| Content | The 5.1.2 pack is the second generation in the Sib range, composed of two loudspeakers equipped with an additional speaker driver on the top featuring Dolby Atmos technology. This system distinguishes itself by offering sound effects on a vertical plane, reflected off the ceiling. Get ready to live a completely new audio experience worthy of cinemas!
Combination systems like the Focal Sib Evo have been around for a long time. They typically include small speakers and a subwoofer. Done properly, this type of design has some inherent advantages.
The human voice falls right in the critical midrange area of the acoustic range. By designing a small speaker that does not need to worry about producing deep bass, the engineer can focus on getting the important range of the music right. A well-designed sub can then take over to fill in the lower frequencies. The engineers know which speakers will be dedicated to which frequencies, and can design them to work perfectly with one another.
The real trick is coupling the satellites with a subwoofer that is fast enough to keep up with them without just being a boomy, noisy box. That boomy bass will cover up all the midrange goodness, defeating the whole purpose.
A good sat/sub system also offers the ability to place the smaller satellite speakers in the best spot in your room for great stereo imaging and put the sub in a place that couples best to your room for full and even bass response.
Most French audio products have a pretty cool look about them, and the Sib Evo is no exception. The five speakers are in a curvy ABS plastic housing. They will never be accused of having a basic, boxy look! Fit and finish are excellent. The speakers use a push connection for the speaker cable and will accept up to a 12 gauge speaker wire. All 5 also come with a neat little base for table use and included in the box are two wall mounts, which will probably come in handy for the rears. There is also an optional floor stand available for them.
The left and right larger speakers have two sets of connections on the rear, one pair for the main, and another on top of those for the Atmos speaker. One of our few complaints was the push connection widgets. It takes a little fiddling with them to get the speaker wire to go in all the way, and once you have it in, getting it out again is a bit of a challenge. For most people, getting the speaker wire in will be a one-time thing, so we felt this was not a deal-breaker.
Features & Technology
The five satellites each have a 5” Polyflex woofer and a ¾” soft dome tweeter. You will notice the main left and right satellites are larger than the other three. This is the cool part! These guys also have a 4” full-range Dolby Atmos speaker in the top of the cabinet that fires up at an angle.
The Cub subwoofer included in the package is almost a perfect 12” cube. It has an 8” Polyflex driver connected up to a 200-watt class D amplifier. The driver is downward firing with a front-firing port. Connections on the rear include a right and left input; the left is used for LFE (low-frequency extension channel). There is a level and crossover control, along with a phase switch. If you had to put the sub behind you, you’ll want to flip the phase switch to 180. The sub box itself is made out of a pretty dense MDF material and has a really solid feel to it with virtually no resonance. You’ll also notice that the feet for the sub are very large and designed to reduce vibrations.
Dolby Atmos came out about two years ago and we think it is the biggest improvement in surround sound we have heard since the introduction of Dolby Digital almost 20 years ago. Dolby Atmos is an object-based surround format where the audio engineer doing the movie soundtrack has the ability to place sounds in a three-dimensional space. The idea is to use surround speakers at ear level in addition to either in-ceiling Atmos speakers or speakers that reflect off the ceiling as the Sib system uses. The Atmos speakers in the larger left and right satellite cabinets are angled to bounce the sound off the ceiling so it will appear to be coming from right above you.
By now you may have figured out what the 5.1.2 means. In the new lingo of Dolby Atmos, this means you have five main speakers, one subwoofer, and two Atmos speakers.
Performance
We set up the Focal Sib 5.1.2 with one of the new Sony ES receivers to test it out. These are a great value, like the Focal system, and we suspect this will be a popular combination. Any Dolby Atmos-certified receiver will have a section in the setup in which you tell the system what kind of Atmos speakers you are using. When setting up the Focal system, make sure you specify that you are using upward-firing Atmos speakers in the front.
