Mesa Boogie 2×12 Horizontal Rectifier Cabinet

$680.00

00809404000674 00809404000674 SKU: 00809404000674 Category:

Description

The Mesa/Boogie 2 x 12 Recto Horizontal Cabinet is a tight, balanced-sounding 2 x 12-inch speaker cab that’s tailor-made for your Rectifier amplifier. Its small size takes up less space onstage, and its light weight ensures easy transportation. What’s more, it exhibits more tonal balance than larger cabinets, while maintaining the authoritative punch that Rectos are renowned for. A number of guitarists at Sweetwater gig with this cabinet — its Marine-grade Baltic birch construction is durable as all get out, while its super-strong rabbet corners are glued and nailed for added structural integrity. An ultra-rugged twisted jute-dipped grille completes the picture, filtering your high-end frequencies for irresistibly sweet sonic textures. For easy transport, this Recto also comes with Trak-Loc removable casters and a slip cover for keeping everything safe and pristine in the back of your van.

The original Mesa/Boogie Rectifier 2×12 Horizontal Cabinet was designed by matching the dimensions of the bottom two speakers in a Standard Oversized Rectifier 4×12. While simple in it’s design concept, the resulting sealed enclosure delivers HUGE punch, projection and authority from it’s relatively small size. In addition to world-class low end response, it’s midrange punch and bite, coupled with the classic warmth and cut of Celestion Vintage 30s, makes this cabinet an excellent choice for all styles despite it’s reputation in high gain rock, alternative and metal styles. Anytime you want to bring a 4×12 but can’t, the 2×12 Recto sounds big enough to make you wonder if you do have a 4×12 behind you! All Mesa enclosures are made using the finest Void-free, Marine Grade Baltic Birch. Super strong rabbet corners are glued and nailed. Speaker baffles are fitted with superior dado joint construction and braced. Grilles are wrapped around a separate grille board, not the baffle board. Grille material is made of strong twisted jute dipped in a special coating that filters top end for a sweeter response

 

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SettingsMesa Boogie 2x12 Horizontal Rectifier Cabinet removeMarantz Pm7000n Integrated Amplifier W/ Streaming Dac removeMarantz Av7706 11.2 Channel Surround Preamplifier / Processor removeNad C 388 Integrated Amplifier / Dac removeRupert Neve Designs Shelford Channel Microphone Preamp, Inductor EQ & Diode Bridge Compressor removeRupert Neve Designs RNHP 1-channel Precision Headphone Amplifier remove
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Description
ContentThe Mesa/Boogie 2 x 12 Recto Horizontal Cabinet is a tight, balanced-sounding 2 x 12-inch speaker cab that’s tailor-made for your Rectifier amplifier. Its small size takes up less space onstage, and its light weight ensures easy transportation. What’s more, it exhibits more tonal balance than larger cabinets, while maintaining the authoritative punch that Rectos are renowned for. A number of guitarists at Sweetwater gig with this cabinet — its Marine-grade Baltic birch construction is durable as all get out, while its super-strong rabbet corners are glued and nailed for added structural integrity. An ultra-rugged twisted jute-dipped grille completes the picture, filtering your high-end frequencies for irresistibly sweet sonic textures. For easy transport, this Recto also comes with Trak-Loc removable casters and a slip cover for keeping everything safe and pristine in the back of your van. The original Mesa/Boogie Rectifier 2x12 Horizontal Cabinet was designed by matching the dimensions of the bottom two speakers in a Standard Oversized Rectifier 4x12. While simple in it's design concept, the resulting sealed enclosure delivers HUGE punch, projection and authority from it's relatively small size. In addition to world-class low end response, it's midrange punch and bite, coupled with the classic warmth and cut of Celestion Vintage 30s, makes this cabinet an excellent choice for all styles despite it's reputation in high gain rock, alternative and metal styles. Anytime you want to bring a 4x12 but can't, the 2x12 Recto sounds big enough to make you wonder if you do have a 4x12 behind you! All Mesa enclosures are made using the finest Void-free, Marine Grade Baltic Birch. Super strong rabbet corners are glued and nailed. Speaker baffles are fitted with superior dado joint construction and braced. Grilles are wrapped around a separate grille board, not the baffle board. Grille material is made of strong twisted jute dipped in a special coating that filters top end for a sweeter response  Discover the PM7000N, the first Marantz fully discrete, current feedback integrated Hi-Fi amplifier with HEOS Built-in technology. The ideal choice for audiophiles that require Marantz musical sound and music streaming, the PM700N includes high-grade audio components, current feedback HDAMs, a toroidal transformer, and a high-speed instantaneous current power supply. The versatile PM7000N features multiple analog and digital inputs, and decodes digital audio files ALAC, FLAC and WAV lossless files up to 24-bit/192-kHz — plus, DSD 2.8MHz and 5.6MHz tracks for high-resolution listening. Stream your favorite music wirelessly, and control the amplifier with leading voice agents Apple Siri, Google Assistant, and Amazon Alexa.

