| Content | HyperDeck Extreme 8K HDR has the reliable features of HyperDeck, with new features of space-saving H.265 files, optional internal cache, 3D LUTs, native 8K and HDR support. Ability to record native 8K in H.265 storage reduces storage costs and image quality stays amazing. Large touch screen ensures you can see your recording and easily control all deck settings. HyperDeck Extreme 8K HDR is an excellent solution for broadcast, live production, and digital signage.
Great for live production as a master recorder, clip player and for recording ISO cameras. Analog inputs allow recording from old video tapes, so legacy programming is compatible with the latest streaming services and can be edited. 10G Ethernet makes digital signage easy with fast media uploads, and a simple remote control protocol. Use as a field recorder with HDMI, SDI and analog inputs with built in scopes and 3D LUTs.
AC and DC power connections help make sure you can use the HyperDeck Extreme 8K HDR in studio or on location. Record to commonly available flash memory cards with dual CFast media support.
The HyperDeck Extreme 8K HDR includes two media slots, Quad 12G-SDI for 8K, analog connections for archiving, USB-C external disk recording, front panel speaker and headphone jack. Install a PCIe flash disk as a record cache to eliminate dropped frames when your media becomes full or is too slow. Record and playback in full resolution 8K is possible with the included Quad Link 12G-SDI. SDI connections are multi-rate, so you can use with other 8K products, or switch to SD, HD or Ultra HD.
Touch LCD screen provides incredible control with dedicated buttons for play, stop, record, a timeline for scrolling through recordings, image swipe to jog, and more. Heads up display on the LCD shows timecode, video standard, media status, and audio meters. Enable scopes, load and save 3D LUTs, and remote control the HyperDeck from the touch screen.
Full internal waveform monitoring ensures compliance with broadcast standards. RGB and YUV parade displays are ideal for color correction and checking for illegal levels. Histogram shows distribution of white to black detail, and highlights or shadows clipping.
Blackmagic Design HyperDeck Extreme 8K Features
- Power supply not included - requires IEC cable
- Modern design with traditional controls
- Rack mountable
- Live production, digital signage and archive
- Dual CFast media for nonstop recording
- Record direct to external USB-C media disks
- Compatible with controllers, switchers, converters, and more
- Advanced HDR support and bright wide gamut LCD
- Built in scopes ensure compliance with broadcast standards
- Professional audio with multi channel SDI and analog audio
- Localized for 11 common languages
| Blackmagic Design’s Ultimatte 12 goes beyond the power of even the most advanced keyers, also functioning as a high power real time compositing processor. Enjoy superb edge handling, color separation, color fidelity, spill suppression, and more. 12G-SDI technology supports work in HD and Ultra HD for real-time compositing of weather, sports, news, and entertainment in studio environments.
Incredibly life-like composites place your talent into any scene. Computer generated augmented reality objects provide realistic transparency and depth talent can walk behind, even with glass-style objects. The Ultimatte 12 works with fixed cameras and static backgrounds, or automated virtual set systems. On set previsualization is another plus, since actors and directors can see the virtual sets while shooting against a green screen.
Remove the background without affecting foreground colors. Advanced flare, edge and transition processing isolates and treats image sections differently while keeping color transitions smooth. High-level compositing keeps the final product photorealistic.
Green tinting and spill are no longer problematic thanks to the adjustments made to flare algorithms in the Ultimatte 12. Flare automatically samples colors to create seamless mattes for walls, floors, or other parts of your image. Shadows get mapped and composited onto the new background for a realistically three-dimensional view, spill is removed, and transparent objects are cleaned.
Advanced algorithms and large internal color space make it feel like you’re using several Ultimatte keyers on one image. For example, fine edge detail is a great feature for visuals of hair but is not something you would want applied to an entire image. Images are automatically processed based on the colors in each area, so fine edge detail is applied to just the hair portion.
Cameras at different angles see the same green screen slightly differently, which keyers in live production switchers aren’t designed to correct. Ultimatte 12 makes it possible to add keyers to every camera in a shot for the best possible key.
The Ultimatte 12 includes 7 input connections dedicated to compositing different elements together. 12G-SDI connections offer high frame rate Ultra HD from one BNC connection that can plug into your regular HD equipment. Connections let you work with SD, HD, 3G, 6G and 12G-SDI equipment, and in HD or Ultra HD formats up to 2160p60.
Blackmagic Design Ultimatte 12 Features
- Connect to SDI equipment in HD and Ultra HD
- Add augmented reality and virtual elements
- One touch keying
- Advanced image processing
- Expanded internal color space
- New math and sub pixel processing designed for high quality and clarity in HD and Ultra HD
- Incredible color fidelity
- Flare removes green tinting, spill, shadows, and reflections
- Ideal for broadcast news, sports, and traditional TV and film production
- 12 Month Limited Manufacturer's Warranty
| Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM Camera Control panel can be added to any ATEM switcher model and is connected via Ethernet.
