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NAD has a distinct reputation for creating some of the best performing budget amplifiers of all time. The lineage is impressive, all the way from the 3020 of 1978 to the current C 328, with many “Best Amp” awards and five-star reviews along the way. The C 316BEE lived up to expectations, garnering multiple accolades including an EISA award for ‘Best Product 2008-2009’ and top recommendations from the world’s leading audio publications.
With the resurgence of vinyl, NAD decided to update the design by including its highly acclaimed RIAA phono stage. This sophisticated circuit combines low noise with high overload margins to eliminate noise and distortion. RIAA equalization is extremely accurate (a rarity at this price) and there is even an infrasonic filter to reject airborne vibrations that can cause parasitic feedback.
Features
- PowerDrive
- 5 line-level inputs
- MM phono input for vinyl
- Front-panel input for portable media players
- Bass and treble controls
- Tone defeat
- Headphone output
- IR remote control
- Multi-way speaker binding posts
- Gold-plated RCA jacks
- Toroidal power transformer
- <0.5W standby consumption
Specifications
Continuous output power: 40 W
Damping factor: >200
Dimensions: 17-1/8" x 3-9/16" x 11-1/4"
Weight: 12.1 lb
| Rupert Neve Designs' Shelford Channel, over a half century in the making, is the definitive evolution of Mr. Neve's renowned 80 Series channel module technology, updated and refined for the contemporary studio. The Shelford Channel is fitted with Rupert's latest Class A transformer-gain mic preamp, the best-of-the-classics Inductor EQ from the Shelford 5052, a punchy diode-bridge compressor, the alluring analog textures of variable Silk saturation, a state-of-the-art dual-tap transformer output stage with massive headroom, and double the operating voltage of vintage designs. Offering rich tonal options for making audacious statements with your music, along with precision-detented controls for recall, the Shelford Channel delivers the authoritative sonic essence of classic Rupert Neve designs, along with modern versatility.
Input stage and transformer-gain mic pre
Rupert Neve's first new Class A, transformer-gain mic preamplifier in over 40 years makes its debut in the Shelford Channel. Rupert has spec'd this preamp with a direct-coupled transformer input; gain is provided by the custom transformer itself. The proprietary input transformer, and its meticulous integration with the surrounding Class A input amplifiers, plays an outsized role in the Channel's immediately recognizable sonics: punchy and creamy-smooth, with excellent isolation and vanishingly low noise.
The Shelford Channel's front-panel hi-Z instrument input uses the same discrete Class A field-effect transistor with transformer topology as Rupert Neve Designs' acclaimed RNDI; for gain, however, it utilizes the new RN4012 input transformer directly into the mic preamp. This design provides astonishing clarity on hi-Z sources, with substantial low-end weight and silky-smooth high frequencies. The DI also gives you a passive thru output to feed a guitar or bass amp.
- Mic-DI/Line: switches between microphone/direct injection input and line input
- GND Lift: disconnects the audio signal ground from chassis earth
- Signal LED: green indicates Signal Present; red indicates imminent input stage clipping
- Mic Gain: 12-way precision rotary, controls gain from 0dB to 66dB in 6dB steps
- Trim: rotary switch provides further continuous gain adjustment of +/-6dB
- 48V: switch engages phantom power on the mic input
- Phase: inverts the polarity of the signal path (illuminates when engaged)
- HPF Freq: engages a 12dB/octave highpass filter, variable from 20Hz-250Hz
The best-of-the-classics inductor EQ
The Shelford Channel's EQ section is a 3-band, custom-tapped inductor circuit containing Rupert's favorite bands from his vintage equalizer designs. The low-frequency band is primarily based on the 1064 — acclaimed for its creamy, resonant bass. Unlike the 1064, though, the Channel gives you added dimension, punch, and control over your low end by letting you use the LF band as either a peaking or a shelving filter. The midrange band is based on the venerable 1073 and is perfect for sweetening instruments and vocals while nudging them forward in a mix. "Proportional Q" response also makes it ideal for attenuating problem frequencies. The high-frequency band is a hybrid design with the best of vintage and modern attributes. It should be noted that this EQ is in no way a clone; it's a decidedly modern design using components and techniques that simply did not exist in the 1970s — for instance, the use of capacitor-based topologies to achieve sonic richness and enhanced control.
