| Content | LiveU LU300 with BirdDog BDP200 Live Production Bundle with IP Pipe PTZ Control
LiveU LU300 - Compact HEVC Field Unit for On-the-Go Live Streaming. The LU300 is a small-sized, cost-effective and reliable HEVC encoder, enabling broadcasters and other content creators to transmit high-quality video on-the-go.
BirdDog P200 - Combining BirdDog's custom NDI silicon chip, 30x optical zoom, and Sony backlit sensor and image module, the BirdDog Eyes P200, in black, is a full NDI 1080p60 PTZ camera designed for large indoor spaces. Thanks to the fast autofocus and zoom ensured by the true Sony image module, the P200 is highly suitable for catching all the fast action in places such as sporting events.
LiveU LU2000 - The LU2000 bonded video decoder is used to receive, decode and playout any HEVC/H.264 bonded video streams sent by LiveU’s range of field units. The LU2000 can also be used as a transmission node when sharing video over the LiveU Matrix video management and distribution platform.
LiveU IP Pipe - Enhance your remote production set-up and reduce costs by remotely controlling your IP-based gear. LiveU’s IP Pipe gives you remote control over a wide variety of network-based equipment.
| BirdDog 3x P200 Cameras (White) and 1x FREE PTZ Keyboard
BirdDog Eyes P200 Camera: Designed for serious production the image quality of P200 is best in class. Built on a true Sony Image module with Sony CMOS backlit sensor, P200 has super fast focus, incredibly sharp images, and amazingly fast zoom. P200 has frame rates up to 1080p60, 30x optical zoom, and outputs SDI, HDMI, and NDI simultaneously.
BirdDog PTZ Keyboard: BirdDog PTZ Keyboard is a full featured PTZ Keyboard that supports NDI®, NDI|HX, Visca over IP, RS422, and RS232. By harnessing BirdDog’s next generation NDI® and IP technology, it’s never been easier to discover, connect, and control your PTZ cameras. Featuring superior ergonomics, premium buttons and joystick, all in a beautiful form factor this is the PTZ controller you have been waiting for. Universal control. Mix and Match protocols.
|
Unbox Your Creativity
High-performance livestream camera is small and light, with expandability and multi-camera control, perfect for livestreamers, broadcasters, and cinema.
Box-Style Cinema & Live Camera
Dual Native ISO, C4K 60p 10-bit recording, 13 stops of dynamic range with V-LogL all in an easy to deploy box-style camera for increased shooting flexibility.
Superior Low Light Performance
High-sensitive 10.2MP Live MOS sensor with Dual Native ISO technology for outstanding low-light video performance.
The Micro Four Thirds name and logos are trademarks or registered trademarks of Olympus Corporation in Japan, the United States, the European Union, and other countries and regions.
A LUMIX First: Simultaneous SDI/HDMI Output
You can simultaneously monitor SDI output, record HDMI output externally, and control the camera remotely via USB or LAN tethering for professional cinematic quality.
A LUMIX First: Ethernet / PoE+ Compatible Camera
Simply by connecting the BGH1 via Ethernet cable, your camera will be powered over Ethernet and allow multiple-camera remote control through the LUMIX Tether software.
IEEE802.3at compliant.
Remote Control Multiple Cameras with LUMIX Tether
Multiple camera recording enabled by Ethernet cable connection on LUMIX Tether software enables more efficient video production.
LUMIX Tether for Multicam software will be released at the product shipment of BGH1.
Front Tally Lamp / Rear Tally Lamp
Thanks to the clean lines of the body design, the tally lamps can be monitored from the front, top, side, or back, a welcome convenience on any shoot.
Stable Connectivity with Simultaneous SDI/HDMI Output
Supports extended cable runs and external monitoring. Supports simultaneous C4K/4K 60p 4:2:0 10-bit internal recording and C4K/4K 60p 4:2:2 10-bit HDMI live output external recording.
