Panasonic LUMIX BGH1 4K Cinema Box Camera with Livestreaming

$1,212.00

GTIN: 885170376861 SKU: 885170376861 Category:

Description

Unbox Your Creativity
High-performance livestream camera is small and light, with expandability and multi-camera control, perfect for livestreamers, broadcasters, and cinema.

Box-Style Cinema & Live Camera
Dual Native ISO, C4K 60p 10-bit recording, 13 stops of dynamic range with V-LogL all in an easy to deploy box-style camera for increased shooting flexibility.

Superior Low Light Performance
High-sensitive 10.2MP Live MOS sensor with Dual Native ISO technology for outstanding low-light video performance.

The Micro Four Thirds name and logos are trademarks or registered trademarks of Olympus Corporation in Japan, the United States, the European Union, and other countries and regions.

A LUMIX First: Simultaneous SDI/HDMI Output
You can simultaneously monitor SDI output, record HDMI output externally, and control the camera remotely via USB or LAN tethering for professional cinematic quality.

A LUMIX First: Ethernet / PoE+ Compatible Camera
Simply by connecting the BGH1 via Ethernet cable, your camera will be powered over Ethernet and allow multiple-camera remote control through the LUMIX Tether software.

IEEE802.3at compliant.

Remote Control Multiple Cameras with LUMIX Tether
Multiple camera recording enabled by Ethernet cable connection on LUMIX Tether software enables more efficient video production.

LUMIX Tether for Multicam software will be released at the product shipment of BGH1.

Front Tally Lamp / Rear Tally Lamp
Thanks to the clean lines of the body design, the tally lamps can be monitored from the front, top, side, or back, a welcome convenience on any shoot.

Stable Connectivity with Simultaneous SDI/HDMI Output
Supports extended cable runs and external monitoring. Supports simultaneous C4K/4K 60p 4:2:0 10-bit internal recording and C4K/4K 60p 4:2:2 10-bit HDMI live output external recording.

Product Specifications:

Image Sensor

Image Sensor Size
19 x 13 mm (4/3″)

Sensor Type
MOS

Sensor Resolution
Actual: 10.2 MP

Color Filter
Bayer

Shutter Type
Mechanical Shutter

ISO
160 to 51,200 (Native) / 80 to 204,800 (Expanded)

Advertised Dynamic Range
13 Stops

Signal-to-Noise Ratio
9.7 dB

Camera

Lens Mount
Micro Four Thirds

Lens Communication
Yes

Interchangeable Lens Mount
Yes

Built-In ND Filter
None

Built-In Microphone Type
Stereo

Recording Media
2 x SD Card Slots

Variable Frame Rates
DCI 4K: 1 to 60 fps / 1080p: 1 to 240 fps

Internal Recording

Recording Modes

AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MOV 4:2:0 10-Bit:
4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 400 Mb/s)
3840 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 200 Mb/s)
3328 x 2496p at 23.98/24/25/29.97/50/59.94 fps (100 to 400 Mb/s)
1920 x 1080p at 23.98/24/25/29.97/50/59.94 fps (100 to 200 Mb/s)

AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MOV 4:2:0 8-Bit:
4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
3840 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
3328 x 2496p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
1920 x 1080p at 23.98/24/25/29.97/50/59.94 fps (100 Mb/s)

AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MP4 4:2:0 10-Bit:
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (72 to 100 Mb/s)

AVC-Intra/AVC-LongG/H.264/H.264 Long GOP/H.265/MP4 4:2:0 8-Bit:
3840 x 2160p at 23.98/25/29.97 fps (100 Mb/s)
1920 x 1080p at 23.98/25/29.97/50/59.94 fps (24 to 28 Mb/s)

Gamma Curve
Panasonic V-Gamut, Panasonic V-Log

Audio Recording
MOV: 24-Bit 48 kHz LPCM Audio
MOV: 24-Bit 96 kHz LPCM Audio
MP4: 24-Bit 48 kHz LPCM Audio
MP4: 24-Bit 96 kHz LPCM Audio

Still Image Support
None

External Recording

Video Output
4:2:2 10-Bit via SDI/BNC:
1920 x 1080p at 60 fps

4:2:2 10-Bit via HDMI:
4096 x 2160p at 60 fps

Interfaces

Video Connectors
1 x BNC (3G-SDI) Output
1 x HDMI (HDMI 2.0) Output

Audio Connectors
1 x 1/8″ / 3.5 mm Stereo Mic Level Input
1 x 1/8″ / 3.5 mm Stereo Headphone Output

