| Content | A comprehensive and flexible multi-format video switcher giving you complete control of video sources, key layers and mixing engine configurations. The V-1200HD introduces a unique flexible hybrid engine with 4:2:2 broadcast switcher and 4:4:4 live event switcher. In addition to powerful video capabilities, the V-1200HD also has a built-in 16-channel audio mixer.
Features
- 10 SDI and 4 HDMI inputs, and 6 SDI and 2 HDMI outputs
- 4:2:2/4:4:4 hybrid engine
- The 4:2:2/10-bit processor is 2 M/E switcher that is able to switch 2 M/E, 1.5 M/E, and 1 M/E.
- The 4:4:4/10-bit multi-format processor supports live presentation, split-screen, and matrix output.
- Up to 92 Inputs/Outputs 16-channel audio mixer
- Control of up to 4 remote cameras
- Optional control surface with T-bar and dual displays.
- All switcher functions can be operated from a computer using remote control software, V-1200HD RCS
- Input/output expandable via expansion slots
V-1200HD: Multi-Format Video Switcher
Hybrid Engine 2 M/E Switcher and Processor for Broadcast and Live Events
2 M/E Mode
This provides a standard 2 M/E operation style. Two keyers can be used with each M/E. Keyer priority can also be assigned and changed. Not only is re-entry of the video source from M/E 1 to M/E 2 possible, but so is reverse re-entry from M/E 2 to M/E 1. Each of the two M/Es can be output independently allowing for applications such as simultaneous transmission of captions in two different languages.
Roland V-1200HD 2 M/E Mode
1.5 M/E Mode
This is the highest-performance operation style, capable of using PGM/PST rows as the final stage in addition to 1 M/E. All four keyers can be used in 1 M/E. You can freely change the priority of each keyer, and even copy keyers. This mode enables complex mixing operations such as a video source plus 4-layers of composition and transition functions to another single video source.
Roland V-1200HD 1.5 M/E Mode
1 M/E Mode
This is a simple operation style using 1 M/E + 4 keys. In addition to using PGM/PST rows on the main line, you can use two AUX buses. This mode allows discrete video feeds to be switched and routed to additional outputs making the V-1200HD the ideal primary switcher for a number of broadcast and live performance applications.
Roland V-1200HD 1 M/E Mode
4K Switching Mode (future upgrade)
This functions as a 4K/60p routing switcher by combining four SDI inputs or outputs to achieve a single 4K source. Installing an XI-SDI SDI expansion card enables 4K routing of up to three inputs and two outputs.
* 4K HDMI input/output is not supported.
* M/Es and keyers cannot be used.
Roland V-1200HD 4:4:4 Multi-Format Processor
Processing
An innovative and flexible system designed to easily realize your full creative potential.
Operation
A dedicated V-1200HDR controller provides fast and accurate operation. Dual touch monitors provide quick and easy operation.
All the functionality required for operation of a high-end switcher, in an efficient compact size.
Hardware
Multi-format support for a diverse range of inputs and outputs. Two expansion slots are provided for even more compatibility.
Applications
The flexible workflow and functionality supports a wide variety of live production applications.
Roland V-2100HD in Broadcast Studios
Broadcast Studios
A wide variety of video effects enhances broadcast studio productions.
Composition with freely selectable priority can be accomplished using the four scaler-equipped keyers. The system also features high-end Chroma Key, as well as the External Key essential for title compositing. In addition to PGM and PVW output, two AUX buses are usable for output (when in the 1M/E mode).
Roland V-2100HD in Live-performance Production
Live-performance Production
Multiple M/E choices allow for a diverse range of video production applications in one switcher.
The V-1200HD is ideal as a main switcher for concert recording and for a live feed. Through a variety of multi-view functions, even a large number of sources can be checked at a glance. The M/E configuration can be varied as desired to meet the needs of the production. Control up to four remote cameras, ensures creative productions even with limited camera operators.
Roland V-2100HD for Live Events
Live Events -
Equipped with HDMI input and output with multi-format support. Freely mix computer and video sources and output to a wide range of displays and devices.
Along with ten SD/HD-SDI inputs, the V-1200HD features four HDMI inputs. Six SD/HD-SDI and two HDMI outputs are also provided. Among these, the two HDMI inputs and outputs offer multi-format support. Computer sources with varying resolutions and frame rates are supported without a need for video converters. The signal is passed directly to the 4:4:4 process, so it can be output, unchanged, at the same high resolution. What's more, using an XI expansion card with a built-in scaler makes it possible to mix digital and analog inputs and outputs.