Features

  • Power to suit your audio preference: 2ch fully discrete current feedback integrated Hi-Fi amplifier; 60W per channel (8-ohm, 20Hz – 20kHz)
  • Wide range of connectivity:
  • Four analog inputs, one analog output, one coaxial input, two optical digital inputs and one USB-A for high-resolution audio files
  • Marantz proprietary HDAM-SA3 circuit: Wider dynamic range with lower distortion for the output stage
  • Flexibility for all configurations: Tone control to tune sound to your exact specifications and dedicated subwoofer output for evenly dispersed bass, no audible peaks or dips
  • Newly designed electric volume circuit: Use the latest volume control IC to realize better channel separation, dynamic range, and distortion-reduction
  • Play vinyl with exceptional clarity: Integrated phono input with newly designed FET input stage to improve signal purity and sound
  • Premium Marantz SPKT-1+ speaker terminals: Improved connection to speakers
  • Stream music from your favorite sources: Play songs from TuneIn, Internet Radio, Pandora, Spotify, SiriusXM, Amazon Prime Music, TIDAL and more via AirPlay 2, Bluetooth and the HEOS app (music streaming services may vary by region)
  • Speak your commands: Supports Amazon Alexa, Google Assistant and Apple Siri voice agents for seamless voice control
  • High-performance, high-resolution audio playback: Ability to decode high-resolution audio ALAC, FLAC and WAV lossless files up to 24-bit/192-kHz — plus, DSD 2.8MHz and 5.6MHz tracks for high-resolution listening
  • Built-in Bluetooth and Wi-Fi with 2.4GHz/5GHz dual band support: Improved network stability even in Wi-Fi crowded homes
  • Works with your TV remote: Program the PM7000N to work with your TV remote and easily adjust volume up, volume down, mute and source selection

Specifications

Inputs: RCA line x 3, RCA MM phono x 1, digital coax x 1, optical x 2, USB A x 1, Ethernet Phono input sensitivity: 2 mV @ 47 kOhm Phono SNR: 87 dB Outputs: Tape out, subwoofer out, headphone out, speaker A and B Power output (8 ohm / 4 ohm): 60 W / 80 W Damping factor: 100 and over Dimensions: 17.3" x 14.9" x 4.9" Weight: 23.8 lb  
This high-resolution preamp uses Marantz's tuned HDAM amp technology for high-fidelity sound, and offers all the technologies you'd need for modern home cinema and integration. This processor (or preamp) is designed to work with high-quality external power amplifiers such as the Marantz MM8077, MM7055, and MM7025. It offers advanced HDMI connectivity with eARC support, as well as full 3D audio support.

Specifications

MULTICHANNEL SURROUND

  • IMAX Enhanced
  • DTS Neural:X
  • DTS Virtual:X
  • Dolby TrueHD / Dolby Atmos / Dolby Atmos Height Virtualization
  • Dolby Surround
  • Auro 3D
  • Multichannel stereo

NETWORK

  • HEOS multiroom and streaming, Wi-Fi, Bluetooth, AirPlay 2
  • FLAC / ALAC / WAV up to 192/24
  • DSD up to DSD5.6
  • TuneIn internet radio
  • Amazon Music HD, Amazon Music, Spotify Connect, Deezer, Tidal, Napster, Soundcloud, Mood Mix

HDMI

No. of inputs: 7 back, 1 front No. of outputs: 2 main, 1 zone Analog to HDMI Scaling: 480i/576i up to 4K 60/50 HDMI to HDMI Scaling: Up to 8K 60/50 Supported formats / features:
  • Enhanced ARC
  • 3D signal pass-through
  • 4K signal pass-through, scaling, GUI overlay
  • HDMI pass-through in stand-by
  • DSD audio capability
  • Auto LipSync

