| Content | The Matrox® Maevex 6020 Remote Recorder appliance is a Panopto-certified live streaming multi-recorder specifically designed (for and fully integrated with) Panopto™ industry-leading video management system (VMS). Everything you love about the Panopto cloud or on-premises management of recording, streaming, scheduling, and everything else is available for the Maevex 6020 on the Panopto VMS platform making it simple and easy for administrator and in-room/class operator alike. Leveraging the award-winning Maevex 6100 Series multi-recording and streaming technology, the Maevex 6020 Remote Recorder enhances the Panopto VMS solution by providing best-of-breed live streaming and recording functionality for businesses and universities.
The Maevex 6020 Remote Recorder provides unique features to the Panopto VMS. Key feature set includes two 1080p inputs with multiple on-device quality recordings per input and two channels of 1080p live streaming while recording. Unique to the Maevex 6020 are the multiple recordings of different qualities recorded simultaneously to the devices solid-state memory and uploading while the session is in progress. These on-device multiple recording qualities can later be used to address the best-possible quality match for any viewing device. The recordings are encoded and ready for use as is without any quality loss or time loss (no transcoding, decoding, or re-encoding required). This workflow enables the video on demand from the event to be made available to viewers much faster, at the best quality possible.
When there are no active streams being broadcast, the two sets of recorded streams are delivered to the Panopto VMS simultaneously during the live event with only the slightest of lag from the start of the event as cloud transcoding is eliminated. If there are live streams being broadcast, the recorded streams are delivered immediately after the live streaming event ends, again with no cloud transcoding required. Additionally, in a single session, up to four sets of recordings (each set with multiple quality levels) and two Full HD streams can be enabled by combining two Maevex 6020 devices.
Implementation and operation of the Maevex 6020 Remote Recorder is simple as 1-2-3. Its superior hardware recording and streaming technology is completely integrated into the Panopto cloud video platform. Simply connect power, network, and video; power up; log in to the Panopto cloud account and its done. From there, the all-in-one Panopto VMS platform provides complete control and makes video management, recording, live streaming, inside-video searching, quizzing, analytics, mobile, and other features readily accessible. The front of the appliance also includes one-touch, easy-access button controls to record, pause, resume, and stop. For Panopto first-time users and seasoned professionals alike, the Maevex 6020 Remote Recorder delivers a simple, best-in-class video capture and streaming experience for any academic or enterprise environment. | The power of Ki Pro in a 1RU format, the perfect fit for your file based workflow.
With a wealth of professional connections including SDI and HDMI, Ki Pro Rack will fit right into your existing cabling and routing system. Ki Pro Rack also features AJA’s industry leading conversion technology, enabling you to perform broadcast quality up, down, cross-conversion during recording or playback without the need for additional conversion hardware.
AJA Ki Pro Rack Features
- HD/SD recorder and player
- Record and playback Apple ProRes or Avid DNxHD files
- SDI, HDMI, and Component Video I/O
- AES (BNC) and analog (XLR) audio I/O
- 2x KiStor media bays with Ki Protect
- Balanced XLR analog audio inputs, mic/line/48v switchable
- Multi-channel embedded SDI and HDMI audio
- Up, down, cross-conversion built-in
- REF, LTC, RP-188 and RS-422 support
- REST interface
- Front panel button controls
- Easy to use web UI, configure and control from standard web browsers
- Compact 1RU design
- 3 year warranty
| Power supply not included - requires IEC cable.
Blackmagic Design’s ATEM switcher series create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include 16 advanced chroma keyers four independent Ultra HD multi viewers, two SuperSource processors, and even standards conversion on all inputs. Switchover to 8K to combine these features into a powerful native 8K switcher, including built in talkback and a 156 channel Fairlight audio mixer. ATEM live production switchers can meet live production needs at live concerts, sporting events, theater productions, conferences and more.
The ATEM Constellation 8K has 40 video inputs that support up to Ultra HD, ten of which can be switched to 8K. There are 28 video outputs (7 in 8K) and 24 aux outputs (6 in 8K). Two balanced audio inputs and outputs are also included on the switcher.