Roland V-2100HD for Performance Hall Equipment
Performance Hall Equipment
Supporting a rich range of control as a video/audio hub.
The full-featured routing functionality enables conversion and distribution of a high number of video sources in a variety of formats. The V-1200HD can also achieve remote operation as a video/audio source hub from a variety of control terminals and programs. In addition to just simple video switching, the system also offers functions available only on production switchers, such as distributing PinP video to various locations.
Processing
4: 4: 4 (Y/Pb/Pr / RGB), 10-bit /
4: 2: 2 (Y/Pb/Pr), 10-bit
Input Connectors
3G/HD/SD-SDI: BNC type x 10 * Conforms to SMPTE 424M (SMPTE 425M-AB), 292M, 259M-C
HDMI: type A x 2 (HDMI INPUT 1--2) * HDCP Not supported
HDMI: type A x 2 (HDMI INPUT 3--4) * HDCP Supported., Multi-format Supported.
Output Connectors
3G/HD/SD-SDI: BNC type x 6 * Conforms to SMPTE 424M (SMPTE 425M-AB), 292M, 259M-C
HDMI: type A x 2 (HDMI OUTPUT 1--2) * HDCP Supported
HDMI: type A x 2 (HDMI OUTPUT MULTI-VIEW 1 * HDCP Not required, 1080/59.94p)
(HDMI OUTPUT MULTI-VIEW 2 * HDCP Required, 1080/59.94p)
Formats
SDI: 480/59.94i, 576/50i, 720/59.94p, 720/50p, 1080/59.94i, 1080/50i, 1080/59.94p, 1080/50p
* Conforms to SMPTE 274M, SMPTE 296M, ITU-R BT.601-5
HDMI: 480/59.94i, 576/50i, 480/59.94p, 576/50p, 720/59.94p, 720/50p, 1080/59.94i, 1080/50i, 1080/59.94p, 1080/50p,1024x768/60*1, 1280x720/60*1, 1280x800/60*1, 1366x768/60*1, 1280x1024/60*1, 1400x1050/60,1600x1200/60, 1920x1080/60, 1920x1200/60 * Conforms to CEA-861-E, VESA DMT Version 1.0 Revision 11
* The output format of HDMI1,2 and SDI is always the same.
* 1 Output refresh rate is 75 Hz when frame rate is set to 50 Hz.
Frame rate: 59.94 (NTSC) or 50 (PAL)
MULTI-VIEW 1--2: 1080/59.94p
Effects
(4:2:2 Processing)M/E: 1 M/E, 1.5 M/E, 2 M/E (9 patterns)
Transition: Mix, NAM* , FAM* , Cut, Wipe, Slide*, Squeeze* * PGM/PST only
Composition (Keyer): 4 channels * The number of composition depends on M/E, PinP, Chroma Key, Luminance Key, External Key supported
AUX: 2 * The number of AUX depends on M/E
Others: Output Fade, Freeze, Capture, Composition Edit, SDI Output Patchbay
Effects
(4:4:4 Processing)M/E: 1 M/E, Matrix, Scaler
Input: 4 (4:2:2 Processing outputs x 2, HDMI INPUT 3, HDMI INPUT 4)*
Transition: Mix, Cut*
Keyer: Luminance Key (1 M/E)*
Others: HDCP Supported, Output Fade, Output Cropping, Signal Generator*
* The function depends on M/E
Still Image
Still Image Inputs: 2, Internal Memory: 16, Maximum 1920x1080 pixels
Format: Windows Bitmap File (.bmp ) 24 bit per pixel, uncompressed, Portable Network Graphic File (.png) * Alpha channel Supported.
