Korg Mw 2408 Mixer Mixer

$1,121.14

GTIN: 4959112191150 SKU: 4959112191150 Category: Tags: , , ,

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KORG MW 2408 MIXER MIXER

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SettingsKorg Mw 2408 Mixer Mixer removeRadial Space Heater Summing Mixer and Tube Drive removeHeritage Audio MCM-8 II 500 Series Chassis and Summing Mixer removeZoom L 20 R Mixer Digitale 20 Canali. Recorder E Interfaccia Audio Formato Rack removeSSL UF8 Advanced DAW Controller removeDangerous Music LIAISON Analog Master Router remove
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SKU4959112191150676101041336MCM8MK24515260020973878076001470628586497030
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Description
ContentKORG MW 2408 MIXER MIXERAn 8-channel stereo summing mixer with 12AX7 tubes for sonic excitement, the Radial Space Heater can add incredible depth and harmonic richness to your tracks. Recording engineers at Sweetwater know that summing in the analog domain, as opposed to within your DAW, is a great way to get that big-console sound. The Space Heater's variable tube overdrive allows you to add everything from subtle transformer warmth to rich harmonic distortion. From gluing individual drum tracks into a cohesive kit to mixing down your final stems, the Radial Space Heater will add a great sound to your productions.

Tubes and transformers are just what your digital tracks need

No matter how well you record your tracks, or how you approach your mixes in your DAW, it's hard to beat the undeniably rich and deep sound that summing in the analog domain is known for. Instead of investing in a large analog console, a summing mixer like the Radial Space Heater is the perfect match for DAW-based studios. The transformer-coupled outputs add a touch of warmth, and variable tube overdrive is perfect for adding sparkle to vocals, depth to acoustic instruments, and even full-on distortion for extreme effects. Send your stems through the Space Heater, record the stereo mix back into your DAW, and you'll be impressed with the results.

Variable voltage for fine-tuning the tube sound

The Radial Space Heater not only gives you variable tube overdrive for each stereo input pair, but it also allows you to switch between 35-volt, 70-volt, and 140-volt operation. Use the 35-volt setting for maximum grit and distortion, or switch over to 70 volts for cleaner headroom and a smoother sound. When you want the cleanest headroom, switch over to 140 volts. You can adjust the voltage for each stereo input pair individually, which means you can add gritty overdrive to rock vocals while giving bass and drums tons of clean headroom for a deep, punchy sound.

Two useful studio tools in one

One look at the back panel tells you that the Radial Space Heater is ready to be a studio workhorse. Each of the eight channels can be set up as a hardware insert, which means you can send individual tracks through the Space Heater to add tube saturation and transformer warmth. Once your individual tracks are perfect and you're ready to sum your final mix, run your stems through the Space Heater and record the final stereo mix to your DAW. The Space Heater is effectively a smart combination of four outstanding tube/transformer modules plus an analog mixer.

Radial Space Heater 8-channel Tube Summing Mixer Features:

  • Stereo summing mixer for adding warmth, depth, and harmonic richness
  • A 12AX7 tube for each input pair lets you add anything from subtle sparkle to full-on distortion
  • Transformer-coupled outputs add a touch of character while maintaining a high-quality, low-noise signal
  • 3 adjustable voltage modes (35-volt/70-volt/140-volt) allow you to adjust how much clean headroom you have before distortion begins
  • Use it as an analog summing mixer or as 4 individual tube saturation/transformer warmth modules
  • Multiple units can be linked for higher channel count
Heritage Audio's MCM-8 MK2 is an 8-slot 500 Series chassis with an integrated 10-channel summing mixer. The top-of-the-line MCM-8 MK2 features On Slot Technology that leverages next-generation power electronics to handle power supply on a per slot basis. Each slot has its own power supply linear regulation stages, isolating each module from the rest. Your modules simply share the metal enclosure. Each slot even has test LEDs for checking correct power operation. Dual-concentric potentiometers handle Volume and Pan for each slot, with pan pots being center detented for precise center positioning. Each channel is equipped with an On switch to assign it to the mix bus. MK2 improvements include a lower noise floor and the addition of a bypass switch for each slot that still lets you use the summing mixer functions. Heritage Audio has earned the respect of Sweetwater engineers, and the MCM-8 MK2 lives up to that sterling reputation.

Superb build and feature set

From its RAF blue-gray enclosure to the solid tactile feedback from its knobs and switches, the Heritage Audio MCM-8 MK2 unabashedly rocks vintage British Class A vibe. And just like the classic gear that inspires all Heritage Audio equipment, the MCM-8 MK2 boasts superb build quality and a very smart feature set. There's an additional stereo input on the back panel, which allows several MCM-8 MK2 units to be daisy-chained — or signals not needing further 500 Series processing to be mixed together. The central section sports analog VU meters and a Stereo Master fader. Gold-plated XLRs and DSUB25s handle the I/O.

