Rupert Neve Designs 542 500 Series Tape Emulator

$878.70

GTIN: 0141096754566 SKU: 0141096754566 Category:

Description

Rupert Neve Designs Portico 542 500 Series Tape FX Standard

FEATURES

  • Add depth and character to your sound
  • Control the mix of pre and post tape signals
  • Send signals through “True Tape” circuitry
  • Silk circuit, reduces negative feedback, adding harmonic content as needed
  • Red Silk accentuates the saturation in the mid and high frequencies
  • Use soft clip to tame overly transient material like drums
  • Provides +/- 12dB adjustment of level on incoming signal levels

TECHNICAL SPECIFICATION

Rupert Neve Designs Portico 542 500 Series Tape FX

  • Line Amp Specifications (Measurements with tape circuit disengaged)
  • Noise: Measured at Main Output, un-weighted, 20Hz-22kHz, Input Terminated 40 Ohms.
  • Unity Gain Better than -100dBu
  • Frequency Response
  • Measured at +10dBu, trim at unity.
  • Main Output +/- 0.25dB from 5Hz to 60Khz -2dB @ 120KHz
  • Maximum Output Level 23.25dBu
  • Total Harmonic Distortion and Noise:
  • @ 1kHz, +20dBu output level Better than 0.0025% @ 20Hz, +20dBu output level 0.07% Typical (2nd and 3rd harmonic)
  • Tape FX Specifications
  • Noise:
  • Measured at Main Output, un-weighted, 20Hz-22kHz, Input Terminated 40 Ohms.
  • Saturation @ minimum Better than -100dBu Saturation @ maximum Better than -100dBu
  • Frequency Response:
  • 15 IPS, Input @ -0 dBu -3dBu @ 28kHz Saturation @ minimum 0dBu @ 10Hz +5dBu Peak @ 60Hz
  • Saturation @ maximum -3dBu @ 20kHz -3dBu @ 12.5Hz +2.4dBu Peak @ 60Hz
  • 30 IPS, Input @ -0 dBu -3dBu @ 120kHz Saturation @ minimum -3dBu @ 10Hz +3.15dBu Peak @ 125Hz
  • Saturation @ maximum -3dBu @ 100kHz -3dBu @ 12.5Hz
  • +1.3dBu Peak @ 110Hz
  • Total Harmonic Distortion and Noise
  • Refer to sweeps on page10 15 IPS, Input @ -0 dBu 0.4% @ 3kHz to 1% @ 175Hz typical
  • Saturation @ minimum Greater than 1% below 175Hz typical
  • Saturation @ maximum 1% at 6kHz typical 0.3% @ 1kHz to 3% @ 50Hz typical
  • 30 IPS, Input @ -0 dBu 1% at 1kHz typical
  • Saturation @ minimum 0.6% @ 400Hz 5% @ 20Hz typical
  • Saturation @ maximum 1.5% @ 20kHz to 0.4% @ 1kHz typical 0.4% @ 1kHz to 2 %@ 50Hz typical
  • Power requirements:
  • Supplied by 500 series rack with 110-125 mA @ +/- 16V DC

Reviews

There are no reviews yet.

Be the first to review “Rupert Neve Designs 542 500 Series Tape Emulator”

Your email address will not be published. Required fields are marked *

Quick Comparison

SettingsRupert Neve Designs 542 500 Series Tape Emulator removeRupert Neve Designs Portico 517: 500 Series Mic Pre / DI / Comp Standard removeRupert Neve Designs Portico 511 500-Series Mic Preamp with Texture Control Standard removeVermona VSR 3.2 Vintage Spring Reverb Rack Unit removeRadial X-Amp Active Reamper removeBlack Lion Audio PG-X Rackmount Power Conditioner remove
Image
SKU014109675456601395086018810141096766088VERMVSR32994139324451696550436866
Rating
Price$878.70$834.26$876.68$232.60$153.42$84.13
Stock
Availability
Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
Content

