| Content | The Panasonic Live Production Streaming Switcher Controller and PTZ Camera Controller
A well suited for use in a variety of environments including live events, education, live musical performances, and lectures. It supports ten channels of video and can simultaneously accept input from SDI, HDMI, and NDI/IP. Supporting up to 12 audio channels, the switcher can use the audio embedded in digital video, as well as from analog audio, and even the microphone input.
Still image capture is available at the push of a button on the console. The T-bar (transition bar) is pretty much a given on a switcher panel, offering you manual control over transitions. The built-in joystick works in conjunction with the panel's built-in PTZ controls. The NDI input and output options make this board suitable for live streaming as well as IP recording.
Usability
User-friendly operations and compatibility with NDI and NDI/HX standards for smooth live productions.
Transition Slider
A physical transition slider provides tactile control of a transition, for moments when a manual slider is preferable to a preprogramed transition.
Camera Control and Document Sharing for Lectures and Presentations
Connect the AV-HLC100 to Panasonic's HD integrated cameras to switch between footage from up to eight cameras, controlling each camera easily through a single LAN cable. Lecture documents can be input from a computer or captured in advance, then displayed on sub-screens during live streaming.
Simultaneous Live Streaming and Recording
Footage can be output directly to video streaming services without an external converter, and can even be recorded simultaneously. The content is recorded in formats that can be played on off-the-shelf computers, enabling streaming to users who are unable to view the live broadcast. Streaming and recording can all be done on one AV-HLC100 unit.
PTZ
Tele/Wide zooming can be done with the seesaw switch similar to what you would find on a camera. This is found on the left of the control panel.
Iris and Focus adjustment can be performed by individual dials, while position control such as PTZ camera, PiP, or Title can be assigned to the 3D joystick at the top right
Audio
The volume knob is the master audio level control. Audio levels can be checked in the LCD display. Detailed adjustments can be made using a GUI.
LCD Menu Bar
Small and unobtrusive, the built-in LCD menu bar provides a wealth of information. It displays a wide range of statuses and settings including PTZ camera selection, PTZ/PST operation, PiP material selection, title material selection, transition pattern selection, CLIP/STILL operation, and input-source selection.
Effects & Transitions
The switcher supports over 190 transitions, as well as PiP and 3D-DVE.
Titles
Built-in title templates speed title creation and customization.
RTMP
The AV-HLC100 supports RTMP, which allows you to stream your PGM output. | BirdDog BDP400 PTZ Camera
BDP400B features 20x zoom,10-bit NDI in stunning 4K resolution and allows chroma subsampling in your choice of 4:2:0 or 4:2:2. P400 teams up BirdDog’s custom NDI® silicon chip, a 4K Sony CMOS Backlit sensor, and a true Sony Image Module. P400 includes professional-level colour tools including Colour Matrix control, Black level, Gamma including 512 pre-set gamma positions.
BirdDog PTZ Keyboard Controller
BirdDog PTZ Keyboard is a full featured PTZ Keyboard that supports NDI®, NDI|HX, Visca over IP, RS422, and RS232. By harnessing BirdDog’s next generation NDI® and IP technology, it’s never been easier to discover, connect, and control your PTZ cameras. Featuring superior ergonomics, premium buttons and joystick, all in a beautiful form factor this is the PTZ controller you have been waiting for.
| Pixellot Prime introduces affordable multi-feed production, enabling professional and semi-professional leagues, colleges and youth academies to produce and distribute HD quality broadcasts with a limited video crew and without an OB van.
Advanced Production Suite
Streamlining the production workflow, Pixellot Prime deploys an unmanned panoramic camera to capture the entire field at native 50-60 FPS. From the sporting event venue, the SDI footage is automatically fed into any production suite where the final broadcast is mixed, in real-time.
The suite displays a variety of views and streams, including an auto-produced feed featuring the center of action, streams from additional cameras and preset camera stations to create close-ups and replays. An array of transition options and graphic elements lets directors create TV-grade broadcasts for web portals and mobile apps. Clients opt for either a “clean” feed, streaming only the sports action or a program (“dirty”) feed.