- EQ In: engages all EQ frequency bands except HPF
- LF: adjusts up to 15dB of boost/cut at the selected low frequency
- Low Freq: 4-position rotary switch for selecting LF band corner or center frequency
- LF Peak: selects LF shelving (out) or peaking (in) mode
- Mid Hi Q: selects between a mid-band resonance of 2 (out) or 3.5 (in)
- Mid: adjusts up to 15dB of boost/cut at selected mid frequency
- Mid Freq: 6-position rotary switch selects center frequency of the midband EQ stage
- HF Peak: selects HF shelving (out) or peaking (in) mode
- 8K/16K: selects between an 8kHz (out) or 16kHz (in) center or corner frequency for HF band
- HF: adjusts up to 15dB of boost or cut at selected high frequency
The Super Diode-bridge Compressor
Like the Shelford Channel's inductor EQ and transformer-gain microphone preamp, the diode-bridge compressor/limiter is based on the topologies found in vintage Neve designs such as the 2254. It improves, however, on the early designs by the inclusion of full-wave rectification and a bevy of new control features. Although Rupert's vintage diode-bridge compressors were prized for their warm, punchy response, they were somewhat compromised by imprecise controls, attack-time inflexibility, low headroom, and high noise. The Shelford Channel's Super Diode-bridge Compressor delivers the attitude-packed, "in your face" sound of those classics, but with modern precision and flexibility — which makes it ideal on any source. Full Side-chain and stereo Link features are provided.
- Side Chain Insert Jacks (rear-panel): for fine tuning of compressor operation
- Comp In: engages the Channel's compressor-limiter section
- Threshold: sets level where the compressor "kicks in"
- Ratio: sets compression slope from 1.5:1 (minimal) to 8:1 (heavy)
- SC Insert: inserts rear-panel sidechain insert jacks into sidechain signal path
- HPF to S/C: routes highpass filter into the circuit that compressor uses to determine level
- Gain: for adding make-up gain to compensate for level attenuation lost to compression
- Timing: 6-position rotary adjusts attack/release speed of the compressor
- Link: links the sidechain control of multiple units for ganged or stereo operation
- Pre EQ: changes the order of compressor in the circuit chain
- Blend: mixes the dry and compressed signal for handy parallel compression
- Fast: speeds up both attack and release of the selected compressor time constant
Dual-tap transformer output
The Shelford Channel's output stage serves up the inimitable sound of Rupert Neve's classic designs while providing far more tonal versatility. The dual-tap output for the RN2042 square-core output transformer provides both high- and low-headroom outputs without compromising performance. The high-headroom tap takes advantage of the Shelford's higher-voltage design, delivering a pristine sound without non-linear output-stage coloration at high levels. The low-headroom tap, on the other hand, lets you drive the full voltage range of the Channel to accentuate this non-linear harmonic content — without clipping most pro interfaces. For vocals, drums, guitars, bass, and other instruments, this output lets you hit the transformer's sweet spot, which can inject life into a recorded performance in a way that other effects cannot.
The Silk and Texture controls
The Shelford Channel is packing a secret weapon the classics never had: its output transformer features the Silk Red/Blue and Texture controls from the Portico II Series that let you tailor the harmonic content and tonality of the output stage. By engaging these controls and sufficiently driving your output, you can dial in delectable 2nd- and 3rd-order harmonic distortion (that's the good kind) and saturation of the output transformer, imbuing your tracks with juicy rich thickness (think: 1073 on steroids) — with no danger of overloading the output stage. The Silk Red mode emphasizes harmonic content generated by the source's high frequencies; Blue mode, conversely, works off the low frequencies. The Texture knob controls the amount of added harmonic content. Disengage Silk, and your output is pristine and modern, while retaining Rupert's bigger-than-life transformer sonic signature.