We set the crossover points for the satellites at 80 Hz and then put on some tunes to get the front speakers positioned best. Like most satellite/sub systems, we found you want them in a rough 2:3 ratio. This means that if they are two feet apart, you sit three feet from them. In most rooms, this will probably work out to about a 6-foot spread sitting about 9 feet away from them. We then played a few different cuts with deep bass to get bass levels set properly.
Being the two-channel audio geeks that we are, we first had to determine how this system performed with just music in a two-channel stereo. Our music tests used a NAD CD player going analog into the Sony receiver -- very impressive! The speakers are very clean sounding with no trace of harshness. If you dial in the satellite position, you can get a great 3-dimensional image with the main vocals floating dead center in front of you. Probably the most impressive part is how well the subwoofer blends with the satellites. It took a little fiddling with its position and output level, but once we had it set the way we wanted, the bass was quite seamless to the satellites. While it does not go as deep as a more expensive subwoofer, its response is excellent for its size. We just found music was a lot of fun to listen to using this setup.
Moving onto the home theater performance, we tried some cuts with challenging dialog. One of our favorite movies for this is Valkerie because there are a lot of accented, deep voices in the soundtrack. If your center channel is weak, you’ll really notice it on some of the scenes. The Sib system did very well in this regard -- the dialog was crystal clear, allowing the actors' emotions to come through.
You’ll get the best results if you set the surrounds up just a little above ear level when you are seated, and about 12-18” behind your head, aimed at your listening area. If you have a flat ceiling that is 10’ or under, the upward-firing Atmos speaker does a pretty impressive job too. The cool thing about the base that comes with the main fronts is the way you can adjust the tilt on it +/- about 5 degrees so you can “tune” the way Atmos feeds bounces off the ceiling and arrives at your listening spot. Overall, we still prefer actual Atmos in-ceiling speakers for the best effect, but for the money, this system works really well!
The Focal Sib 5.1.2 might be one of the best values we have ever seen in home theater. You’ll have to run some wires to the rears, but the end result is way beyond any soundbar/sub combo in the same price range as the Sib 5.1.2 and a good Dolby Atmos receiver.
Overall Recommendation
Over the past couple of years, the soundbar has gained popularity because it is just so easy to integrate with a TV. But the audio performance of a soundbar just can not even approach a great separate home theater package.
When making your choice, you have to think about how much time over the next ten years or so you will spend watching that TV and listening to the audio system. We feel like the Focal Sib Evo 5.1.2 bridges that gap between a full-fledged home theater system consisting of multiple speakers in your ceilings and walls and a soundbar/sub combination. Couple it with a modest Dolby Atmos home theater receiver and you’ll be having tons of fun enjoying movies, TV, and sports for many years to come!
- Composed of a 5″ Polyflex speaker driver and a 1″ silk dome tweeter integrated into a sizeable enclosure in order to give it extended frequency response. The Dolby Atmos loudspeaker is equipped with an additional 3″ full-range Polyflex speaker driver on top dedicated to the Atmos effects.
- The Cub Evo active bass-reflex subwoofer recalls the same design codes as Focal's Hi-Fi subwoofers in a ‘‘lifestyle" product. Equipped with an 8 ' ' speaker driver and a 200W Class D amplifier.
- Dolby Atmos offers sound effects on a vertical plane, which reflects sound off the ceiling, giving an ultra-realistic 3D realism effect to a home theater.
- Easy installation with a wide range of mount possibilities.
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Housed within the gorgeous piano-gloss black enclosure are two horizontally-opposed 12" ultra-long-throw active drivers and two vertically-opposed 15" x 13" planar infrasonic radiators. This dual-plane, patented† dynamic inertial-balancing preserves and focuses all the energy produced by the transducers in order to more effectively move the air in the room, rather than wasting energy moving the box. It also enables you to hear all the fine subtle details in your recordings.
GoldenEar's best subwoofer, the new SuperSub™ Series models are ultra-high-performance yet amazingly compact subwoofers that incorporate many recently developed unique and advanced technologies and components. The goal was to create beautifully styled, finely finished, reasonably sized subwoofers that could generate very low-frequency pressure waves of extremely high amplitude, while delivering accurate and precise low-frequency performance that is both highly impactful and extremely musical.
