Focal Sib Evo Dolby Atmos-Enabled 5.1.2 Home Cinema System

$1,201.19

GTIN: 191561641945 SKU: 191561641945 Category: Tags: ,

Description

The 5.1.2 pack is the second generation in the Sib range, composed of two loudspeakers equipped with an additional speaker driver on the top featuring Dolby Atmos technology. This system distinguishes itself by offering sound effects on a vertical plane, reflected off the ceiling. Get ready to live a completely new audio experience worthy of cinemas!

Combination systems like the Focal Sib Evo have been around for a long time. They typically include small speakers and a subwoofer. Done properly, this type of design has some inherent advantages.

The human voice falls right in the critical midrange area of the acoustic range. By designing a small speaker that does not need to worry about producing deep bass, the engineer can focus on getting the important range of the music right. A well-designed sub can then take over to fill in the lower frequencies. The engineers know which speakers will be dedicated to which frequencies, and can design them to work perfectly with one another.

The real trick is coupling the satellites with a subwoofer that is fast enough to keep up with them without just being a boomy, noisy box. That boomy bass will cover up all the midrange goodness, defeating the whole purpose.

A good sat/sub system also offers the ability to place the smaller satellite speakers in the best spot in your room for great stereo imaging and put the sub in a place that couples best to your room for full and even bass response.

Most French audio products have a pretty cool look about them, and the Sib Evo is no exception. The five speakers are in a curvy ABS plastic housing. They will never be accused of having a basic, boxy look! Fit and finish are excellent. The speakers use a push connection for the speaker cable and will accept up to a 12 gauge speaker wire. All 5 also come with a neat little base for table use and included in the box are two wall mounts, which will probably come in handy for the rears. There is also an optional floor stand available for them.

The left and right larger speakers have two sets of connections on the rear, one pair for the main, and another on top of those for the Atmos speaker. One of our few complaints was the push connection widgets. It takes a little fiddling with them to get the speaker wire to go in all the way, and once you have it in, getting it out again is a bit of a challenge. For most people, getting the speaker wire in will be a one-time thing, so we felt this was not a deal-breaker.

Features & Technology

The five satellites each have a 5” Polyflex woofer and a ¾” soft dome tweeter. You will notice the main left and right satellites are larger than the other three. This is the cool part! These guys also have a 4” full-range Dolby Atmos speaker in the top of the cabinet that fires up at an angle.

The Cub subwoofer included in the package is almost a perfect 12” cube. It has an 8” Polyflex driver connected up to a 200-watt class D amplifier. The driver is downward firing with a front-firing port. Connections on the rear include a right and left input; the left is used for LFE (low-frequency extension channel). There is a level and crossover control, along with a phase switch. If you had to put the sub behind you, you’ll want to flip the phase switch to 180. The sub box itself is made out of a pretty dense MDF material and has a really solid feel to it with virtually no resonance. You’ll also notice that the feet for the sub are very large and designed to reduce vibrations.

Dolby Atmos came out about two years ago and we think it is the biggest improvement in surround sound we have heard since the introduction of Dolby Digital almost 20 years ago. Dolby Atmos is an object-based surround format where the audio engineer doing the movie soundtrack has the ability to place sounds in a three-dimensional space. The idea is to use surround speakers at ear level in addition to either in-ceiling Atmos speakers or speakers that reflect off the ceiling as the Sib system uses. The Atmos speakers in the larger left and right satellite cabinets are angled to bounce the sound off the ceiling so it will appear to be coming from right above you.

By now you may have figured out what the 5.1.2 means. In the new lingo of Dolby Atmos, this means you have five main speakers, one subwoofer, and two Atmos speakers.

Performance

We set up the Focal Sib 5.1.2 with one of the new Sony ES receivers to test it out. These are a great value, like the Focal system, and we suspect this will be a popular combination. Any Dolby Atmos-certified receiver will have a section in the setup in which you tell the system what kind of Atmos speakers you are using. When setting up the Focal system, make sure you specify that you are using upward-firing Atmos speakers in the front.

We set the crossover points for the satellites at 80 Hz and then put on some tunes to get the front speakers positioned best. Like most satellite/sub systems, we found you want them in a rough 2:3 ratio. This means that if they are two feet apart, you sit three feet from them. In most rooms, this will probably work out to about a 6-foot spread sitting about 9 feet away from them. We then played a few different cuts with deep bass to get bass levels set properly.

