| Content | The VR-50HD MK II Multi-Format AV Mixer is the next evolution of Roland’s industry-leading, all-in-one AV switcher with USB 3.0 streaming. Easily operated by a single person, the VR-50HD MK II continues to deliver best-in-class connectivity and flexibility, allowing you to work a wide range of events with different I/O requirements.
The powerful VR-50HD MK II is a completely self-contained AV solution, consolidating video switching, digital audio mixing, multi-viewer touchscreen control, and USB AV streaming into a single unit that’s simple to run. And with the comprehensive rear patch panel, it’s quick and easy to make on-the-fly input assignments to cross-points on the switcher.
With the VR-50HD MK II, you can send any of the connected input devices to a dedicated Aux output without affecting the main PGM destination. Use the Aux assignment panel buttons to switch the source, or synchronize the Aux output with the PGM (mixer) output to act as a built-in distribution amp. Drilling down into menus while switching is a thing of the past, thanks to dedicated broadcast-style buttons for Aux, PinP, and Still sources. Select, Solo, and Mute buttons are included for all audio channels, speeding up the monitoring process. And with the large touchscreen multi-view monitor, you can view and assign inputs, display up to four still images, execute preview/program functions, and much more.
Offering a number of automation functions the VR-50HD MK II allows a single operator to switch video and mix pro-level audio at the same time. Use Auto Mixing to balance audio levels, Video Follows Audio to switch cameras based on sound input, and Anti-Feedback to automatically tame howling mic feedback. Adaptive noise reduction helps with noise canceling and hum suppression. The VR-50HD MK II is also equipped with a variety of standard audio production inputs, including four XLR/TRS combo jacks with 48 V phantom power, four stereo pairs (two ¼-inch and two RCA), and embedded audio from 3G/HD/SD-SDI and HDMI.
Built-in support can directly control select JVC, Panasonic, Sony, PTZOptics, Avonic and VISCA compatible PTZ LAN cameras. Up to six PTZ cameras can be operated at once via the LAN port. Use the same technology as webcams to reach worldwide audiences by plugging into a computer via USB 3.0 and using a streaming service that's able to use a webcam as its source.
Roland VR-50HD MK II Features
- Aux output for dedicated record, streaming, or confidence monitor feeds
- Updated user interface for fast, trouble-free operation
- High-quality audio preamps and converters for crystal-clear sound
- Direct control of select PTZ cameras from JVC, Panasonic, Sony, PTZOptics, Avonic and VISCA compatible over LAN
- Automatic audio mixing, adaptive noise reduction and automatic video switching functions to support single operators
- All-in-one convenience and ultra-flexible connectivity
- Four-layer composition and still store
| HyperDeck Extreme 8K HDR has the reliable features of HyperDeck, with new features of space-saving H.265 files, optional internal cache, 3D LUTs, native 8K and HDR support. Ability to record native 8K in H.265 storage reduces storage costs and image quality stays amazing. Large touch screen ensures you can see your recording and easily control all deck settings. HyperDeck Extreme 8K HDR is an excellent solution for broadcast, live production, and digital signage.
Great for live production as a master recorder, clip player and for recording ISO cameras. Analog inputs allow recording from old video tapes, so legacy programming is compatible with the latest streaming services and can be edited. 10G Ethernet makes digital signage easy with fast media uploads, and a simple remote control protocol. Use as a field recorder with HDMI, SDI and analog inputs with built in scopes and 3D LUTs.
AC and DC power connections help make sure you can use the HyperDeck Extreme 8K HDR in studio or on location. Record to commonly available flash memory cards with dual CFast media support.
The HyperDeck Extreme 8K HDR includes two media slots, Quad 12G-SDI for 8K, analog connections for archiving, USB-C external disk recording, front panel speaker and headphone jack. Install a PCIe flash disk as a record cache to eliminate dropped frames when your media becomes full or is too slow. Record and playback in full resolution 8K is possible with the included Quad Link 12G-SDI. SDI connections are multi-rate, so you can use with other 8K products, or switch to SD, HD or Ultra HD.