Product Specifications:
Image Sensor
Image Sensor Size
19 x 13 mm (4/3")
Sensor Type
MOS
Sensor Resolution
Actual: 10.2 MP
Color Filter
Bayer
Shutter Type
Mechanical Shutter
ISO
160 to 51,200 (Native) / 80 to 204,800 (Expanded)
Advertised Dynamic Range
13 Stops
Signal-to-Noise Ratio
9.7 dB
Camera
Lens Mount
Micro Four Thirds
Lens Communication
Yes
Interchangeable Lens Mount
Yes
Built-In ND Filter
None
Built-In Microphone Type
Stereo
Recording Media
2 x SD Card Slots
Variable Frame Rates
DCI 4K: 1 to 60 fps / 1080p: 1 to 240 fps
Internal Recording
Recording Modes
AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MOV 4:2:0 10-Bit:
4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 400 Mb/s)
3840 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 200 Mb/s)
3328 x 2496p at 23.98/24/25/29.97/50/59.94 fps (100 to 400 Mb/s)
1920 x 1080p at 23.98/24/25/29.97/50/59.94 fps (100 to 200 Mb/s)
AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MOV 4:2:0 8-Bit:
4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
3840 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
3328 x 2496p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
1920 x 1080p at 23.98/24/25/29.97/50/59.94 fps (100 Mb/s)
AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MP4 4:2:0 10-Bit:
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (72 to 100 Mb/s)
AVC-Intra/AVC-LongG/H.264/H.264 Long GOP/H.265/MP4 4:2:0 8-Bit:
3840 x 2160p at 23.98/25/29.97 fps (100 Mb/s)
1920 x 1080p at 23.98/25/29.97/50/59.94 fps (24 to 28 Mb/s)
Gamma Curve
Panasonic V-Gamut, Panasonic V-Log
Audio Recording
MOV: 24-Bit 48 kHz LPCM Audio
MOV: 24-Bit 96 kHz LPCM Audio
MP4: 24-Bit 48 kHz LPCM Audio
MP4: 24-Bit 96 kHz LPCM Audio
Still Image Support
None
External Recording
Video Output
4:2:2 10-Bit via SDI/BNC:
1920 x 1080p at 60 fps
4:2:2 10-Bit via HDMI:
4096 x 2160p at 60 fps
Interfaces
Video Connectors
1 x BNC (3G-SDI) Output
1 x HDMI (HDMI 2.0) Output
Audio Connectors
1 x 1/8" / 3.5 mm Stereo Mic Level Input
1 x 1/8" / 3.5 mm Stereo Headphone Output
Other I/O
1 x USB Type-C Camera Interface, USB 3.1 Gen 1 Data, Control, Video Input
1 x BNC Timecode Data Input/Output
1 x BNC Genlock Data Input/Output
1 x RJ45 LAN Control, Monitor, Video Input/Output
1 x 2.5 mm LANC Control Input
Wireless Interfaces
2.4 GHz Wi-Fi, Bluetooth Video Output, Control
EVF
EVF
Optional, Not Included
Power
Battery Type
Panasonic AG-VBR Series
Power Connectors
1 x Weipu SF610/S2 (12 VDC) Input
PoE Support
PoE+ 802.3at
General
Tripod Mounting Thread
1/4"-20 Female (Bottom)
Material of Construction
Aluminum
Dimensions
3.7 x 3.7 x 3.1" / 9.3 x 9.3 x 7.8 cm (Without Protrusions)
Weight
1.2 lb / 545 g
| End to End Automatic Production
Reducing production costs to a minimum, our fully automated production systems enable amateur clubs, schools, federations, media platforms and venues to generate live HD content to power their own digital media services, boost fan engagement and improve their coaching processes. What’s more, Pixellot footage is interactive and delivered to any device lets fans watch their favorite team from anywhere, produce their own highlight clips and even share them on social networks.
Pixellot S is based on their patented, fully automated production workflow that generates and delivers TV-like footage without a person in the loop.
Fixed Installation: Indoors or outdoors, weatherproof
Unmanned capture: Panoramic field capture in 6K resolution
Automated production: Auto-tracking algorithms follow the flow of play and produce TV-like footage
Distributed to any device: Streamed in 4K quality to mobile devices and web platforms
Personalized viewing experience: Zoom into any scene, replay, clip and share.
Pixellot S comes with a variety of modules to optimize your system for media or coaching use:
Automatic highlights
Taking auto-production to the next level, this module identifies game highlights like baskets or goals and automatically produces highlight clips.
Editing Module
Share the most exciting plays with your fans! Our editing module lets you cut high quality clips from HD footage, live and post-game, and distribute them on your media channels.