Other I/O
1 x USB Type-C Camera Interface, USB 3.1 Gen 1 Data, Control, Video Input
1 x BNC Timecode Data Input/Output
1 x BNC Genlock Data Input/Output
1 x RJ45 LAN Control, Monitor, Video Input/Output
1 x 2.5 mm LANC Control Input

Wireless Interfaces
2.4 GHz Wi-Fi, Bluetooth Video Output, Control

EVF

EVF
Optional, Not Included

Power

Battery Type
Panasonic AG-VBR Series

Power Connectors
1 x Weipu SF610/S2 (12 VDC) Input

PoE Support
PoE+ 802.3at

General

Tripod Mounting Thread
1/4″-20 Female (Bottom)

Material of Construction
Aluminum

Dimensions
3.7 x 3.7 x 3.1″ / 9.3 x 9.3 x 7.8 cm (Without Protrusions)

Weight
1.2 lb / 545 g

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Description
Panasonic AW-HE145 Full-HD 60P Integrated PTZ with 20X Zoom (White)
Pixellot S1WSystem | S1 Wide KitPixellot S2 SDI SystemPixellot S2System | S2 HDMI Kit
Content
Unbox Your Creativity High-performance livestream camera is small and light, with expandability and multi-camera control, perfect for livestreamers, broadcasters, and cinema. Box-Style Cinema & Live Camera Dual Native ISO, C4K 60p 10-bit recording, 13 stops of dynamic range with V-LogL all in an easy to deploy box-style camera for increased shooting flexibility. Superior Low Light Performance High-sensitive 10.2MP Live MOS sensor with Dual Native ISO technology for outstanding low-light video performance. The Micro Four Thirds name and logos are trademarks or registered trademarks of Olympus Corporation in Japan, the United States, the European Union, and other countries and regions. A LUMIX First: Simultaneous SDI/HDMI Output You can simultaneously monitor SDI output, record HDMI output externally, and control the camera remotely via USB or LAN tethering for professional cinematic quality. A LUMIX First: Ethernet / PoE+ Compatible Camera Simply by connecting the BGH1 via Ethernet cable, your camera will be powered over Ethernet and allow multiple-camera remote control through the LUMIX Tether software. IEEE802.3at compliant. Remote Control Multiple Cameras with LUMIX Tether Multiple camera recording enabled by Ethernet cable connection on LUMIX Tether software enables more efficient video production. LUMIX Tether for Multicam software will be released at the product shipment of BGH1. Front Tally Lamp / Rear Tally Lamp Thanks to the clean lines of the body design, the tally lamps can be monitored from the front, top, side, or back, a welcome convenience on any shoot. Stable Connectivity with Simultaneous SDI/HDMI Output Supports extended cable runs and external monitoring. Supports simultaneous C4K/4K 60p 4:2:0 10-bit internal recording and C4K/4K 60p 4:2:2 10-bit HDMI live output external recording.

Product Specifications:

Image Sensor Image Sensor Size 19 x 13 mm (4/3") Sensor Type MOS Sensor Resolution Actual: 10.2 MP Color Filter Bayer Shutter Type Mechanical Shutter ISO 160 to 51,200 (Native) / 80 to 204,800 (Expanded) Advertised Dynamic Range 13 Stops Signal-to-Noise Ratio 9.7 dB Camera Lens Mount Micro Four Thirds Lens Communication Yes Interchangeable Lens Mount Yes Built-In ND Filter None Built-In Microphone Type Stereo Recording Media 2 x SD Card Slots Variable Frame Rates DCI 4K: 1 to 60 fps / 1080p: 1 to 240 fps Internal Recording Recording Modes AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MOV 4:2:0 10-Bit: 4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 400 Mb/s) 3840 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 200 Mb/s) 3328 x 2496p at 23.98/24/25/29.97/50/59.94 fps (100 to 400 Mb/s) 1920 x 1080p at 23.98/24/25/29.97/50/59.94 fps (100 to 200 Mb/s) AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MOV 4:2:0 8-Bit: 4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s) 3840 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s) 3328 x 2496p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s) 1920 x 1080p at 23.98/24/25/29.97/50/59.94 fps (100 Mb/s) AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MP4 4:2:0 10-Bit: 3840 x 2160p at 23.98/25/29.97/50/59.94 fps (72 to 100 Mb/s) AVC-Intra/AVC-LongG/H.264/H.264 Long GOP/H.265/MP4 4:2:0 8-Bit: 3840 x 2160p at 23.98/25/29.97 fps (100 Mb/s) 1920 x 1080p at 23.98/25/29.97/50/59.94 fps (24 to 28 Mb/s) Gamma Curve Panasonic V-Gamut, Panasonic V-Log Audio Recording MOV: 24-Bit 48 kHz LPCM Audio MOV: 24-Bit 96 kHz LPCM Audio MP4: 24-Bit 48 kHz LPCM Audio MP4: 24-Bit 96 kHz LPCM Audio Still Image Support None External Recording Video Output 4:2:2 10-Bit via SDI/BNC: 1920 x 1080p at 60 fps 4:2:2 10-Bit via HDMI: 4096 x 2160p at 60 fps Interfaces Video Connectors 1 x BNC (3G-SDI) Output 1 x HDMI (HDMI 2.0) Output Audio Connectors 1 x 1/8" / 3.5 mm Stereo Mic Level Input 1 x 1/8" / 3.5 mm Stereo Headphone Output Other I/O 1 x USB Type-C Camera Interface, USB 3.1 Gen 1 Data, Control, Video Input 1 x BNC Timecode Data Input/Output 1 x BNC Genlock Data Input/Output 1 x RJ45 LAN Control, Monitor, Video Input/Output 1 x 2.5 mm LANC Control Input Wireless Interfaces 2.4 GHz Wi-Fi, Bluetooth Video Output, Control EVF EVF Optional, Not Included Power Battery Type Panasonic AG-VBR Series Power Connectors 1 x Weipu SF610/S2 (12 VDC) Input PoE Support PoE+ 802.3at General Tripod Mounting Thread 1/4"-20 Female (Bottom) Material of Construction Aluminum Dimensions 3.7 x 3.7 x 3.1" / 9.3 x 9.3 x 7.8 cm (Without Protrusions) Weight 1.2 lb / 545 g
The HD integrated camera AW-HE145 realizes high sensitivity of F9/2000lx with the mounted 1.0-type MOS sensor, and can shoot beautifully at stage events or church services with low light. The operation mechanism is the same design as the high-end model, so the operating performance of the pan/tilt and zoom is smooth and accurate, allowing you to shoot without stress. Furthermore, it is equipped with an optical 20x zoom and horizontal 75.1° wide-angle lens to realize flexible video production. KEY FEATURES
  • High Sensitivity Achieved with the 1” Large-sized Sensor
  • Optical 20x Zoom/Horizontal 75.1° Wide-angle Shooting
  • Pan/tilt Performance that Achieves Smooth and Accurate Operation
  • Enables high-quality video production even in dark environments
  • SRT support for stable video transmission
High-Quality Full-HD 60p Shooting Full-HD output and 59.94p shooting achieve extremely smooth video, even in live sports and other environments containing rapid movement. SRT support for stable video transmission over public lines SRT, a next-generation video transmission protocol with strong security suitable for unstable network environments, is supported. Multiple Interfaces Supported A wide range of outputs are supported: 3G-SDI, HDMI and IP. Useful Software for Simplified Workflow Compatible with a wide range of software, including the PTZ Control Center and Auto Tracking Software. This software will simplify the workflow of the PTZ camera shooting and reduces the burden of operation and management.   