Rupert Neve Designs Portico 542 500 Series Tape FX Standard

FEATURES

  • Add depth and character to your sound
  • Control the mix of pre and post tape signals
  • Send signals through "True Tape" circuitry
  • Silk circuit, reduces negative feedback, adding harmonic content as needed
  • Red Silk accentuates the saturation in the mid and high frequencies
  • Use soft clip to tame overly transient material like drums
  • Provides +/- 12dB adjustment of level on incoming signal levels

TECHNICAL SPECIFICATION

Rupert Neve Designs Portico 542 500 Series Tape FX
  • Line Amp Specifications (Measurements with tape circuit disengaged)
  • Noise: Measured at Main Output, un-weighted, 20Hz-22kHz, Input Terminated 40 Ohms.
  • Unity Gain Better than -100dBu
  • Frequency Response
  • Measured at +10dBu, trim at unity.
  • Main Output +/- 0.25dB from 5Hz to 60Khz -2dB @ 120KHz
  • Maximum Output Level 23.25dBu
  • Total Harmonic Distortion and Noise:
  • @ 1kHz, +20dBu output level Better than 0.0025% @ 20Hz, +20dBu output level 0.07% Typical (2nd and 3rd harmonic)
  • Tape FX Specifications
  • Noise:
  • Measured at Main Output, un-weighted, 20Hz-22kHz, Input Terminated 40 Ohms.
  • Saturation @ minimum Better than -100dBu Saturation @ maximum Better than -100dBu
  • Frequency Response:
  • 15 IPS, Input @ -0 dBu -3dBu @ 28kHz Saturation @ minimum 0dBu @ 10Hz +5dBu Peak @ 60Hz
  • Saturation @ maximum -3dBu @ 20kHz -3dBu @ 12.5Hz +2.4dBu Peak @ 60Hz
  • 30 IPS, Input @ -0 dBu -3dBu @ 120kHz Saturation @ minimum -3dBu @ 10Hz +3.15dBu Peak @ 125Hz
  • Saturation @ maximum -3dBu @ 100kHz -3dBu @ 12.5Hz
  • +1.3dBu Peak @ 110Hz
  • Total Harmonic Distortion and Noise
  • Refer to sweeps on page10 15 IPS, Input @ -0 dBu 0.4% @ 3kHz to 1% @ 175Hz typical
  • Saturation @ minimum Greater than 1% below 175Hz typical
  • Saturation @ maximum 1% at 6kHz typical 0.3% @ 1kHz to 3% @ 50Hz typical
  • 30 IPS, Input @ -0 dBu 1% at 1kHz typical
  • Saturation @ minimum 0.6% @ 400Hz 5% @ 20Hz typical
  • Saturation @ maximum 1.5% @ 20kHz to 0.4% @ 1kHz typical 0.4% @ 1kHz to 2 %@ 50Hz typical
  • Power requirements:
  • Supplied by 500 series rack with 110-125 mA @ +/- 16V DC

FEATURES

  • World-class, transformer-coupled preamp, compressor, and DI
  • Gain: 0 - 66dB in 6dB increments
  • Compressor: Single-knob opto-coupler compressor with 2:1 ratio
  • Blend: Determines balance of mic and DI inputs
  • Instrument gain: 0 - 30dB on instrument input
  • 48V phantom power
  • Silk: Adds nostalgic warmth and presence when engaged
  • Instrument input: Front-panel TRS input and passive-through for Hi-Z sources
  • Polarity reverse
  • Threshold: When signals exceed threshold level, gain is reduced at a controlled 2:1 ratio with fixed attack and release time constants
  • Indicators: Signal presence and clipping on both mic and DI signals, as well as compressor activation.