The magical sound of Neve
Rupert Neve is an audio legend whose electronics designs defined the golden age of analog. Those of us at Sweetwater who have had the privilege of working on a Neve 8078 or its predecessors can attest to the fact that Neve's Series 80 consoles were indeed the pinnacle of hand-wired analog mixing desks. Mr. Neve has remained at the forefront of audio-circuit innovation for over half a century, and his current company, Rupert Neve Designs, continues to advance the state of the art with cutting-edge products that sound incredible and intelligently address the challenges of the digital age.
Rupert Neve Designs Shelford Channel Features:
- The definitive evolution of Rupert Neve's renowned 80 Series channel module technology
- A complete channel strip that delivers the essence of classic designs, along with modern versatility
- Input stage and transformer-gain mic pre
- Front-panel hi-Z direct input
- Best-of-the-classics inductor EQ
- Super Diode-bridge Compressor
- Dual-tap transformer output
- Silk and Texture controls
| NAD Electronics T 778 Reference 9.2 Channel A/V Receiver
NAD s reference Audio Video Receiver (AVR) is a cutting-edge powerhouse for state of the art music and home theater. Well known for our high value/ high performance reputation in the AVR category, the brand s reference model builds on that legacy with an expansion of unwavering philosophy of real-world performance, simplicity of operation, and future upgradeability.
Introducing the T 778 A/V Surround Amplifier
BluOS Enabled 4K Ultra HD Receiver with Immersive Sound
NAD s reference Audio Video Receiver (AVR) is a cutting-edge powerhouse for state of the art music and home theater. Well known for our high value/ high performance reputation in the AVR category, the brand s reference model builds on that legacy with an expansion of unwavering philosophy of real-world performance, simplicity of operation, and future upgradeability.
Efficient Distortion-free Amplification
The T 778 features the latest developments in NAD s Hybrid Digital technology to create 9 high current/high power channels of amplification with improved efficiency. Designed with NAD s full disclosure approach to power ratings, the NAD AVR conservatively delivers 85W FDP and 9 x 140W FTC, all channels driven at rated distortion. For flexibility, the amp channels are configurable to be used for surround or second zone audio. The silent black background and explosive dynamics afforded by this amplifier technology adds lifelike realism, drama and excitement to all your music and movies.
Fully Featured Surround
The T 778 is second-to-none in terms of flexibility and up-to-the-minute digital technology. Only NAD offers Modular Design Construction (MDC), the company s proven method for preventing premature obsolescence. 7.1.4 Dolby Atmos , DTS Master Audio combine with Dirac Live room correction to deliver hyper-realism that captures every dimension of a performance. Add bit-perfect 4K UHD video pass-through and the T 778 delivers the most accurate sound and image experience you ve ever had. Musical performance is outstanding with High Res Multi-room streaming via BluOS.
Complete and Compact
As with all NAD components, the company s latest offering continues their simple is better design philosophy. This sensible approach contributes to ease of use and maximizes performance where it counts. A perfect example is the striking new touch screen and ergonomic refinements that simplify operation and ease of access. The T 778 features NAD s legendary sound quality along with complete compatibility with all the latest features and formats to ensure lifelike music and movie enjoyment.
Key Features of the NAD T 778:
- 9 channels of NAD s latest Hybrid Digital Amplifier Technology
- New touch screen and improved ergonomics for user-friendly operation
- 4K UHD video pass-through
- HDMI CEC/eARC
- High-Res BluOS enabled Network Streaming
- Dirac Live Room Correction
- Full decoding of MQA content via BluOS.