Smart technology, superior sound

Thanks to Heritage Audio's On Slot Technology (OST), the MCM-8 MK2's power capability is a maximum of 400mA per rail, per slot — with an overall of 1.4A (1.6A non-continuous) per rail, whichever is reached first. Total available phantom power is 140mA. The mix bus has a passive voltage summing topology, similar to that found in Rupert Neve's 80 Series consoles of the 1970s. The gain loss is restored by the same Class A, 2n3055 driven, transformer-based output stage used in the Heritage Audio's modern-day version of the classic 1073. If you're not into specs, what this all means is that the MCM-8 MK2 is built right to give you many years of authoritative sonic performance and trouble-free use in your studio or on the road.

Heritage Audio MCM-8 MK2 Features:

  • 8-slot 500 Series chassis with integrated 10-channel summing mixer
  • NEW lower noise floor
  • NEW bypass switch for each slot that leaves summing mixer functions enabled
  • Mix bus with vintage Neve-style passive voltage summing topology
  • Additional stereo input on the back panel allows several MCM-8s to be daisy-chained
  • Central section sports analog VU meters and a Stereo Master fader
  • Handles power supply on a per slots basis, isolating each module from the rest
  • Gold-plated XLRs and DSUB25s handle your I/O
  • 140mA total available phantom power
  • Class A transformer-based output stage
  • Solid build quality for many years of trouble-free use
20 canali (16 mono e 2 stereo) con ingressi combo jack 1/4/XLR - 22 tracce di registrazione simultanea e 20 tracce di playback - 22in/4 out USB come interfaccia - 6 monitor out - uscita cuffie con jack da 1/4 - phantom su tutti i canali XLR a gruppi di 4 - ingresso Hi-z sui canali 1 e 2 - pad di 26dB - compressore sui canali da 1 a 16 - tasto master mute - low-cut 40-600 Hz. 12dB/OCT - stereo panning - master e monitor out (A-F) - fino a 9 scene salvabili - doppio processore effetti regolabili - class compliant con sistemi iOS - App iOS per controllo a distanza tamite BTA-1 Bluetooth adapter (incluso) - registrazione su SD card (fino a 24bit/96kHz) o su PC/MAC come scheda audio - Rack ears incluse Dimensioni: Lunghezza 55.5cm - Profondità 23.7cm - Altezza 43.6cm - Volume 0.057m³ Zoom # L-20R - Mixer digitale 20 canali. recorder e interfaccia audio - formato rack # P.A. / Mixer # Serie LiveTrackSSL UF8 Advanced DAW Controller The SSL UF8 is an advanced DAW controller designed to fit the needs of DAW-based workflows and ultra-fast turn-around times. The SSL UF8 features 8, 100mm touch sensitive faders, 8 endless rotary encoders and 43 assignable keys. An expandable 8-channel advanced DAW controller, UF8 connects engineers, producers and artists directly to the creative process, offering absolute command of their workflow and significantly accelerating the speed of audio production and content creation. Advanced Workflow UF8 offers intuitive features that are developed from a true understanding of production workflow. Take ultimate control with simultaneous access to multiple DAW sessions, and precise navigation with a multi-purpose Master Encoder for DAW timeline access, track banking and mouse wheel emulation. 'Dual-purpose Selection Keys permit rapid access to select functions as well as solo and mute clearing in Pro Tools and Logic Pro. New CHANNEL and PLUG-IN control modes provide enhanced workflows for those using UF8 with Pro Tools, with easy access to sends and plug-ins without slowing down your creativity. Configurability Each UF8 comes equipped with 43 assignable user keys set across 5 configurable banks, allowing users to configure their essential keyboard shortcuts and macros for total session control. Add multiple controllers to create your unique mixing system; build your perfect 16-24 channel music creation hub, or connect 4 UF8’s within a single system to create a 32-channel controller ideal for large post production or mixing sessions. Multiple UF8s can be chained together using the THRU port and provide a safe place for iLok storage. For perfect positioning, each UF8 includes an adjustable stand allowing for six different angles of elevation for user defined placement. 19” rack mount kits are also available for installation into an ORIGIN console center section or other 19” studio racking. 360° Control SSL’s new 360° software application provides fast configuration and admin control of your UF8. With an expanded system, ‘drag-n-drop’ configuration gives quick and dynamic access to each individual controller set up. Customise workflows and define up to 3 different DAW layers for simultaneous session control, with all changes managed without getting in the way of your productivity. SSL UF8 Features:
  • High-quality 100 mm touch sensitive faders
  • High-resolution colour displays
  • All metal enclosure, finished with a brushed, anodised top plate
  • 8 Endless Rotary Encoders
  • Custom Workflows with 43 assignable keys per UF8; 5 banks of 8 User Keys + 3 Quick Keys
  • Intelligent Multi-Purpose CHANNEL Encoder
  • Mouse Scroll Emulation; control of any plug-in parameter you hover the mouse over with absolute precision
  • Integrates With All Major DAWs with workflow ready templates
  • Pro Tools | Logic Pro | Cubase | Ableton Live | Studio One
  • Hi-Speed USB connectivity
  • Switch Control between 3 Simultaneously connected DAWs
  • Bundled with SSL Native Vocalstrip 2 & Drumstrip plug-in
The Dangerous Music Liaison puts the fun back into trying out creative combinations of gear. The Liaison also lets your setup remain absolutely flexible — just what you need if you want to survive in a market that often demands recording, mixing, and mastering services from a single studio. The Liaison's claim to fame is that it combines your favorite pieces of music gear together in various configurations, allowing you to try out new gear combinations and recall them later. But there's a lot more to the Dangerous Music Liaison than mere signal routing.

