| Content | The Rupert Neve Designs Portico II Master Bus Processor lets you enhance, reshape, and polish your sound to perfection. Whether you want to add finishing touches to your master bus, level out a stereo group, or add new life to mono sound sources, the Portico II Master Bus Processor gives you the compression, limiting, and stereo field manipulation you need. Featuring custom input and output transformers designed by Rupert Neve, the Portico II Master Bus Processor implements the same ultra-smooth Class A signal processing made famous by the 5088 console and the Portico II Channel, as well as 72V topology, which gives it enormous headroom while allowing it to integrate seamlessly with virtually any system. If you’re serious about your sound, then it’s time to ask your Sales Engineer about the Rupert Neve Designs Portico II Master Bus Processor!
Powerful and flexible compression
Both channels of the Portico II Master Bus Processor feature one of Rupert Neve Designs’ most versatile compressors to date. Whether you want to add punch to your mix or smooth out your vocal subgroup, the Portico II Master Bus Processor has the compression you need. Controls for ratio, threshold, attack, release, blend, sidechain highpass filter, limiting, and makeup gain let you dial in the perfect dynamics quickly and easily. Use the two compressors independently, or instantly link them with the push of a button. Variable Silk Red/Blue Texture controls let you add classic Neve harmonic warmth; while a blend control lets you dial in the dry signal for instant parallel processing, so you can get all of the compression you want without losing transients. In addition, the Portico II Master Bus Processor gives you a choice of either vintage-flavored feed-back or modern-sounding feed-forward compression modes.
Transparent, musical limiter that’s effortless to use
Often overlooked at first glance, the Portico II Master Bus Processor’s 1-knob limiter is a powerful, flexible, and remarkably easy-to-use tool that lets you get the most out of the Portico II Master Bus Processor’s compression section. Rupert Neve Designs’ Adaptive Release Technology gives this limiter its unique ability to grab onto fast transients, without smothering the rest of the signal. Plus, you have the option to blend compressed and dry signals together for parallel processing that maintains natural-sounding dynamics without clipping. This gracious behavior means you can set it and forget it, with the added security of knowing your masters will be free from clipping and broadcast-ready.
Sidechain inserts for creative ducking
Every dynamics processor has a sidechain circuit that examines the signal and determines how much the VCA will reduce gain — but not every unit provides access to its sidechain. In compressors without a separate sidechain input, your main input signal is, essentially, compressing itself. With compressors like the one in the RND Portico II Master Bus Processor, you can insert external processing on the sidechain — or introduce a different signal that determines the compression action on the main signal. It’s an incredibly useful feature that lets you, for instance, automatically duck a track to make space for another (very popular for that EDM mix pumping effect). Combined with the sidechain HP filter, it gives you an impressive amount of tonal versatility.
Amazing Stereo Field Editor
Although the Rupert Neve Designs Portico II Master Bus Processor functions wonderfully as a dual-mono processor, it really shines in stereo mode. That’s thanks to its unique Stereo Field Editor. The Stereo Field Editor uses advanced Mid/Side stereo manipulation techniques, allowing you to adjust your stereo bus’s width, depth, and ambience. Beyond widening your stereo image, the Portico II Master Bus Processor can actually bring center-panned instruments out in your mix. That makes the Portico II Master Bus Processor an invaluable tool for mastering, as well as defining the spread of your subgroups during mixdown.
The legend continues
Rupert Neve’s 80 Series consoles had a huge, punchy, and authoritative sound that defined the sound of ’70s rock. From London to New York to Los Angeles and beyond, top studios were installing Neve boards as fast as they could. By 1977, with the introduction of the NECAM automation system, 80 Series boards were the main component of the success formula for any recording studio with world-class aspirations. Mr. Neve’s current company, Rupert Neve Designs, continues to advance the state of the art with cutting-edge products that sound incredible and intelligently address the challenges of the digital age. With your Rupert Neve Designs Portico II Master Bus Processor from Sweetwater, the legend continues.