The ATEM Camera Control panel uses traditional broadcast style controls and adjustments in a compact design so one person can monitor and adjust technical parameters such as black levels, gain, color balance, shutter speed, and more. With this control panel, there are four separate LCD displays and control sections for control of up to four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. Control layout is familiar and logical for fast and easy operation by operators of all levels. This control panel is meant to be portable, so does not need to be bolted down.
Quickly adapt to changes in the scene with the top section of controls. Top section controls include white balance, master gain, bars, and shutter speed. You can save and recall presets with the load scenes function. RGB controls in the center section allow you to adjust the individual red, green and blue levels in blacks and whites when you need to compensate for unwanted color. The bottom section is dedicated to lens and iris controls, a joystick to adjust iris and master black. There are buttons for talkback with the operator, panel lock, and a number indicator for preview and on air status.
Blackmagic Design ATEM Camera Control Panel Features
- Traditional broadcast style controls and adjustments
- Portable control panel
- Iris control
- Shutter speed
- White balance
- Master gain
- Pedestal
- RGB controls for white and black
| Until now, creating slow-motion instant replays in live sports productions has required an arsenal of complicated and expensive gear—and the knowledge to run it all. Roland’s P-20HD changes all that, providing an affordable and easy-to-use solution that lets you bring pro replay capabilities to any production setup. Offering seamless integration with most Roland A/V switchers and HDMI camcorders and cameras, the P-20HD transforms everyday sports video productions into edge-of-seat fan experiences.
With the P-20HD, adding the magic of instant replay to your workflow has never been more simple and affordable. Using intuitive controls and the integrated color LCD, you can easily cue up replays of important action to let fans relive the moment, either on your streaming feed or live event screens—or both at once.
The P-20HD records directly to high-capacity SD cards, which are widely available and easy to swap out. And as you cue up and replay clips, the game keeps recording in the background, with no gaps in the action. The P-20HD can be seamlessly inserted into a variety of workflows. Use it on its own, or upstream or downstream of any Roland video switcher. Connect two cameras and switch/composite between sources to capture them for replay. Both HDMI inputs feature built-in scalers, providing worry-free connectivity with nearly any video source.
Roland P-20HD Features
- Slow-motion instant replay and variable speed playback
- Intuitive controls for single-operator sports production
- Simultaneous recording and playback
- Clip playlist builder for creating highlight reels
- Integrated color LCD for preview monitoring
- Capture long events to low cost and widely available SD cards
- Compact, portable, and reliable hardware design
- Ideal for school sports, esports, and sports training
| The Matrox® Maevex 6020 Remote Recorder appliance is a Panopto-certified live streaming multi-recorder specifically designed (for and fully integrated with) Panopto™ industry-leading video management system (VMS). Everything you love about the Panopto cloud or on-premises management of recording, streaming, scheduling, and everything else is available for the Maevex 6020 on the Panopto VMS platform making it simple and easy for administrator and in-room/class operator alike. Leveraging the award-winning Maevex 6100 Series multi-recording and streaming technology, the Maevex 6020 Remote Recorder enhances the Panopto VMS solution by providing best-of-breed live streaming and recording functionality for businesses and universities.
The Maevex 6020 Remote Recorder provides unique features to the Panopto VMS. Key feature set includes two 1080p inputs with multiple on-device quality recordings per input and two channels of 1080p live streaming while recording. Unique to the Maevex 6020 are the multiple recordings of different qualities recorded simultaneously to the devices solid-state memory and uploading while the session is in progress. These on-device multiple recording qualities can later be used to address the best-possible quality match for any viewing device. The recordings are encoded and ready for use as is without any quality loss or time loss (no transcoding, decoding, or re-encoding required). This workflow enables the video on demand from the event to be made available to viewers much faster, at the best quality possible.
When there are no active streams being broadcast, the two sets of recorded streams are delivered to the Panopto VMS simultaneously during the live event with only the slightest of lag from the start of the event as cloud transcoding is eliminated. If there are live streams being broadcast, the recorded streams are delivered immediately after the live streaming event ends, again with no cloud transcoding required. Additionally, in a single session, up to four sets of recordings (each set with multiple quality levels) and two Full HD streams can be enabled by combining two Maevex 6020 devices.
Implementation and operation of the Maevex 6020 Remote Recorder is simple as 1-2-3. Its superior hardware recording and streaming technology is completely integrated into the Panopto cloud video platform. Simply connect power, network, and video; power up; log in to the Panopto cloud account and its done. From there, the all-in-one Panopto VMS platform provides complete control and makes video management, recording, live streaming, inside-video searching, quizzing, analytics, mobile, and other features readily accessible. The front of the appliance also includes one-touch, easy-access button controls to record, pause, resume, and stop. For Panopto first-time users and seasoned professionals alike, the Maevex 6020 Remote Recorder delivers a simple, best-in-class video capture and streaming experience for any academic or enterprise environment. | Matrox Monarch LCS Encoder Appliance |
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