Mix, match, store, and recall all your favorite gear combinations

Dangerous Music has always been dedicated to providing serious engineers with the most useful gear possible. They've upped the ante again, with the Liaison. The Liaison lets you experiment with different combinations of gear, giving you a total of six discrete 2-channel inputs and two 2-channel buses. Want to hear how that compressor sounds pre- and post-EQ? With a Liaison, you can audition various hardware combinations as easily as swapping around plug-ins in a DAW. What's more, you can store and recall your favorite setups, so you can keep that killer vocal compression chain or that thumping kick drum processing path close at hand.

Flexible stereo buses give you advanced configuration options

When we ran the Dangerous Music Liaison through its paces here at Sweetwater, we found that its stereo buses do more than just compare two discrete signal paths. Depending on how you configure them, these stereo buses can provide you with two completely independent, flexible signal chains, each serving as its own small routing matrix. You can also combine both buses to create a long and flexible continuous signal-processing chain, in which you can reorder entire sections of your gear setup. Even cooler, you can use the Liaison's buses to establish complex parallel signal processing — opening up limitless sonic possibilities.

Mastering-grade components for unrivaled sound quality

As is the case with all Dangerous Music products, the Liaison is made entirely from mastering-grade components, so you never have to worry about audio coloration or latency. In fact, when set to simply pass audio, professional grade testers used to measure the Liaison read as though they were plugged into themselves. Talk about quality control! Here are some of the other specifics. Both the inserts and the buses feature straight-wire, unamplified, balanced signal paths. All audio is relay-switched via top-quality, gas-filled, bifurcated contact relays — ensuring that all switching is absolutely noiseless. The rest of the Liaison's signal paths feature mastering-grade components made by THAT Corp. and Burr-Brown.

What the pros are saying about the LIAISON:

  • "The Dangerous LIAISON feels like engaging light-speed for my workflow...and make no mistake: workflow IS sound. The sheer speed at which you can do critical comparisons of entire signal chains does have a direct and positive impact how your music will sound." — Alberto Rizzo Schettino (Engineer)
  • "One of the best features of the LIAISON is the monitor outs...you can monitor the signal at four points in the chain: before and after Bus A and B. The usefulness of this feature is huge, and Dangerous deserves major props for including it! The switching of inserts is managed by beefy relays that are as transparent as any I've ever heard." — Adam Gonsalves (Mastering Engineer)
  • "LIAISON gives you the impetus to rethink how you record, mix, and master your music...[and] using the LIAISON is dead simple. I think of LIAISON not as an insert switcher, but as a creativity enabler." — Andy Hong (Writer/Reviewer)
  • "The Dangerous LIAISON is incredibly exciting. To have a device that lets you so easily switch between processors, swap the order of processors, do quick A-B comparisons of signal chains. It makes my work better!" — Jonathan Wyner (Mastering Engineer)
  • "Being able to switch devices from one bus to the other is extremely useful. The fast switching is amazing!" — Jeff Lipton (Mastering Engineer)
  • "The LIAISON is really important — I can do a lot of combinations of chaining gear and I am able to work a lot faster. Before the LIAISON [I had to] switch the patchbay and compare the sounds. Now I am 20-times faster than before, I like the way the LIAISON allows me to still be in the energy of the music. — Antoine "Chab" Chabert (Mastering Engineer)
  • "So happy with the LIAISON. Being able to switch gear in and out from the listening position without leaning over a patch bay is fantastic. After sitting in this chair for so many years, it actually improves my mixing ergonomics considerably." — Bob Power (Mastering Engineer)

Dangerous Music Liaison Features:

  • Flexible signal routing matrix that allows you to combine the gear in your studio in fun, exciting, and creative ways
  • Leverage all your gear, all the time
  • Improve your tracks, mixes, and masters by auditioning and marrying the perfect ensemble of equipment
  • 2 independent stereo buses mean you can set up 1 as a tracking path and the other as a mix path, without repatching, or chain them together
  • Separate parallel processing loop to let drums breathe and crush simultaneously
  • Create complex combinations of gear and A/B instantly
  • Store your favorite settings to recall any tracking, mixing, or mastering configuration
  • 6 stereo insert loops, assignable to 2 stereo buses
  • Mastering-grade components ensure silent, relay-based switching and color-free audio
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