| Content | Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM advanced panel is added to an ATEM switcher as a control panel.
Although each switcher includes ATEM software control panel for Mac or Windows, an ATEM Advanced Panel is faster to use, making it ideal for demanding live production environments. Setup more complex effects with the enormous amount of control you’ll have in the ATEM 2 M/E. The ATEM 2 M/E Advanced Panel features broadcast buttons, knobs, and a t-bar fader.
The ATEM 2 M/E has two M/E rows with 20 input buttons and two independent system control LCDs for reach row. Each row has an independent select bus, and can control up to four M/Es in larger switchers. Input buttons have customizable colors and button label LCDs.
Modern design with the latest broadcast technology combine to enable faster workflows. Built in LCD control screen identifies work processes. Buttons are curved and have color backlighting to reduce incorrect key presses and quickly identify the keys you need. Professional joystick controls DVE and camera adjustments, smooth weighted t-bar fader, and more.
Durable and compact, the ATEM 2 M/E fits in a standard equipment rack. It can be used seamlessly for shelf mounting in broadcast trucks, mobile racks, and fly away kits.
Blackmagic Design ATEM 2 M/E Features
- Add to an ATEM switcher for accessible control panel functions
- Faster workflow
- Two independent rows of control, each with 20 input buttons
- Backlit buttons make identification easy and lower incorrect key presses
- Joystick for DVE and camera adjustments
- Smooth weighted t-bar fader
| The VR-50HD MK II Multi-Format AV Mixer is the next evolution of Roland’s industry-leading, all-in-one AV switcher with USB 3.0 streaming. Easily operated by a single person, the VR-50HD MK II continues to deliver best-in-class connectivity and flexibility, allowing you to work a wide range of events with different I/O requirements.
The powerful VR-50HD MK II is a completely self-contained AV solution, consolidating video switching, digital audio mixing, multi-viewer touchscreen control, and USB AV streaming into a single unit that’s simple to run. And with the comprehensive rear patch panel, it’s quick and easy to make on-the-fly input assignments to cross-points on the switcher.
With the VR-50HD MK II, you can send any of the connected input devices to a dedicated Aux output without affecting the main PGM destination. Use the Aux assignment panel buttons to switch the source, or synchronize the Aux output with the PGM (mixer) output to act as a built-in distribution amp. Drilling down into menus while switching is a thing of the past, thanks to dedicated broadcast-style buttons for Aux, PinP, and Still sources. Select, Solo, and Mute buttons are included for all audio channels, speeding up the monitoring process. And with the large touchscreen multi-view monitor, you can view and assign inputs, display up to four still images, execute preview/program functions, and much more.
Offering a number of automation functions the VR-50HD MK II allows a single operator to switch video and mix pro-level audio at the same time. Use Auto Mixing to balance audio levels, Video Follows Audio to switch cameras based on sound input, and Anti-Feedback to automatically tame howling mic feedback. Adaptive noise reduction helps with noise canceling and hum suppression. The VR-50HD MK II is also equipped with a variety of standard audio production inputs, including four XLR/TRS combo jacks with 48 V phantom power, four stereo pairs (two ¼-inch and two RCA), and embedded audio from 3G/HD/SD-SDI and HDMI.
Built-in support can directly control select JVC, Panasonic, Sony, PTZOptics, Avonic and VISCA compatible PTZ LAN cameras. Up to six PTZ cameras can be operated at once via the LAN port. Use the same technology as webcams to reach worldwide audiences by plugging into a computer via USB 3.0 and using a streaming service that's able to use a webcam as its source.
Roland VR-50HD MK II Features
- Aux output for dedicated record, streaming, or confidence monitor feeds
- Updated user interface for fast, trouble-free operation
- High-quality audio preamps and converters for crystal-clear sound
- Direct control of select PTZ cameras from JVC, Panasonic, Sony, PTZOptics, Avonic and VISCA compatible over LAN
- Automatic audio mixing, adaptive noise reduction and automatic video switching functions to support single operators
- All-in-one convenience and ultra-flexible connectivity
- Four-layer composition and still store
| Ki Pro GO is a portable multi-channel H.264 recorder offering up to 4-channels of simultaneous HD and SD recording to off the shelf USB drives with redundant recording capabilities, and now with new v3.0 firmware, recording to network storage.
4x 3G-SDI and 4x HDMI digital video inputs with flexible channel assignments provides connections to the latest video sources, including cameras and DSLRs. Incoming video sources do not have to be genlocked due to Ki Pro GO's input frame syncs. Ki Pro GO also features AJA's high quality de-interlacers on each input so progressive recordings can be made from interlaced inputs. High quality 2-channel embedded audio or balanced XLR analog audio can be assigned to any recording channel. Multi-Channel Matrix Monitoring enables multiple video channels to be viewed on any single HDMI or SDI display, and Enhanced Super Out offers timecode, media status and audio meter overlays over the SDI and HDMI monitor outputs.