Rupert Neve Designs Portico II Master Bus Processor Features:
- Powerful 2-channel compressor/limiter/stereo field manipulator
- Custom input and output transformers designed by Rupert Neve
- Full compression sections for both channels, including attack, release, ratio, and threshold controls
- Sidechain inserts and highpass filters for both compressors
- Feed-back/Feed-forward switch lets you select between vintage-style and modern compression modes
- Silk Texture control with Red/Blue modes for classic Neve harmonic warmth
- Blend controls allow you to mix dry signal back into your compression, preserving transients while adding punch
- Simple and highly musical 1-knob limiter with Adaptive Release Technology allows for brickwall limiting that doesn’t distort or affect signal under the threshold
- Stereo Field Editor section includes independent level and EQ for width and depth, allowing you to dial in the perfect stereo field
|
Uniti Atom is a beautiful, compact multi-source music player that will seduce you with its amazing sound quality and outstanding feature-set. Its 40-watt integrated amplifier and high-resolution music streaming capabilities will fill your home with stunning high-fidelity sound. Uniti Atom is perfect as a high-end main system or even for use in the kitchen or study, where space is at a premium. Just add speakers. The Naim App for iOS and Android combines all of your music sources in one place, making Uniti Atom even more appealing.
Upgradeable Performance
In true Naim style, the new Uniti Atom can be upgraded with an external power amplifier, such as the compact NAP 100. You can also add a subwoofer for deeper bass extension. And for those with extensive CD collections, you can add a Uniti Core music server to your system to store and stream thousands of albums to your Uniti player and back up all of your music in one place.
Specifications
Connectivity
Audio Inputs
2 x Optical TOSLink (up to 24bit/96kHz)
1 x Coaxial RCA (up to 24bit/192kHz, DoP 64Fs)
1 x HDMI ARC
1 x RCA
2 x USB Type A socket (front and rear)
Audio Outputs
1 x Stereo power amplifier
1 x RCA sub/pre output
1 x 3.5 mm headphone jack
Amplifier Output: 40 W per channel into 8 ohm
Dimensions (WHD): 9.65" x 3.74" x x 10.43" (245 mm x 95 mm x 265 mm)
Weight: 15.43 lb | With a big, bold preamp, a swept high-pass filter and the powerful saturation control of variable Silk, the 511 combines legendary Rupert Neve tone with 500 Series value.
What is Silk?
One of the key features of the 511 is the Silk / Texture control. The Silk circuit was initially developed for the original Portico series mic preamplifiers, and was only a single switch – on or off – that added a specified amount of musical, pleasing harmonic saturation to the unit’s output stage.
Taking this concept one step further, the Texture knob is designed to adjust the actual amount of harmonic content from the source material.
So how does it work? By reducing negative feedback across the output transformer and adjusting this feedback’s frequency response, the Silk / Texture circuit provides the sweet, musical saturation found in Rupert’s legendary vintage designs – but with complete & precise control over the amount of classic tone you want.
NOISE
- Measured at Main Output, un-weighted, 22 Hz - 22 kHz, source impedance 150 Ohm balanced. Noise performance can vary depending on the 500 series and / or interference from stray magnetic fields.
- Unity Gain: Better than -103 dBV
- Gain @ +66 dB: Better than -60 dBV
- Equivalent Input Noise: -125 dB
FREQUENCY RESPONSE
- Main output, no load.
- +/- 0.1 dBu from 10 Hz to 31.5 kHz
- -2.6 dB @ 120 kHz
MAXIMUM OUTPUT LEVEL
+23 dBu
TOTAL HARMONIC DISTORTION AND NOISE, NO SILK
- @ 1 kHz, +20 dBu output level, no load: Better than 0.0025%
- @ 20 Hz, +20 dBu output level, no load: 0.025% Typical (2nd and 3rd harmonic)
TOTAL HARMONIC DISTORTION AND NOISE WITH SILK ENGAGED
- @ 100 Hz, +20 dBu input level, no load.
- TEXTURE @ min: 0.015%, mostly 3rd harmonic typical
- TEXTURE @ max: 2%, mostly 2rd harmonic typical
GAIN
- Unity up to +66 dB in 6 dB steps.