Multiviewer
MULTI-VIEW 1 (4:2:2 Processing): 16/10 screens, Audio Level, Label, Tally * HDCP Not required
MULTI-VIEW 2 (4:4:4 Processing): 4 screens, Audio Level, Label, Tally, OSD Setup Menu
* HDCP Required
Processing
Sampling Rate : 24 bits/48 kHz
Input Connectors
3G/HD/SD-SDI: BNC type x 4 (Ch7-10), HDMI x 4, AUDIO IN (XLR/TRS) L (1/2),R (3/4)
* Analog Audio or AES/EBU
Output Connectors
3G/HD/SD-SDI: BNC type x 4 (Ch1-4), HDMI x 2, AUDIO OUT (XLR/TRS) L (1/2),R (3/4)
* Analog Audio or AES/EBU
Input Level and Impedance
AUDIO IN: -68--+4dBu (Maximum: +22dBu, 4k ohms)
Output Level and Impedance
AUDIO OUT: +4dBu (Maximum: +22dBu, 600 ohms)
Formats
SDI: Linear PCM, 24bits, 48kHz, 16ch * Conforms to SMPTE 299M, SMPTE272M-C
HDMI: Linear PCM, 24bits, 48kHz, 2ch
AES/EBU: Linear PCM, 24bits, 48kHz, 4ch
Effects
Patchbay: 92 inputs x 92 outputs Delay: 16ch
Mixer: 16ch, channel Effects: 3-Band EQ, Delay Master Effects: Mastering, 3-Band EQ, Reverb
Expansion Slot
Slot: 2, Internal video bus: Input 2, Output 2 / Internal audio bus: Input 16ch, Output 16ch * 2 slots total
Phase adjustment
±1080 Lines
Reference
Input: BNC type x 1
Output/Through: BNC type x 1
* Black Burst (Sync to frames), Bi-Level, Tri-Level
* Through when using an Input.
External Connectors
RS-232: D-Sub 9 pin type x 1 * for Remote Control * 9600/38400bps, Data 8bit, Stop 1bit, Parity None, Flow XON/XOFF, ASCII Code Set
RS-422: D-Sub 9 pin type x 1 * for VISCA Control
TALLY/GPIO: D-sub 25 pin type x 1 (Input: 8, Output: 16)
LAN: RJ45 100Base-TX (Connect to V-1200HDR or Computer (V-1200HDRCS)), Maximum: V-1200HD x 4, V-1200HDR or V-1200HDRCS x 4
USB: A type x 2 USB Mrmory / Use for future expansion
Memory
8 * Last Memory Function
User Function Button
32 * 16 buttons x 2 banks
Remote Camera Control
RS-422: D-Sub 9 pin type x 1 Protocol: VISCA
* 9600/38400bps, Data 8bit, Stop 1bit, Parity None, Flow None, Maximum: 4 Units
Remore Controler
V-1200HDR Control Surface * Option
V-1200HD RCS * Windows7 or later / Mac OSX
Power Supply
AC 100V, DC 24V/10A (XLR-4-32 type) * Redundant Power Supply * 240W
Operation Temperature
+0 to +40 degrees Celsius +32 to +104 degrees Fahrenheit
Dimensions
Width: 430 mm / Depth: 357 mm / Height: 132.5 mm * EIA-3U rack mount size
Weight
9.0 kg
Accessories
Power Cord, Rack Mount Angle (2), Input Template, Owner's Manual | Blackmagic Design’s Ultimatte 12 goes beyond the power of even the most advanced keyers, also functioning as a high power real time compositing processor. Enjoy superb edge handling, color separation, color fidelity, spill suppression, and more. 12G-SDI technology supports work in HD and Ultra HD for real-time compositing of weather, sports, news, and entertainment in studio environments.
Incredibly life-like composites place your talent into any scene. Computer generated augmented reality objects provide realistic transparency and depth talent can walk behind, even with glass-style objects. The Ultimatte 12 works with fixed cameras and static backgrounds, or automated virtual set systems. On set previsualization is another plus, since actors and directors can see the virtual sets while shooting against a green screen.
Remove the background without affecting foreground colors. Advanced flare, edge and transition processing isolates and treats image sections differently while keeping color transitions smooth. High-level compositing keeps the final product photorealistic.
Green tinting and spill are no longer problematic thanks to the adjustments made to flare algorithms in the Ultimatte 12. Flare automatically samples colors to create seamless mattes for walls, floors, or other parts of your image. Shadows get mapped and composited onto the new background for a realistically three-dimensional view, spill is removed, and transparent objects are cleaned.
Advanced algorithms and large internal color space make it feel like you’re using several Ultimatte keyers on one image. For example, fine edge detail is a great feature for visuals of hair but is not something you would want applied to an entire image. Images are automatically processed based on the colors in each area, so fine edge detail is applied to just the hair portion.