Designed to be either portable or rackmountable with half rack wide, 2RU high dimensions, Ki Pro GO is well suited for use in any environment.
AJA Ki Pro GO Features
- Multi-channel H.264 recording
- 5x USB recording media ports, compatible with off-the-shelf USB 3.2 Gen 1 media
- In system exFAT drive formatting
- Redundant recording to user selectable USB ports
- Recording to network (SMB) storage (new in v3.0)
- Redundant recording to user selectable destinations – USB or SMB (new in v3.0)
- Genlock free inputs
- 4x 3G-SDI inputs
- 4x 3G-SDI outputs
- 1x 3G-SDI monitoring output
- 4x HDMI inputs
- 1x HDMI monitoring output
- HDMI and SDI multi-channel matrix monitoring
- HDMI and SDI Enhanced Super Out for monitoring: timecode, media status and audio levels
- Single-channel H.264 playback
- Selectable VBR recording settings with 5 options
- Timecode Input Support: Time of Day, Timecode Value, SDI RP-188, LTC (available using 1-channel of Analog Audio In)
- Balanced XLR analog audio inputs, mic/line/48v switchable
- 2-channel embedded audio per video input
- Easy-to-use web UI, compatible with standard web browsers
- Network web UI based file downloads
- Front panel button controls with integrated HD resolution screen
- Stand-alone operation
- 3 Year Warranty
| The VR-4HD is a complete HD studio in a compact and portable package that replaces several different pieces of complex A/V equipment. Designed with individual operation in mind, the VR-4HD allows for easy video switching and mixing of audio and video using advanced Digital Signal Processing (DSP).
Along with dedicated hardware controls faders, buttons, and touch screen interface. It beautifully integrates a digital audio mixer, video switcher, multi-viewer touch screen, and USB video/audio streaming interface into a stand-alone device. This portable live HD production solution is ideal for schools, churches, council meetings, corporate events, sports, training sessions, or any other live event.
The VR-4HD features professional quality broadcast controls and switches ensuring more accurate and faster operation than interfaces based on a computer style mouse and keyboard. The ability to simultaneously switch video with the push of a button and adjust audio with the push of a fader is invaluable and puts all essential features at the operator's fingertips. The inherent multi-see screen is likewise a touch screen interface for getting to set-up boundaries, making it incredibly simple to alter various picture settings progressively by hauling the inset window onto the screen.
Roland VR-4HD Features
- All-in-one portable production solution
- Easy to use with dedicated hardware controls and audio faders and integrated touch screen preview monitor
- 6 input, 4-Channel Video Switcher
- Supports HDMI*1, RGB/Component, and Composite Video Inputs Up to 1080p
- Input 4's scaler now supports a wider range of video and VESA resolutions.*1 *2
- Built-in Scaler via CH4
- 18-Channel Digital Audio Mixer with XLR, TRS, and RCA jacks along with audio from HDMI inputs
- Embedding and de-embedding of audio with delay settings
- Auto mixing and Echo Canceling function
- Composition effects including DSK (Downstream Keyer), picture-in-picture etc.
- Capturing a still Image from Input Video on channel 4*3 [Ver.1.5]
- Built-in touch quad-input multi-viewer with audio metering
- External Multi-View Output through HDMI
- HDCP Support
- USB3.0 Video/Audio Output up to 1080/30p (uncompressed) and Audio Loopback Feature
- Software control using VR-4HD RCS application for Mac and PC and remote control via USB connection
- Sending a still image to the VR-4HD by VR-4HD RCS*3 [Ver.1.5]
- Tally, GPIO connections
| HyperDeck Extreme 8K HDR has the reliable features of HyperDeck, with new features of space-saving H.265 files, optional internal cache, 3D LUTs, native 8K and HDR support. Ability to record native 8K in H.265 storage reduces storage costs and image quality stays amazing. Large touch screen ensures you can see your recording and easily control all deck settings. HyperDeck Extreme 8K HDR is an excellent solution for broadcast, live production, and digital signage.
Great for live production as a master recorder, clip player and for recording ISO cameras. Analog inputs allow recording from old video tapes, so legacy programming is compatible with the latest streaming services and can be edited. 10G Ethernet makes digital signage easy with fast media uploads, and a simple remote control protocol. Use as a field recorder with HDMI, SDI and analog inputs with built in scopes and 3D LUTs.
AC and DC power connections help make sure you can use the HyperDeck Extreme 8K HDR in studio or on location. Record to commonly available flash memory cards with dual CFast media support.
