Neve 8804 Fader Pack for 8816 Summing Mixer

$1,198.37

GTIN: 8804Fader SKU: 8804Fader Category: Tags: , , ,

Description

AMS Neve’s 8816 Summing Mixer is a surefire way to infuse your projects with unmistakable Neve character. That said, many engineers crave the tactile, hands-on control of a console. AMS Neve gets it — that’s why they created the 8804 Fader Pack. Handmade in Burnley, England, this pro-quality long-throw fader module boasts 16 channel faders, two master faders, and 16 Cut/Solo switches — everything you need to take command of your mix. The 8804 also includes 16 direct outputs that enable you to use your 8816 mixer’s level pots as auxiliary sends. Integrating outboard effects has never been easier! The 8804 also includes a USB port for saving and recalling settings to and from your computer. Installing and operating the 8804 is a breeze, thanks to its bus-powered design, and it supports 4U rackmount or tabletop operation (optional tabletop support legs are available).

Great-feeling long-throw faders draw you into your mix

The 8804 makes diving into a mix comfortable, easy, and enjoyable. This module includes 16 great-feeling long-throw 100mm channel faders, which enable you to take command of channels 1–16 on your 8816 mixer, with +15dB of gain on tap. When you attach the 8804 to your mixer, the mixer’s rotary Level controls are removed from its main circuit and relegated to auxiliary send level duties. The 8804 also boasts two master faders, left and right, with a gain range from -∞dB to 0dB. You also get 16 Cut/Solo buttons, which enable you to mute or solo tracks via your mixer’s mute relays.

Extends the functionality of your 8816 summing mixer

The AMS Neve 8804 isn’t a mere control surface. Rather, it actually extends your 8816 mixer’s capabilities. Its 16 balanced direct outputs, which can be set pre- or post-fader, can be used for recording or as sends for your outboard effects. When you set them to post-fader, you’re able to select whether each output will be muted by the Cut/Solo switch. And since your levels will be controlled by the 8804, you can use your mixer’s rotary Level knobs as auxiliary pre-fader send level controls. At Sweetwater, we’ve found these sends to be an excellent way to integrate a hardware reverb unit into your mixing workflow.

Tailor-made for modern computer-based workflows

Integrating the 8804 into your modern, computer-based studio is super simple. Its USB port allows for easy recall of your settings via control software on your Mac or PC. And if you need more faders, you can connect up to two 8816 mixers and up to two 8804 fader packs at a time. Like most of AMS Neve’s cutting-edge products, the 8804 delivers the classic Neve sound high-level engineers love, along with the state-of-the-art features modern professionals demand.

The legend continues

At Sweetwater, the name Neve commands reverence. Rupert Neve started designing audio equipment in the tube console era but made his mark with solid-state designs. Setting up shop in Little Shelford in the ’60s, Mr. Neve faced many obstacles establishing his brand amid a new technological landscape. Transistors were new, expensive, and difficult to obtain in quantity in the UK. Reliable faders didn’t exist yet — a far cry from today’s world, where parts are affordable and readily available from multiple suppliers, all competing to win bids. Nevertheless, Rupert persisted. And by the early 1970s, the Neve company was humming along, taking orders and building custom transformer-balanced consoles for recording and broadcast studios the world over.

Neve 80-series consoles had a huge, punchy, and authoritative sound that defined the sound of ’70s rock. From London to New York to Los Angeles and beyond, top studios were installing Neve desks as fast as they could. By 1978, with the introduction of the majestic 8078 — the pinnacle of handwired analog “production” consoles — and NECAM automation system, Neve boards were the main component of the success formula for any recording studio with world-class aspirations. In the decades since, AMS Neve has innovated with groundbreaking products such as the VR, VX, and 88R series consoles. And today, the company continues to advance the state of the art with cutting-edge pro audio gear that sounds incredible and intelligently addresses the challenges of the digital age.

