| Content | Power supply not included - requires IEC cable.
The UltraStudio 4K Extreme 3 lets you connect Thunderbolt 3 computers to any video equipment. Connect to the Thunderbolt 3 port for video and audio connections compatible with SD, HD, Ultra HD, and 4K DCI formats up to 60 frames per second. Use the UltraStudio 4K Extreme 3 to build high performance edit workstations, archive from old broadcast decks, output broadcast graphics, and live stream.
Connect and work with the equipment of your choice. SDI in and out, HDMI out, and balanced analog input provide high quality connections to just about any equipment you could want to work with. An extra HDMI input and balanced analog audio out connect for in-studio audio monitoring use. Larger design than the Mini UltraStudios lets the UltraStudio 4 Extreme fit 4 channel analog audio via XLR connections, 2 channels of AES/EBU digital audio, and dedicated timecode connections. Video reference for sync playback to broadcast systems and RS-422 remote are included. The UltraStudio 4K Extreme 3 can feed SDI fill and key from RGB graphics from your computer to a live production switcher for high quality live broadcast graphics keying.
12G-SDI technology brings the most powerful video capture and playback solution at high speeds. Speed supports work of Ultra HD and 4K 60p over one BNC cable. Multi rate 12G-SDI connections provide greater compatibility, working with existing SD and HD equipment and newer Ultra HD formats up to 2160p60.
With the UltraStudio 4K Extreme 3, you’re not locked into a single format. Popular compressed video formats and 10-bit uncompressed video are both supported. Images in uncompressed video are a perfect pixel-for-pixel clone of the source without any loss of quality.
Thunderbolt 3™ technology ensures the UltraStudio 4K Extreme 3 is a power-driven solution. Low latency and highly accurate time synchronization provide the highest possible quality capture and playback. UltraStudio 4K Extreme 3 uses a fast one cable connection to a computer with the bandwidth to easily handle high resolution video formats. Powered by the Thunderbolt connection, the UltraStudio 4K Extreme 3 can run from a laptop battery without needing a power connection. An AC power connection is also included.
Front panel has fast control buttons and integrated color LCD. Back panel uses industry standard BNC and HDMI connectors. Enjoy broadcast and digital cinema quality capture and playback in any workflow.
Blackmagic Design UltraStudio 4K Extreme 3 Features
- Connect Thunderbolt 3 computers to video equipment
- Compatible with SD, HD, Ultra HD, and 4K DCI formats up to 60 frames per second
- Designed to work with popular video editing software on Mac, Windows, and Linux systems
- Video reference for sync playback to broadcast systems
- RS-422 remote
- Support for compressed and uncompressed formats
- Low latency and accurate time synchronization in Thunderbolt 3 technology
- Easily portable
- Stand alone on desktop or rack mount
- Broadcast and digital cinema quality capture and playback
| The VR-50HD MK II Multi-Format AV Mixer is the next evolution of Roland’s industry-leading, all-in-one AV switcher with USB 3.0 streaming. Easily operated by a single person, the VR-50HD MK II continues to deliver best-in-class connectivity and flexibility, allowing you to work a wide range of events with different I/O requirements.
The powerful VR-50HD MK II is a completely self-contained AV solution, consolidating video switching, digital audio mixing, multi-viewer touchscreen control, and USB AV streaming into a single unit that’s simple to run. And with the comprehensive rear patch panel, it’s quick and easy to make on-the-fly input assignments to cross-points on the switcher.
With the VR-50HD MK II, you can send any of the connected input devices to a dedicated Aux output without affecting the main PGM destination. Use the Aux assignment panel buttons to switch the source, or synchronize the Aux output with the PGM (mixer) output to act as a built-in distribution amp. Drilling down into menus while switching is a thing of the past, thanks to dedicated broadcast-style buttons for Aux, PinP, and Still sources. Select, Solo, and Mute buttons are included for all audio channels, speeding up the monitoring process. And with the large touchscreen multi-view monitor, you can view and assign inputs, display up to four still images, execute preview/program functions, and much more.
Offering a number of automation functions the VR-50HD MK II allows a single operator to switch video and mix pro-level audio at the same time. Use Auto Mixing to balance audio levels, Video Follows Audio to switch cameras based on sound input, and Anti-Feedback to automatically tame howling mic feedback. Adaptive noise reduction helps with noise canceling and hum suppression. The VR-50HD MK II is also equipped with a variety of standard audio production inputs, including four XLR/TRS combo jacks with 48 V phantom power, four stereo pairs (two ¼-inch and two RCA), and embedded audio from 3G/HD/SD-SDI and HDMI.