Dimensions (W x H x D) 213 mm x 267 mm x 219 mm (8-3/8 inches x 10-1/2 inches x 8-5/8 inches) (excluding protrusions, direct ceiling mount bracket) General Storage Temperature –20 °C to 50 °C (–4 °F to 122 °F) Current consumption 4.0 A (XLR IN connector), 1.2 A (PoE++ power supply) Power Requirements 12 V DC (10.8 V to 13.2 V), DC 42 V to 57 V (Camera Input, PoE++ power supply) Ambient Operating Temperature 0 °C to 40 °C (32 °F to 104 °F) Ambient Operating Humidity 20 % to 90 % (no condensation) Finish AW‑HE145W: Pearl white AW‑HE145K: Metallic Black Mass Approx. 4.1 kg (9.04 lb) (excluding mount bracket) Controller Supported AW-RP150, AW-RP60, AK-HRP1000GJ, AK-HRP1015GJ, AK-HRP250GJ*1 LENS Motorized Optical 20x zoom, F2.8 to F4.5 [f=8.8 mm (11/32 inches) to 176.0 mm (6‑15/16 inches); 35 mm (1‑3/8 inches) equivalent: 24.5 mm (31/32 inches) to 490.0 mm (19‑9/32 inches)] MINIMUM ILLUMINATION 2 lx (F2.8, 59.94p, 50IRE, 42 dB, without accumulation) Synchro scan 59.94p/59.94i: 60.00 Hz to 7200 Hz 29.97p: 30.00 Hz to 7200 Hz 23.98p/24p: 24.00 Hz to 7200 Hz 50p/50i: 50.00 Hz to 7200 Hz 25p: 25.00 Hz to 7200 Hz Zoom • Optical zoom: 20x • i.Zoom: FHD 32x • Digital zoom: 10x Horizontal Resolution 1000 TV lines Typ (Center area) Gain Selection Auto, 0 dB to 36 dB*2 Super Gain function equipped : +37 dB to 42 dB WHITE BALANCE ATW : 3200K, 5600K ATW Speed : Normal / Slow / Fast AWB : AWB-A / AWB-B VAR (selectable between 2000K and 15000K by designating a value) Optical Filter Through, 1/4, 1/16, 1/64, IR through (IR through is used as “Night mode”) Output Format 1080/59.94p, 1080/50p, 1080/29.97p*4, 1080/29.97PsF, 1080/25p*4, 1080/25PsF, 1080/23.98p*5, 1080/24p*4, 1080/23.98p*4, 1080/23.98PsF, 1080/59.94i, 1080/50i, 720/59.94p, 720/50p Color separation optical system 1MOS Focus Switching between auto and manual Focus Distance Entire zooming range: 1000 mm (3.3 ft) Wide end: 100 mm (0.33 ft) Gamma HD / FILMLIKE1 / FILMLIKE2 / FILMLIKE3/ FILM REC / VIDEO REC / HLG Scene File Scene1, Scene2, Scene3, Scene4 Electronic Shutter Speed 59.94p/59.94i: 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000 29.97p: 1/30, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000 23.98p/24p: 1/24, 1/48, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000 50p/50i: 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000 25p: 1/25, 1/50, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000 Imaging Sensors 1-type Full-HD MOSx1 Chroma Amount Variability OFF, –99 % to 99 % Camera Unit - Frame mix*3 0 dB, 6 dB, 12 dB, 18 dB, 24 dB Conversion Lens Not supported Angle of View Range Horizontal angle of view: 75.1° (wide) to 4.0° (tele) Vertical angle of view: 46.7° (wide) to 2.3° (tele) Diagonal angle of view: 82.8° (wide) to 4.6° (tele) Standard Sensitivity F9, 2000 lx (When normal mode is selected) INPUT - OUTPUT - Input/Output Connector LAN LAN connector for IP control (RJ‑45) RS-422 CONTROL IN RS-422A (RJ‑45) MIC/LINE input AAC compatible (compatible with IP only) ø 3.5 mm stereo mini jack Input impedance: Approx. 10 kΩ (unbalanced) • During MIC input Supported mic: Stereo mic (plug-in power, on/off switching via menu) Supply voltage: 2.5 V ± 0.5 V Mic input sensitivity: Approx. –40 dBV (0 dB=1 V/Pa, 1 kHz) • During LINE input Input level: Approx. –10 dBV INPUT/OUTPUT - Pan/Tilt Operation Speed Minimum speed 0.08°/s Maximum speed 60°/s or higher*8 • Maximum speed is 180°/s in high-speed mode Quietness NC35 or less Tilting Range –30° to 210°*9 Panning range ±175° Pan-tilt Head Unit - Installation Method Stand-alone (Desktop) or suspended (Hanging)*7 Camera/pan-tilt head control IP connecting cable: LAN cable*6: (category 5e or above, straight cable), max. 100 m (328 ft) AW protocol connecting cable: LAN cable*6: (category 5e or above, straight cable), max. 1000 m (3280 ft) Supported operating systems and web browsers Windows Microsoft(R) Windows(R) 10 Windows(R) Internet Explorer(R) 11 (64-bit/32-bit) Microsoft Edge Google Chrome Mac MacOS v11.0.1 / Safari 14.01 MacOS v11.0.1 / Google Chrome MacOS V10.15 / Google Chrome MacOS V10.14 / Google Chrome iPhone / iPad iOS Google Chrome Supported Operating Systems and Web Browsers*10 - Image Resolution - IP Streaming - Image Streaming Mode JPEG (MJPEG), H.264, H.265 1920x1080, 1280x720, 640x360, 320x180 - Image Transmission Setting JPEG Frame Rate: Maximum 30 fps, Image quality (Fine / Normal) H.264 Transmission Type: Unicast port (AUTO), Unicast port (MANUAL), Multicast port Transmission Priority: Constant bit rate, Frame rate, Best effort Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps H.265 Transmission Type: Unicast port (AUTO), Unicast port (MANUAL), Multicast port Frame