AMS Neve 8804 Fader Pack Features:

  • Pro-quality fader module for the 8816 Summing Mixer
  • 16 great-feeling long-throw 100mm channel faders control channels 1–16 on your mixer
  • Each channel has a useful +15dB of gain on tap
  • 2 master faders, left and right, with a gain range from -∞dB–0dB
  • 16 Cut/Solo buttons enable you to mute or solo tracks via your mixer’s mute relays
  • 16 balanced direct outputs, which can be set pre- or post-fader, can be used for recording or as sends for outboard effects
  • Converts your mixer’s rotary Level knobs to auxiliary pre-fader send level controls — great for integrating hardware reverb units
  • USB port allows for recall of your settings via control software on your Mac or PC
  • Cascade up to 2 8816 mixers and up to 2 8804 fader packs
  • Super-convenient bus-powered design
  • Supports 4U rackmount or tabletop operation (optional tabletop support legs are available)

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Description
ContentAMS Neve’s 8816 Summing Mixer is a surefire way to infuse your projects with unmistakable Neve character. That said, many engineers crave the tactile, hands-on control of a console. AMS Neve gets it — that’s why they created the 8804 Fader Pack. Handmade in Burnley, England, this pro-quality long-throw fader module boasts 16 channel faders, two master faders, and 16 Cut/Solo switches — everything you need to take command of your mix. The 8804 also includes 16 direct outputs that enable you to use your 8816 mixer’s level pots as auxiliary sends. Integrating outboard effects has never been easier! The 8804 also includes a USB port for saving and recalling settings to and from your computer. Installing and operating the 8804 is a breeze, thanks to its bus-powered design, and it supports 4U rackmount or tabletop operation (optional tabletop support legs are available).

Great-feeling long-throw faders draw you into your mix

The 8804 makes diving into a mix comfortable, easy, and enjoyable. This module includes 16 great-feeling long-throw 100mm channel faders, which enable you to take command of channels 1–16 on your 8816 mixer, with +15dB of gain on tap. When you attach the 8804 to your mixer, the mixer’s rotary Level controls are removed from its main circuit and relegated to auxiliary send level duties. The 8804 also boasts two master faders, left and right, with a gain range from -∞dB to 0dB. You also get 16 Cut/Solo buttons, which enable you to mute or solo tracks via your mixer’s mute relays.

Extends the functionality of your 8816 summing mixer

The AMS Neve 8804 isn’t a mere control surface. Rather, it actually extends your 8816 mixer’s capabilities. Its 16 balanced direct outputs, which can be set pre- or post-fader, can be used for recording or as sends for your outboard effects. When you set them to post-fader, you’re able to select whether each output will be muted by the Cut/Solo switch. And since your levels will be controlled by the 8804, you can use your mixer’s rotary Level knobs as auxiliary pre-fader send level controls. At Sweetwater, we’ve found these sends to be an excellent way to integrate a hardware reverb unit into your mixing workflow.

Tailor-made for modern computer-based workflows

Integrating the 8804 into your modern, computer-based studio is super simple. Its USB port allows for easy recall of your settings via control software on your Mac or PC. And if you need more faders, you can connect up to two 8816 mixers and up to two 8804 fader packs at a time. Like most of AMS Neve’s cutting-edge products, the 8804 delivers the classic Neve sound high-level engineers love, along with the state-of-the-art features modern professionals demand.

The legend continues

At Sweetwater, the name Neve commands reverence. Rupert Neve started designing audio equipment in the tube console era but made his mark with solid-state designs. Setting up shop in Little Shelford in the ’60s, Mr. Neve faced many obstacles establishing his brand amid a new technological landscape. Transistors were new, expensive, and difficult to obtain in quantity in the UK. Reliable faders didn’t exist yet — a far cry from today’s world, where parts are affordable and readily available from multiple suppliers, all competing to win bids. Nevertheless, Rupert persisted. And by the early 1970s, the Neve company was humming along, taking orders and building custom transformer-balanced consoles for recording and broadcast studios the world over. Neve 80-series consoles had a huge, punchy, and authoritative sound that defined the sound of ’70s rock. From London to New York to Los Angeles and beyond, top studios were installing Neve desks as fast as they could. By 1978, with the introduction of the majestic 8078 — the pinnacle of handwired analog “production” consoles — and NECAM automation system, Neve boards were the main component of the success formula for any recording studio with world-class aspirations. In the decades since, AMS Neve has innovated with groundbreaking products such as the VR, VX, and 88R series consoles. And today, the company continues to advance the state of the art with cutting-edge pro audio gear that sounds incredible and intelligently addresses the challenges of the digital age.