OTHER INPUTS AND OUTPUTS

Video Composite in / out: 3+1 / 2 Component in / out: 3 /1 HDMI in / out: 7+1 / 3 Multiroom video out: Video, HDMI Audio Analog in: 5+1 Phono (MM): 1 Digital in (optical / coax): 2 / 2 Multiroom out, analog: 2 Multichannel pre-out: 11.2 RCA and 11.2 XLR Subwoofer out: 2 (independent) 7.1 multichannel input: 1 Power consumption (on / standby): 60 W / 0.2 W Dimensions (WDH): 17.3" x 16.2" x 7.3" Weight: 22.9 lb

NAD C 388 INTEGRATED AMPLIFIER

A prime example of what we stand for here at NAD, the C 388 Hybrid Digital DAC Amplifier is at the top of its class in the world of affordable amplification. An incredibly powerful amp, the C 388 employs NAD technologies like Asymmetrical PowerDrive™ to ensure that even the most demanding speakers can be driven to life-like listening levels without dynamic compression. Thanks to its advanced preamplifier circuit, the C 388 gives low noise at all volume settings, ensuring that you’ll be able to listen to your music without any distractions. Another technology that’s available to the C 388 is the BluOS™ module, a music management system that can stream your music library wirelessly across your home Wi-Fi network. You can also instantly connect to the C 388 with Bluetooth® giving you access to various streaming services. With the ability to accommodate a variety of sources both past and present, the C 388 is a remarkably flexible product that will become a core addition to your home audio system.  

NAD'S NEW CLASSIC AMPLIFIERS. INTELLIGENT. POWERFUL. EFFICIENT.

Introducing the NAD C388

Expansive Power with Unprecedented Flexibility.

The C 388 ties together all the critical elements of a top performing music system; music sources past, present, and future, in addition to providing a nearly unrestricted reservoir of power that allows your speakers to reveal every nuance of musical detail. This advanced amplifier includes many cutting edge technological breakthroughs developed by NAD over decades of creating affordable ultra-high performance audio components.  

Getting the Basics Right

It is surprising how many seemingly advanced products in the market today often miss many of the most basic requirements for satisfying performance. Low noise circuits, precise volume control action, accurate channel balance, proper input and output impedance characteristics, high overload margins and stability with difficult speaker loads. NAD starts by getting these things precisely right and advances from there. We include an MM Phono stage with precisely accurate RIAA equalization, high overload margins, extremely low noise, and an innovative circuit to suppress infrasonic noise that is present on all LPs – all without affecting bass response. Our line inputs can accommodate all kinds of analogue source components by offering ideal input impedance characteristics with linear ultra-low-noise buffer amplifiers to prevent any sonic degradation caused by inappropriate loading of the source device. We include a separate headphone amplifier with low output impedance and very high output voltage capability – enough to drive even high impedance studio monitor headphones. Low impedance line outputs that can connect to other amplifiers or subwoofers extend the versatility of this well thought out amplifier. These are all details you can hear.  

Future-Proof Modular Design

This NAD exclusive feature allows you to customize your NAD amplifier with additional capabilities and features, now or in the future. The two available MDC slots can accommodate a variety of upgrade modules including 4K video capable HDMI switching, additional Digital Inputs, additional Analogue and Phono Inputs, and one of the most advanced Hi-Res Audio multi-room wireless systems available, the BluOS™ music management system developed by Bluesound. BluOS connects to your network and is controlled via smartphone, tablet, or desktop device to manage your music collection and connect to a growing list of high-quality streaming music services.  

Connected and Smart

You can connect instantly to the C 388 with Bluetooth® allowing you to stream music wirelessly from any Bluetooth-enabled device. The high performance aptX® codec is fully supported for true CD-quality sound. Bluetooth can also be used to listen to other sources connected to the C 388 via wireless headphones such as NAD’s own HP70. There is also a control app that allows your smartphone or tablet to control all functions of your C 388. Adding the optional BluOS Module provides access to your local area network via Wi-Fi or wired Ethernet connection and adds Hi-Res Audio streaming. The BluOS Module also makes the C 388 a singlezone streamer in a complete multi-room wireless music system that is fully compatible with BluOS-enabled music systems and wireless speakers. These are available in a variety of sizes and shapes to fit every room and extend the performance of your primary music system to create a warm ambience of sound in your home.  