- Trim continuously adjustable from -6 dB to +6 dB.
PHANTOM POWER
Supplied by the 500 series rack power supply. Switch selectable on faceplate.
HIGH PASS FILTER
- Continuously variable swept frequency from 20 Hz to 250 Hz.
- Slope: 12 dB/Octave
POWER REQUIREMENTS
@ +/-16VDC, 100mA | Firmly rooted in six decades of console design experience, the 5057 Orbit gives your mixes the legendary tonality, power, and wide-open soundstage that only Rupert Neve’s class-A analog summing can provide. Coupled with Rupert’s famous custom audio transformers and Silk Red & Blue circuitry for variable harmonic saturation, the Orbit launches sterile in-the-box mixes to new heights of tone, depth and clarity – without compromising the recallable convenience and repeatability of your DAW-based workflow.
When you push a mix buss and output transformers towards saturation, the non-linear, musical harmonics that occur are what truly glue a recording together and bring it to life.
Rather than using an external summing solution that offers little more than an ultra-clean representation of the in-the-box experience, the Orbit provides the extraordinary richness, harmonic complexity and depth that only a Rupert Neve console can bring to your mixes.
The Orbit utilizes a highly custom output transformer configuration originally developed for the acclaimed Shelford Channel, which provides both a Main Output and a -6dB Output – the latter of which enables you to fully drive the Orbit to achieve more transformer harmonics without clipping the next device in the chain. This unique transformer drive is a hallmark of the sound of Rupert Neve throughout the years – and the sound of countless classic hit records.
Classic Sounds on Demand
Every mix demands its own treatment. In addition to the choice of outputs, the continuously variable Texture control with Silk Red and Silk Blue modes gives you complete control over the harmonic density and tonality of your mix – or lets you keep it utterly pristine and uncolored.
The Silk Red mode accentuates transformer saturation in the high and high-mid frequencies to amplify the vibrant midrange harmonics associated with Rupert’s vintage equipment, while Silk Blue accentuates saturation of the lows and low-mids to add thickness and weight to any source – especially useful for “thin-sounding” mixes. Unlike EQ, these Silk & Texture controls saturate the output transformers, and add highly musical harmonics to the source material according to the amount of Texture applied.
Drive the mix buss hard, choose your Silk flavor, and crank the Texture knob for a rich, saturated, vintage vibe – or disengage Silk entirely for clear, wide-open sonic beauty. The choice is yours.
Build your Dream
While the Orbit is an extremely effective tool on its own, multiple units can be combined through the Buss Link for a higher channel count. The 5057 Orbit can also be used as a building block in an expandable summing system utilizing the 5059 Satellite for flexible summing & routing, and the 5060 Centerpiece for additional mixing and monitoring features.
These units create the core of a world-class analog modular console system rivaling any traditional large-scale studio setup.
Channel Separation and Accuracy
With precisely fixed channel levels and accurate mix buss attenuation via high-quality stepped switching, the Orbit’s purist signal path has vanishingly low crosstalk, and channels matched to within +/-0.1dB. This provides your mixes with the widest and most accurate stereo image, the greatest depth, and the most direct signal path, allowing you to hear every single detail of your mixes.
DAW Based Recall without Compromise
Frequent recalls can be a challenge for modern mix engineers. The Orbit’s elegant simplicity and fixed level accuracy provides rapid, repeatable DAW-based recall from mix to mix, while adding the rich, unrivaled sound quality of Mr. Neve’s class-A transformer-coupled mix buss.
INPUT IMPEDANCE
16K Ohm
FREQUENCY RESPONSE
- 10 Hz to 50 kHz: +/- 0.1 dB
- 150 kHz: -3 dB
NOISE
- From 22 Hz - 22 kHz.
- -90 dBu typical
MAXIMUM INPUT LEVEL
@ 1 kHz: +26 dBu
MAXIMUM OUTPUT LEVEL
@ 1 kHz: +26 dBu
THD+N%
- From 22 Hz - 22 kHz.