Let your creative expression take the lead. Creative transitions can be used in all resolutions, and the transition type, pattern, and length are customizable. Powerful digital video effects processor gives you the ability to position, resize, rotate, and scale live video in real time. Built in chroma, luminance, linear and pattern keyers, and two independent downstream keyers all come standard. Advanced chroma keyers enable massive multi-layer effects. On-screen adjustable controls can select and sample a region of color. Chroma keyers also feature foreground, background and edge adjustment controls, and chroma correction tools.
Add multi box compositions quickly and easily with SuperSource’s separate five layer switcher. SuperSource can be assigned to any ATEM video input, so you can produce multi camera interviews or picture in picture while the M/Es, keyers, and DVE are available for other uses. Compositions from SuperSource can be saved and automatically recalled.
Software control panel can be used on Mac or Windows computers. This included software panel offers a full visual switcher control panel and parameter palettes. For greater control access, add an ATEM advanced panel.
Blackmagic Design ATEM Constellation Features
- 16 upstream keyers in Ultra HD, 4 in 8K supporting chroma, linear, and luma keying
- 4 downstream keyers in Ultra HD, 2 in 8K.
- 16 advanced chroma keyers in Ultra HD, 4 in 8K
- Talkback communication is supported
- Mix-minus is supported
- There are 4 transition keyers (Stinger/DVE)
- Supports up to 28 layers in UHD and 7 layers in 8K
- 21 pattern generators are available in Ultra HD, while only 9 are available in 8K
- Support for 2 color generators
- 4 DVE with 3D borders and drop shadow are supported in Ultra HD; one is supported in 8K
| Ki Pro GO is a portable multi-channel H.264 recorder offering up to 4-channels of simultaneous HD and SD recording to off the shelf USB drives with redundant recording capabilities, and now with new v3.0 firmware, recording to network storage.
4x 3G-SDI and 4x HDMI digital video inputs with flexible channel assignments provides connections to the latest video sources, including cameras and DSLRs. Incoming video sources do not have to be genlocked due to Ki Pro GO's input frame syncs. Ki Pro GO also features AJA's high quality de-interlacers on each input so progressive recordings can be made from interlaced inputs. High quality 2-channel embedded audio or balanced XLR analog audio can be assigned to any recording channel. Multi-Channel Matrix Monitoring enables multiple video channels to be viewed on any single HDMI or SDI display, and Enhanced Super Out offers timecode, media status and audio meter overlays over the SDI and HDMI monitor outputs.
Designed to be either portable or rackmountable with half rack wide, 2RU high dimensions, Ki Pro GO is well suited for use in any environment.
AJA Ki Pro GO Features
- Multi-channel H.264 recording
- 5x USB recording media ports, compatible with off-the-shelf USB 3.2 Gen 1 media
- In system exFAT drive formatting
- Redundant recording to user selectable USB ports
- Recording to network (SMB) storage (new in v3.0)
- Redundant recording to user selectable destinations – USB or SMB (new in v3.0)
- Genlock free inputs
- 4x 3G-SDI inputs
- 4x 3G-SDI outputs
- 1x 3G-SDI monitoring output
- 4x HDMI inputs
- 1x HDMI monitoring output
- HDMI and SDI multi-channel matrix monitoring
- HDMI and SDI Enhanced Super Out for monitoring: timecode, media status and audio levels
- Single-channel H.264 playback
- Selectable VBR recording settings with 5 options
- Timecode Input Support: Time of Day, Timecode Value, SDI RP-188, LTC (available using 1-channel of Analog Audio In)
- Balanced XLR analog audio inputs, mic/line/48v switchable
- 2-channel embedded audio per video input
- Easy-to-use web UI, compatible with standard web browsers
- Network web UI based file downloads
- Front panel button controls with integrated HD resolution screen
- Stand-alone operation
- 3 Year Warranty
| Power supply not included - requires IEC cable.