Cameras at different angles see the same green screen slightly differently, which keyers in live production switchers aren’t designed to correct. Ultimatte 12 makes it possible to add keyers to every camera in a shot for the best possible key.
The Ultimatte 12 includes 7 input connections dedicated to compositing different elements together. 12G-SDI connections offer high frame rate Ultra HD from one BNC connection that can plug into your regular HD equipment. Connections let you work with SD, HD, 3G, 6G and 12G-SDI equipment, and in HD or Ultra HD formats up to 2160p60.
Blackmagic Design Ultimatte 12 Features
- Connect to SDI equipment in HD and Ultra HD
- Add augmented reality and virtual elements
- One touch keying
- Advanced image processing
- Expanded internal color space
- New math and sub pixel processing designed for high quality and clarity in HD and Ultra HD
- Incredible color fidelity
- Flare removes green tinting, spill, shadows, and reflections
- Ideal for broadcast news, sports, and traditional TV and film production
- 12 Month Limited Manufacturer's Warranty
| Designed for broadcasters and AV professionals, the ATEM Television Studio series can turn any live event into a professional HD or Ultra HD program. Switching between multiple cameras, game consoles, and computers happens in real time with broadcast quality support so changing sources won’t cause glitching. The ATEM Television Studio Pro 4K is a great switching solution for sporting events, concerts, seminars, video gaming competitions, episodic television, and more.
Streamline your workflow to handle more complex and faster paced productions with the ATEM Television Studio Pro 4K. The ideal combination of a professional control panel and switcher, it is faster to switch sources, add effects, efficiently manage and color grade remote cameras, mix audio, and key graphics.The ATEM Television Studio Pro 4K has all the features of the other models, adding Ultra HD capability and more SDI inputs. Eight independent 12G-SDI inputs support popular HD and Ultra HD formats up to 2160p60 automatically re-sync to the switcher.
Connect up to 8 cameras, game consoles, computers, or other sources from the 8 independent video inputs. Output sources include professional SDI program and aux outputs, with SDI and HDMI outputs supporting multiview monitoring. The ATEM Television Studio Pro 4K supports multiview in Ultra HD.
Broadcast quality transitions give you creative freedom throughout your live production. Choose and instantly apply transitions among mixes, wipes, dips, DVE, and more. Customize duration of transitions and add visual effects to the transitions with borders. The built in DVE powers adjustments to position, size, and scale of live video in real time.
ATEM advanced chroma keyer provides greater color control with clean green screen keying in real time for seamless multi-layer creations.
Talkback can be enabled to send audio to and from the camera. A professional audio mixer also gives the switcher the essential functions for mixing audio.
Blackmagic Design ATEM Television Studio Pro Features
- 8 12G-SDI inputs for popular HD and Ultra HD sources up to 2160p60
- Connected video sources re-sync to the switcher
- Multiview monitoring
- Power supply not included - requires IEC cable
- Broadcast quality transitions
- Built in 2D DVE
- ATEM advanced chroma key
- Talkback
- Audio mixer capabilities
- Software control panel for Mac or Windows included
| The World's Most Complete Sports Production System
Engineered with a purpose and built with a commitment to ensuring you have everything you need for professional sports production, NewTek 3Play 3P1 is the premier video solution for live game coverage, replay, training, and analysis, with the most complete set of real-time capabilities for modern sports production ever integrated into a single turnkey system, including native IP workflow integration and telestration.
NewTek 3Play 3P1 integrates seamlessly with NewTek IP Series, TriCaster TC1, and NVG1 NewTek-Vizrt IP Graphics Server. This gives sports producers or anyone needing replay capability the power to utilize any NDI source on the network for recording and replay, and conversely SDI sources connected to 3Play 3P1 are available as NDI sources anywhere. An equally significant option is LivePanel for 3Play 3P1, which give users control of 3Play 3P1 from any web browser, on any device, using any OS.
For both live sports and esports, delivering world-class replay, network-style presentation, and a phenomenal fan experience has never been easier or more affordable. 3Play 3P1 is truly replay redefined.
Product Highlights:
Engineered for the most demanding broadcast and media environments, 3Play 3P1 provides a winning combination of innovative technology and seamless workflow integration to power forward-thinking fan experiences that span from stadiums to screens to smartphones.