- 0 dBu @ 1 kHz: 0.003%
- +20 dBu @ 1 kHz: 0.0006%
CROSSTALK
- 1 kHz: -103 dBu
- 10 kHz: -93 dBu
PRODUCT DIMENSIONS
19” W (48.3 cm) x 9” D (22.9 cm) x 1.75” H (4.4 cm)
SHIPPING DIMENSIONS
24” L (61 cm) x 13” W (33 cm) x 4” H (10.2 cm)
SHIPPING WEIGHT
10 lbs (4.5 kg) | The M3si integrated amplifier produces high quality sound, has an extensive range of useful inputs and offers high reliability, compact size and a fair price. With its strong 85 watts per channel, the M3si will drive a huge variety of appropriate loudspeakers. It has inputs for phono (MM), 4 line inputs and USB ‘B’ up to 24bit 96 kHz.
The M3si’s sound is effortless, clear and sweet. It projects wide and deep images and has plenty of power to deliver excellent dynamic range.
The M3si is unconditionally stable and will drive any appropriate loudspeaker with ease.
Although it is Musical Fidelity’s lowest price amplifier, it embodies our hallmark values of uncoloured, stress-free sound, outstanding technical performance and great value for money.
M3si In Brief
- 85WPC
- Excellent technical performance
- Preamp output
- Unconditional stability, will drive any loudspeaker
- Wide range of useful inputs
- including asynchronous USB and MM phono
- Excellent build quality and convenient size
Specifications
Power output: 85 W per channel into 8 ohm
THD(+ noise): <0.014 % typical, 20 Hz to 20 kHz
Signal to Noise Ratio: >98 dB ‘A’-weighted
Frequency Response: +0, –0.1 dB, 10 Hz to 20 kHz
Inputs: 4x Line Level RCA / Phono, 1x USB type ‘B’ connector - Asynchronous data stream at up to 24-bit/96kHz, 1x MM Phono input
Phono
Sensitivity (nominal): 3 mV (suitable for cartridges giving 1.5mV or more including high output MC types)
Signal / noise ratio: >70 dB ‘A’-weighted
Input impedance: 50 k ohm
Frequency response: RIAA/IEC ±1 dB, 20 Hz to 20 kHz
Dimensions - WxHxD (mm): 440 x 100 x 400
Weight (unpacked / packed): 9.2 kg/ 13 kg | Rupert Neve Designs R6 500 Series chassis is a 6-space, steel rack enclosure that sports XLR, TRS, and DB-25 I/O to work with any studio setup. To ensure your modules are properly powered, the R6 has 150% of the required current, so you'll never be underpowered. It also has a built-in LED display to show current consumption and a double-shielded internal power supply that won't add any interference or unwanted noise to your signal. Rupert Neve is an audio legend. So you know when he designs a 500 Series chassis, it's top-shelf, all the way. Give your 500 Series modules the pampering they deserve with the Rupert Neve Designs R6 500 Series rack.
Genius in the details
With the Rupert Neve Designs' RND R6, there's genius in the details. The R6's double-shielded internal power supply was meticulously designed to avoid magnetic induction in any of its module slots. The power supply is a Switchmode type, and great care was taken to ensure that the frequencies are considerably outside the audible band. There's an internal jumper configuration that makes it easy to link slots in pairs. It's even fitted with variable-position screw holes that slide to accommodate modules that are slightly out-of-spec, which makes the insertion of modules quick and easy. Trust Sweetwater: when it comes to 500 Series racks, the RND R6 is as good as it gets.
Rupert Neve Designs RND R6 500 Series Rack Features at a Glance:
- Supplies 150% of the required current
- LED current consumption meter displays available current
- XLR, TRS, and DB-25 I/O
- Variable-position screw holes make for quick and easy module insertion
- Double-shielded internal power supply designed to avoid magnetic induction in module slots
- Switchmode PSU with frequencies considerably outside audible band
- Internal jumper configuration lets you link slots in pairs
|
Reviews
There are no reviews yet.