The UltraStudio 4K Extreme 3 lets you connect Thunderbolt 3 computers to any video equipment. Connect to the Thunderbolt 3 port for video and audio connections compatible with SD, HD, Ultra HD, and 4K DCI formats up to 60 frames per second. Use the UltraStudio 4K Extreme 3 to build high performance edit workstations, archive from old broadcast decks, output broadcast graphics, and live stream.
Connect and work with the equipment of your choice. SDI in and out, HDMI out, and balanced analog input provide high quality connections to just about any equipment you could want to work with. An extra HDMI input and balanced analog audio out connect for in-studio audio monitoring use. Larger design than the Mini UltraStudios lets the UltraStudio 4 Extreme fit 4 channel analog audio via XLR connections, 2 channels of AES/EBU digital audio, and dedicated timecode connections. Video reference for sync playback to broadcast systems and RS-422 remote are included. The UltraStudio 4K Extreme 3 can feed SDI fill and key from RGB graphics from your computer to a live production switcher for high quality live broadcast graphics keying.
12G-SDI technology brings the most powerful video capture and playback solution at high speeds. Speed supports work of Ultra HD and 4K 60p over one BNC cable. Multi rate 12G-SDI connections provide greater compatibility, working with existing SD and HD equipment and newer Ultra HD formats up to 2160p60.
With the UltraStudio 4K Extreme 3, you’re not locked into a single format. Popular compressed video formats and 10-bit uncompressed video are both supported. Images in uncompressed video are a perfect pixel-for-pixel clone of the source without any loss of quality.
Thunderbolt 3™ technology ensures the UltraStudio 4K Extreme 3 is a power-driven solution. Low latency and highly accurate time synchronization provide the highest possible quality capture and playback. UltraStudio 4K Extreme 3 uses a fast one cable connection to a computer with the bandwidth to easily handle high resolution video formats. Powered by the Thunderbolt connection, the UltraStudio 4K Extreme 3 can run from a laptop battery without needing a power connection. An AC power connection is also included.
Front panel has fast control buttons and integrated color LCD. Back panel uses industry standard BNC and HDMI connectors. Enjoy broadcast and digital cinema quality capture and playback in any workflow.
Blackmagic Design UltraStudio 4K Extreme 3 Features
- Connect Thunderbolt 3 computers to video equipment
- Compatible with SD, HD, Ultra HD, and 4K DCI formats up to 60 frames per second
- Designed to work with popular video editing software on Mac, Windows, and Linux systems
- Video reference for sync playback to broadcast systems
- RS-422 remote
- Support for compressed and uncompressed formats
- Low latency and accurate time synchronization in Thunderbolt 3 technology
- Easily portable
- Stand alone on desktop or rack mount
- Broadcast and digital cinema quality capture and playback
| Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM advanced panel is added to an ATEM switcher as a control panel.
Although each switcher includes ATEM software control panel for Mac or Windows, an ATEM Advanced Panel is faster to use, making it ideal for demanding live production environments. Setup more complex effects with the enormous amount of control you’ll have in the ATEM 4 M/E. The ATEM 4 M/E Advanced Panel features broadcast buttons, knobs, and a t-bar fader.
The ATEM 4 M/E has four M/E rows with 40 input buttons and four independent system control LCDs for reach row. All input buttons have customizable colors and button label LCDs.
Modern design with the latest broadcast technology combine to enable faster workflows. Built in LCD control screen identifies work processes. Buttons are curved and have color backlighting to reduce incorrect key presses and quickly identify the keys you need. Professional joystick controls DVE and camera adjustments, smooth weighted t-bar fader, and more.
Durable and compact, the ATEM 4 M/E fits in a standard equipment rack. It can be used seamlessly for shelf mounting in broadcast trucks, mobile racks, and fly away kits.
Blackmagic Design ATEM 4 M/E Features
- Add to an ATEM switcher for accessible control panel functions
- Faster workflow
- Four independent rows of control, each with 40 input buttons
- Backlit buttons make identification easy and lower incorrect key presses
- Joystick for DVE and camera adjustments
- Smooth weighted t-bar fader
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