| Content | Dangerous Music's MASTER brings the amazing analog sound and functionality of previous Dangerous boxes to the mastering world with a truly unique approach that will give your projects an edge over your competitors. Three insert points are front-panel switchable for integrating external analog processing and there's something special lurking behind the S&M Width knob. With the S&M button depressed, MASTER engages a "Sum or Minus" mode that controls the stereo spread and much more. Every mastering engineer that incorporates outboard gear into their rig needs a MASTER!
Powerful processing at your fingertips
There's truly nothing quite like MASTER. The S&M functionality adds a remarkable element to your mastering arsenal. Imagine being able to modify the frequency content of the program material residing in the left/right aspects of the stereo field without changing the spectrum of the center material. With MASTER, you can. Hit the S&M button, activate insert #2 with a stereo EQ connected, and you can work wonders with the sound. Say the vocals (panned center) sound fine in the mix, but you'd like to brighten the guitars and cymbals a bit (which reside in the left and right panning positions). S&M removes the center material temporarily so you can process the extreme left and right signals without coloring the center material. The S&M Width knob can also modify the width of the overall stereo field. The engineers here at Sweetwater love the flexibility of the MASTER!
A plethora of useful controls
From left to right, you've got L/R Level controls, three buttons that trigger the insertion of outboard gear in the signal path, a button that individually selects which inputs are being processed, a button that triggers Stereo or Middle Sides mode on insert 2, and a button that selects whether the Monitor Output jacks have the Input or Output signal sent to the monitor section. Next up is the Input Monitor Offset. This is very handy to match the input and output levels to listen to the effect of processing without the level difference clouding one's judgment. The engineer can also match input and output level, look down at the scale, and determine the relative gain obtained from the mastering process. This control has a scale of -2 to +8dB in 0.5 dB steps. The S&M Width was covered in depth in the previous paragraph. Lastly, the Output level control dictates the final level that passed on to the A/D convertor.
What the pros are saying about the MASTER:
- "I've never mastered a song without a Dangerous MASTER! And I can't imagine it. With the S&M feature on the MASTER, you can really fix some problems in mixes, and address balance issues... Comparing it to Mid-Side processors in the digital realm I just think it's a 'Day and Night' difference." — Colin Leonard (Mastering Engineer)
- "I'm a huge fan of the Dangerous MASTER's S&M circuitry. It always seems to add an elegant width and depth to the mix. The Dangerous gear has certainly created an advantage. Another reason we have been able to establish ourselves in a highly competitive field is that aside from the gear sounding great...our Dangerous gear has been truly steady and stable." — Emily Lazar (Mastering Engineer)
- "I can't say enough about the quality components and sonic integrity...it doesn't get much better than this. I could hear the difference between AD/DA converters...choosing between them...for each session...has become effortless. I cannot imagine working without the Dangerous MASTER." — Larry DiVivo (TapeOp Magazine)
- "Dangerous Music really got it right with the Dangerous MASTER." — Andrew Mendelson (Mix Magazine)
- "I love all the Dangerous Music equipment. I use the MONITOR ST, the MASTER, and two 2-BUS LTs for my mixing and stem-mastering." — Noël Jackson (Mastering Engineer)
- "The Dangerous MASTER immediately made a huge improvement in the quality of my work. I think it's the cleanest sounding solution available." — Dave McNair (Mastering Engineer)
Dangerous Music MASTER Features:
- Audiophile-grade components yield crystal-clear sound
- 3 insert points are front-panel switchable for integrating external analog processing
- S&M button provides you with integrated Mid-Side processing
- S&M Width knob modifies the width of your overall stereo field
- Stepped controls ensure easy repeatability
- 2 stereo inputs and 3 stereo outputs (1 for monitoring)
- Seamless connection with the Dangerous Liaison
| 20 canali (16 mono e 2 stereo) con ingressi combo jack 1/4/XLR - 22 tracce di registrazione simultanea e 20 tracce di playback - 22in/4 out USB come interfaccia - 6 monitor out - uscita cuffie con jack da 1/4 - phantom su tutti i canali XLR a gruppi di 4 - ingresso Hi-z sui canali 1 e 2 - pad di 26dB - compressore sui canali da 1 a 16 - tasto master mute - low-cut 40-600 Hz. 12dB/OCT - stereo panning - master e monitor out (A-F) - fino a 9 scene salvabili - doppio processore effetti regolabili - class compliant con sistemi iOS - App iOS per controllo a distanza tamite BTA-1 Bluetooth adapter (incluso) - registrazione su SD card (fino a 24bit/96kHz) o su PC/MAC come scheda audio - Rack ears incluse
Dimensioni: Lunghezza 55.5cm - Profondità 23.7cm - Altezza 43.6cm - Volume 0.057m³
Zoom # L-20R - Mixer digitale 20 canali. recorder e interfaccia audio - formato rack # P.A. / Mixer # Serie LiveTrack | An 8-channel stereo summing mixer with 12AX7 tubes for sonic excitement, the Radial Space Heater can add incredible depth and harmonic richness to your tracks. Recording engineers at Sweetwater know that summing in the analog domain, as opposed to within your DAW, is a great way to get that big-console sound. The Space Heater's variable tube overdrive allows you to add everything from subtle transformer warmth to rich harmonic distortion. From gluing individual drum tracks into a cohesive kit to mixing down your final stems, the Radial Space Heater will add a great sound to your productions.
