| Content | Soundcraft Mini Stagebox 32i combines high-quality components with a streamlined design, making it easy to add multiple channels of remote-controlled I/O to your Si-series mixing console. The Studer-designed mic preamps provide exceptional sound quality, while the compact form factor offers easy transport and fast configuration. Ideal for live engineers, houses of worship, bands, club owners and corporate installations, Soundcraft Mini Stageboxes allow you to replace heavy, expensive analog snakes with a single RJ45 Cat5 style Ethernet cable.
Soundcraft Mini Stageboxes offer remarkable value while maintaining the industry-leading performance that Soundcraft live solutions are known for. Renowned Studer-designed mic preamps deliver warm, rich sound for live performances and recording events.
Soundcraft Mini Stageboxes provide multi-channel MADI I/O via standard Cat5 cabling, eliminating the need to run expensive and heavy analog snakes from the stage to front-of-house mixing positions. Dedicated XLR mic pre inputs allow 32 simultaneous channels of external analog input. Mini Stagebox 32i offers twelve analog outputs for easy connection to house and stage monitors and broadcast or streaming feeds.
Soundcraft Mini Stagebox 32i Features
- Legendary Studer-designed preamps for professional performance
- Dedicated remote controlled XLR mic inputs
- 32i features 32 mic preamps, 12 analog outs and dual MADI connections
| KORG MW 2408 MIXER MIXER | SSL Six Mixer
The SSL Six Mixer is a condensed professional console for use in the studio, in post-production, on stage, and for podcasting, SiX offers big console sound and an impressive set of utility features in a format that is small enough to stick in a bag. SiX is stunning value; it offers two recording channels with SuperAnalogueTM mic pres, an essential one knob version of the classic SSL Channel Compressor, a new two-band Channel EQ, inserts and 100mm faders.
There is a two-knob version of the legendary G-Series Bus Compressor on the main mix bus and the unique Listen Mic Compressor on the Talkback. In mixdown mode it is a very capable twelve channel summing system that offers analogue detail, depth and width to your mixes. The Six Mixer carries the DNA of 40 years of true expertise in creative studio workflow. Listen to SiX and you will experience the impeccable sonic performance that is the hallmark of every SSL console. It is powerful, intuitive, inspired and rewarding.
SSL Six Mixer Features
- Benchmark SuperAnalogueTM audio performance
- Stunning Recording Path
- Classic SSL Channel Processing
- The unique Listen Mic Compressor
- Professional routing & Monitoring
- 12 Input summing at Mixdown
- Legendary Master Bus Compressor
- Completely balanced signal path
- Auto switching Power supply (100 - 240V)
| SSL UF8 Advanced DAW Controller
The SSL UF8 is an advanced DAW controller designed to fit the needs of DAW-based workflows and ultra-fast turn-around times. The SSL UF8 features 8, 100mm touch sensitive faders, 8 endless rotary encoders and 43 assignable keys. An expandable 8-channel advanced DAW controller, UF8 connects engineers, producers and artists directly to the creative process, offering absolute command of their workflow and significantly accelerating the speed of audio production and content creation.
Advanced Workflow
UF8 offers intuitive features that are developed from a true understanding of production workflow. Take ultimate control with simultaneous access to multiple DAW sessions, and precise navigation with a multi-purpose Master Encoder for DAW timeline access, track banking and mouse wheel emulation. 'Dual-purpose Selection Keys permit rapid access to select functions as well as solo and mute clearing in Pro Tools and Logic Pro. New CHANNEL and PLUG-IN control modes provide enhanced workflows for those using UF8 with Pro Tools, with easy access to sends and plug-ins without slowing down your creativity.
Configurability
Each UF8 comes equipped with 43 assignable user keys set across 5 configurable banks, allowing users to configure their essential keyboard shortcuts and macros for total session control. Add multiple controllers to create your unique mixing system; build your perfect 16-24 channel music creation hub, or connect 4 UF8’s within a single system to create a 32-channel controller ideal for large post production or mixing sessions. Multiple UF8s can be chained together using the THRU port and provide a safe place for iLok storage. For perfect positioning, each UF8 includes an adjustable stand allowing for six different angles of elevation for user defined placement. 19” rack mount kits are also available for installation into an ORIGIN console center section or other 19” studio racking.
360° Control
SSL’s new 360° software application provides fast configuration and admin control of your UF8. With an expanded system, ‘drag-n-drop’ configuration gives quick and dynamic access to each individual controller set up. Customise workflows and define up to 3 different DAW layers for simultaneous session control, with all changes managed without getting in the way of your productivity.
SSL UF8 Features:
- High-quality 100 mm touch sensitive faders
- High-resolution colour displays
- All metal enclosure, finished with a brushed, anodised top plate
- 8 Endless Rotary Encoders
- Custom Workflows with 43 assignable keys per UF8; 5 banks of 8 User Keys + 3 Quick Keys
- Intelligent Multi-Purpose CHANNEL Encoder
- Mouse Scroll Emulation; control of any plug-in parameter you hover the mouse over with absolute precision
- Integrates With All Major DAWs with workflow ready templates
- Pro Tools | Logic Pro | Cubase | Ableton Live | Studio One
- Hi-Speed USB connectivity
- Switch Control between 3 Simultaneously connected DAWs
- Bundled with SSL Native Vocalstrip 2 & Drumstrip plug-in
| The Dangerous Music 2-BUS+ is a 2U, 16-channel analog summing mixer with both XLR and D-sub inputs. It raises the bar on its legendary 2-BUS predecessor with even lower crosstalk, distortion, and noise-floor performance, along with stunningly precise soundstaging and center focus. Dangerous spent over two years developing three onboard audio processors that, with a simple push of a button and twist of a knob, add tone and color to your stems or across your entire mix directly from the 2-BUS+. The 2-BUS+ is smartly designed, extremely useful, and sounds incredible.
