| Content | Blackmagic Design’s Ultimatte 12 goes beyond the power of even the most advanced keyers, also functioning as a high power real time compositing processor. Enjoy superb edge handling, color separation, color fidelity, spill suppression, and more. 12G-SDI technology supports work in HD and Ultra HD for real-time compositing of weather, sports, news, and entertainment in studio environments.
Control Ultimatte 12 keyers with the Ultimatte Smart Remote 4. The remote connects to the Ultimatte 12 via Ethernet. Set it on the desktop or rack mount it with other equipment. Chain up to eight Ultimatte 12 units together to control with one Smart Remote. In that setup, you get the same functions without adding a video router or hub.
Physical buttons on the Smart Remote 4 control and switch any attached Ultimatte 12 conveniently with on line and on air indicators. Dedicated buttons quickly load and save presets. Large touchscreen makes navigating menus and adjusting settings quick, and provides control over every parameter.
Create your own custom control solutions for Ultimatte 12 with the simple open text based protocol in the Smart Remote 4. Ability to Telnet into Ultimatte 12 over your network lets you develop and test custom control solutions.
Blackmagic Design Ultimatte Smart Remote 4 Features
- Control up to 8 Ultimatte 12s
- Connects via Ethernet
- 8 rotary knobs for adjusting parameters
- 10" touchscreen
- Open text based protocol
- Telnet into Ultimatte 12 over your network
| Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM advanced panel is added to an ATEM switcher as a control panel.
Although each switcher includes ATEM software control panel for Mac or Windows, an ATEM Advanced Panel is faster to use, making it ideal for demanding live production environments. Setup more complex effects with the enormous amount of control you’ll have in the ATEM 2 M/E. The ATEM 2 M/E Advanced Panel features broadcast buttons, knobs, and a t-bar fader.
The ATEM 2 M/E has two M/E rows with 20 input buttons and two independent system control LCDs for reach row. Each row has an independent select bus, and can control up to four M/Es in larger switchers. Input buttons have customizable colors and button label LCDs.
Modern design with the latest broadcast technology combine to enable faster workflows. Built in LCD control screen identifies work processes. Buttons are curved and have color backlighting to reduce incorrect key presses and quickly identify the keys you need. Professional joystick controls DVE and camera adjustments, smooth weighted t-bar fader, and more.
Durable and compact, the ATEM 2 M/E fits in a standard equipment rack. It can be used seamlessly for shelf mounting in broadcast trucks, mobile racks, and fly away kits.
Blackmagic Design ATEM 2 M/E Features
- Add to an ATEM switcher for accessible control panel functions
- Faster workflow
- Two independent rows of control, each with 20 input buttons
- Backlit buttons make identification easy and lower incorrect key presses
- Joystick for DVE and camera adjustments
- Smooth weighted t-bar fader
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Blackmagic Design’s ATEM production switcher series create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. With a machined aluminum front panel and multi voltage power supplies, ATEM live production switchers can power live production needs at live concerts, sporting events, theater productions, and conferences around the world.
The ATEM 4 M/E has 20 12G-SDI inputs that allow embedded audio mixing and can be used on sources without genlock, such as laptops. Two balanced XLR audio inputs can connect to professional mixers, and a HiFi audio input can connect to an iPod. Thirteen video outputs can be used with any TV or monitor to connect with LED screens, projectors, disk recorders, and broadcast decks. Monitor up to 16 cameras simultaneously with the two independent multi view outputs. An independent aux output can feed big screens on stage, and pairs excellently with SmartScope Duo 4K for tech monitoring.
Let your creative expression take the lead with the ATEM 4 M/E. Creative transitions can be used in all resolutions, and the transition type, pattern, and length are customizable. Powerful digital video effects processor gives you the ability to position, resize, rotate, and scale live video in real time. Built in chroma, luminance, linear and pattern keyers, and two independent downstream keyers all come standard. The ATEM 4 M/E adds an advanced chroma keyer on each mix effects row for massive multi-layer effects. On-screen adjustable controls can select and sample a region of color. Chroma keyer also features foreground, background and edge adjustment controls, and chroma correction tools.