TECHNICAL SPECIFICATION

Rupert Neve Designs Portico 517: 500 Series Mic Pre / DI / Comp
  • Frequency Response: Main Output, no load, -0.2dB @ 10Hz -3dB @ 160kHz
  • Noise measured at main output, unweighted, 22Hz - 22kHz, terminated 150 ohm: Gain at unity: better than -100dBu; gain at 66dB: better than -62dBu Equivalent Input Noise: better than -128dBu, noise factor 1.5dB
  • Maximum output level from 20Hz to 40kHz: +23dBu
  • Total Harmonic Distortion and Noise: @ 1kHz, +20 dBu output: Main Output: Better than 0.001% @ 20Hz, +20 dBu output: Main Output: Better than 0.002% Silk Engaged: Better than 0.2% Second harmonic
  • Crosstalk: Measured channel to channel: Better than -90dB @ 15kHz.
  • Phantom Power: +48 Volts DC +/- 1%

FEATURES

  • 12-way precision rotary switch controls gain from 0 to 66 dB in 6 dB steps
  • Continuously variable +/-6 dB level control
  • Silk circuit, reduces negative feedback, adding harmonic content as needed
  • Red Silk accentuates the saturation in the mid and high frequencies
  • Same presence and sweetness found in standard Portico Series modules
Number of Channels
Single
Inputs
1x XLR, balanced
Output
1x XLR, transformer-balanced
Maximum Output Level
+23dBu
Meter
8 segment LED meter
Power Requirements
Power Requirements @ +/-16VDC 100mA
Dimensions
Not specified by manufacturer
Box Dimensions (LxWxH)
10.2 x 7.8 x 2"
Proven reverberation classic for the future With the VSR 3.2, we happily rely on the proven old mechanical way to create reverberation. Rightly, because the used reverberation spring by AccuBell (formerly Accutronics) creates that magic 60's reverb which is slightly metallic and dense at the same time. Just like it predecessors, VSR 3.2 has a straight-forward and honest approach: signal in - spring reverb - vintage sound out. VSR 3.2 is equipped with an equalizer that is exactly adapted to the springs' frequency response. In addition, there are controls to mix the dry and effect signal as well as controls for the input and output level. This way, VSR 3.2 simply exactly does what it was designed to do. Designed for every situation Although using a large spring (type 9), VSR 3.2 fits in a 19" housing with one rack unit – minimal space requirements. Thanks to its extremely solid chassis, VSR 3.2 is a reliable vintage-effect that cannot only be used in a controlled studio environment. On the contrary, it also serves fine when being used in straining live situations. VSR 3.2 grants your sound an elegant touch of "good old times". Its simplicity makes it an unbelievable versatile companion. Inputs
  • 1/4"-jack input front
    • unbalanced
    • max. input sensitivity: –40 dBu
    • impedance: 1 MΩ
  • 1/4"-jack input rear (1)
    • unbalanced
    • max. input sensitivity: 0 dBu
    • impedance: 100 kΩ
  • 1/4"-jack input rear (2)
    • unbalanced
    • max. input sensitivity: –20 dBu
    • impedance: 10 kΩ
Outputs
  • 1/4"-jack output (1)
    • unbalanced
    • max. output level: 0 dBu
  • 1/4"-jack output (2)
    • unbalanced
    • max. output level: - 20 dBu
Signal-to-Noise Ratio
  • direct: > 80 dBu
  • effect: > 70 dBu
THD + Noise
  • direct: < 0,1 %
Miscellaneous
  • power supply: external DC-adapter with 12 V/1000 mA
  • dimensions: 19“, 1 HE, ca. 190 mm deep
  • weight: 2.5 kg
Radial X-Amp Active Reamper
  • Active Reamp® with two outputs
  • 100% discrete class-A signal path
  • Transformer isolated to eliminate noise
  • Variable 'set & forget' level control
The Radial X-Amp is an active Reamper™ that allows the engineer to play a pre-recorded track back through guitar amplifiers and pedals. This opens the door to explore new musical sounds and spur on the creative process so that your recording stands out. Using the X-Amp is easy: start by recording a dry track using a high quality direct box like the Radial J48. Send the new track from your recorder via the X-Amp to your guitar amps, effect pedals or combinations thereof. Once the basic track has been recorded, replacing or adding tracks can be done well after the session player has gone home. This eliminates tiresome repetition and assures a fresh vibrant performance on the final