AMS Neve 8804 Fader Pack Features:

  • Pro-quality fader module for the 8816 Summing Mixer
  • 16 great-feeling long-throw 100mm channel faders control channels 1–16 on your mixer
  • Each channel has a useful +15dB of gain on tap
  • 2 master faders, left and right, with a gain range from -∞dB–0dB
  • 16 Cut/Solo buttons enable you to mute or solo tracks via your mixer’s mute relays
  • 16 balanced direct outputs, which can be set pre- or post-fader, can be used for recording or as sends for outboard effects
  • Converts your mixer’s rotary Level knobs to auxiliary pre-fader send level controls — great for integrating hardware reverb units
  • USB port allows for recall of your settings via control software on your Mac or PC
  • Cascade up to 2 8816 mixers and up to 2 8804 fader packs
  • Super-convenient bus-powered design
  • Supports 4U rackmount or tabletop operation (optional tabletop support legs are available)
The Purple Audio Moiyn is an innovative 500 Series 8-channel summing amp module that transforms your Sweet Ten rack into an 8 x 2 mixer. When using this feature, you can still use the first eight modules' outputs as you normally would into your DAW or tape machine. Place the Moiyn in slot nine of the rack, and you then are able to assign each module (in slots 1-8) to either of the two outputs via the Moiyn's front-panel buttons. Finally, use the rotary knob to adjust your output volume. The Purple Audio Moiyn is an ideal way to get the most from your Sweet Ten rack. Purple Audio - the quality is designed in Sweetwater is proud to carry Purple Audio. Founded in 1997 by Andrew Roberts, Purple Audio has kept the analog flame burning brightly with acclaimed professional signal processors and studio problem solvers based on inspired new designs and fresh takes on coveted classic gear. Handcrafted in Pennsylvania, Purple Audio equipment is built for the long haul, using only the finest components. Let Purple Audio's innovative engineering elevate your studio's sonic quality and juice your workflow. Purple Audio Moiyn 500 Series Summing Amplifier Features:
  • Designed specifically for mounting in Slot 9 of Purple Audio's Sweet Ten 500 Series rack
  • Transforms your Sweet Ten rack into an 8 x 2 mixer
  • Discrete signal path with 2 KDJ3 Summing Amplifiers and 2 KDJ4 Output Amplifiers
  • Differential summing amplifier with 15 Kilohm inputs
  • Stereo balanced inject
  • 8 Input left/right assignable
  • Current consumption: 90mA
  • Discrete signal path
  • Auto-resetting fuse shuts down individual module without affecting entire rack or console
  • Includes high-quality 2-bus rotary master fader
  • Cascade multiple Sweet Tens with Moiyns for more channels
  • Requires Purple Audio's Sweet Ten rack
  • ROHS certified lead-free
Brand New Midas ProX with Neutron. In person demos are available. Shipping cost is the buyers responsibility and will be determined by buyers location. Please message to discuss shipping. If purchased without a shipping agreement in place, the buyer will be responsible for local pickup. The Midas PRO Series family moves up a gear with the PRO X control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the PRO X sets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all PRO Series consoles, the PRO X features managed latency and 40 bit floating point processing precision. HyperMAC and AES50 audio networking technologies allow the PRO X to dynamically assign up to 288 inputs and 294 outputs at 96 kHz sampling rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO X equally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals.Avid S1 eight-fader EUCON control surface The Avid S1 is an eight-fader EUCON control surface with unparalleled speed, rich visual feedback, and software integration of Avid's high-end consoles in a slimline surface that's an easy fit for any space or budget. Avid S1 gives you deep hands-on control of your favorite audio and video software and, together with the free Pro Tools | Control app for iPad (iPad not included), provides great ergonomic efficiency, easy touch workflows, and S6-style metering and processing views, so you can navigate large sessions quickly, mix more intuitively, and turn around better sounding mixes fast. Mix big on a smaller scale While Avid S1 fits easily between your display and keyboard, it packs a lot of mixing power into its small surface. From motorized faders and knobs that respond to your touch, to fast-access touchscreen workflows and Soft Keys that enable you to perform complex tasks with a single press, S1 provides the speed and versatility to accelerate any music, audio post, or video project. Get unmatched software integration S1 is powered by EUCON, Avid’s high-speed Ethernet control protocol that delivers deep hardware/software integration, giving you full touch and tactile access to a host of Avid and third-party software functions and controls. You can even switch between multiple applications—and workstations—at the touch of a button, providing the most fluid editing and mixing experience. Specifications:
  • Faders: Eight motorized, touch-sensitive, 100 mm long-throw faders
  • Knobs: Eight push-top, touch-sensitive rotary encoders
  • Additional controls: Assorted hardware buttons/keys for various functions and mode selections, including Mute, Solo, Record-enable, Bank, Nudge, and more
  • Software interface: Supports the free Pro Tools | Control app running on iPad (iPad not included), providing touchscreen control, project navigation, macro triggers, and more
  • Displays: Eight high-resolution OLED displays, plus multiple status LEDs and multicolor track buttons; channel metering, monitoring, processing, track status, automation modes, and other views provided by Pro Tools | Control on iPad
  • Height (front, rear): 1.2 inches, 3.8 inches (29 mm, 97 mm)
  • Width: 12.3 inches (312 mm)
  • Depth: 14.9 inches (377 mm)
20 canali (16 mono e 2 stereo) con ingressi combo jack 1/4/XLR - 22 tracce di registrazione simultanea e 20 tracce di playback - 22in/4 out USB come interfaccia - 6 monitor out - uscita cuffie con jack da 1/4 - phantom su tutti i canali XLR a gruppi di 4 - ingresso Hi-z sui canali 1 e 2 - pad di 26dB - compressore sui canali da 1 a 16 - tasto master mute - low-cut 40-600 Hz. 12dB/OCT - stereo panning - master e monitor out (A-F) - fino a 9 scene salvabili - doppio processore effetti regolabili - class compliant con sistemi iOS - App iOS per controllo a distanza tamite BTA-1 Bluetooth adapter (incluso) - registrazione su SD card (fino a 24bit/96kHz) o su PC/MAC come scheda audio - Rack ears incluse Dimensioni: Lunghezza 55.5cm - Profondità 23.7cm - Altezza 43.6cm - Volume 0.057m³ Zoom # L-20R - Mixer digitale 20 canali. recorder e interfaccia audio - formato rack # P.A. / Mixer # Serie LiveTrackWhile the convenience and power of DAWs is indisputable, some engineers prefer the sound of analog, particularly when it comes to mixing. That's where the Burl Audio B32 Vancouver analog mix bus comes in. Designed specifically for the digital audio environment, this summing amp lets you realize the full potential of your DAW by delivering the kind of sound quality you'd expect from a classic, large-format analog console - from a compact 1U device. Built in the USA using only the finest mastering-grade components, Burl Audio's B32 Vancouver sums 32 channels (24 stereo, eight mono inputs) to dual stereo outputs, and gives you the flexibility of a 6dB gain boost and tone-enhancing switchable output transformer. Burl Audio B32 Vancouver 32-channel Mix Bus at a Glance:
  • Large-format analog console hugeness
  • Impressive Sonic versatility and ease of use
  • Burl Audio: pro gear driven by an audiophile sensibility
Large-format analog console hugeness If you've ever worked on a classic large-format analog console, you've likely got that inimitable sound stuck in your head, and the results you're getting out of your DAW may not be cutting it. Enter the the Burl Audio B32 Vancouver. With no capacitors in its discrete analog Class A signal path, this 32-channel "mix bus" embues your mixes with the hugeness, impact, spatial detail, and clarity. It gives your mixes the "glue" they've been missing. Impressive sonic versatility and ease of use Burl Audio's B32 Vancouver gives you impressive sonic versatility, and it's so easy to use. Aside from your left- and right-channel mix level pots, there are just two other controls for each channel - a button that engages a 6dB summing amp Gain Boost, and a button to insert Burl's BX5 output transformer into the circuit. The Gain Boost endows your mix with hugeness and slam factor, while the BX5 output transformer provides an alternate tonality (which sounds amazing, trust us). The bottom line? If you want massive-sounding mixes, the Burl Audio B32 Vancouver is a no-brainer. Burl Audio: pro gear driven by an audiophile sensibility At Sweetwater, we've been nothing but impressed with Burl Audio gear. Based in a professional Santa Cruz, CA recording studio, Paradise Recording, Burl is driven by an audiophile sensibility; their gear is designed by pro recording engineers, for recording engineers of all levels. The company's directive is simple: to provide you with high-quality recording equipment that will improve your recording, mixing, and mastering. Their innovative solutions not only sound amazing; they intelligently address the challenges of the digital age. Burl Audio B32 Vancouver 32-channel Mix Bus Features:
  • Discrete analog Class A signal path
  • Eight mono inputs, 24 stereo inputs
  • Audiophile-grade 0.1% stepped attenuators
  • Switchable BX5 output transformer
  • Summing amp Gain Boost
  • Dual stereo outputs
  • Made in the USA
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