Vermona VSR 3.2 Vintage Spring Reverb Rack Unit

$232.60

GTIN: VERMVSR32 SKU: VERMVSR32 Category: Tags: , ,

Description

Proven reverberation classic for the future
With the VSR 3.2, we happily rely on the proven old mechanical way to create reverberation. Rightly, because the used reverberation spring by AccuBell (formerly Accutronics) creates that magic 60’s reverb which is slightly metallic and dense at the same time.

Just like it predecessors, VSR 3.2 has a straight-forward and honest approach: signal in – spring reverb – vintage sound out.

VSR 3.2 is equipped with an equalizer that is exactly adapted to the springs’ frequency response. In addition, there are controls to mix the dry and effect signal as well as controls for the input and output level. This way, VSR 3.2 simply exactly does what it was designed to do.

Designed for every situation
Although using a large spring (type 9), VSR 3.2 fits in a 19″ housing with one rack unit – minimal space requirements. Thanks to its extremely solid chassis, VSR 3.2 is a reliable vintage-effect that cannot only be used in a controlled studio environment. On the contrary, it also serves fine when being used in straining live situations.

VSR 3.2 grants your sound an elegant touch of “good old times”. Its simplicity makes it an unbelievable versatile companion.

Inputs

  • 1/4″-jack input front
    • unbalanced
    • max. input sensitivity: –40 dBu
    • impedance: 1 MΩ
  • 1/4″-jack input rear (1)
    • unbalanced
    • max. input sensitivity: 0 dBu
    • impedance: 100 kΩ
  • 1/4″-jack input rear (2)
    • unbalanced
    • max. input sensitivity: –20 dBu
    • impedance: 10 kΩ

Outputs

  • 1/4″-jack output (1)
    • unbalanced
    • max. output level: 0 dBu
  • 1/4″-jack output (2)
    • unbalanced
    • max. output level: – 20 dBu

Signal-to-Noise Ratio

  • direct: > 80 dBu
  • effect: > 70 dBu

THD + Noise

  • direct: < 0,1 %

Miscellaneous

  • power supply: external DC-adapter with 12 V/1000 mA
  • dimensions: 19“, 1 HE, ca. 190 mm deep
  • weight: 2.5 kg

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Description
ContentProven reverberation classic for the future With the VSR 3.2, we happily rely on the proven old mechanical way to create reverberation. Rightly, because the used reverberation spring by AccuBell (formerly Accutronics) creates that magic 60's reverb which is slightly metallic and dense at the same time. Just like it predecessors, VSR 3.2 has a straight-forward and honest approach: signal in - spring reverb - vintage sound out. VSR 3.2 is equipped with an equalizer that is exactly adapted to the springs' frequency response. In addition, there are controls to mix the dry and effect signal as well as controls for the input and output level. This way, VSR 3.2 simply exactly does what it was designed to do. Designed for every situation Although using a large spring (type 9), VSR 3.2 fits in a 19" housing with one rack unit – minimal space requirements. Thanks to its extremely solid chassis, VSR 3.2 is a reliable vintage-effect that cannot only be used in a controlled studio environment. On the contrary, it also serves fine when being used in straining live situations. VSR 3.2 grants your sound an elegant touch of "good old times". Its simplicity makes it an unbelievable versatile companion. Inputs
  • 1/4"-jack input front
    • unbalanced
    • max. input sensitivity: –40 dBu
    • impedance: 1 MΩ
  • 1/4"-jack input rear (1)
    • unbalanced
    • max. input sensitivity: 0 dBu
    • impedance: 100 kΩ
  • 1/4"-jack input rear (2)
    • unbalanced
    • max. input sensitivity: –20 dBu
    • impedance: 10 kΩ
Outputs
  • 1/4"-jack output (1)
    • unbalanced
    • max. output level: 0 dBu
  • 1/4"-jack output (2)
    • unbalanced
    • max. output level: - 20 dBu
Signal-to-Noise Ratio
  • direct: > 80 dBu
  • effect: > 70 dBu
THD + Noise
  • direct: < 0,1 %
Miscellaneous
  • power supply: external DC-adapter with 12 V/1000 mA
  • dimensions: 19“, 1 HE, ca. 190 mm deep
  • weight: 2.5 kg
Imagine having the power and flexibility of the OP-Z sequencer available to any other music equipment. Now you can, with the new oplab module - the magic link between OP-Z and the rest of the world. The oplab module is the first hardware expansion module for OP-Z. once mounted in the back of your OP-Z, you can use it to connect to any equipment using standard cv and gate, such as the pocket operator modular or any other modular system. It features three cv outs and one gate out, all programmable and playable from OP-Z. have your wall of modules sequenced from the palm of your hands. Use the po sync out to unleash the power of your regular pocket operators and have them play in sync with the rest of your setup. Even connect standard midi devices, using midi over 3.5 mm jack or the included midi over din adapter cable. Oplab features both midi in and out ports as well as trig in and out for other synthesizers and sequencers.

