| Content |
Unbox Your Creativity
High-performance livestream camera is small and light, with expandability and multi-camera control, perfect for livestreamers, broadcasters, and cinema.
Box-Style Cinema & Live Camera
Dual Native ISO, C4K 60p 10-bit recording, 13 stops of dynamic range with V-LogL all in an easy to deploy box-style camera for increased shooting flexibility.
Superior Low Light Performance
High-sensitive 10.2MP Live MOS sensor with Dual Native ISO technology for outstanding low-light video performance.
The Micro Four Thirds name and logos are trademarks or registered trademarks of Olympus Corporation in Japan, the United States, the European Union, and other countries and regions.
A LUMIX First: Simultaneous SDI/HDMI Output
You can simultaneously monitor SDI output, record HDMI output externally, and control the camera remotely via USB or LAN tethering for professional cinematic quality.
A LUMIX First: Ethernet / PoE+ Compatible Camera
Simply by connecting the BGH1 via Ethernet cable, your camera will be powered over Ethernet and allow multiple-camera remote control through the LUMIX Tether software.
IEEE802.3at compliant.
Remote Control Multiple Cameras with LUMIX Tether
Multiple camera recording enabled by Ethernet cable connection on LUMIX Tether software enables more efficient video production.
LUMIX Tether for Multicam software will be released at the product shipment of BGH1.
Front Tally Lamp / Rear Tally Lamp
Thanks to the clean lines of the body design, the tally lamps can be monitored from the front, top, side, or back, a welcome convenience on any shoot.
Stable Connectivity with Simultaneous SDI/HDMI Output
Supports extended cable runs and external monitoring. Supports simultaneous C4K/4K 60p 4:2:0 10-bit internal recording and C4K/4K 60p 4:2:2 10-bit HDMI live output external recording.
Product Specifications:
Image Sensor
Image Sensor Size
19 x 13 mm (4/3")
Sensor Type
MOS
Sensor Resolution
Actual: 10.2 MP
Color Filter
Bayer
Shutter Type
Mechanical Shutter
ISO
160 to 51,200 (Native) / 80 to 204,800 (Expanded)
Advertised Dynamic Range
13 Stops
Signal-to-Noise Ratio
9.7 dB
Camera
Lens Mount
Micro Four Thirds
Lens Communication
Yes
Interchangeable Lens Mount
Yes
Built-In ND Filter
None
Built-In Microphone Type
Stereo
Recording Media
2 x SD Card Slots
Variable Frame Rates
DCI 4K: 1 to 60 fps / 1080p: 1 to 240 fps
Internal Recording
Recording Modes
AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MOV 4:2:0 10-Bit:
4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 400 Mb/s)
3840 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 200 Mb/s)
3328 x 2496p at 23.98/24/25/29.97/50/59.94 fps (100 to 400 Mb/s)
1920 x 1080p at 23.98/24/25/29.97/50/59.94 fps (100 to 200 Mb/s)
AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MOV 4:2:0 8-Bit:
4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
3840 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
3328 x 2496p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
1920 x 1080p at 23.98/24/25/29.97/50/59.94 fps (100 Mb/s)
AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MP4 4:2:0 10-Bit:
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (72 to 100 Mb/s)
AVC-Intra/AVC-LongG/H.264/H.264 Long GOP/H.265/MP4 4:2:0 8-Bit:
3840 x 2160p at 23.98/25/29.97 fps (100 Mb/s)
1920 x 1080p at 23.98/25/29.97/50/59.94 fps (24 to 28 Mb/s)
Gamma Curve