- Fully integrated sports production in resolutions up to 1080p 60
- SDI, hybrid, and end-to-end IP connectivity to adapt to your game plan
- Native software-driven processing for maximum production power and flexibility
- Integrated NDI® Telestrator Pro for live telestration from any compatible connected device, with support for remote video transport control
- Comprehensive camera coverage and delivery with support for 4 simultaneous external inputs and 2 outputs
- Synchronized continuous capture to full-resolution QuickTime® files for instant replay, live editing, post-production, and archive
- Versatile audio connectivity and capture, with support for digital, analog, and network audio, plus 8 channels of audio recording per input
- Multi-purpose video server with full frame-rate, multi-angle preview windows • Real-time social media sharing to Facebook, Twitter, YouTube, and more
- Custom playlist building and highlights packaging for live insert, export, or VOD
- Intuitive asset management and tagging system for metadata entry, navigation, organization, and content retrieval
- Powerful production automation with custom macro commands, cross-platform workflow integration, and flexible control options
- Enhanced creative capabilities, including real-time layering, motion graphics, animated transitions, and more
- Industry-standard 2RU system chassis with included hardware control panel
3Play 3P1 Control Panel Included
Run every sports production with the confidence of a team captain. With a professional hardware panel included, 3Play 3P1 brings blazing speed and airtight control to the operator’s chair so you can read, react, and replay in record time.
NDI® Telestrator Pro
Enlighten and entertain audiences, enhancing play-by-play and analysis with live telestration— right from the first replay. With NDI® Telestrator Pro included with 3Play 3P1, you can annotate on screen and roll immediate replays over the network from any compatible networked device— with only a single Ethernet cable required.
NDI® Telestrator Pro supports telestration over either or both 3Play 3P1 output channels, offers a variety of professional paint tools, shapes, and customizable graphics, and includes responsive transport controls for remote playback. (External PC or touchscreen device with Microsoft® Windows 7 operating system (OS) or better required.)
System Specifications
Video Input: 4 x simultaneous external video inputs, supporting any combination of compatible sources
Network Video Input: 4 x resolution-independent IP video inputs via NDI®
SDI Video Input 4 x 3G/HD/SD-SDI connections supporting video input in any combination of standard formats, resolutions, and frame rates
- 1080p: 59.94, 50, 29.97, 25, 24, 23.976
- 1080i: 59.94, 50
- 720p: 59.94, 50, 29.97, 25, 24, 23.976
- 576i 50
- 480i 59.94
Video Output: 2 x session-format video outputs, with simultaneous delivery via IP and SDI
Network Video Output: 2 x session-format IP video outputs via NDI®
SDI Video Output: 4 x 3G/HD/SD-SDI connections supporting redundant delivery of 2x session-format video outputs
Multiviewer Output
- 1 x DVI user interface with multiviewer
- 1 x HDMI multiviewer
- 1 x DisplayPort multiviewer
Recording: 4 x simultaneous recording channels
Recording Format: QuickTime® (XDCAM HD compatible, 4:2:2 encoding, 24-bit audio, with timecode) 1QuickTime Player not required for playback in common NLE applications
Storage: 3 x 3TB internal drive (capacity varies by format, resolution and file specification)
Grab: Grab full-resolution, deinterlaced still images from inputs and outputs
Export: Export video and image files to social media, FTP, local or external volumes, and network servers, with optional transcoding
DSK: 1 x DSK channel per output, with independent source selection and transition
Transitions: Supports custom transitions between output channels and playlist clips
Telestration: Integrated NDI® Telestrator Pro technology supporting real-time telestration and transport control from compatible devices over the network
Asset Management: Asset management system supporting metadata entry, tagging, filtering, organization, navigation, bookmarking, and integration with compatible MAM platforms
Local Audio Input
- 4 x SDI embedded
- 1 x Balanced XLR stereo pair (Line)
- 3 x Balanced 1/4” stereo pairs (Line)
Local Audio Output
- 4 x SDI embedded
- 1 x Balanced XLR stereo pair
- 1 x Balanced 1/4” stereo pair
- 1 x Stereo 1/4" (phones)
Network Audio: Native support for network audio input and output via NDI®
Processing
- Video: Floating Point YCbCr +A 4:4:4:4
- Audio: Floating Point, 96 kHz
Throughput Latency: ~1.0-1.5 frames
A/V Standards
- 3G-SDI video conforms to SMPTE 424M (Level A)
- HD-SDI video conforms to SMPTE 292M
- SD video conforms to SMPTE 259M and ITU-R BT.656
- Analog audio levels conform to SMPTE RP-155
Genlock: Genlock input supporting SD (Bi-level) or HD (Tri-level) reference signals
Macros: Record, store, edit, and automate commands and user-configured operation sequences, including support for cross-platform automation between supported systems
AMP: Supports Advanced Media Protocol for remote control via compatible third-party production systems
GPI: Supports GPI signals via JLCooper Electronics eBox GPI interface
MIDI: Support for standard MIDI protocol enabling third-party device control
System Drive: 120GB SSD
NIC: 2 x 1 Gigabit NIC
System Physical 2RU chassis with 400W PSU and multi-tiered hardware and software fail-safe
- 19.0 x 3.5 x 19.57 in (48.3 x 8.9 x 49.7 cm) with rack ears attached
- ~26 lbs (~12 kg)
| The VR-4HD is a complete HD studio in a compact and portable package that replaces several different pieces of complex A/V equipment. Designed with individual operation in mind, the VR-4HD allows for easy video switching and mixing of audio and video using advanced Digital Signal Processing (DSP).