- 8K capture and HD-SDI output, 50/60 FPS
- End-to-end production system, enables production of sports event with single-person crew
- Remote Production Suite to create multi-feed broadcast
- Embedded graphics and ad formats
- Additional audio input for commentator
- Panoramic footage to power VR applications
KEY FEATURES:
- Auto Production
- Panoramic Video
- Spatial Replay
- Auto-Director & Ads
- Automatic Highlights
| End to End Automatic Production
Reducing production costs to a minimum, our fully automated production systems enable amateur clubs, schools, federations, media platforms and venues to generate live HD content to power their own digital media services, boost fan engagement and improve their coaching processes. What’s more, Pixellot footage is interactive and delivered to any device lets fans watch their favorite team from anywhere, produce their own highlight clips and even share them on social networks.
Pixellot S is based on their patented, fully automated production workflow that generates and delivers TV-like footage without a person in the loop.
Fixed Installation: Indoors or outdoors, weatherproof
Unmanned capture: Panoramic field capture in 6K resolution
Automated production: Auto-tracking algorithms follow the flow of play and produce TV-like footage
Distributed to any device: Streamed in 4K quality to mobile devices and web platforms
Personalized viewing experience: Zoom into any scene, replay, clip and share.
Pixellot S comes with a variety of modules to optimize your system for media or coaching use:
Automatic highlights
Taking auto-production to the next level, this module identifies game highlights like baskets or goals and automatically produces highlight clips.
Editing Module
Share the most exciting plays with your fans! Our editing module lets you cut high quality clips from HD footage, live and post-game, and distribute them on your media channels.
Manual Production Module
Produce any type of sports game and events and cover also anything that happens on the field before and after the game.
Coaching Module
Get more insight by reviewing the game by zooming into any play and cut high-quality clips to review with your team and players.
Scoreboard Module
Enrich your broadcasts through an integrated scoreboard display. Choose from a selection of fonts, colors and designs or upload your own personalized scoreboard graphics.
Commentator
Add a remote or local commentator to follow the action and improve the viewing experience
KEY FEATURES:
- Auto Production Multiple Sports
- Panoramic Video
- Full Field Video Coverage
- Personal Video
- Identifying Game States
- Automatic Highlights
| Pixellot Prime introduces affordable multi-feed production, enabling professional and semi-professional leagues, colleges and youth academies to produce and distribute HD quality broadcasts with a limited video crew and without an OB van.
Advanced Production Suite
Streamlining the production workflow, Pixellot Prime deploys an unmanned panoramic camera to capture the entire field at native 50-60 FPS. From the sporting event venue, the SDI footage is automatically fed into any production suite where the final broadcast is mixed, in real-time.
The suite displays a variety of views and streams, including an auto-produced feed featuring the center of action, streams from additional cameras and preset camera stations to create close-ups and replays. An array of transition options and graphic elements lets directors create TV-grade broadcasts for web portals and mobile apps. Clients opt for either a “clean” feed, streaming only the sports action or a program (“dirty”) feed.
- 8K capture and HD-SDI output, 50/60 FPS
- End-to-end production system, enables production of sports event with single-person crew
- Remote Production Suite to create multi-feed broadcast
- Embedded graphics and ad formats
- Additional audio input for commentator
- Panoramic footage to power VR applications
KEY FEATURES:
- Auto Production
- Panoramic Video
- Spatial Replay
- Auto-Director & Ads
- Automatic Highlights
| Pixellot Prime introduces affordable multi-feed production, enabling professional and semi-professional leagues, colleges and youth academies to produce and distribute HD quality broadcasts with a limited video crew and without an OB van.
Advanced Production Suite
Streamlining the production workflow, Pixellot Prime deploys an unmanned panoramic camera to capture the entire field at native 50-60 FPS. From the sporting event venue, the SDI footage is automatically fed into any production suite where the final broadcast is mixed, in real-time.
The suite displays a variety of views and streams, including an auto-produced feed featuring the center of action, streams from additional cameras and preset camera stations to create close-ups and replays. An array of transition options and graphic elements lets directors create TV-grade broadcasts for web portals and mobile apps. Clients opt for either a “clean” feed, streaming only the sports action or a program (“dirty”) feed.
- 8K capture and HD-SDI output, 50/60 FPS
- End-to-end production system, enables production of sports event with single-person crew
- Remote Production Suite to create multi-feed broadcast
- Embedded graphics and ad formats
- Additional audio input for commentator
- Panoramic footage to power VR applications
KEY FEATURES:
- Auto Production
- Panoramic Video
- Spatial Replay
- Auto-Director & Ads
- Automatic Highlights
|
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