Add multi box compositions quickly and easily with SuperSource’s separate five layer switcher. SuperSource can be assigned to any ATEM video input, so you can produce multi camera interviews or picture in picture while the M/Es, keyers, and DVE are available for other uses. Compositions from SuperSource can be saved and automatically recalled.
Recall saved sequences with dual media players and HyperDeck SSD recorders. Dual media players support popular image formats for downloading still frames and graphics for keying. Set up and automatically start complex sequences with power macros. These macros are saved as XML files for instant recall and can even be copied to use on another switcher. For other pre-recorded sequences, connect up to four HyperDeck SSD recorders to the ATEM switcher.
Software control panel can be used on Mac or Windows computers. This included software panel offers a full visual switcher control panel and parameter palettes. For greater control access, add an ATEM advanced panel.
Blackmagic Design ATEM 4 M/E Features
- Switch between SD, HD, or Ultra HD video standards for ultimate flexibility in live production
- 3840 x 2160 frame size
- 12G-SDI performance
- 20 video inputs and 13 video outputs
- Dozens of effects and creative transitions
- Powerful digital effects processor
- Built in keyers
- Advanced chroma keyer to create multi-layer effects
- SuperSource function extends the ATEM’s power by adding a separate 5 layer switcher
- Dual media players with large graphic memory
- Power macros to save and instantly recall sequences
- Compatible with HyperDeck SSD recorders
- Included software control panel for Mac or Windows
- Add a hardware-based ATEM advanced panel for control in demanding live sound applications
In The Box
- ATEM 4 M/E Broadcast Studio 4K1
| Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM Camera Control panel can be added to any ATEM switcher model and is connected via Ethernet.
The ATEM Camera Control panel uses traditional broadcast style controls and adjustments in a compact design so one person can monitor and adjust technical parameters such as black levels, gain, color balance, shutter speed, and more. With this control panel, there are four separate LCD displays and control sections for control of up to four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. Control layout is familiar and logical for fast and easy operation by operators of all levels. This control panel is meant to be portable, so does not need to be bolted down.
Quickly adapt to changes in the scene with the top section of controls. Top section controls include white balance, master gain, bars, and shutter speed. You can save and recall presets with the load scenes function. RGB controls in the center section allow you to adjust the individual red, green and blue levels in blacks and whites when you need to compensate for unwanted color. The bottom section is dedicated to lens and iris controls, a joystick to adjust iris and master black. There are buttons for talkback with the operator, panel lock, and a number indicator for preview and on air status.
Blackmagic Design ATEM Camera Control Panel Features
- Traditional broadcast style controls and adjustments
- Portable control panel
- Iris control
- Shutter speed
- White balance
- Master gain
- Pedestal
- RGB controls for white and black
| The VR-4HD is a complete HD studio in a compact and portable package that replaces several different pieces of complex A/V equipment. Designed with individual operation in mind, the VR-4HD allows for easy video switching and mixing of audio and video using advanced Digital Signal Processing (DSP).
Along with dedicated hardware controls faders, buttons, and touch screen interface. It beautifully integrates a digital audio mixer, video switcher, multi-viewer touch screen, and USB video/audio streaming interface into a stand-alone device. This portable live HD production solution is ideal for schools, churches, council meetings, corporate events, sports, training sessions, or any other live event.
The VR-4HD features professional quality broadcast controls and switches ensuring more accurate and faster operation than interfaces based on a computer style mouse and keyboard. The ability to simultaneously switch video with the push of a button and adjust audio with the push of a fader is invaluable and puts all essential features at the operator's fingertips. The inherent multi-see screen is likewise a touch screen interface for getting to set-up boundaries, making it incredibly simple to alter various picture settings progressively by hauling the inset window onto the screen.