Being the two-channel audio geeks that we are, we first had to determine how this system performed with just music in a two-channel stereo. Our music tests used a NAD CD player going analog into the Sony receiver — very impressive! The speakers are very clean sounding with no trace of harshness. If you dial in the satellite position, you can get a great 3-dimensional image with the main vocals floating dead center in front of you. Probably the most impressive part is how well the subwoofer blends with the satellites. It took a little fiddling with its position and output level, but once we had it set the way we wanted, the bass was quite seamless to the satellites. While it does not go as deep as a more expensive subwoofer, its response is excellent for its size. We just found music was a lot of fun to listen to using this setup.

Moving onto the home theater performance, we tried some cuts with challenging dialog. One of our favorite movies for this is Valkerie because there are a lot of accented, deep voices in the soundtrack. If your center channel is weak, you’ll really notice it on some of the scenes. The Sib system did very well in this regard — the dialog was crystal clear, allowing the actors’ emotions to come through.

You’ll get the best results if you set the surrounds up just a little above ear level when you are seated, and about 12-18” behind your head, aimed at your listening area. If you have a flat ceiling that is 10’ or under, the upward-firing Atmos speaker does a pretty impressive job too. The cool thing about the base that comes with the main fronts is the way you can adjust the tilt on it +/- about 5 degrees so you can “tune” the way Atmos feeds bounces off the ceiling and arrives at your listening spot. Overall, we still prefer actual Atmos in-ceiling speakers for the best effect, but for the money, this system works really well!

The Focal Sib 5.1.2 might be one of the best values we have ever seen in home theater. You’ll have to run some wires to the rears, but the end result is way beyond any soundbar/sub combo in the same price range as the Sib 5.1.2 and a good Dolby Atmos receiver.

Overall Recommendation

Over the past couple of years, the soundbar has gained popularity because it is just so easy to integrate with a TV. But the audio performance of a soundbar just can not even approach a great separate home theater package.

When making your choice, you have to think about how much time over the next ten years or so you will spend watching that TV and listening to the audio system. We feel like the Focal Sib Evo 5.1.2 bridges that gap between a full-fledged home theater system consisting of multiple speakers in your ceilings and walls and a soundbar/sub combination. Couple it with a modest Dolby Atmos home theater receiver and you’ll be having tons of fun enjoying movies, TV, and sports for many years to come!

  • Composed of a 5″ Polyflex speaker driver and a 1″ silk dome tweeter integrated into a sizeable enclosure in order to give it extended frequency response. The Dolby Atmos loudspeaker is equipped with an additional 3″ full-range Polyflex speaker driver on top dedicated to the Atmos effects.
  • The Cub Evo active bass-reflex subwoofer recalls the same design codes as Focal’s Hi-Fi subwoofers in a ‘‘lifestyle” product. Equipped with an 8 ‘ ‘ speaker driver and a 200W Class D amplifier.
  • Dolby Atmos offers sound effects on a vertical plane, which reflects sound off the ceiling, giving an ultra-realistic 3D realism effect to a home theater.
  • Easy installation with a wide range of mount possibilities.

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Description
ContentThe 5.1.2 pack is the second generation in the Sib range, composed of two loudspeakers equipped with an additional speaker driver on the top featuring Dolby Atmos technology. This system distinguishes itself by offering sound effects on a vertical plane, reflected off the ceiling. Get ready to live a completely new audio experience worthy of cinemas! Combination systems like the Focal Sib Evo have been around for a long time. They typically include small speakers and a subwoofer. Done properly, this type of design has some inherent advantages. The human voice falls right in the critical midrange area of the acoustic range. By designing a small speaker that does not need to worry about producing deep bass, the engineer can focus on getting the important range of the music right. A well-designed sub can then take over to fill in the lower frequencies. The engineers know which speakers will be dedicated to which frequencies, and can design them to work perfectly with one another. The real trick is coupling the satellites with a subwoofer that is fast enough to keep up with them without just being a boomy, noisy box. That boomy bass will cover up all the midrange goodness, defeating the whole purpose. A good sat/sub system also offers the ability to place the smaller satellite speakers in the best spot in your room for great stereo imaging and put the sub in a place that couples best to your room for full and even bass response. Most French audio products have a pretty cool look about them, and the Sib Evo is no exception. The five speakers are in a curvy ABS plastic housing. They will never be accused of having a basic, boxy look! Fit and finish are excellent. The speakers use a push connection for the speaker cable and will accept up to a 12 gauge speaker wire. All 5 also come with a neat little base for table use and included in the box are two wall mounts, which will probably come in handy for the rears. There is also an optional floor stand available for them. The left and right larger speakers have two sets of connections on the rear, one pair for the main, and another on top of those for the Atmos speaker. One of our few complaints was the push connection widgets. It takes a little fiddling with them to get the speaker wire to go in all the way, and once you have it in, getting it out again is a bit of a challenge. For most people, getting the speaker wire in will be a one-time thing, so we felt this was not a deal-breaker.