Rate: [60Hz] 60fps / 30fps, [50Hz] 50fps / 25fps Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps NDI|HX Transmission Type: Unicast port (AUTO), Unicast port (MANUAL), Multicast port Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps Max Bit Rate 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps SRT H.264 Transmission Type: UDP Unicast Only Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps SRT H.265 Transimission Type: UDP Unicast Only Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps RTMP/RTMPS Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps, [24Hz] 24fps Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps Supported protocol IPv6: TCP / IP, UDP / IP, HTTP, HTTPS, DNS, NTP, DHCPv6, MLD, ICMP, ARP, RTSP/RTP IPv4: TCP / IP, UDP / IP, HTTP, HTTPS, RTSP/RTP, DHCP, DNS, DDNS, NTP, IGMP, ICMP, ARP, RTMP, RTMPS, SRT, MPEG2-TS over UDP Audio Compression Type AAC-LC, 48 kHz / 16 bit / 2ch Other Function - Tally LED display color red / green NDI Support*11 NDI | HX  
End to End Automatic Production Reducing production costs to a minimum, our fully automated production systems enable amateur clubs, schools, federations, media platforms and venues to generate live HD  content to power their own digital media services, boost fan engagement and improve their coaching processes. What’s more, Pixellot footage is interactive and delivered to any device lets fans watch their favorite team from anywhere, produce their own highlight clips and even share them on social networks. Pixellot S is based on their patented, fully automated production workflow that generates and delivers TV-like footage without a person in the loop. Fixed Installation: Indoors or outdoors, weatherproof Unmanned capture: Panoramic field capture in 6K resolution Automated production: Auto-tracking algorithms follow the flow of play and produce TV-like footage Distributed to any device: Streamed in 4K quality to mobile devices and web platforms Personalized viewing experience: Zoom into any scene, replay, clip and share. Pixellot S comes with a variety of modules to optimize your system for media or coaching use: Automatic highlights Taking auto-production to the next level, this module identifies game highlights like baskets or goals and automatically produces highlight clips. Editing Module Share the most exciting plays with your fans! Our editing module lets you cut high quality clips from HD footage, live and post-game, and distribute them on your media channels. Manual Production Module Produce any type of sports game and events and cover also anything that happens on the field before and after the game. Coaching Module Get more insight by reviewing the game by zooming into any play and cut high-quality clips to review with your team and players. Scoreboard Module Enrich your broadcasts through an integrated scoreboard display. Choose from a selection of fonts, colors and designs or upload your own personalized scoreboard graphics. Commentator Add a remote or local commentator to follow the action and improve the viewing experience KEY FEATURES:
  • Auto Production Multiple Sports
  • Panoramic Video
  • Full Field Video Coverage
  • Personal Video
  • Identifying Game States
  • Automatic Highlights
LiveU LU300 with BirdDog BDP200 Live Production Bundle with IP Pipe PTZ Control   LiveU LU300 - Compact HEVC Field Unit for On-the-Go Live Streaming. The LU300 is a small-sized, cost-effective and reliable HEVC encoder, enabling broadcasters and other content creators to transmit high-quality video on-the-go.   BirdDog P200 - Combining BirdDog's custom NDI silicon chip, 30x optical zoom, and Sony backlit sensor and image module, the BirdDog Eyes P200, in black, is a full NDI 1080p60 PTZ camera designed for large indoor spaces. Thanks to the fast autofocus and zoom ensured by the true Sony image module, the P200 is highly suitable for catching all the fast action in places such as sporting events.   LiveU LU2000 - The LU2000 bonded video decoder is used to receive, decode and playout any HEVC/H.264 bonded video streams sent by LiveU’s range of field units. The LU2000 can also be used as a transmission node when sharing video over the LiveU Matrix video management and distribution platform.   LiveU IP Pipe - Enhance your remote production set-up and reduce costs by remotely controlling your IP-based gear. LiveU’s IP Pipe gives you remote control over a wide variety of network-based equipment.    