In order to achieve this, the SuperSubs, GoldenEar's best subwoofer series, incorporates a unique, patented* 360 degree dual-plane inertially-balanced driver and sub-bass radiator topology, combined with a very advanced electronics package. With two active drivers separated horizontally in space, as well as two passive radiators separated vertically, the driver-to-room coupling is distributed much more smoothly, for in-room bass performance that can’t typically be achieved with a single subwoofer.
The electronics packages that drive the SuperSubs' fully balanced array are a 1600 watt (XXL) and 1400 watt (X) Class D Digital amplifiers whose design is based on the technology originally developed for the GoldenEar Triton One tower. Features include: Discrete multi-band limiting, phase-perfect equalization, fully balanced and advanced reconstruction filters and a strong focus on keeping latency to an absolute minimum. Input facilities include a direct-coupled, unfiltered LFE input for home theater, or stereo Left/Right low-level inputs with low-pass for two-channel setups. Sonically, the result of all this technology is a rock-solid bass response that is both exceptionally fast and tuneful for music and extraordinarily deep and powerful, in order to effortlessly reproduce the most extreme movie sound effects.
- Two 12" long-throw high-output bass drivers
- Two 15" x 13" quadratic planar infrasonic radiators
- 1600 Watt ForceField digital amplifier
- LFE Line-Level Input: Unfiltered (no low pass), direct-coupled
- Right/Left Line-Level Input: Variable Low-Pass from 40 Hz – 150 Hz
- Fuse Size: 8-amp 250-volt slow blow fuse (110-volt version) / 6.3-amp 250-volt slow blow fuse (240-volt version)
| The ML-55 has a 5.5″ mineral-filled polypropylene cone woofer, which combines the stiffness needed for accurate sound reproduction with the quick transient response that makes music come alive. |
The ForceField Subwoofers are unique in appearance and incomparable in its deep, rich bass ideal for music and movies. The ForceField 4 is compact and drives a front-mounted high-power ultra-long-throw 10" sub-bass driver coupled to a downward-firing 11"x 13-7/8" quadratic planar infrasonic radiator.
The ForceField Subwoofers’ unique and attractive cabinet shape, with its non-parallel cabinet walls (the top is narrower than the bottom when viewed from the front), helps the ForceField subs achieve extraordinarily deep and tuneful bass that is ideal for music and movies. Their cutting-edge amplifier design employs state-of-the-art DSP control for frequency shaping so the subwoofer produces accurate, consistent and musical bass performance.
Many of today's subwoofers fall into either the ultra-compact high-output category, or the (larger) high performance, extended response, high-output category. These two design types tend to offer different performance benefits, the ultra compact having the ability to play extremely loud, but over a narrower bandwidth and the large subs having this high output plus more extended response.
GoldenEar's engineering team set out to accomplish the best of both worlds with the new ForceField subwoofers: small size, yet with the smooth & wide response of a larger sub. There's no sleight of hand, just great engineering - all ForceField subwoofers share the same technologies, here is a list of their features. Read through these and then take a good demo disc into your GoldenEar dealer's sound room and listen for yourself.
- Custom-designed high-output drivers with very large motor assemblies. These drivers handle massive power, have very long excursions, and have ultra-low distortion.
- Rigid cabinets with non-parallel sides to minimize standing waves and distortion. The drivers are front firing in all of our subwoofers for optimal performance. The cabinets' possess a unique and understated shape and style that matches well with any décor.
- The driver's response is enhanced with a carefully tuned, down-firing, quadratic-shaped passive radiator (no noisy ports on ForceField subs). The quadratic shape allows the radiators to use maximum surface area on the bottom of the cabinets and gets even greater output from the slot-loading that results from the subwoofers' interface with the floor (see next point).
- The soft, energy-absorbing feet provided with every ForceField sub serve a number of functions. First, they hold the subwoofer at the correct distance off the floor so the passive radiator slot-loads with it for significantly increased output at the lowest frequencies. Second, the soft feet keep the subwoofer from dancing around on the floor.