FEATURES

  • 12-way precision rotary switch controls gain from 0 to 66 dB in 6 dB steps
  • Continuously variable +/-6 dB level control
  • Silk circuit, reduces negative feedback, adding harmonic content as needed
  • Red Silk accentuates the saturation in the mid and high frequencies
  • Same presence and sweetness found in standard Portico Series modules
Number of Channels
Single
Inputs
1x XLR, balanced
Output
1x XLR, transformer-balanced
Maximum Output Level
+23dBu
Meter
8 segment LED meter
Power Requirements
Power Requirements @ +/-16VDC 100mA
Dimensions
Not specified by manufacturer
Box Dimensions (LxWxH)
10.2 x 7.8 x 2"
Rackmount PG-X Power Conditioner with PG-90 Filtering Technology, Panasonic and Wima capacitors, eight rear switched, filtered and surge protected outlets, one front-panel switched convenience outlet and USB port for device charging. Your gear deserves the best power, and we took great care in making sure the PG-X delivers just that — thanks to PG-90 Filtering Technology. In testing, this has provided an average of 90% of noise filtering, as opposed to the typical average of 76% found in other power conditioners at the same price point. Confidence Inspiring Power There’s nothing worse than scoring that “must-have” piece of gear, only to find that it’s noiser than should be expected, missing high frequency detail, or even worse — having it fried by power surges! Black Lion Audio has been trusted for years for modifying the best gear and making it even better, and that’s what it took to create the PG-X: taking industry-standard designs, and improving them to the point of peak performance. After creating the original PG-1, Black Lion Audio knew that plenty of professionals on a smaller budget felt left out, as some features might not be as important as an economy price-point. The PG-X was built with this in mind, while still providing best-of-class power conditioning! High-end Filtering Your gear deserves the best power, and we took great care in making sure the PG-X delivers just that — thanks to PG-90 Filtering Technology. In testing, this has provided an average of 90% of noise filtering, as opposed to the typical average of 76% found in other power conditioners at the same price point. Professional Power The PG-X features a bank of eight switched, filtered and surge protected outlets on the back panel. On the front panel, the PG-X sports one unswitched convenience outlet and a USB port for device charging. It takes more than a few rack-mounted outlets to inspire true confidence in your power conditioner, and that’s where the PG-X delivers: best-of-class power filtering!
  • Protects your gear from power-spike damage
  • Provides clean, well-regulated power for optimum performance
  • Features PG-90 Filtering Technology
  • Top-drawer components and design for superior power and noise filtering
  • Built with premium Panasonic and Wima capacitors
  • Rugged 1U rackmount chassis
  • 8 switched, filtered, and surge-protected outlets on rear panel
  • 1 filtered convenience outlet on front panel
  • USB port on front panel
Type: Rackmount Number of Outlets: 1 x Front, 8 x Rear Output Current: 15A USB: 1 x Type A Features: High frequency noise filter Rackmountable: Yes Power Source: Fixed AC cable Height: 1.7″ Width: 19″ Depth: 9.8″ Weight: 3 lbs.

Rupert Neve Designs Portico 542 500 Series Tape FX Standard

FEATURES

  • Add depth and character to your sound
  • Control the mix of pre and post tape signals
  • Send signals through "True Tape" circuitry
  • Silk circuit, reduces negative feedback, adding harmonic content as needed
  • Red Silk accentuates the saturation in the mid and high frequencies
  • Use soft clip to tame overly transient material like drums
  • Provides +/- 12dB adjustment of level on incoming signal levels

