Description
KORG MW 2408 MIXER MIXER
Korg Mw 2408 Mixer Mixer
$1,121.14
Quick Comparison
| Settings | Korg Mw 2408 Mixer Mixer remove | Tascam ML-4D/OUT-E 4-channel Line Output Dante Converter DSP Mixer ML-4DOUT-E remove | Shadow Hills Industries Equinox Summing Mixer and Monitor Controller remove | SSL Six Mixer remove | Dangerous Music 2-BUS+ Analog Summing Mixer remove | Behringer X32 Rack 40-Input Rackmount Digital Mixer with iOS Control remove |
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| SKU | 4959112191150 | 043774033843 | Equinox | 0878076001371 | 646437008235 | 192223017078 |
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| Price | $1,121.14 | $614.76 | $4,214.43 | $823.14 | $2,120.29 | $866.26 |
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| Content | KORG MW 2408 MIXER MIXER | Brand New, in sealed original box, never used, in perfect condition! Tascam product info: Built-in DSP 4 line outputs Dante converter to respond to various needs of contractor market and professional audio scene. The ML-4D/OUT-E is a compact converter that converts Dante input signals into 4-channel line output signals. With half the size of a standard 1U rack, the ML-4D/OUT-E is suitable for different Dante systems as an exquisite analog output unit. The built-in DSP mixer enables small scale systems to fully perform with a variety of input/output models the TASCAM Dante Compact Processor Series offers. ML-4D/OUT-E supports up to 96kHz/24bit and uses Euroblock connectors for analog line output. 4 line output 4 Dante input/output Supports PoE (Power over Ethernet) Up to 24bit/96kHz Includes a variety of DSP functions for optimal use in different scenes/environments (Output effects, 4 in/4 out matrix mixer) Supports Dante daisy chain; this allows two Dante Compact Processor models to be connected without a network switch Compatible with Dante Domain Manager and Dante AES67 Mode Flexible scene preset function allows to work in different area situations (Up to 50 presets) Timer event function allows to automatically switch scenes at a specified time (planned to be compatible on a future version update) 2 types of user control software available for Windows/Mac/iOS/Android devices: For integrators: input/output routing selection, DSP/design/scene settings of the complete system, etc. For end-users: simple app design for only the necessary functions such as area volume settings, etc. Remote control via GPI and Dante Half-rack mountable size Equipped with indicators that show LAN/Dante connection status and sample rate Equipped with signal indicators that monitor line output signals Configurable reference level (via remote control only) | The Shadow Hills Industries Equinox microphone preamp, summing mixer, and monitor controller is like adding a mastering-grade console to your studio's rack. You get two Golden Age microphone preamplifiers, 30 channels of analog summing, a comprehensive mastering-quality monitor section, and switchable output transformers - everything you'll need to make your mixes sound like they were created in a world-class facility. You'll love the rich, open character of the microphone preamps. The summing mixer gives you ample headroom to craft exciting, dynamic mixes. And you'll hear every detail and nuance of your music, thanks to the precision-designed monitoring signal path. In short, the Shadow Hills Industries Equinox gives you the functionality and timeless sound of an analog console in a convenient, 2U rackmountable unit.
In today's modern recording studio, the ability to work smarter is the key to success. The Equinox combines the most useful features of a traditional analog console, like premium summing capability, talkback functionality, and a flexible monitoring section. While you could buy a high-quality, dual-channel mic preamp, 30 channels of analog summing, and an impeccable monitoring controller separately, you would spend thousands more and still may not reach the same level of sonic excellence as you get with the Equinox.
Shadow Hills Industries Equinox Microphone Preamp/Summing Mixer/Monitor Controller at a Glance:
| SSL Six Mixer
The SSL Six Mixer is a condensed professional console for use in the studio, in post-production, on stage, and for podcasting, SiX offers big console sound and an impressive set of utility features in a format that is small enough to stick in a bag. SiX is stunning value; it offers two recording channels with SuperAnalogueTM mic pres, an essential one knob version of the classic SSL Channel Compressor, a new two-band Channel EQ, inserts and 100mm faders.
There is a two-knob version of the legendary G-Series Bus Compressor on the main mix bus and the unique Listen Mic Compressor on the Talkback. In mixdown mode it is a very capable twelve channel summing system that offers analogue detail, depth and width to your mixes. The Six Mixer carries the DNA of 40 years of true expertise in creative studio workflow. Listen to SiX and you will experience the impeccable sonic performance that is the hallmark of every SSL console. It is powerful, intuitive, inspired and rewarding.
SSL Six Mixer Features
| The Dangerous Music 2-BUS+ is a 2U, 16-channel analog summing mixer with both XLR and D-sub inputs. It raises the bar on its legendary 2-BUS predecessor with even lower crosstalk, distortion, and noise-floor performance, along with stunningly precise soundstaging and center focus. Dangerous spent over two years developing three onboard audio processors that, with a simple push of a button and twist of a knob, add tone and color to your stems or across your entire mix directly from the 2-BUS+. The 2-BUS+ is smartly designed, extremely useful, and sounds incredible.
A trio of custom audio processorsIn sync with Dangerous Music's doctrine of tonal coloration as a per-project artistic choice, the 2-BUS+ features three separate custom audio processors that selectively add tone and color to your mixes. In parallel processing mode, you can deploy Harmonics, a tuned harmonic distortion generator, and Paralimit, a FET limiter on steroids. At Sweetwater, we've applied both of these across stereo mixes and on pairs of stems. X-Former kicks in a pair of custom transformers with core-saturation control on your stereo mix outs. You can have all three tone processors active concurrently, and you can flip the order of signal flow through distortion and limiting.Outstanding flexibilityDangerous Music knows that each engineer — and session — is unique, so they designed the 2-BUS+ for outstanding professional flexibility. They spec'd it with an XLR stereo insert before the outputs for adding a separate compressor or processing chain that you can bypass at the touch of a button for a quick reference comparison. Channels 1/2 and 9/10 can be set to mono to rout; for instance, vocals/bass and kick/snare each to its own mono input. They also gave the 2-BUS+ an output control stepped in 0.5dB increments from -4dB to +6dB, and included XLR connections for both the main and monitor outputs. Gang 'em for high channel countNeed a full-on analog "console" summing experience? Gang together multiple 2-BUS+ units via the stereo expansion inputs XLR to create a customized channel count. For the ultimate in tonal flexibility and control, the custom audio processors on each unit apply across the ganged group output. With three units, for instance, you'll have 48 channels of analog summing, with the first two units employing Harmonics (distortion), and Paralimit (limiter) across two separate stereo stems, and the third unit applying X-Former transformer saturation on the master stereo outputs.What the pros are saying about the 2-BUS+:
Dangerous Music 2-BUS+ Analog Summing Mixer Features:
| BEHRINGER X32 RACK " Rack Mixer
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