Sophisticated Power

NAD has moved away from the old-fashioned power-hungry linear power supplies and Class AB output stages that waste nearly half of the energy consumed and produce heat rather than sound. Instead, we have developed even better performing circuits based on switch mode power supplies and Class D output stages. Once thought to be inferior to traditional topologies, NAD’s advanced work in this area has created some of the best performing amplifiers regardless of basic design principle. These new designs are very linear over a wide bandwidth and provide consistent performance into all speaker loads, providing a dramatic advance over previous models. The power supply is capable of 150 watts continuously and over 250 watts instantaneously to allow for short-term musical transients. It can operate with any AC mains voltage from 100 to 240 volts and provides pure DC power to all the various stages of the C 388. This highly efficient supply also provides near perfect regulation of voltage across a wide range of conditions and provides a solid noise-free foundation for the amplifying stages. The C 388 uses a customized version of the proven Hypex UcD output stage operating in a fully balanced bridge configuration. This allows for massive power with nearly immeasurable distortion and noise in the audible range. Every detail of this design has been carefully planned and perfectly executed to wring out every last drop of performance.  

KEY FEATURES

  • 150W x 2 Continuous power into 8 or 4 Ohms
  • Bluetooth ADP4 with aptX supported
  • MM Phono input
  • Analogue line inputs
  • USB input for support purposes
  • SPDIF coax and optical inputs
  • Speaker A, Speaker B
  • Preamp/Subwoofer out
  • Headphone amplifier
  • MDC Slots for future upgrades
  • IR remote
  • Smartphone Control App
  • 12V Trigger in/out
  • IR in/out
  • RS-232 Serial port for control
  • Control4, Crestron, RTI, URC, AMX, Savant, Elan certified
 

OVERALL SPECS

  • Continuous output Power into 4 Ω and 8 Ω (Stereo)
  • >150W (at rated THD, 20-20kHz, both channels driven)
  • IHF Dynamic Power
  • 2 Ω 400W 4 Ω 350W 8 Ω 250W
  • THD (20Hz-20kHz)
  • <0.02% (250mW to 150W, 8Ω and 4Ω)
  • Signal/Noise Ratio
  • >95dB (A-weighted, 500mV input ref. 1W out in 8 Ω) < 13dB (IHF; A-weighted, ref. 50W in 8 Ω, max volume)
  • Damping Factor
  • >150 (ref. 8 Ω, 20Hz and 6.5kHtz)
  • Frequency Response
  • ±0.03 (20Hz-20kHz)
  • Channel Separation
  • >75dB (1kHz) >70dB (10kHz)
 

GENERAL

  • Standby Power
  • <0.5W
  • Inputs
  • Digital: Coax x2, Optical x2 Analogue: Line In x2, Moving Magnet Phono Preamp (0.3mV input sensitivity ref. 200mV pre-out)
  • Dimensions (W x H x D)
  • 435 x 120 x 390mm (17 1/8 x 4 3/4 x 15 3/8)”
  • Net Weight
  • 11.2kg (24.7lb)
  • Shipping Weight
  • 13.6kg (30lb)
Rupert Neve Designs' Shelford Channel, over a half century in the making, is the definitive evolution of Mr. Neve's renowned 80 Series channel module technology, updated and refined for the contemporary studio. The Shelford Channel is fitted with Rupert's latest Class A transformer-gain mic preamp, the best-of-the-classics Inductor EQ from the Shelford 5052, a punchy diode-bridge compressor, the alluring analog textures of variable Silk saturation, a state-of-the-art dual-tap transformer output stage with massive headroom, and double the operating voltage of vintage designs. Offering rich tonal options for making audacious statements with your music, along with precision-detented controls for recall, the Shelford Channel delivers the authoritative sonic essence of classic Rupert Neve designs, along with modern versatility.