Tubes and transformers are just what your digital tracks need
No matter how well you record your tracks, or how you approach your mixes in your DAW, it's hard to beat the undeniably rich and deep sound that summing in the analog domain is known for. Instead of investing in a large analog console, a summing mixer like the Radial Space Heater is the perfect match for DAW-based studios. The transformer-coupled outputs add a touch of warmth, and variable tube overdrive is perfect for adding sparkle to vocals, depth to acoustic instruments, and even full-on distortion for extreme effects. Send your stems through the Space Heater, record the stereo mix back into your DAW, and you'll be impressed with the results.
Variable voltage for fine-tuning the tube sound
The Radial Space Heater not only gives you variable tube overdrive for each stereo input pair, but it also allows you to switch between 35-volt, 70-volt, and 140-volt operation. Use the 35-volt setting for maximum grit and distortion, or switch over to 70 volts for cleaner headroom and a smoother sound. When you want the cleanest headroom, switch over to 140 volts. You can adjust the voltage for each stereo input pair individually, which means you can add gritty overdrive to rock vocals while giving bass and drums tons of clean headroom for a deep, punchy sound.
Two useful studio tools in one
One look at the back panel tells you that the Radial Space Heater is ready to be a studio workhorse. Each of the eight channels can be set up as a hardware insert, which means you can send individual tracks through the Space Heater to add tube saturation and transformer warmth. Once your individual tracks are perfect and you're ready to sum your final mix, run your stems through the Space Heater and record the final stereo mix to your DAW. The Space Heater is effectively a smart combination of four outstanding tube/transformer modules plus an analog mixer.
Radial Space Heater 8-channel Tube Summing Mixer Features:
- Stereo summing mixer for adding warmth, depth, and harmonic richness
- A 12AX7 tube for each input pair lets you add anything from subtle sparkle to full-on distortion
- Transformer-coupled outputs add a touch of character while maintaining a high-quality, low-noise signal
- 3 adjustable voltage modes (35-volt/70-volt/140-volt) allow you to adjust how much clean headroom you have before distortion begins
- Use it as an analog summing mixer or as 4 individual tube saturation/transformer warmth modules
- Multiple units can be linked for higher channel count
| Espandibile fino a 32 canali - QCon Pro XS8 + 1 fader motorizzati sensibili al tocco con risoluzione a 10 bitFader LED a 12 segmentiDoppio display LCD retroilluminato 2 × 56 per visualizzare il nome del canale. i valori di controllo. ecc. Per ogni canaleDisplay LED a 12 segmenti che mostra la posizione temporale del progetto in formato SMPTE o BBT - 18 pulsanti assegnabiliRotella jog shuttle per ricerca e controllo velociPulsanti illuminati per ogni canale. inclusi Record Enable. Solo. Mute. Select e Monitor6 pulsanti illuminati tra cui Play. Stop. Rec. Rewind. Fast Forward e LoopPulsante ZOOM illuminato con 4 pulsanti di direzione9 pulsanti funzione MIDI assegnabili illuminatiEspandibile a 32 canali utilizzando 3 unità di espansione QCon XSDue (2) connettori da 1/4 per interruttori a pedale e pedaliClasse compatibile con Windows XP. Vista (32 bit). Windows 7 (32 bit e 64 bit). Windows 8 (32 bit e 64 bit). Windows 10 (32 bit e 64 bit) e Mac OS XConnettività USB 2.0 ad alta velocitàIl driver ICON Quick-Setup è disponibile per Cubase. Nuendo. Reason e Bitwig per la compatibilità plug & play istantaneaBitwig Studio 8-Track DAW è incluso.Mackie Control integrato per tutte le DAW elencate (ad eccezione di ProTools che utilizza il protocollo Mackie HUI)Facile aggiornamento del firmware disponibile tramite connessione USB e software iMapQualità costruttiva superiore e robusto involucro in metallo con porta per blocco Kensington
Dimensioni: Lunghezza 51cm - Profondità 23.5cm - Altezza 57.5cm - Volume 0.068m³
Icon # Qcon Pro X - controller per DAW # Controller Midi / Controller Midi USB # Serie Qcon | SPL MixDream Analogue Summing Unit
- Analogue outboard summing mixer
- Active Class A/60-volt stages
- 16 inserts for mixing external effects
- Individual and overall bypass relays
- Reduced of A/D conversions
- Efficient resampling individual tracks
- Latency-free monitoring
- Stereo expansion control for additional transparency
- Analogue peak limiter for gain optimisation
- Lundahl output transformers and inserts
- Adjustable insert levels, output levels and peak limiters
- Multiple units linkable for larger mixes
| BEHRINGER X32 RACK " Rack Mixer
- 32 Channels
- 16 XLR Mic/Line inputs
- 8 Stereo FX returns
- 25 Buses
- 6 Matrix buses with insert
- 6 Mute groups
- 8 DCA groups
- 8 XLR outputs
- 6 AUX inputs via 6.3 mm jack (optional: 2 via RCA)
- 6 AUX outputs via 6.3 mm jack (optional: 2 via RCA)
- Adjustable headphone jack
- 32 x 32 USB audio interface
- Talkback microphone input (XLR)
- 4-Band fully parametric EQ on each channel
- Adjustable delays on all channels
- Virtual effects rack with 8 FX slots
- Built-in stereo USB recorder
- Remote control via Ethernet
- 5" TFT display
- Compatible with the Behringer P-16 personal monitoring system
- Format: 19" / 3U
- Dimensions: 132 x 483 x 287 mm
- Weight: 6.5 kg
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