped in 0.5dB increments from -4dB to +6dB, and included XLR connections for both the main and monitor outputs.
Gang 'em for high channel count
Need a full-on analog "console" summing experience? Gang together multiple 2-BUS+ units via the stereo expansion inputs XLR to create a customized channel count. For the ultimate in tonal flexibility and control, the custom audio processors on each unit apply across the ganged group output. With three units, for instance, you'll have 48 channels of analog summing, with the first two units employing Harmonics (distortion), and Paralimit (limiter) across two separate stereo stems, and the third unit applying X-Former transformer saturation on the master stereo outputs.
What the pros are saying about the 2-BUS+:
- "The Paralimit and X-Former appear to be magic knobs. Special mention goes to the Paralimit because it does that lovely thing of bringing up the general ambience without slamming the track, something I particularly love on drums. Plugged it into my system along with my old 2-BUS and Dangerous MONITOR ST, and wow ... it's fantastic! Bags of air and space around the mix." — Chris Blackwell (drummer/composer)
- "Since the 2-BUS has so much headroom, it's really easy for me to decide that I want the entire vocal submix to be brighter or warmer, or more or less compressed." — Michael James (producer/mix engineer)
- "The Dangerous Music 2-BUS is one of the reasons my studio delivers a killer sound that grants the edge on the competition." — Alberto Rizzo Schettino (engineer)
- "Between SSL, in-the-box, and 2-BUS ... in blind tests ... it was a unanimous decision that the Dangerous mixes beat out everything. The 2-BUS mixes ... were simply cleaner and warmer than the SSL or in-the-box mixing ... I just don't miss my console." — Gina Fant-Saez (mix engineer)
- "With the 2-BUS LT, elements have their own place. You end up with a quicker, bigger mix and retain a more natural, less processed sound." — Phil Greiss (producer/engineer)
- "The Dangerous Music equipment is the centerpiece of my mixing rig. Everything I do goes through a Dangerous MONITOR, 2-BUS, MASTER, and BAX EQ. Everything." — Fab Dupont (mix engineer)
- "I don't understand how the 2-BUS has been in the studio for so long, but hasn't gotten to live shows — the sound is unbelievable." — Horace Ward (FOH engineer)
- "The harmonic and transformer flavors are great options to have and the parallel limiter is a genius idea." — Chris Tabron (producer/mix engineer)
Dangerous Music 2-BUS+ Analog Summing Mixer Features:
- Stunning 16-channel analog summing mixer injects your mixes with exceptional headroom and dimensionality
- 3 analog options (Harmonics, Paralimit, and X-Former) for adding tonal coloration to your mix
- XLR and D-sub input connectivity and flexible routing allow for a customized workflow
- Integrate your outboard gear easily with the switchable stereo analog insert
- Output control is stepped in 0.5dB increments for perfect recallability
- High-quality components ensure audiophile-grade sound
| SSL Six Mixer
The SSL Six Mixer is a condensed professional console for use in the studio, in post-production, on stage, and for podcasting, SiX offers big console sound and an impressive set of utility features in a format that is small enough to stick in a bag. SiX is stunning value; it offers two recording channels with SuperAnalogueTM mic pres, an essential one knob version of the classic SSL Channel Compressor, a new two-band Channel EQ, inserts and 100mm faders.
There is a two-knob version of the legendary G-Series Bus Compressor on the main mix bus and the unique Listen Mic Compressor on the Talkback. In mixdown mode it is a very capable twelve channel summing system that offers analogue detail, depth and width to your mixes. The Six Mixer carries the DNA of 40 years of true expertise in creative studio workflow. Listen to SiX and you will experience the impeccable sonic performance that is the hallmark of every SSL console. It is powerful, intuitive, inspired and rewarding.
SSL Six Mixer Features
- Benchmark SuperAnalogueTM audio performance
- Stunning Recording Path
- Classic SSL Channel Processing
- The unique Listen Mic Compressor
- Professional routing & Monitoring
- 12 Input summing at Mixdown
- Legendary Master Bus Compressor
- Completely balanced signal path
- Auto switching Power supply (100 - 240V)
| RÉSUMÉ DES FONCTIONNALITÉS
Images de 24, 32, 40 et 48 canaux
Options de canal mono / stéréo A, B, C, D
Mélanges principaux LR et M
8 groupes audio avec panoramique et routage vers LR et M
10 auxiliaires dont un envoi stéréo dédié avec commandes de niveau et de panoramique
2 canaux stéréo multifonctions chacun avec entrées micro et ligne stéréo
2 doubles stéréos supplémentaires fournissent 4 retours stéréo additionnés ou indépendants
Matrice 12 × 4 complète
Double fonctionnalité appropriée pour FoH, mixage de moniteur ou les deux
Enregistrement capable avec des sorties directes de canal
M peut être utilisé pour le mixage centre / sous, la somme mono LR ou le coin d'ingénierie
Entrées externes matricielles avec trims de niveau et capacité d'entrée commune
Les entrées micro du canal stéréo peuvent se croiser dans la matrice pour une alimentation d'ambiance
EQ réactif 4 bandes, 2 balayages
Filtres passe-haut de canal 100Hz
Alimentation fantôme individuelle et commutation de polarité
Compteur intégré avec 11 VU-mètres à bobine mobile éclairés par LED
Canal LED grand angle et compteurs principaux
Compteurs de contrôle stéréo dédiés
Commutation auxiliaire par canal pré / post fader pour une flexibilité totale
Commutateurs pré / post-EQ du panneau avant pour les préférences de l'utilisateur
Coupe le son de tous les faders masters
Faders à double rail de qualité supérieure de 100 mm
Talkback assignable à toutes les sorties, comprend un mode de verrouillage de commutateur de conversation
Oscillateur 1 kHz / générateur de bruit rose avec sortie externe
Surveillance 2 pistes et relecture sur LR
3 prises casque / écouteurs et sorties moniteur locales
Sorties XLR symétrisées électroniquement avec capacité d'entraînement + 26 dBu
Gamme de préamplis 74 dB avec capacité d'entrée +34 dBu pour micro ou ligne
Conception d'ampli micro à très faible bruit
Combiner intégré pour une alimentation de secours redondante
Assemblage de cartes de circuits individuelles avec des pots écroués
Option de liaison d'entrée / sortie de console Sys-Link V2
Douilles de lampe XLR 4 broches - Lampe LED Allen & Heath disponible.
Options de canal mono / stéréo:
A = tous les canaux mono
B = 4 stéréos à droite des masters
C = 4 stéréos à l'extrême droite
D = 8 stéréos à l'extrême droite |
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