Input stage and transformer-gain mic pre

Rupert Neve's first new Class A, transformer-gain mic preamplifier in over 40 years makes its debut in the Shelford Channel. Rupert has spec'd this preamp with a direct-coupled transformer input; gain is provided by the custom transformer itself. The proprietary input transformer, and its meticulous integration with the surrounding Class A input amplifiers, plays an outsized role in the Channel's immediately recognizable sonics: punchy and creamy-smooth, with excellent isolation and vanishingly low noise. The Shelford Channel's front-panel hi-Z instrument input uses the same discrete Class A field-effect transistor with transformer topology as Rupert Neve Designs' acclaimed RNDI; for gain, however, it utilizes the new RN4012 input transformer directly into the mic preamp. This design provides astonishing clarity on hi-Z sources, with substantial low-end weight and silky-smooth high frequencies. The DI also gives you a passive thru output to feed a guitar or bass amp.
  • Mic-DI/Line: switches between microphone/direct injection input and line input
  • GND Lift: disconnects the audio signal ground from chassis earth
  • Signal LED: green indicates Signal Present; red indicates imminent input stage clipping
  • Mic Gain: 12-way precision rotary, controls gain from 0dB to 66dB in 6dB steps
  • Trim: rotary switch provides further continuous gain adjustment of +/-6dB
  • 48V: switch engages phantom power on the mic input
  • Phase: inverts the polarity of the signal path (illuminates when engaged)
  • HPF Freq: engages a 12dB/octave highpass filter, variable from 20Hz-250Hz

The best-of-the-classics inductor EQ

The Shelford Channel's EQ section is a 3-band, custom-tapped inductor circuit containing Rupert's favorite bands from his vintage equalizer designs. The low-frequency band is primarily based on the 1064 — acclaimed for its creamy, resonant bass. Unlike the 1064, though, the Channel gives you added dimension, punch, and control over your low end by letting you use the LF band as either a peaking or a shelving filter. The midrange band is based on the venerable 1073 and is perfect for sweetening instruments and vocals while nudging them forward in a mix. "Proportional Q" response also makes it ideal for attenuating problem frequencies. The high-frequency band is a hybrid design with the best of vintage and modern attributes. It should be noted that this EQ is in no way a clone; it's a decidedly modern design using components and techniques that simply did not exist in the 1970s — for instance, the use of capacitor-based topologies to achieve sonic richness and enhanced control.
  • EQ In: engages all EQ frequency bands except HPF
  • LF: adjusts up to 15dB of boost/cut at the selected low frequency
  • Low Freq: 4-position rotary switch for selecting LF band corner or center frequency
  • LF Peak: selects LF shelving (out) or peaking (in) mode
  • Mid Hi Q: selects between a mid-band resonance of 2 (out) or 3.5 (in)
  • Mid: adjusts up to 15dB of boost/cut at selected mid frequency
  • Mid Freq: 6-position rotary switch selects center frequency of the midband EQ stage
  • HF Peak: selects HF shelving (out) or peaking (in) mode
  • 8K/16K: selects between an 8kHz (out) or 16kHz (in) center or corner frequency for HF band
  • HF: adjusts up to 15dB of boost or cut at selected high frequency

The Super Diode-bridge Compressor

Like the Shelford Channel's inductor EQ and transformer-gain microphone preamp, the diode-bridge compressor/limiter is based on the topologies found in vintage Neve designs such as the 2254. It improves, however, on the early designs by the inclusion of full-wave rectification and a bevy of new control features. Although Rupert's vintage diode-bridge compressors were prized for their warm, punchy response, they were somewhat compromised by imprecise controls, attack-time inflexibility, low headroom, and high noise. The Shelford Channel's Super Diode-bridge Compressor delivers the attitude-packed, "in your face" sound of those classics, but with modern precision and flexibility — which makes it ideal on any source. Full Side-chain and stereo Link features are provided.
  • Side Chain Insert Jacks (rear-panel): for fine tuning of compressor operation
  • Comp In: engages the Channel's compressor-limiter section
  • Threshold: sets level where the compressor "kicks in"
  • Ratio: sets compression slope from 1.5:1 (minimal) to 8:1 (heavy)
  • SC Insert: inserts rear-panel sidechain insert jacks into sidechain signal path
  • HPF to S/C: routes highpass filter into the circuit that compressor uses to determine level
  • Gain: for adding make-up gain to compensate for level attenuation lost to compression
  • Timing: 6-position rotary adjusts attack/release speed of the compressor
  • Link: links the sidechain control of multiple units for ganged or stereo operation
  • Pre EQ: changes the order of compressor in the circuit chain
  • Blend: mixes the dry and compressed signal for handy parallel compression
  • Fast: speeds up both attack and release of the selected compressor time constant

Dual-tap transformer output

The Shelford Channel's output stage serves up the inimitable sound of Rupert Neve's classic designs while providing far more tonal versatility. The dual-tap output for the RN2042 square-core output transformer provides both high- and low-headroom outputs without compromising performance. The high-headroom tap takes advantage of the Shelford's higher-voltage design, delivering a pristine sound without non-linear output-stage coloration at high levels. The low-headroom tap, on the other hand, lets you drive the full voltage range of the Channel to accentuate this non-linear harmonic content — without clipping most pro interfaces. For vocals, drums, guitars, bass, and other instruments, this output lets you hit the transformer's sweet spot, which can inject life into a recorded performance in a way that other effects cannot.