Touch LCD screen provides incredible control with dedicated buttons for play, stop, record, a timeline for scrolling through recordings, image swipe to jog, and more. Heads up display on the LCD shows timecode, video standard, media status, and audio meters. Enable scopes, load and save 3D LUTs, and remote control the HyperDeck from the touch screen.
Full internal waveform monitoring ensures compliance with broadcast standards. RGB and YUV parade displays are ideal for color correction and checking for illegal levels. Histogram shows distribution of white to black detail, and highlights or shadows clipping.
Blackmagic Design HyperDeck Extreme 8K Features
- Power supply not included - requires IEC cable
- Modern design with traditional controls
- Rack mountable
- Live production, digital signage and archive
- Dual CFast media for nonstop recording
- Record direct to external USB-C media disks
- Compatible with controllers, switchers, converters, and more
- Advanced HDR support and bright wide gamut LCD
- Built in scopes ensure compliance with broadcast standards
- Professional audio with multi channel SDI and analog audio
- Localized for 11 common languages
| Matrox® Maevex 6122 is an HDMI® video encoder that delivers dual 4K capture, encode, stream, and record—with zero latency pass-through. The encoder supports multiple streaming protocols, including SRT and on-device HLS, for easy and secure streaming locally or across the world. Two Gigabit Ethernet ports allow for dual network streaming or separate networks for control data and video data. The complimentary Maevex SDK enables you to build new applications or integrate the functionalities of PowerStream Plus into existing applications | Power supply not included - requires IEC cable.
Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM advanced panel is added to an ATEM switcher as a control panel.
Although each switcher includes ATEM software control panel for Mac or Windows, an ATEM Advanced Panel is faster to use, making it ideal for demanding live production environments. Setup more complex effects with the enormous amount of control you’ll have in the ATEM 1 M/E. The ATEM 1 M/E Advanced Panel features broadcast buttons, knobs, and a t-bar fader.
The ATEM 1 M/E has one row with 10 input buttons, and one system control LCD screen. Input buttons have customizable colors and button label LCDs. Use the shift buttons to double the number of inputs for control of up to 20 inputs. DVE and t-bar fader can be controlled with a joystick. Even though it’s a 1 M/E panel, you can control all M/Es in larger switchers.
Modern design with the latest broadcast technology combine to enable faster workflows. Built in LCD control screen identifies work processes. Buttons are curved and have color backlighting to reduce incorrect key presses and quickly identify the keys you need. Professional joystick controls DVE and camera adjustments, smooth weighted t-bar fader, and more.
Durable and compact, the ATEM 1 M/E fits in a standard equipment rack. It can be used seamlessly for shelf mounting in broadcast trucks, mobile racks, and fly away kits.
Blackmagic Design ATEM 1 M/E Features
- Add to an ATEM switcher for accessible control panel functions
- Faster workflow
- Backlit buttons make identification easy and lower incorrect key presses
- Control up to 20 inputs
- Joystick for DVE and camera adjustments
- Smooth weighted t-bar fader
- Fits in a standard equipment rack
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Blackmagic Design’s ATEM production switcher series create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. With a machined aluminum front panel and multi voltage power supplies, ATEM live production switchers can power live production needs at live concerts, sporting events, theater productions, and conferences around the world.
The ATEM 4 M/E has 20 12G-SDI inputs that allow embedded audio mixing and can be used on sources without genlock, such as laptops. Two balanced XLR audio inputs can connect to professional mixers, and a HiFi audio input can connect to an iPod. Thirteen video outputs can be used with any TV or monitor to connect with LED screens, projectors, disk recorders, and broadcast decks. Monitor up to 16 cameras simultaneously with the two independent multi view outputs. An independent aux output can feed big screens on stage, and pairs excellently with SmartScope Duo 4K for tech monitoring.
Let your creative expression take the lead with the ATEM 4 M/E. Creative transitions can be used in all resolutions, and the transition type, pattern, and length are customizable. Powerful digital video effects processor gives you the ability to position, resize, rotate, and scale live video in real time. Built in chroma, luminance, linear and pattern keyers, and two independent downstream keyers all come standard. The ATEM 4 M/E adds an advanced chroma keyer on each mix effects row for massive multi-layer effects. On-screen adjustable controls can select and sample a region of color. Chroma keyer also features foreground, background and edge adjustment controls, and chroma correction tools.