- Apple AirPlay 2
- MDC (Modular Design Construction) offers ability to upgrade to future digital formats as they become available. Two MDC slots provided.
- CI friendly- RS232 Serial Control Port. Trigger In/Out.
- IR In with learning function
| Packed with ultra-fast, rock-solid performance, the Behringer S32 32-channel digital snake system bridges the gap between your band, your FOH engineer, and your audience. With the S32, you get 32 remote-controllable Midas-designed preamps and 16 analog, servo-balanced XLR returns at the stage end, and it's all piped through a single, convenient Cat 5e cable, thanks to integrated SuperMac technology from Klark Teknik. In other words: no more bulky analog snake! So step up to the digital age — order your Behringer S32 32-channel digital snake system from Sweetwater today!
AES50 networking capability provides compatibility with many digital mixers
When Behringer first developed their S32 digital snake system, they intended it to go hand-in-hand with their powerful X32 digital mixing system. But limiting such a convenient and affordable digital snake to the X32 alone would have been a shame, which is why Behringer designed it around the strict guidelines established by Klark Teknik. The result is an affordable digital snake that's completely compatible with any digital console that sports an AES50 digital Ethernet connection. So if you're running a Midas or Behringer digital mixing board, if it's got an AES50 Ethernet port on it, if you've got an S32 digital snake, you're never more than a single connection away from your stage box.
Remote-controllable preamps make setup fast, easy, and painless
Even if you try to get a jog in every day, no one likes having to run up to the stage every time you have to make an adjustment to your stage box. Thanks to the Behringer S32 digital snake system's remote-controllable preamp design, those back-and-forth cross-venue dashes are a thing of the past. Using the Klark Teknik SuperMAC protocol, your S32 will show up in your digital mixer's OS, giving you the control you need over your pres, right from the front of house position. And by the way, these preamps are the exact same high-quality Midas-designed preamps found in the X32 console, so you know you're getting quality sound with low noise and tons of headroom.
Total integration with Behringer's P-16 personal monitoring system
Streamlined, affordable, and super-easy-to-use, everyone's raving about Behringer's Powerplay P16 personal monitoring systems. When you add a Behringer S32 digital snake system to your PA rig, you're not just getting a great set of remote-controllable preamps and ditching tons of bulky cable, you're ready to add an advanced personal monitoring system directly inline with the rig you already have. That's because your S32 digital snake comes equipped with Ultranet connectivity, which provides your Powerplay P16-M monitor controllers with a digital split straight from the stage box.
Behringer S32 32-channel Digital Snake System Features:
- Simple, flexible, and affordable digital snake system that works with any AES50 network-ready digital console
- 32 x fully programmable and remote-controllable Midas-designed mic preamps give you exceptional sound, right from the stage
- 16 x analog, servo-balanced XLR outputs let you send complete monitor mixes to the stage
- AES50 network ports featuring Klark Teknik SuperMac technology, providing you with ultra-low latency digital audio that's in-ear compatible
- Up to 328' of networking capability via a single lightweight CAT-5e cable (not included)
- Dual AES50 ports let you cascade multiple S32 units, without a merger or a router
- Precise LED metering plus 7-segment displays let you keep a close eye on your levels
- Ultranet connectivity for Behringer's Powerplay P16 Personal Monitoring System is perfect for In-ear applications
- Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
- MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
- USB connector for system updates via PC
- Planet Earth switching power supply for maximum flexibility, noise-free audio, superior transient response plus low power consumption for energy saving
- Durable yet compact, all-steel 3U rack-mount chassis provides flexible mounting
| NAD C 388 INTEGRATED AMPLIFIER
A prime example of what we stand for here at NAD, the C 388 Hybrid Digital DAC Amplifier is at the top of its class in the world of affordable amplification. An incredibly powerful amp, the C 388 employs NAD technologies like Asymmetrical PowerDrive™ to ensure that even the most demanding speakers can be driven to life-like listening levels without dynamic compression. Thanks to its advanced preamplifier circuit, the C 388 gives low noise at all volume settings, ensuring that you’ll be able to listen to your music without any distractions. Another technology that’s available to the C 388 is the BluOS™ module, a music management system that can stream your music library wirelessly across your home Wi-Fi network. You can also instantly connect to the C 388 with Bluetooth® giving you access to various streaming services. With the ability to accommodate a variety of sources both past and present, the C 388 is a remarkably flexible product that will become a core addition to your home audio system.