End to End Automatic Production Reducing production costs to a minimum, our fully automated production systems enable amateur clubs, schools, federations, media platforms and venues to generate live HD  content to power their own digital media services, boost fan engagement and improve their coaching processes. What’s more, Pixellot footage is interactive and delivered to any device lets fans watch their favorite team from anywhere, produce their own highlight clips and even share them on social networks. Pixellot S is based on their patented, fully automated production workflow that generates and delivers TV-like footage without a person in the loop. Fixed Installation: Indoors or outdoors, weatherproof Unmanned capture: Panoramic field capture in 6K resolution Automated production: Auto-tracking algorithms follow the flow of play and produce TV-like footage Distributed to any device: Streamed in 4K quality to mobile devices and web platforms Personalized viewing experience: Zoom into any scene, replay, clip and share. Pixellot S comes with a variety of modules to optimize your system for media or coaching use: Automatic highlights Taking auto-production to the next level, this module identifies game highlights like baskets or goals and automatically produces highlight clips. Editing Module Share the most exciting plays with your fans! Our editing module lets you cut high quality clips from HD footage, live and post-game, and distribute them on your media channels. Manual Production Module Produce any type of sports game and events and cover also anything that happens on the field before and after the game. Coaching Module Get more insight by reviewing the game by zooming into any play and cut high-quality clips to review with your team and players. Scoreboard Module Enrich your broadcasts through an integrated scoreboard display. Choose from a selection of fonts, colors and designs or upload your own personalized scoreboard graphics. Commentator Add a remote or local commentator to follow the action and improve the viewing experience KEY FEATURES:
  • Two camera lenses
  • 1080p or 720p at 25 or 29.97 FPS
  • Uses Cat6 cables (POE)
End to End Automatic Production Reducing production costs to a minimum, our fully automated production systems enable amateur clubs, schools, federations, media platforms and venues to generate live HD  content to power their own digital media services, boost fan engagement and improve their coaching processes. What’s more, Pixellot footage is interactive and delivered to any device lets fans watch their favorite team from anywhere, produce their own highlight clips and even share them on social networks. Pixellot S is based on their patented, fully automated production workflow that generates and delivers TV-like footage without a person in the loop. Fixed Installation: Indoors or outdoors, weatherproof Unmanned capture: Panoramic field capture in 6K resolution Automated production: Auto-tracking algorithms follow the flow of play and produce TV-like footage Distributed to any device: Streamed in 4K quality to mobile devices and web platforms Personalized viewing experience: Zoom into any scene, replay, clip and share. Pixellot S comes with a variety of modules to optimize your system for media or coaching use: Automatic highlights Taking auto-production to the next level, this module identifies game highlights like baskets or goals and automatically produces highlight clips. Editing Module Share the most exciting plays with your fans! Our editing module lets you cut high quality clips from HD footage, live and post-game, and distribute them on your media channels. Manual Production Module Produce any type of sports game and events and cover also anything that happens on the field before and after the game. Coaching Module Get more insight by reviewing the game by zooming into any play and cut high-quality clips to review with your team and players. Scoreboard Module Enrich your broadcasts through an integrated scoreboard display. Choose from a selection of fonts, colors and designs or upload your own personalized scoreboard graphics. Commentator Add a remote or local commentator to follow the action and improve the viewing experience KEY FEATURES:
  • Two camera lenses
  • 1080p or 720p at 25 or 29.97 FPS
  • Uses Cat6 cables (POE)
Weight
DimensionsN/AN/AN/AN/AN/AN/A
Additional information