Add multi box compositions quickly and easily with SuperSource’s separate five layer switcher. SuperSource can be assigned to any ATEM video input, so you can produce multi camera interviews or picture in picture while the M/Es, keyers, and DVE are available for other uses. Compositions from SuperSource can be saved and automatically recalled.
Recall saved sequences with dual media players and HyperDeck SSD recorders. Dual media players support popular image formats for downloading still frames and graphics for keying. Set up and automatically start complex sequences with power macros. These macros are saved as XML files for instant recall and can even be copied to use on another switcher. For other pre-recorded sequences, connect up to four HyperDeck SSD recorders to the ATEM switcher.
Software control panel can be used on Mac or Windows computers. This included software panel offers a full visual switcher control panel and parameter palettes. For greater control access, add an ATEM advanced panel.
Blackmagic Design ATEM 4 M/E Features
- Switch between SD, HD, or Ultra HD video standards for ultimate flexibility in live production
- 3840 x 2160 frame size
- 12G-SDI performance
- 20 video inputs and 13 video outputs
- Dozens of effects and creative transitions
- Powerful digital effects processor
- Built in keyers
- Advanced chroma keyer to create multi-layer effects
- SuperSource function extends the ATEM’s power by adding a separate 5 layer switcher
- Dual media players with large graphic memory
- Power macros to save and instantly recall sequences
- Compatible with HyperDeck SSD recorders
- Included software control panel for Mac or Windows
- Add a hardware-based ATEM advanced panel for control in demanding live sound applications
In The Box
- ATEM 4 M/E Broadcast Studio 4K1
| Blackmagic Design’s Ultimatte 12 goes beyond the power of even the most advanced keyers, also functioning as a high power real time compositing processor. Enjoy superb edge handling, color separation, color fidelity, spill suppression, and more. 12G-SDI technology supports work in HD and Ultra HD for real-time compositing of weather, sports, news, and entertainment in studio environments.
Incredibly life-like composites place your talent into any scene. Computer generated augmented reality objects provide realistic transparency and depth talent can walk behind, even with glass-style objects. The Ultimatte 12 works with fixed cameras and static backgrounds, or automated virtual set systems. On set previsualization is another plus, since actors and directors can see the virtual sets while shooting against a green screen.
Remove the background without affecting foreground colors. Advanced flare, edge and transition processing isolates and treats image sections differently while keeping color transitions smooth. High-level compositing keeps the final product photorealistic.
Green tinting and spill are no longer problematic thanks to the adjustments made to flare algorithms in the Ultimatte 12. Flare automatically samples colors to create seamless mattes for walls, floors, or other parts of your image. Shadows get mapped and composited onto the new background for a realistically three-dimensional view, spill is removed, and transparent objects are cleaned.
Advanced algorithms and large internal color space make it feel like you’re using several Ultimatte keyers on one image. For example, fine edge detail is a great feature for visuals of hair but is not something you would want applied to an entire image. Images are automatically processed based on the colors in each area, so fine edge detail is applied to just the hair portion.
Cameras at different angles see the same green screen slightly differently, which keyers in live production switchers aren’t designed to correct. Ultimatte 12 makes it possible to add keyers to every camera in a shot for the best possible key.
The Ultimatte 12 includes 7 input connections dedicated to compositing different elements together. 12G-SDI connections offer high frame rate Ultra HD from one BNC connection that can plug into your regular HD equipment. Connections let you work with SD, HD, 3G, 6G and 12G-SDI equipment, and in HD or Ultra HD formats up to 2160p60.
Blackmagic Design Ultimatte 12 Features
- Connect to SDI equipment in HD and Ultra HD
- Add augmented reality and virtual elements
- One touch keying
- Advanced image processing
- Expanded internal color space
- New math and sub pixel processing designed for high quality and clarity in HD and Ultra HD
- Incredible color fidelity
- Flare removes green tinting, spill, shadows, and reflections
- Ideal for broadcast news, sports, and traditional TV and film production
- 12 Month Limited Manufacturer's Warranty
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