ForceField subwoofer amplifiers are designed in-house by GoldenEar engineering, so each is the perfect amp to power its specific subwoofer model.
- In addition, the amps all have powerful DSP sections to optimize frequency response, minimize distortion and prevent damage from overdriving. These amplifiers are all low distortion and extraordinarily powerful (up to 1500 watts on the ForceField 5) for reproducing seriously high-output AND low bass.
- ForceField subs all have speaker-level inputs and outputs (with a high pass crossover on the outputs) as well as a direct LFE input, too.
- Non-parallel sides minimize standing waves and distortion. The shape allows the radiators to use maximum surface area on the bottom of the cabinets and gets even greater output from the slot-loading that results from the subwoofers' interface with the floor.
- Features 1200-watt digital amp, a front-mounted high-power ultra-long-throw 10" sub-bass driver coupled to a downward-firing 11"x 13-7/8" quadratic planar infrasonic radiator.
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MartinLogan's Burial Conduit Junction can be used with the Outdoor Living Series Sat 40 and Sat 60 speakers to enhance the ambiance of your outdoor living space. With a sleek, attractive dark bronze finish, the conduit junction looks and feels high-quality.
- Mount your speakers on the ground, in a tree, on a deck rail, or under an eave with the 12" Ground Stake.
- The half-inch threaded "Quick Twist Cap" gives you the flexibility to mount or "plant" the satellites anywhere to get the sound coverage you want.
- "Quick Twist Cap" works universally with all three speaker mounts: 12" Ground Stake, wire-protecting Burial conduit Junction, or Surface Mount Bracket for walls and decks.
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The ultra-compact SuperSub X (just a little bigger than a 12-1/2" cube) utilizes the same dual-plane, patented inertially-balanced driver array as the SuperSub XXL, but instead employs two horizontally-opposed 8" ultra-long-throw active drivers and two vertically-opposed 10-1/2" x 9-1/2" planar infrasonic radiators, driven by a 1400 watt Class D Digital amplifier.
GoldenEar's best subwoofer, the new SuperSub™ Series models are ultra-high-performance yet amazingly compact subwoofers that incorporate many recently developed unique and advanced technologies and components. The goal was to create beautifully styled, finely finished, reasonably sized subwoofers that could generate very low-frequency pressure waves of extremely high amplitude, while delivering accurate and precise low-frequency performance that is both highly impactful and extremely musical.
In order to achieve this, the SuperSubs, GoldenEar's best subwoofer series, incorporates a unique, patented 360 degree dual-plane inertially-balanced driver and sub-bass radiator topology, combined with a very advanced electronics package. With two active drivers separated horizontally in space, as well as two passive radiators separated vertically, the driver-to-room coupling is distributed much more smoothly, for in-room bass performance that can’t typically be achieved with a single subwoofer.
The electronics packages that drive the SuperSubs' fully balanced array are a 1600 watt (XXL) and 1400 watt (X) Class D Digital amplifiers whose design is based on the technology originally developed for the GoldenEar Triton One tower. Features include: Discrete multi-band limiting, phase-perfect equalization, fully balanced and advanced reconstruction filters and a strong focus on keeping latency to an absolute minimum. Input facilities include a direct-coupled, unfiltered LFE input for home theater, or stereo Left/Right low-level inputs with low-pass for two-channel setups. Sonically, the result of all this technology is a rock-solid bass response that is both exceptionally fast and tuneful for music and extraordinarily deep and powerful, in order to effortlessly reproduce the most extreme movie sound effects.
- Two 8" long-throw high-output bass drivers
- Two 10-1/2" x 9-1/2" quadratic planar infrasonic radiators
- 1400 Watt ForceField digital amplifier
- LFE Line-Level Input: Unfiltered (no low pass), direct-coupled
- Right/Left Line Level Input: Variable Low-Pass from 40 Hz – 150 Hz
- Fuse Size: 6-amp 250-volt slow blow fuse (110-volt version) / 4-amp 250-volt slow blow fuse (240-volt version)
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