NAD'S NEW CLASSIC AMPLIFIERS. INTELLIGENT. POWERFUL. EFFICIENT.
Introducing the NAD C388
Expansive Power with Unprecedented Flexibility.
The C 388 ties together all the critical elements of a top performing music system; music sources past, present, and future, in addition to providing a nearly unrestricted reservoir of power that allows your speakers to reveal every nuance of musical detail. This advanced amplifier includes many cutting edge technological breakthroughs developed by NAD over decades of creating affordable ultra-high performance audio components.
Getting the Basics Right
It is surprising how many seemingly advanced products in the market today often miss many of the most basic requirements for satisfying performance. Low noise circuits, precise volume control action, accurate channel balance, proper input and output impedance characteristics, high overload margins and stability with difficult speaker loads.
NAD starts by getting these things precisely right and advances from there. We include an MM Phono stage with precisely accurate RIAA equalization, high overload margins, extremely low noise, and an innovative circuit to suppress infrasonic noise that is present on all LPs – all without affecting bass response. Our line inputs can accommodate all kinds of analogue source components by offering ideal input impedance characteristics with linear ultra-low-noise buffer amplifiers to prevent any sonic degradation caused by inappropriate loading of the source device. We include a separate headphone amplifier with low output impedance and very high output voltage capability – enough to drive even high impedance studio monitor headphones. Low impedance line outputs that can connect to other amplifiers or subwoofers extend the versatility of this well thought out amplifier. These are all details you can hear.
Future-Proof Modular Design
This NAD exclusive feature allows you to customize your NAD amplifier with additional capabilities and features, now or in the future. The two available MDC slots can accommodate a variety of upgrade modules including 4K video capable HDMI switching, additional Digital Inputs, additional Analogue and Phono Inputs, and one of the most advanced Hi-Res Audio multi-room wireless systems available, the BluOS™ music management system developed by Bluesound. BluOS connects to your network and is controlled via smartphone, tablet, or desktop device to manage your music collection and connect to a growing list of high-quality streaming music services.
Connected and Smart
You can connect instantly to the C 388 with Bluetooth® allowing you to stream music wirelessly from any Bluetooth-enabled device. The high performance aptX® codec is fully supported for true CD-quality sound. Bluetooth can also be used to listen to other sources connected to the C 388 via wireless headphones such as NAD’s own HP70. There is also a control app that allows your smartphone or tablet to control all functions of your C 388. Adding the optional BluOS Module provides access to your local area network via Wi-Fi or wired Ethernet connection and adds Hi-Res Audio streaming. The BluOS Module also makes the C 388 a singlezone streamer in a complete multi-room wireless music system that is fully compatible with BluOS-enabled music systems and wireless speakers. These are available in a variety of sizes and shapes to fit every room and extend the performance of your primary music system to create a warm ambience of sound in your home.
Sophisticated Power
NAD has moved away from the old-fashioned power-hungry linear power supplies and Class AB output stages that waste nearly half of the energy consumed and produce heat rather than sound. Instead, we have developed even better performing circuits based on switch mode power supplies and Class D output stages. Once thought to be inferior to traditional topologies, NAD’s advanced work in this area has created some of the best performing amplifiers regardless of basic design principle. These new designs are very linear over a wide bandwidth and provide consistent performance into all speaker loads, providing a dramatic advance over previous models.