Built-in support can directly control select JVC, Panasonic, Sony, PTZOptics, Avonic and VISCA compatible PTZ LAN cameras. Up to six PTZ cameras can be operated at once via the LAN port. Use the same technology as webcams to reach worldwide audiences by plugging into a computer via USB 3.0 and using a streaming service that's able to use a webcam as its source.
Roland VR-50HD MK II Features
- Aux output for dedicated record, streaming, or confidence monitor feeds
- Updated user interface for fast, trouble-free operation
- High-quality audio preamps and converters for crystal-clear sound
- Direct control of select PTZ cameras from JVC, Panasonic, Sony, PTZOptics, Avonic and VISCA compatible over LAN
- Automatic audio mixing, adaptive noise reduction and automatic video switching functions to support single operators
- All-in-one convenience and ultra-flexible connectivity
- Four-layer composition and still store
| Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM Camera Control panel can be added to any ATEM switcher model and is connected via Ethernet.
The ATEM Camera Control panel uses traditional broadcast style controls and adjustments in a compact design so one person can monitor and adjust technical parameters such as black levels, gain, color balance, shutter speed, and more. With this control panel, there are four separate LCD displays and control sections for control of up to four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. Control layout is familiar and logical for fast and easy operation by operators of all levels. This control panel is meant to be portable, so does not need to be bolted down.
Quickly adapt to changes in the scene with the top section of controls. Top section controls include white balance, master gain, bars, and shutter speed. You can save and recall presets with the load scenes function. RGB controls in the center section allow you to adjust the individual red, green and blue levels in blacks and whites when you need to compensate for unwanted color. The bottom section is dedicated to lens and iris controls, a joystick to adjust iris and master black. There are buttons for talkback with the operator, panel lock, and a number indicator for preview and on air status.
Blackmagic Design ATEM Camera Control Panel Features
- Traditional broadcast style controls and adjustments
- Portable control panel
- Iris control
- Shutter speed
- White balance
- Master gain
- Pedestal
- RGB controls for white and black
| Power supply not included - requires IEC cable.
The Smart Videohub 12G 40x40 is the most advanced router of the Videohub series. It works in all SD, HD, and Ultra HD formats up to 2160p60. Offering a revolutionary routing process, the mixed format router has built-in video monitoring and spin knob router control.
You get an extremely convenient routing process with visual routing. Router connections are shown as video on the LCD screen while you spin the knob to select your routing. Built-in monitor also displays crosspoint connection labels and TV formats. Visual routing makes the routing process faster than ever.
Monitor all the live video connected to the Smart Videohub 12G 40x40 from the LCD screen. LCD supports video in nearly all TV formats, eliminating the need for a separate external monitor. Monitoring from the Videohub is helpful to confirm the correct video inputs are being sent to the correct video outputs.
12G-SDI connections run at twice the speed of 6G-SDI, supporting equipment that works with high frame rate Ultra HD 2160p60. At that high frame rate you can use the same 60 fps workflow from HD while getting the higher quality of Ultra HD. 12G-SDI also handles SD, HD, and Ultra HD formats easily. 6G-SDI is still supported, so you get the benefits of both technologies.
Multi format technology supports connecting compatible equipment to the router simultaneously. Seamlessly work in NTSC and PAL SD, 720, 1080HD, even 2160 Ultra HD at any frame rate and the router switches standards so inputs match.
Free software developer kit gives you the power to create your own custom router control. The included external software control lets you control the router via network on Mac and Windows. Hardware control panels are available with the Videohub Smart Control Pro and Videohub Master Control Pro (both sold separately). RS-422 protocol can also be used to control Videohub for router crosspoint switching.
Videohub 12G 40x40 Features
- 12G-SDI technology
- 40 inputs
- 40 outputs
- Spin knob control
- Work with SD, HD and Ultra HD formats simultaneously
- Visual routing
- Built-in LCD
- Includes external software control
| Blackmagic Design’s Ultimatte 12 goes beyond the power of even the most advanced keyers, also functioning as a high power real time compositing processor. Enjoy superb edge handling, color separation, color fidelity, spill suppression, and more. 12G-SDI technology supports work in HD and Ultra HD for real-time compositing of weather, sports, news, and entertainment in studio environments.