The HyperDeck Extreme 8K HDR includes two media slots, Quad 12G-SDI for 8K, analog connections for archiving, USB-C external disk recording, front panel speaker and headphone jack. Install a PCIe flash disk as a record cache to eliminate dropped frames when your media becomes full or is too slow. Record and playback in full resolution 8K is possible with the included Quad Link 12G-SDI. SDI connections are multi-rate, so you can use with other 8K products, or switch to SD, HD or Ultra HD.
Touch LCD screen provides incredible control with dedicated buttons for play, stop, record, a timeline for scrolling through recordings, image swipe to jog, and more. Heads up display on the LCD shows timecode, video standard, media status, and audio meters. Enable scopes, load and save 3D LUTs, and remote control the HyperDeck from the touch screen.
Full internal waveform monitoring ensures compliance with broadcast standards. RGB and YUV parade displays are ideal for color correction and checking for illegal levels. Histogram shows distribution of white to black detail, and highlights or shadows clipping.
Blackmagic Design HyperDeck Extreme 8K Features
- Power supply not included - requires IEC cable
- Modern design with traditional controls
- Rack mountable
- Live production, digital signage and archive
- Dual CFast media for nonstop recording
- Record direct to external USB-C media disks
- Compatible with controllers, switchers, converters, and more
- Advanced HDR support and bright wide gamut LCD
- Built in scopes ensure compliance with broadcast standards
- Professional audio with multi channel SDI and analog audio
- Localized for 11 common languages
| The most complete production system available today, TriCaster TC1 represents the continued innovation of the iconic product that defined an industry. Designed with the way you work in mind and equipped with hundreds of advanced production capabilities, it has everything you need to do video your way today—and tomorrow.
Product Highlights
- Switching, streaming, recording in HD, 3G, and 4K UHD 60p
- Native software driven processing for maximum production power and flexibility
- Comprehensive camera coverage and compelling multi-source video mixing, including 16 external inputs and 4 M/Es
- Studio-grade Skype® video calling with multi-channel Skype TX software integration
- Integrated video servers allowing playback, replay, and live editing without any additional hardware
- Multi-channel ISO recording to full-resolution QuickTime® and H.264 files for VOD, post-production, and archive
- Dual-channel live streaming to Facebook Live, Microsoft® Azure®, Periscope, Twitch, YouTube™ Live, and more
- Real-time social media sharing to Facebook, Imgur, LinkedIn, Twitter, Vimeo, YouTube, and more
- Powerful production automation with custom macro commands, sophisticated full-motion compositing, and flexible control options
- Advanced audio mixing with multi-source configuration and control, professional DSPs, and 4 x 4 x 4 channel routing
- Premier creative capabilities, including multi-bus mix effects, animated titles and transitions, advanced chromakeying, spectacular live virtual sets, and more
Video Input
16 x simultaneous external video inputs, supporting any combination of compatible sources in resolutions up to 4K UHD at frame rates up to 60fps (2160p 59.94)
Network Video Input
16 x IP video inputs via NDI™, resolution-independent, with support for key and fill
SDI Video Input
4 x 3G/HD/SD-SDI connections supporting video input in any combination of standard formats, resolutions, and frame rates
- 1080p: 59.94, 50, 29.97, 25, 24, 23.976
- 1080i: 59.94, 50
- 720p: 59.94, 50, 29.97, 25, 24, 23.976
- 576i 50
- 480i 59.94
PTZ
Support for up to 8 simultaneous Pan-Tilt-Zoom (PTZ) robotic cameras via serial and network protocols, including RS232, RS422 and IP, with integrated controls and preset system
Skype TX
Native support for up to 2 simultaneous Skype® video call inputs via Skype TX software integration
Apple® AirPlay®
Native support for input of compatible iOS mobile devices via Apple AirPlay
Video Output
Configurable for up to 4 independent video mix outputs, with simultaneous delivery via IP and SDI
Network Video Output
- IP video output via NDI, optionally configurable for:
- 4 x independent video mix outputs
- 1 x 4K UHD video mix output
SDI Video Output
- 4 x 3G/HD/SD-SDI connections, optionally configurable for:
- 4 x independent 3G/HD/SD video mix outputs
- 1 x 4K UHD video mix output via 3G-SDI quad-link grouping
Stream Output
2 x resolution-independent streaming video outputs, independently configurable, with simultaneous stream archive
Multiviewer Output
- 3 x multiviewer outputs supporting standard display resolutions
- 1 x DVI user interface with multiviewer