Manual Production Module
Produce any type of sports game and events and cover also anything that happens on the field before and after the game.
Coaching Module
Get more insight by reviewing the game by zooming into any play and cut high-quality clips to review with your team and players.
Scoreboard Module
Enrich your broadcasts through an integrated scoreboard display. Choose from a selection of fonts, colors and designs or upload your own personalized scoreboard graphics.
Commentator
Add a remote or local commentator to follow the action and improve the viewing experience
KEY FEATURES:
- Two camera lenses
- 1080p or 720p at 25 or 29.97 FPS
- Uses Cat6 cables (POE)
| First 4K 60p/50p PTZ Camera supporting NDI and SRT in the world
Supports high bandwidth NDI for low latency transmission of high-quality 4K 60p/50p video, and SRT for high-quality and stable transmission, and also compatible with 12G-SDI output for use in a wide range of situations, from live streaming of events to studio production.
Supports a wide variety of IP transmission protocols, including NDI, NDI|HX, and SRT
High bandwidth NDI that can transmit 4K video at speeds of up to 250 Mbps and full HD video up to 100 Mbps is included to provide high-quality low latency live video transmission with a single LAN cable. High efficiency low bandwidth NDI|HX is also included to enable video transmission at low bitrates. SRT is also supported to maintain stability while transmitting high-quality video, even in unstable network environments. RTMP/RTMPS provides direct streaming to live broadcasting services such as YouTube Live and Facebook Live from the camera.
Supports 4K 60p/50p shooting and 12G-SDI output
Supports 4K 60p/50p video at 3840 x 2160 to provide smooth and high-quality shooting of moving images, and a wide variety of output interfaces such as 12G-SDI, 3G-SDI, HDMI, and IP.
Includes a wide-angle lens with a 74.1 Degree field of view and 24x optical zoom
A wide angle lens with a horizontal angle of view of 74.1 degrees enables a wide area to be shot from a limited installation space, and 24x optical zoom maintains high image quality at high zoom ratios. This allows shooting in large indoor spaces.
Supports FreeD for building AR/VR systems
FreeD command output enables connection with AR/VR systems. This allows the camera tracking information (pan/tilt/zoom/focus/iris) to be output together with a synchronization signal to easily build systems without an encoder.
Adopts new mechanical pan/tilt for improved responsiveness and quietness
The inclusion of a Direct Drive mechanism improves the responsiveness of pan/tilt and quietness during pan/tilt operations. In addition to Optical Image Stabilization (OIS), Electronic Image Stabilization (EIS) has been added for the roll direction. This provides stable video shooting even at locations utilizing robotics and rail systems, etc.
Panasonic AW-UE100 Features
- First 4K 60p/50p PTZ Camera supporting NDI and SRT in the world
- Supports a wide variety of IP transmission protocols, including NDI, NDI|HX, and SRT
- Supports 4K 60p/50p shooting and 12G-SDI output
- Includes a wide-angle lens with a 74.1 Degree field of view and 24x optical zoom
- Supports FreeD for building AR/VR systems
- Adopts new mechanical pan/tilt for improved responsiveness and quietness
| Pixellot Prime introduces affordable multi-feed production, enabling professional and semi-professional leagues, colleges and youth academies to produce and distribute HD quality broadcasts with a limited video crew and without an OB van.
Advanced Production Suite
Streamlining the production workflow, Pixellot Prime deploys an unmanned panoramic camera to capture the entire field at native 50-60 FPS. From the sporting event venue, the SDI footage is automatically fed into any production suite where the final broadcast is mixed, in real-time.
The suite displays a variety of views and streams, including an auto-produced feed featuring the center of action, streams from additional cameras and preset camera stations to create close-ups and replays. An array of transition options and graphic elements lets directors create TV-grade broadcasts for web portals and mobile apps. Clients opt for either a “clean” feed, streaming only the sports action or a program (“dirty”) feed.
- 8K capture and HD-SDI output, 50/60 FPS
- End-to-end production system, enables production of sports event with single-person crew
- Remote Production Suite to create multi-feed broadcast
- Embedded graphics and ad formats
- Additional audio input for commentator
- Panoramic footage to power VR applications
KEY FEATURES:
- Auto Production
- Panoramic Video
- Spatial Replay
- Auto-Director & Ads
- Automatic Highlights
|
Reviews
There are no reviews yet.