| Content | Designed for broadcasters and AV professionals, the ATEM Television Studio series can turn any live event into a professional HD or Ultra HD program. Switching between multiple cameras, game consoles, and computers happens in real time with broadcast quality support so changing sources won’t cause glitching. The ATEM Television Studio Pro 4K is a great switching solution for sporting events, concerts, seminars, video gaming competitions, episodic television, and more.
Streamline your workflow to handle more complex and faster paced productions with the ATEM Television Studio Pro 4K. The ideal combination of a professional control panel and switcher, it is faster to switch sources, add effects, efficiently manage and color grade remote cameras, mix audio, and key graphics.The ATEM Television Studio Pro 4K has all the features of the other models, adding Ultra HD capability and more SDI inputs. Eight independent 12G-SDI inputs support popular HD and Ultra HD formats up to 2160p60 automatically re-sync to the switcher.
Connect up to 8 cameras, game consoles, computers, or other sources from the 8 independent video inputs. Output sources include professional SDI program and aux outputs, with SDI and HDMI outputs supporting multiview monitoring. The ATEM Television Studio Pro 4K supports multiview in Ultra HD.
Broadcast quality transitions give you creative freedom throughout your live production. Choose and instantly apply transitions among mixes, wipes, dips, DVE, and more. Customize duration of transitions and add visual effects to the transitions with borders. The built in DVE powers adjustments to position, size, and scale of live video in real time.
ATEM advanced chroma keyer provides greater color control with clean green screen keying in real time for seamless multi-layer creations.
Talkback can be enabled to send audio to and from the camera. A professional audio mixer also gives the switcher the essential functions for mixing audio.
Blackmagic Design ATEM Television Studio Pro Features
- 8 12G-SDI inputs for popular HD and Ultra HD sources up to 2160p60
- Connected video sources re-sync to the switcher
- Multiview monitoring
- Power supply not included - requires IEC cable
- Broadcast quality transitions
- Built in 2D DVE
- ATEM advanced chroma key
- Talkback
- Audio mixer capabilities
- Software control panel for Mac or Windows included
| Power supply not included - requires IEC cable.
The UltraStudio 4K Extreme 3 lets you connect Thunderbolt 3 computers to any video equipment. Connect to the Thunderbolt 3 port for video and audio connections compatible with SD, HD, Ultra HD, and 4K DCI formats up to 60 frames per second. Use the UltraStudio 4K Extreme 3 to build high performance edit workstations, archive from old broadcast decks, output broadcast graphics, and live stream.
Connect and work with the equipment of your choice. SDI in and out, HDMI out, and balanced analog input provide high quality connections to just about any equipment you could want to work with. An extra HDMI input and balanced analog audio out connect for in-studio audio monitoring use. Larger design than the Mini UltraStudios lets the UltraStudio 4 Extreme fit 4 channel analog audio via XLR connections, 2 channels of AES/EBU digital audio, and dedicated timecode connections. Video reference for sync playback to broadcast systems and RS-422 remote are included. The UltraStudio 4K Extreme 3 can feed SDI fill and key from RGB graphics from your computer to a live production switcher for high quality live broadcast graphics keying.
12G-SDI technology brings the most powerful video capture and playback solution at high speeds. Speed supports work of Ultra HD and 4K 60p over one BNC cable. Multi rate 12G-SDI connections provide greater compatibility, working with existing SD and HD equipment and newer Ultra HD formats up to 2160p60.
With the UltraStudio 4K Extreme 3, you’re not locked into a single format. Popular compressed video formats and 10-bit uncompressed video are both supported. Images in uncompressed video are a perfect pixel-for-pixel clone of the source without any loss of quality.
Thunderbolt 3™ technology ensures the UltraStudio 4K Extreme 3 is a power-driven solution. Low latency and highly accurate time synchronization provide the highest possible quality capture and playback. UltraStudio 4K Extreme 3 uses a fast one cable connection to a computer with the bandwidth to easily handle high resolution video formats. Powered by the Thunderbolt connection, the UltraStudio 4K Extreme 3 can run from a laptop battery without needing a power connection. An AC power connection is also included.
Front panel has fast control buttons and integrated color LCD. Back panel uses industry standard BNC and HDMI connectors. Enjoy broadcast and digital cinema quality capture and playback in any workflow.
Blackmagic Design UltraStudio 4K Extreme 3 Features
- Connect Thunderbolt 3 computers to video equipment
- Compatible with SD, HD, Ultra HD, and 4K DCI formats up to 60 frames per second
- Designed to work with popular video editing software on Mac, Windows, and Linux systems
- Video reference for sync playback to broadcast systems
- RS-422 remote
- Support for compressed and uncompressed formats
- Low latency and accurate time synchronization in Thunderbolt 3 technology
- Easily portable
- Stand alone on desktop or rack mount
- Broadcast and digital cinema quality capture and playback
| Matrox Monarch LCS Encoder Appliance | Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM Camera Control panel can be added to any ATEM switcher model and is connected via Ethernet.