recording. Furthermore, by driving two amps at the same time, new sounds and textures can be created while allowing you to make artistic decisions as the recording progresses. Following the critically acclaimed Radial JD7 Injector, the X-Amp employs a unique class-A circuit design that has been optimized for use with guitars. Features include balanced line level input with LED peak indicator and level control, class-A circuit topology for optimal reach and frequency response, a transformer isolated output to eliminate hum and buzz caused by ground loops, a 180º polarity reverse switch to bring both amps into phase, and a dual ground lift switch for noise-free operation. As with all Radial products, the X-Amp is built like a tank to provide years of trouble-free performance. An internal I-beam skeleton provides maximum protection against external stress which could cause solder points to fail. This is supplemented with an innovative bookend design that creates a protective zone around the switches, potentiometer and connectors. A full bottom no-slip pad performs double duty by keeping the X-Amp from sliding around when placed on a vibrating amplifier while also providing electrical and mechanical isolation. Reamping works equally well on bass, keyboards, drums and voice. Once you start Reamping, you will never record any other way. The Radial X-Amp… the active Reamp® for professional recording engineers.
Rackmount PG-X Power Conditioner with PG-90 Filtering Technology, Panasonic and Wima capacitors, eight rear switched, filtered and surge protected outlets, one front-panel switched convenience outlet and USB port for device charging. Your gear deserves the best power, and we took great care in making sure the PG-X delivers just that — thanks to PG-90 Filtering Technology. In testing, this has provided an average of 90% of noise filtering, as opposed to the typical average of 76% found in other power conditioners at the same price point. Confidence Inspiring Power There’s nothing worse than scoring that “must-have” piece of gear, only to find that it’s noiser than should be expected, missing high frequency detail, or even worse — having it fried by power surges! Black Lion Audio has been trusted for years for modifying the best gear and making it even better, and that’s what it took to create the PG-X: taking industry-standard designs, and improving them to the point of peak performance. After creating the original PG-1, Black Lion Audio knew that plenty of professionals on a smaller budget felt left out, as some features might not be as important as an economy price-point. The PG-X was built with this in mind, while still providing best-of-class power conditioning! High-end Filtering Your gear deserves the best power, and we took great care in making sure the PG-X delivers just that — thanks to PG-90 Filtering Technology. In testing, this has provided an average of 90% of noise filtering, as opposed to the typical average of 76% found in other power conditioners at the same price point. Professional Power The PG-X features a bank of eight switched, filtered and surge protected outlets on the back panel. On the front panel, the PG-X sports one unswitched convenience outlet and a USB port for device charging. It takes more than a few rack-mounted outlets to inspire true confidence in your power conditioner, and that’s where the PG-X delivers: best-of-class power filtering!
  • Protects your gear from power-spike damage
  • Provides clean, well-regulated power for optimum performance
  • Features PG-90 Filtering Technology
  • Top-drawer components and design for superior power and noise filtering
  • Built with premium Panasonic and Wima capacitors
  • Rugged 1U rackmount chassis
  • 8 switched, filtered, and surge-protected outlets on rear panel
  • 1 filtered convenience outlet on front panel
  • USB port on front panel
Type: Rackmount Number of Outlets: 1 x Front, 8 x Rear Output Current: 15A USB: 1 x Type A Features: High frequency noise filter Rackmountable: Yes Power Source: Fixed AC cable Height: 1.7″ Width: 19″ Depth: 9.8″ Weight: 3 lbs.
Weight
DimensionsN/AN/AN/AN/AN/AN/A
Additional information