Features & Technology

The five satellites each have a 5” Polyflex woofer and a ¾” soft dome tweeter. You will notice the main left and right satellites are larger than the other three. This is the cool part! These guys also have a 4” full-range Dolby Atmos speaker in the top of the cabinet that fires up at an angle. The Cub subwoofer included in the package is almost a perfect 12” cube. It has an 8” Polyflex driver connected up to a 200-watt class D amplifier. The driver is downward firing with a front-firing port. Connections on the rear include a right and left input; the left is used for LFE (low-frequency extension channel). There is a level and crossover control, along with a phase switch. If you had to put the sub behind you, you’ll want to flip the phase switch to 180. The sub box itself is made out of a pretty dense MDF material and has a really solid feel to it with virtually no resonance. You’ll also notice that the feet for the sub are very large and designed to reduce vibrations. Dolby Atmos came out about two years ago and we think it is the biggest improvement in surround sound we have heard since the introduction of Dolby Digital almost 20 years ago. Dolby Atmos is an object-based surround format where the audio engineer doing the movie soundtrack has the ability to place sounds in a three-dimensional space. The idea is to use surround speakers at ear level in addition to either in-ceiling Atmos speakers or speakers that reflect off the ceiling as the Sib system uses. The Atmos speakers in the larger left and right satellite cabinets are angled to bounce the sound off the ceiling so it will appear to be coming from right above you. By now you may have figured out what the 5.1.2 means. In the new lingo of Dolby Atmos, this means you have five main speakers, one subwoofer, and two Atmos speakers.

Performance

We set up the Focal Sib 5.1.2 with one of the new Sony ES receivers to test it out. These are a great value, like the Focal system, and we suspect this will be a popular combination. Any Dolby Atmos-certified receiver will have a section in the setup in which you tell the system what kind of Atmos speakers you are using. When setting up the Focal system, make sure you specify that you are using upward-firing Atmos speakers in the front. We set the crossover points for the satellites at 80 Hz and then put on some tunes to get the front speakers positioned best. Like most satellite/sub systems, we found you want them in a rough 2:3 ratio. This means that if they are two feet apart, you sit three feet from them. In most rooms, this will probably work out to about a 6-foot spread sitting about 9 feet away from them. We then played a few different cuts with deep bass to get bass levels set properly. Being the two-channel audio geeks that we are, we first had to determine how this system performed with just music in a two-channel stereo. Our music tests used a NAD CD player going analog into the Sony receiver -- very impressive! The speakers are very clean sounding with no trace of harshness. If you dial in the satellite position, you can get a great 3-dimensional image with the main vocals floating dead center in front of you. Probably the most impressive part is how well the subwoofer blends with the satellites. It took a little fiddling with its position and output level, but once we had it set the way we wanted, the bass was quite seamless to the satellites. While it does not go as deep as a more expensive subwoofer, its response is excellent for its size. We just found music was a lot of fun to listen to using this setup. Moving onto the home theater performance, we tried some cuts with challenging dialog. One of our favorite movies for this is Valkerie because there are a lot of accented, deep voices in the soundtrack. If your center channel is weak, you’ll really notice it on some of the scenes. The Sib system did very well in this regard -- the dialog was crystal clear, allowing the actors' emotions to come through. You’ll get the best results if you set the surrounds up just a little above ear level when you are seated, and about 12-18” behind your head, aimed at your listening area. If you have a flat ceiling that is 10’ or under, the upward-firing Atmos speaker does a pretty impressive job too. The cool thing about the base that comes with the main fronts is the way you can adjust the tilt on it +/- about 5 degrees so you can “tune” the way Atmos feeds bounces off the ceiling and arrives at your listening spot. Overall, we still prefer actual Atmos in-ceiling speakers for the best effect, but for the money, this system works really well! The Focal Sib 5.1.2 might be one of the best values we have ever seen in home theater. You’ll have to run some wires to the rears, but the end result is way beyond any soundbar/sub combo in the same price range as the Sib 5.1.2 and a good Dolby Atmos receiver.