- 1 x HDMI multiviewer
- 1 x DisplayPort multiviewer
Mix/Effect Buses (M/E)
- 4 x M/E buses supporting video re-entry
- 1 x Mix/Effect channel per bus with support for up to 4 sources
- 4 x KEY layers per bus
- 9 x memory slots per bus
- 1 x PREVIZ configuration and preview bus
DSK Channels
4 x DSK channels
Media
- 5 x media players
- 2 x DDR
- 2 x GFX
- 1 x Sound
- 15 x media buffers
- 10 x animation buffers
- 5 x graphic buffers
- 30 x clip players (available for use as transitions or media depending on function)
Keyers
- Integrated LiveMatte™ chroma and luma keying technology on all source channels and M/E buses
- 16 x input keyers
- 4 x media player keyers
- 4 x M/E keyers
- 1 x PREVIZ keyer
- 15 x buffer keyers
COMPs
Integrated video composition engine on the switcher and each M/E bus to create, store, and apply layer configurations and DVE-style motion sequences
16 x configurable COMP presets per bus
Virtual Sets
Integrated LiveSet™ technology with 30+ live virtual sets and box effects included
DataLink
Integrated DataLink™ technology enabling real-time, automated data input from internal and external sources, including webpages, spreadsheets, scoreboards, databases, RSS feeds, watch files, XML, CSV, ASCII and more
Macros
- Record, store, edit and automate commands and user-configured operation sequences
- Attach to control panel buttons, keyboard shortcuts, hotspots, MIDI and X-keys® buttons or GPI triggers
- Attach to internal events and state changes, including audio, media playback, tally and specific switcher actions
- Supports control via web-based interface
Recording
- 6 x configurable video recording channels via IsoCorder™ technology
- 4 x QuickTime® archival video recorders (XDCAM HD compatible, 4:2:2 encoding, 24-bit audio, with timecode)3
- 2 x H.264 distribution video recorders (multiple profiles)
- 1 x MP3 audio recorder
- 3 QuickTime Player not required for playback in common NLE applications
Storage
- 2 x 3TB internal drive
- Capacity varies by format, resolution and file specification
- Supports recording to external storage via USB 3.0 and eSATA
- Supports shared storage integration and third-party partner solutions
Grab
Grab full-resolution, deinterlaced still images from external video sources and outputs
Export
Export video and image files to social media, FTP, local or external volumes, and network servers, with optional transcoding
Audio Mixer
Integrated multi-channel audio mixer with support for quad-channel audio, DSPs and 4x4x4 audio input routing
Local Audio Input
- 4 x SDI embedded
- 1 x Balanced XLR stereo pair (Line)
- 3 x Balanced 1/4” stereo pairs (Line)
Local Audio Output
- 4 x SDI embedded
- 1 x Balanced XLR stereo pair
- 1 x Balanced 1/4” stereo pair
- 1 x Stereo 1/4" (phones)
Network Audio
- Native support for network audio input and output via NDI
- Embedded audio supported for all NDI input and output video signals
- Integrated support4 for Dante™ networking protocol from Audinate®
- Support for AES67 protocol via compatible WDM audio drivers5
- 4Requires Dante Virtual Soundcard license from Audinate (sold separately)
- 5Requires third-party virtual sound card license (sold separately)
Supported Media File Formats
Import, store, and play back multimedia files, with optional transcoding, including:
- Video: AVI, DV, DVCPro, DVCProHD, FLV, F4V, H.263, H.264, MOV, MKV, MJPEG, MPEG, MP4, WMV, WebM, and more
- Image: PSD, PNG, TGA, BMP, JPEG, JPEG-XR, JPEG2000, EXR, RAW, TIF, WebP, and more
- Audio: AIFF, MP3, WAV, and more
Monitoring
Support for up to 3 multiviewer displays with configurable workspaces and viewports
Signal Monitoring
Integrated waveform and vectorscope, full field rate with digital calibration, color preview and support for ITU-R Rec. 709
Processing
- Video: Floating Point YCbCr +A 4:4:4:4
- Audio: Floating Point, 96 kHz
Throughput Latency
~1.0-1.5 frames
A/V Standards
- 4K UHD video conforms to SMPTE 2036 (UHDTV1 using Square Division Quad Split)
- 3G-SDI video conforms to SMPTE 424M (Level A)
- HD-SDI video conforms to SMPTE 292M
- SD video conforms to SMPTE 259M and ITU-R BT.656
- Analog audio levels conform to SMPTE RP-155
Tally
Support for hardware tally via HD15 GPI connector, network tally via NDI, and Blackmagic Design® SDI tally standard
Genlock
Genlock input supporting SD (Bi-level) or HD (Tri-level) reference signals
GPI
Supports GPI signals via JLCooper Electronics eBox GPI interface
MIDI
Support for standard MIDI protocol enabling third-party device control
System Drive
120GB SSD
NIC
2 x 1 Gigabit NIC
System Physical
TriCaster TC1
2RU chassis with 400W PSU and multi-tiered hardware and software fail-safe
- 19.0 x 3.5 x 19.57 in (48.3 x 8.9 x 49.7 cm) with rack ears attached
|
Reviews
There are no reviews yet.