The Silk and Texture controls

The Shelford Channel is packing a secret weapon the classics never had: its output transformer features the Silk Red/Blue and Texture controls from the Portico II Series that let you tailor the harmonic content and tonality of the output stage. By engaging these controls and sufficiently driving your output, you can dial in delectable 2nd- and 3rd-order harmonic distortion (that's the good kind) and saturation of the output transformer, imbuing your tracks with juicy rich thickness (think: 1073 on steroids) — with no danger of overloading the output stage. The Silk Red mode emphasizes harmonic content generated by the source's high frequencies; Blue mode, conversely, works off the low frequencies. The Texture knob controls the amount of added harmonic content. Disengage Silk, and your output is pristine and modern, while retaining Rupert's bigger-than-life transformer sonic signature.

The magical sound of Neve

Rupert Neve is an audio legend whose electronics designs defined the golden age of analog. Those of us at Sweetwater who have had the privilege of working on a Neve 8078 or its predecessors can attest to the fact that Neve's Series 80 consoles were indeed the pinnacle of hand-wired analog mixing desks. Mr. Neve has remained at the forefront of audio-circuit innovation for over half a century, and his current company, Rupert Neve Designs, continues to advance the state of the art with cutting-edge products that sound incredible and intelligently address the challenges of the digital age.

Rupert Neve Designs Shelford Channel Features:

  • The definitive evolution of Rupert Neve's renowned 80 Series channel module technology
  • A complete channel strip that delivers the essence of classic designs, along with modern versatility
  • Input stage and transformer-gain mic pre
  • Front-panel hi-Z direct input
  • Best-of-the-classics inductor EQ
  • Super Diode-bridge Compressor
  • Dual-tap transformer output
  • Silk and Texture controls
Rupert Neve Designs RNHP is a state-of-the-art headphone amplifier. Now when Mr. Neve turns his attention to anything, you know it's going to be good. And spectacularly so. What the RNHP delivers is reliable, reference-grade amplification for any pair of headphones. Based on the headphone amp in the RND 5060 Centerpiece, the dedicated 24-volt design is spec'd with calibrated +4dBu Line, RCA, and 1/8" stereo inputs. Everything's housed in a road-tough, VESA-mountable steel chassis. The unit's effortless sonic performance and the ability to drive virtually any 'phones without compromise let you perform, mix, and savor your music with stunning clarity. Rupert Neve Designs RNHP at a Glance:
  • Unerring accuracy for better performances
  • The benefits of near-zero-ohm output impedance
Unerring accuracy for better performances You know you perform your best when your cans sound great - and that's where the RNHP can make a huge difference. Many integrated headphone amps are plagued with a non-linear frequency response, as well as noise, distortion, and skimpy headroom. To some, these units' lackluster sonic performance may seem "close enough for rock 'n' roll," however at Sweetwater, we believe there is the performer's subconscious response to consider. After all, if you're not inspired by what you're hearing, your performance will suffer. The benefits of near-zero-ohm output impedance Rupert Neve Designs spec'd the RNHP with near-zero-ohm output impedance to minimize frequency-based reactive-load impedance shifts - a problem unique to headphone monitoring. This ensures accurate sound reproduction, which is obviously important if you need to trust the decisions you make with headphones. You'll find the RNHP's unerring accuracy beneficial when you're using just one set of cans, and also when you're comparing a mix on multiple pairs of headphones. Rupert Neve Designs RNHP Features:
  • Reliable, reference-grade amplification for any pair of headphones
  • Based on the headphone amp in the RND 5060 Centerpiece
  • Effortless sonic performance
  • The ability to drive virtually any headphones
  • Dedicated 24-volt design
  • Calibrated +4dBu Line, RCA, and 1/8" stereo inputs
  • Near-zero-ohm output impedance minimizes frequency-based reactive-load impedance shifts
  • Road-tough, VESA-mountable steel chassis
Weight
DimensionsN/AN/AN/AN/AN/AN/A
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