Overall Recommendation

Over the past couple of years, the soundbar has gained popularity because it is just so easy to integrate with a TV. But the audio performance of a soundbar just can not even approach a great separate home theater package. When making your choice, you have to think about how much time over the next ten years or so you will spend watching that TV and listening to the audio system. We feel like the Focal Sib Evo 5.1.2 bridges that gap between a full-fledged home theater system consisting of multiple speakers in your ceilings and walls and a soundbar/sub combination. Couple it with a modest Dolby Atmos home theater receiver and you’ll be having tons of fun enjoying movies, TV, and sports for many years to come!
  • Composed of a 5″ Polyflex speaker driver and a 1″ silk dome tweeter integrated into a sizeable enclosure in order to give it extended frequency response. The Dolby Atmos loudspeaker is equipped with an additional 3″ full-range Polyflex speaker driver on top dedicated to the Atmos effects.
  • The Cub Evo active bass-reflex subwoofer recalls the same design codes as Focal's Hi-Fi subwoofers in a ‘‘lifestyle" product. Equipped with an 8 ' ' speaker driver and a 200W Class D amplifier.
  • Dolby Atmos offers sound effects on a vertical plane, which reflects sound off the ceiling, giving an ultra-realistic 3D realism effect to a home theater.
  • Easy installation with a wide range of mount possibilities.
IsoAcoustics Aperta Isolation Stands can reduce your speakers sound vibrations from transferring to the surface below. Isolating your speakers and equipment can increase clarity and tighten bass. Featuring easy tilt adjustment for precision listening positions. IsoAcoustic Aperta 300 is designed to isolate center channel speakers, studio monitors and bookshelf speakers in horizontal positions.
  • Helps eliminate vibrations created by speakers
  • Best for center channel and horizontally positioned studio speakers
  • Tilt feature to position your speaker to your ear
  • Supports up to 60 lbs Each
  • Size: 10L x 8W x 4H
  • Sold as each.
  • Designed for a speaker at least 11.8” wide and 7.8” deep with a max weight of 60 pounds
  • Aluminum finish
With the ElectroMotion ESL, Martin Logan has created the world's most affordable high-performance hybrid electrostatic loudspeaker, with a legendary CLS™ XStat™ transducer and an 8-inch woofer to deliver ideal home theater front/surround sound. ElectroMotion ESL The ElectroMotion ESL represents a bold new direction for electrostatic loudspeaker design. Featuring a full-sized 34-inch tall curvilinear XStat™ electrostatic transducer and a superbly integrated high-performance woofer, the new EM-ESL performs more like a mini-flagship than an entry level audiophile speaker. Designed for both 2-channel music enthusiasts and those seeking the worlds most articulate and dynamic multi-channel home theater systems, the EM-ESL is the most compelling 'affordable' audiophile-grade speaker ever brought to market. The ElectroMotion ESL (EM-ESL) represents a brave new direction for electrostatic loudspeaker design. Featuring a full-sized 34-inch tall curvilinear XStat™ electrostatic transducer the new ESL performs more like a mini-flagship than an entry level audiophile speaker. Long time MartinLogan enthusiasts are sure to describe ElectroMotion ESL as the second-coming of the legendary Aerius electrostatic speaker which debuted in 1992 and went on to sell in record numbers. The new ESL, however, boasts 40 percent more radiating surface, a superbly integrated and authoritative bass performance, and a sensitivity rated at 91dB. In addition, the ESL is capable of being effortlessly powered by both receivers and high-end amplifiers alike. ElectroMotion ESL's XStat electrostatic MicroPerf panel is housed within a radical aluminum and composite AirFrame™ similar to those found on MartinLogan's flagship products. AirFrame technology rigidifies the electrostatic panel without obstructing playable surface area or interfering with ambience enriching dipole sound radiation. At the same time, an AirFrame provides electrical and acoustical isolation, minimizing intermodulated distortion caused by vibration and resonance while enhancing imaging, low-level sonic detail, accuracy, and efficiency. MicroPerf design optimizes the individual holes of The EM-ESL's electrostatic panel. MicroPerf design substantially increases diaphragm radiating area, compared to early generations—without compromising structural integrity. The resulting increase in output capability and efficiency allows The EM-ESL's panel to enjoy a substantial leap in bandwidth and dynamics without growing larger. For example, The EM-ESL's XStat electrostatic panel features 129 square inches of sound radiating surface on both the front and back and a sensitivity of 91dB into 6 Ohms. The Aerius, well received its day, only had 93 square inches and a sensitivity of 89dB into 4 Ohms. A unique XStat™ transducer was developed for the ElectroMotion ESL to reduce the gauge