Along with dedicated hardware controls faders, buttons, and touch screen interface. It beautifully integrates a digital audio mixer, video switcher, multi-viewer touch screen, and USB video/audio streaming interface into a stand-alone device. This portable live HD production solution is ideal for schools, churches, council meetings, corporate events, sports, training sessions, or any other live event.
The VR-4HD features professional quality broadcast controls and switches ensuring more accurate and faster operation than interfaces based on a computer style mouse and keyboard. The ability to simultaneously switch video with the push of a button and adjust audio with the push of a fader is invaluable and puts all essential features at the operator's fingertips. The inherent multi-see screen is likewise a touch screen interface for getting to set-up boundaries, making it incredibly simple to alter various picture settings progressively by hauling the inset window onto the screen.
Roland VR-4HD Features
- All-in-one portable production solution
- Easy to use with dedicated hardware controls and audio faders and integrated touch screen preview monitor
- 6 input, 4-Channel Video Switcher
- Supports HDMI*1, RGB/Component, and Composite Video Inputs Up to 1080p
- Input 4's scaler now supports a wider range of video and VESA resolutions.*1 *2
- Built-in Scaler via CH4
- 18-Channel Digital Audio Mixer with XLR, TRS, and RCA jacks along with audio from HDMI inputs
- Embedding and de-embedding of audio with delay settings
- Auto mixing and Echo Canceling function
- Composition effects including DSK (Downstream Keyer), picture-in-picture etc.
- Capturing a still Image from Input Video on channel 4*3 [Ver.1.5]
- Built-in touch quad-input multi-viewer with audio metering
- External Multi-View Output through HDMI
- HDCP Support
- USB3.0 Video/Audio Output up to 1080/30p (uncompressed) and Audio Loopback Feature
- Software control using VR-4HD RCS application for Mac and PC and remote control via USB connection
- Sending a still image to the VR-4HD by VR-4HD RCS*3 [Ver.1.5]
- Tally, GPIO connections
| Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM Camera Control panel can be added to any ATEM switcher model and is connected via Ethernet.
The ATEM Camera Control panel uses traditional broadcast style controls and adjustments in a compact design so one person can monitor and adjust technical parameters such as black levels, gain, color balance, shutter speed, and more. With this control panel, there are four separate LCD displays and control sections for control of up to four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. Control layout is familiar and logical for fast and easy operation by operators of all levels. This control panel is meant to be portable, so does not need to be bolted down.
Quickly adapt to changes in the scene with the top section of controls. Top section controls include white balance, master gain, bars, and shutter speed. You can save and recall presets with the load scenes function. RGB controls in the center section allow you to adjust the individual red, green and blue levels in blacks and whites when you need to compensate for unwanted color. The bottom section is dedicated to lens and iris controls, a joystick to adjust iris and master black. There are buttons for talkback with the operator, panel lock, and a number indicator for preview and on air status.
Blackmagic Design ATEM Camera Control Panel Features
- Traditional broadcast style controls and adjustments
- Portable control panel
- Iris control
- Shutter speed
- White balance
- Master gain
- Pedestal
- RGB controls for white and black
|
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