Incredibly life-like composites place your talent into any scene. Computer generated augmented reality objects provide realistic transparency and depth talent can walk behind, even with glass-style objects. The Ultimatte 12 works with fixed cameras and static backgrounds, or automated virtual set systems. On set previsualization is another plus, since actors and directors can see the virtual sets while shooting against a green screen.
Remove the background without affecting foreground colors. Advanced flare, edge and transition processing isolates and treats image sections differently while keeping color transitions smooth. High-level compositing keeps the final product photorealistic.
Green tinting and spill are no longer problematic thanks to the adjustments made to flare algorithms in the Ultimatte 12. Flare automatically samples colors to create seamless mattes for walls, floors, or other parts of your image. Shadows get mapped and composited onto the new background for a realistically three-dimensional view, spill is removed, and transparent objects are cleaned.
Advanced algorithms and large internal color space make it feel like you’re using several Ultimatte keyers on one image. For example, fine edge detail is a great feature for visuals of hair but is not something you would want applied to an entire image. Images are automatically processed based on the colors in each area, so fine edge detail is applied to just the hair portion.
Cameras at different angles see the same green screen slightly differently, which keyers in live production switchers aren’t designed to correct. Ultimatte 12 makes it possible to add keyers to every camera in a shot for the best possible key.
The Ultimatte 12 includes 7 input connections dedicated to compositing different elements together. 12G-SDI connections offer high frame rate Ultra HD from one BNC connection that can plug into your regular HD equipment. Connections let you work with SD, HD, 3G, 6G and 12G-SDI equipment, and in HD or Ultra HD formats up to 2160p60.
Blackmagic Design Ultimatte 12 Features
- Connect to SDI equipment in HD and Ultra HD
- Add augmented reality and virtual elements
- One touch keying
- Advanced image processing
- Expanded internal color space
- New math and sub pixel processing designed for high quality and clarity in HD and Ultra HD
- Incredible color fidelity
- Flare removes green tinting, spill, shadows, and reflections
- Ideal for broadcast news, sports, and traditional TV and film production
- 12 Month Limited Manufacturer's Warranty
| The Matrox® Maevex 6020 Remote Recorder appliance is a Panopto-certified live streaming multi-recorder specifically designed (for and fully integrated with) Panopto™ industry-leading video management system (VMS). Everything you love about the Panopto cloud or on-premises management of recording, streaming, scheduling, and everything else is available for the Maevex 6020 on the Panopto VMS platform making it simple and easy for administrator and in-room/class operator alike. Leveraging the award-winning Maevex 6100 Series multi-recording and streaming technology, the Maevex 6020 Remote Recorder enhances the Panopto VMS solution by providing best-of-breed live streaming and recording functionality for businesses and universities.
The Maevex 6020 Remote Recorder provides unique features to the Panopto VMS. Key feature set includes two 1080p inputs with multiple on-device quality recordings per input and two channels of 1080p live streaming while recording. Unique to the Maevex 6020 are the multiple recordings of different qualities recorded simultaneously to the devices solid-state memory and uploading while the session is in progress. These on-device multiple recording qualities can later be used to address the best-possible quality match for any viewing device. The recordings are encoded and ready for use as is without any quality loss or time loss (no transcoding, decoding, or re-encoding required). This workflow enables the video on demand from the event to be made available to viewers much faster, at the best quality possible.
When there are no active streams being broadcast, the two sets of recorded streams are delivered to the Panopto VMS simultaneously during the live event with only the slightest of lag from the start of the event as cloud transcoding is eliminated. If there are live streams being broadcast, the recorded streams are delivered immediately after the live streaming event ends, again with no cloud transcoding required. Additionally, in a single session, up to four sets of recordings (each set with multiple quality levels) and two Full HD streams can be enabled by combining two Maevex 6020 devices.
Implementation and operation of the Maevex 6020 Remote Recorder is simple as 1-2-3. Its superior hardware recording and streaming technology is completely integrated into the Panopto cloud video platform. Simply connect power, network, and video; power up; log in to the Panopto cloud account and its done. From there, the all-in-one Panopto VMS platform provides complete control and makes video management, recording, live streaming, inside-video searching, quizzing, analytics, mobile, and other features readily accessible. The front of the appliance also includes one-touch, easy-access button controls to record, pause, resume, and stop. For Panopto first-time users and seasoned professionals alike, the Maevex 6020 Remote Recorder delivers a simple, best-in-class video capture and streaming experience for any academic or enterprise environment. |
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