thickness of the electrostatic panel's steel stators. The reduced gauge does not alter the performance characteristics of the panel. However, as a natural byproduct of tighter build tolerances, it does increase the visual transparency of the panel. The EM-ESL's new XStat panel is so visually transparent it nearly vanishes when you're sitting and listening. Controlled Dispersion Sound Radiation Another key attribute of the ElectroMotion ESL is its naturally dipolar radiation pattern. A true dipole, The EM-ESL radiates sound with equal intensity from the front and back of its diaphragm, but the outputs are in opposite phase. As a result, sound waves rippling out toward the sides meet at the speaker's edge and cancel. That and the relatively large size of the ElectroMotion ESL's electrostatic panel cause output at the sides to be very low relative to that of a conventional loudspeaker, which in turn minimizes side-wall reflections that tend to muddle sonic detail and stereo imaging. While the reduction in output to the sides contributes to the astonishing clarity for which electrostats are revered, the energy reflected off the wall behind the speaker opens up and deepens the sound. Superb Bass Integration To seamlessly blend audio output from the high- and mid-frequency electrostatic panel to the low-frequency woofer the ElectroMotion ESL features a proprietary Vojtko™ topology filter utilizing custom air core coil and low DCR steel laminate inductors, polyester film capacitors in series, and low DF electrolytic capacitors in parallel. A precise 8-inch high-excursion, perfectly balanced, audiophile grade, doped fiber cone woofer was custom designed exclusively for The EM-ESL by MartinLogan's in-house engineering team. This woofer precisely optimizes cone suspension and magnetic flux field to produce high levels of bass output and simultaneous precise midrange. The custom woofer's rigid light-weight diaphragm eliminates cone flexure and minimizes response time to achieve remarkably low-distortion approaching that of MartinLogan's award-winning electrostatic panel design. Easy Connections, Solid Adjustable Footing Convenient push-style speaker terminals and curved inserts help guide speaker wire effortlessly into place. The rubber end caps on the terminal are also removable for the use of banana plugs instead of bare wire. The EM-ESL is supplied with sturdy, 3/8-16 ETC™ spikes, which can be used to fine tune vertical wave launch, enhance stability on thick carpets, and create tighter coupling between speaker and floor to provide a tighter and detailed bass performance. Each spike is conveniently covered by removable rubber end caps if you prefer not to use spikes.
MartinLogan's high-performance ElectroMotion IW in-ceiling speaker delivers incredible sound to your home theater with a 6.5-inch aluminum cone woofer and Folded Motion tweeter.
  • The ElectroMotion Architectural Series features MartinLogan's award-winning Folded Motion thin film transducer technology to take acoustical performance to a new level with in-wall and in-ceiling applications.
  • With Folded Motion tweeter technology, response time is drastically reduced with the use of a pleated diaphragm that "squeezes" air to create sound, almost like an accordion.
  • The sturdy mounting-lock system allows for quick, hassle-free installation with firm coupling of the speaker's chassis to the ceiling. When removing the speaker, the locks retract and latch themselves back in their housings.
The Helos 22 delivers legendary Martin Logan quality and performance in a compact, high-resolution in-ceiling loudspeaker. Featuring dual 0.75-inch neodymium soft dome tweeters, a high-rigidity aluminum cone woofer, and proprietary Vojtko crossover topology, Helos 22 effortlessly provides solid imaging with extreme sonic accuracy.
  • Features dual tweeters and a dual voice coil woofer. This design allows the speaker to provide stereo sound from a single speaker, ideal for use in small rooms such as bathrooms, small offices, entryways, and kitchens.
  • A robust mounting-lock system allows quick, trouble-free installation. When not in use, the constant-control mounting locks are held securely within a self-contained housing. When moved into place during installation, they couple the speaker's chassis firmly to the ceiling. And if the speaker is ever removed, the locks retract and latch themselves back in their housings.
  • Features ultra-low profile, paintable micro-perforated grilles with no visible bezel for a near invisible integration into any wall or ceiling.
The Motion ultra-slim SLM XL features four passive radiators for amazing, controlled bass performance.
  • The dual 4-inch, ultra-slim fiber cone woofers and four 4-inch passive bass radiators, paired with a Folded Motion tweeter create stunning acoustical alchemy all from a thin profile.
  • The drivers are held securely in place by a solid, black-anodized brushed aluminum baffle under the grille.
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Color Options

Black, Silver