The power supply is capable of 150 watts continuously and over 250 watts instantaneously to allow for short-term musical transients. It can operate with any AC mains voltage from 100 to 240 volts and provides pure DC power to all the various stages of the C 388. This highly efficient supply also provides near perfect regulation of voltage across a wide range of conditions and provides a solid noise-free foundation for the amplifying stages.
The C 388 uses a customized version of the proven Hypex UcD output stage operating in a fully balanced bridge configuration. This allows for massive power with nearly immeasurable distortion and noise in the audible range. Every detail of this design has been carefully planned and perfectly executed to wring out every last drop of performance.
KEY FEATURES
- 150W x 2 Continuous power into 8 or 4 Ohms
- Bluetooth ADP4 with aptX supported
- MM Phono input
- Analogue line inputs
- USB input for support purposes
- SPDIF coax and optical inputs
- Speaker A, Speaker B
- Preamp/Subwoofer out
- Headphone amplifier
- MDC Slots for future upgrades
- IR remote
- Smartphone Control App
- 12V Trigger in/out
- IR in/out
- RS-232 Serial port for control
- Control4, Crestron, RTI, URC, AMX, Savant, Elan certified
OVERALL SPECS
- Continuous output Power into 4 Ω and 8 Ω (Stereo)
- >150W (at rated THD, 20-20kHz, both channels driven)
- IHF Dynamic Power
- 2 Ω 400W
4 Ω 350W
8 Ω 250W
- THD (20Hz-20kHz)
- <0.02% (250mW to 150W, 8Ω and 4Ω)
- Signal/Noise Ratio
- >95dB (A-weighted, 500mV input ref. 1W out in 8 Ω)
< 13dB (IHF; A-weighted, ref. 50W in 8 Ω, max volume)
- Damping Factor
- >150 (ref. 8 Ω, 20Hz and 6.5kHtz)
- Frequency Response
- ±0.03 (20Hz-20kHz)
- Channel Separation
- >75dB (1kHz)
>70dB (10kHz)
GENERAL
- Standby Power
- <0.5W
- Inputs
- Digital: Coax x2, Optical x2
Analogue: Line In x2, Moving Magnet Phono Preamp (0.3mV input sensitivity ref. 200mV pre-out)
- Dimensions (W x H x D)
- 435 x 120 x 390mm (17 1/8 x 4 3/4 x 15 3/8)”
- Net Weight
- 11.2kg (24.7lb)
- Shipping Weight
- 13.6kg (30lb)
| The design of the HDA range draws upon all of Arcam’s experience as one of the UK’s most respected audio companies, to produce Arcam’s best performing range of audio products yet.
The SA10 is a 50 W class A/B amp with an onboard MM phonostage and DAC. Note, there is no streamer, the Ethernet port is for monitoring and amp control only.
Features
- Extremely efficient class A/B amplification
- 50W of power per channel
- 5 analog inputs including phono
- 3 digital inputs
- 32-bit DAC,Sabre ESS9016K2M
- Full I/P control
Specifications
Continuous power output (8 ohm, 4 ohm): 50 W, 85 W
Phono (MM) input
Input sensitivity (1 kHz): 5 mV
Input impedance: 47 kΩ + 100 pF
Line inputs
Input impedance: 10 kΩ
Digital inputs
DAC chip: ESS9016K2M
Supported sample rates (optical, coaxial): 32-96 kHz, 32-192 kHz (16-24 bit)
Bit depth 16-bit – 24-bit
Preamp output
Output impedance: 230 ohm
Headphone output
Max output (into 600 ohm): 5 Vrms
Output impedance: 1 ohm
Load range: 16 - 2,000 ohm
Dimensions (WHD): 17" x 3.4" x 12.2" (433 mm x 87 mm x 310 mm)
Weight: 18.5 lb
Supplied accessories: Power cord, remote control, 2 x AAA batteries |
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