A trio of custom audio processors
In sync with Dangerous Music's doctrine of tonal coloration as a per-project artistic choice, the 2-BUS+ features three separate custom audio processors that selectively add tone and color to your mixes. In parallel processing mode, you can deploy Harmonics, a tuned harmonic distortion generator, and Paralimit, a FET limiter on steroids. At Sweetwater, we've applied both of these across stereo mixes and on pairs of stems. X-Former kicks in a pair of custom transformers with core-saturation control on your stereo mix outs. You can have all three tone processors active concurrently, and you can flip the order of signal flow through distortion and limiting.
Outstanding flexibility
Dangerous Music knows that each engineer — and session — is unique, so they designed the 2-BUS+ for outstanding professional flexibility. They spec'd it with an XLR stereo insert before the outputs for adding a separate compressor or processing chain that you can bypass at the touch of a button for a quick reference comparison. Channels 1/2 and 9/10 can be set to mono to rout; for instance, vocals/bass and kick/snare each to its own mono input. They also gave the 2-BUS+ an output control stepped in 0.5dB increments from -4dB to +6dB, and included XLR connections for both the main and monitor outputs.
Gang 'em for high channel count
Need a full-on analog "console" summing experience? Gang together multiple 2-BUS+ units via the stereo expansion inputs XLR to create a customized channel count. For the ultimate in tonal flexibility and control, the custom audio processors on each unit apply across the ganged group output. With three units, for instance, you'll have 48 channels of analog summing, with the first two units employing Harmonics (distortion), and Paralimit (limiter) across two separate stereo stems, and the third unit applying X-Former transformer saturation on the master stereo outputs.
What the pros are saying about the 2-BUS+:
- "The Paralimit and X-Former appear to be magic knobs. Special mention goes to the Paralimit because it does that lovely thing of bringing up the general ambience without slamming the track, something I particularly love on drums. Plugged it into my system along with my old 2-BUS and Dangerous MONITOR ST, and wow ... it's fantastic! Bags of air and space around the mix." — Chris Blackwell (drummer/composer)
- "Since the 2-BUS has so much headroom, it's really easy for me to decide that I want the entire vocal submix to be brighter or warmer, or more or less compressed." — Michael James (producer/mix engineer)
- "The Dangerous Music 2-BUS is one of the reasons my studio delivers a killer sound that grants the edge on the competition." — Alberto Rizzo Schettino (engineer)
- "Between SSL, in-the-box, and 2-BUS ... in blind tests ... it was a unanimous decision that the Dangerous mixes beat out everything. The 2-BUS mixes ... were simply cleaner and warmer than the SSL or in-the-box mixing ... I just don't miss my console." — Gina Fant-Saez (mix engineer)
- "With the 2-BUS LT, elements have their own place. You end up with a quicker, bigger mix and retain a more natural, less processed sound." — Phil Greiss (producer/engineer)
- "The Dangerous Music equipment is the centerpiece of my mixing rig. Everything I do goes through a Dangerous MONITOR, 2-BUS, MASTER, and BAX EQ. Everything." — Fab Dupont (mix engineer)
- "I don't understand how the 2-BUS has been in the studio for so long, but hasn't gotten to live shows — the sound is unbelievable." — Horace Ward (FOH engineer)
- "The harmonic and transformer flavors are great options to have and the parallel limiter is a genius idea." — Chris Tabron (producer/mix engineer)
Dangerous Music 2-BUS+ Analog Summing Mixer Features:
- Stunning 16-channel analog summing mixer injects your mixes with exceptional headroom and dimensionality
- 3 analog options (Harmonics, Paralimit, and X-Former) for adding tonal coloration to your mix
- XLR and D-sub input connectivity and flexible routing allow for a customized workflow
- Integrate your outboard gear easily with the switchable stereo analog insert
- Output control is stepped in 0.5dB increments for perfect recallability
- High-quality components ensure audiophile-grade sound
| 20 canali (16 mono e 2 stereo) con ingressi combo jack 1/4/XLR - 22 tracce di registrazione simultanea e 20 tracce di playback - 22in/4 out USB come interfaccia - 6 monitor out - uscita cuffie con jack da 1/4 - phantom su tutti i canali XLR a gruppi di 4 - ingresso Hi-z sui canali 1 e 2 - pad di 26dB - compressore sui canali da 1 a 16 - tasto master mute - low-cut 40-600 Hz. 12dB/OCT - stereo panning - master e monitor out (A-F) - fino a 9 scene salvabili - doppio processore effetti regolabili - class compliant con sistemi iOS - App iOS per controllo a distanza tamite BTA-1 Bluetooth adapter (incluso) - registrazione su SD card (fino a 24bit/96kHz) o su PC/MAC come scheda audio - Rack ears incluse
Dimensioni: Lunghezza 55.5cm - Profondità 23.7cm - Altezza 43.6cm - Volume 0.057m³
Zoom # L-20R - Mixer digitale 20 canali. recorder e interfaccia audio - formato rack # P.A. / Mixer # Serie LiveTrack |
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