Roland VR-4HD Features
- All-in-one portable production solution
- Easy to use with dedicated hardware controls and audio faders and integrated touch screen preview monitor
- 6 input, 4-Channel Video Switcher
- Supports HDMI*1, RGB/Component, and Composite Video Inputs Up to 1080p
- Input 4's scaler now supports a wider range of video and VESA resolutions.*1 *2
- Built-in Scaler via CH4
- 18-Channel Digital Audio Mixer with XLR, TRS, and RCA jacks along with audio from HDMI inputs
- Embedding and de-embedding of audio with delay settings
- Auto mixing and Echo Canceling function
- Composition effects including DSK (Downstream Keyer), picture-in-picture etc.
- Capturing a still Image from Input Video on channel 4*3 [Ver.1.5]
- Built-in touch quad-input multi-viewer with audio metering
- External Multi-View Output through HDMI
- HDCP Support
- USB3.0 Video/Audio Output up to 1080/30p (uncompressed) and Audio Loopback Feature
- Software control using VR-4HD RCS application for Mac and PC and remote control via USB connection
- Sending a still image to the VR-4HD by VR-4HD RCS*3 [Ver.1.5]
- Tally, GPIO connections
| Power supply not included - requires IEC cable.
The UltraStudio 4K Extreme 3 lets you connect Thunderbolt 3 computers to any video equipment. Connect to the Thunderbolt 3 port for video and audio connections compatible with SD, HD, Ultra HD, and 4K DCI formats up to 60 frames per second. Use the UltraStudio 4K Extreme 3 to build high performance edit workstations, archive from old broadcast decks, output broadcast graphics, and live stream.
Connect and work with the equipment of your choice. SDI in and out, HDMI out, and balanced analog input provide high quality connections to just about any equipment you could want to work with. An extra HDMI input and balanced analog audio out connect for in-studio audio monitoring use. Larger design than the Mini UltraStudios lets the UltraStudio 4 Extreme fit 4 channel analog audio via XLR connections, 2 channels of AES/EBU digital audio, and dedicated timecode connections. Video reference for sync playback to broadcast systems and RS-422 remote are included. The UltraStudio 4K Extreme 3 can feed SDI fill and key from RGB graphics from your computer to a live production switcher for high quality live broadcast graphics keying.
12G-SDI technology brings the most powerful video capture and playback solution at high speeds. Speed supports work of Ultra HD and 4K 60p over one BNC cable. Multi rate 12G-SDI connections provide greater compatibility, working with existing SD and HD equipment and newer Ultra HD formats up to 2160p60.
With the UltraStudio 4K Extreme 3, you’re not locked into a single format. Popular compressed video formats and 10-bit uncompressed video are both supported. Images in uncompressed video are a perfect pixel-for-pixel clone of the source without any loss of quality.
Thunderbolt 3™ technology ensures the UltraStudio 4K Extreme 3 is a power-driven solution. Low latency and highly accurate time synchronization provide the highest possible quality capture and playback. UltraStudio 4K Extreme 3 uses a fast one cable connection to a computer with the bandwidth to easily handle high resolution video formats. Powered by the Thunderbolt connection, the UltraStudio 4K Extreme 3 can run from a laptop battery without needing a power connection. An AC power connection is also included.
Front panel has fast control buttons and integrated color LCD. Back panel uses industry standard BNC and HDMI connectors. Enjoy broadcast and digital cinema quality capture and playback in any workflow.
Blackmagic Design UltraStudio 4K Extreme 3 Features
- Connect Thunderbolt 3 computers to video equipment
- Compatible with SD, HD, Ultra HD, and 4K DCI formats up to 60 frames per second
- Designed to work with popular video editing software on Mac, Windows, and Linux systems
- Video reference for sync playback to broadcast systems
- RS-422 remote
- Support for compressed and uncompressed formats
- Low latency and accurate time synchronization in Thunderbolt 3 technology
- Easily portable
- Stand alone on desktop or rack mount
- Broadcast and digital cinema quality capture and playback
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