The ATEM Camera Control panel uses traditional broadcast style controls and adjustments in a compact design so one person can monitor and adjust technical parameters such as black levels, gain, color balance, shutter speed, and more. With this control panel, there are four separate LCD displays and control sections for control of up to four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. Control layout is familiar and logical for fast and easy operation by operators of all levels. This control panel is meant to be portable, so does not need to be bolted down.
Quickly adapt to changes in the scene with the top section of controls. Top section controls include white balance, master gain, bars, and shutter speed. You can save and recall presets with the load scenes function. RGB controls in the center section allow you to adjust the individual red, green and blue levels in blacks and whites when you need to compensate for unwanted color. The bottom section is dedicated to lens and iris controls, a joystick to adjust iris and master black. There are buttons for talkback with the operator, panel lock, and a number indicator for preview and on air status.
Blackmagic Design ATEM Camera Control Panel Features
- Traditional broadcast style controls and adjustments
- Portable control panel
- Iris control
- Shutter speed
- White balance
- Master gain
- Pedestal
- RGB controls for white and black
| Blackmagic Design’s Ultimatte 12 goes beyond the power of even the most advanced keyers, also functioning as a high power real time compositing processor. Enjoy superb edge handling, color separation, color fidelity, spill suppression, and more. 12G-SDI technology supports work in HD and Ultra HD for real-time compositing of weather, sports, news, and entertainment in studio environments.
Incredibly life-like composites place your talent into any scene. Computer generated augmented reality objects provide realistic transparency and depth talent can walk behind, even with glass-style objects. The Ultimatte 12 works with fixed cameras and static backgrounds, or automated virtual set systems. On set previsualization is another plus, since actors and directors can see the virtual sets while shooting against a green screen.
Remove the background without affecting foreground colors. Advanced flare, edge and transition processing isolates and treats image sections differently while keeping color transitions smooth. High-level compositing keeps the final product photorealistic.
Green tinting and spill are no longer problematic thanks to the adjustments made to flare algorithms in the Ultimatte 12. Flare automatically samples colors to create seamless mattes for walls, floors, or other parts of your image. Shadows get mapped and composited onto the new background for a realistically three-dimensional view, spill is removed, and transparent objects are cleaned.
Advanced algorithms and large internal color space make it feel like you’re using several Ultimatte keyers on one image. For example, fine edge detail is a great feature for visuals of hair but is not something you would want applied to an entire image. Images are automatically processed based on the colors in each area, so fine edge detail is applied to just the hair portion.
Cameras at different angles see the same green screen slightly differently, which keyers in live production switchers aren’t designed to correct. Ultimatte 12 makes it possible to add keyers to every camera in a shot for the best possible key.
The Ultimatte 12 includes 7 input connections dedicated to compositing different elements together. 12G-SDI connections offer high frame rate Ultra HD from one BNC connection that can plug into your regular HD equipment. Connections let you work with SD, HD, 3G, 6G and 12G-SDI equipment, and in HD or Ultra HD formats up to 2160p60.
Blackmagic Design Ultimatte 12 Features
- Connect to SDI equipment in HD and Ultra HD
- Add augmented reality and virtual elements
- One touch keying
- Advanced image processing
- Expanded internal color space
- New math and sub pixel processing designed for high quality and clarity in HD and Ultra HD
- Incredible color fidelity
- Flare removes green tinting, spill, shadows, and reflections
- Ideal for broadcast news, sports, and traditional TV and film production
- 12 Month Limited Manufacturer's Warranty
| Power supply not included - requires IEC cable.
Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM advanced panel is added to an ATEM switcher as a control panel.
Although each switcher includes ATEM software control panel for Mac or Windows, an ATEM Advanced Panel is faster to use, making it ideal for demanding live production environments. Setup more complex effects with the enormous amount of control you’ll have in the ATEM 1 M/E. The ATEM 1 M/E Advanced Panel features broadcast buttons, knobs, and a t-bar fader.
The ATEM 1 M/E has one row with 10 input buttons, and one system control LCD screen. Input buttons have customizable colors and button label LCDs. Use the shift buttons to double the number of inputs for control of up to 20 inputs. DVE and t-bar fader can be controlled with a joystick. Even though it’s a 1 M/E panel, you can control all M/Es in larger switchers.
Modern design with the latest broadcast technology combine to enable faster workflows. Built in LCD control screen identifies work processes. Buttons are curved and have color backlighting to reduce incorrect key presses and quickly identify the keys you need. Professional joystick controls DVE and camera adjustments, smooth weighted t-bar fader, and more.
Durable and compact, the ATEM 1 M/E fits in a standard equipment rack. It can be used seamlessly for shelf mounting in broadcast trucks, mobile racks, and fly away kits.
Blackmagic Design ATEM 1 M/E Features
- Add to an ATEM switcher for accessible control panel functions
- Faster workflow
- Backlit buttons make identification easy and lower incorrect key presses
- Control up to 20 inputs
- Joystick for DVE and camera adjustments
- Smooth weighted t-bar fader
- Fits in a standard equipment rack
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