TECHNICAL SPECIFICATION

Rupert Neve Designs Portico 542 500 Series Tape FX
  • Line Amp Specifications (Measurements with tape circuit disengaged)
  • Noise: Measured at Main Output, un-weighted, 20Hz-22kHz, Input Terminated 40 Ohms.
  • Unity Gain Better than -100dBu
  • Frequency Response
  • Measured at +10dBu, trim at unity.
  • Main Output +/- 0.25dB from 5Hz to 60Khz -2dB @ 120KHz
  • Maximum Output Level 23.25dBu
  • Total Harmonic Distortion and Noise:
  • @ 1kHz, +20dBu output level Better than 0.0025% @ 20Hz, +20dBu output level 0.07% Typical (2nd and 3rd harmonic)
  • Tape FX Specifications
  • Noise:
  • Measured at Main Output, un-weighted, 20Hz-22kHz, Input Terminated 40 Ohms.
  • Saturation @ minimum Better than -100dBu Saturation @ maximum Better than -100dBu
  • Frequency Response:
  • 15 IPS, Input @ -0 dBu -3dBu @ 28kHz Saturation @ minimum 0dBu @ 10Hz +5dBu Peak @ 60Hz
  • Saturation @ maximum -3dBu @ 20kHz -3dBu @ 12.5Hz +2.4dBu Peak @ 60Hz
  • 30 IPS, Input @ -0 dBu -3dBu @ 120kHz Saturation @ minimum -3dBu @ 10Hz +3.15dBu Peak @ 125Hz
  • Saturation @ maximum -3dBu @ 100kHz -3dBu @ 12.5Hz
  • +1.3dBu Peak @ 110Hz
  • Total Harmonic Distortion and Noise
  • Refer to sweeps on page10 15 IPS, Input @ -0 dBu 0.4% @ 3kHz to 1% @ 175Hz typical
  • Saturation @ minimum Greater than 1% below 175Hz typical
  • Saturation @ maximum 1% at 6kHz typical 0.3% @ 1kHz to 3% @ 50Hz typical
  • 30 IPS, Input @ -0 dBu 1% at 1kHz typical
  • Saturation @ minimum 0.6% @ 400Hz 5% @ 20Hz typical
  • Saturation @ maximum 1.5% @ 20kHz to 0.4% @ 1kHz typical 0.4% @ 1kHz to 2 %@ 50Hz typical
  • Power requirements:
  • Supplied by 500 series rack with 110-125 mA @ +/- 16V DC
The Suhr Reactive Load delivers a simple solution to capture all of the warmth, and dynamics of your sound, without the hassle of miking a speaker cabinet during a live or recorded performance. The Reactive Load takes the place of your speaker cabinet in your signal chain. It provides an 8Ω load for your tube amplifier (maximum 100 watts), and produces a balanced and unbalanced signal that interfaces with recording devices, effects, and power amplifiers. The Suhr Reactive Load is the perfect link between your amplifier and computer audio recording interface. You can use the Reactive Load with your existing library of speaker impulse responses (IR) for the most realistic direct recording experience possible. Traditional resistive load boxes will safely load your amplifier, but they also alter the tone, dynamics, and response of your amplifier. Real speakers do not have a fixed resistance across the entire frequency spectrum. Real speakers are reactive. The impedance curve of the Reactive Load has been painstakingly tuned to react like a speaker. Your amp will never know the difference. The Reactive Load is dedicated to being the absolute best load box possible with zero compromises, and therefore does not include speaker emulation. You can use the Reactive Load with your speaker-sim or impulse response of choice, and benefit from the natural response, dynamics, and touch sensitivity of your amp. The Suhr Reactive Load features a balanced or unbalanced line level output. The INPUT is optimized for the 8 ohm output of your amplifier and the THRU jack can be connected to a physical speaker cabinet. If a physical cabinet is connected to the THRU jack, the Reactive Load’s internal load is bypassed and the amp will see the load of the physical cabinet. SPEAKER INPUT IMPEDANCE: 8 Ohm DI / LINE OUT LEVEL: +4 dBu at 7 watts input, maximum level setting BALANCED LINE OUTPUT IMPEDANCE: Less than 6KΩ UNBALANCED LINE OUTPUT IMPEDANCE: Less than 6KΩ MAXIMUM RECOMMENDED INPUT POWER: 100 Watts RMS ROHS COMPLIANT: Yes DIMENSIONS: 8.8" (W) x 8.9" (D) x 3.6" (H) WEIGHT: 6.6lb
Weight
DimensionsN/AN/AN/AN/AN/AN/A
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