Panasonic V-Gamut, Panasonic V-Log
Audio Recording
MOV: 24-Bit 48 kHz LPCM Audio
MOV: 24-Bit 96 kHz LPCM Audio
MP4: 24-Bit 48 kHz LPCM Audio
MP4: 24-Bit 96 kHz LPCM Audio
Still Image Support
None
External Recording
Video Output
4:2:2 10-Bit via SDI/BNC:
1920 x 1080p at 60 fps
4:2:2 10-Bit via HDMI:
4096 x 2160p at 60 fps
Interfaces
Video Connectors
1 x BNC (3G-SDI) Output
1 x HDMI (HDMI 2.0) Output
Audio Connectors
1 x 1/8" / 3.5 mm Stereo Mic Level Input
1 x 1/8" / 3.5 mm Stereo Headphone Output
Other I/O
1 x USB Type-C Camera Interface, USB 3.1 Gen 1 Data, Control, Video Input
1 x BNC Timecode Data Input/Output
1 x BNC Genlock Data Input/Output
1 x RJ45 LAN Control, Monitor, Video Input/Output
1 x 2.5 mm LANC Control Input
Wireless Interfaces
2.4 GHz Wi-Fi, Bluetooth Video Output, Control
EVF
EVF
Optional, Not Included
Power
Battery Type
Panasonic AG-VBR Series
Power Connectors
1 x Weipu SF610/S2 (12 VDC) Input
PoE Support
PoE+ 802.3at
General
Tripod Mounting Thread
1/4"-20 Female (Bottom)
Material of Construction
Aluminum
Dimensions
3.7 x 3.7 x 3.1" / 9.3 x 9.3 x 7.8 cm (Without Protrusions)
Weight
1.2 lb / 545 g
| The HD integrated camera AW-HE145 realizes high sensitivity of F9/2000lx with the mounted 1.0-type MOS sensor, and can shoot beautifully at stage events or church services with low light. The operation mechanism is the same design as the high-end model, so the operating performance of the pan/tilt and zoom is smooth and accurate, allowing you to shoot without stress. Furthermore, it is equipped with an optical 20x zoom and horizontal 75.1° wide-angle lens to realize flexible video production.
KEY FEATURES
- High Sensitivity Achieved with the 1” Large-sized Sensor
- Optical 20x Zoom/Horizontal 75.1° Wide-angle Shooting
- Pan/tilt Performance that Achieves Smooth and Accurate Operation
- Enables high-quality video production even in dark environments
- SRT support for stable video transmission
High-Quality Full-HD 60p Shooting
Full-HD output and 59.94p shooting achieve extremely smooth video, even in live sports and other environments containing rapid movement.
SRT support for stable video transmission over public lines
SRT, a next-generation video transmission protocol with strong security suitable for unstable network environments, is supported.
Multiple Interfaces Supported
A wide range of outputs are supported: 3G-SDI, HDMI and IP.
Useful Software for Simplified Workflow
Compatible with a wide range of software, including the PTZ Control Center and Auto Tracking Software. This software will simplify the workflow of the PTZ camera shooting and reduces the burden of operation and management.
Dimensions (W x H x D)
213 mm x 267 mm x 219 mm (8-3/8 inches x 10-1/2 inches x 8-5/8 inches)
(excluding protrusions, direct ceiling mount bracket)
General
Storage Temperature
–20 °C to 50 °C (–4 °F to 122 °F)
Current consumption
4.0 A (XLR IN connector), 1.2 A (PoE++ power supply)
Power Requirements
12 V DC (10.8 V to 13.2 V), DC 42 V to 57 V (Camera Input, PoE++ power supply)
Ambient Operating Temperature
0 °C to 40 °C (32 °F to 104 °F)
Ambient Operating Humidity
20 % to 90 % (no condensation)
Finish
AW‑HE145W: Pearl white
AW‑HE145K: Metallic Black
Mass
Approx. 4.1 kg (9.04 lb) (excluding mount bracket)
Controller Supported
AW-RP150, AW-RP60, AK-HRP1000GJ, AK-HRP1015GJ, AK-HRP250GJ*1
LENS
Motorized Optical 20x zoom, F2.8 to F4.5
[f=8.8 mm (11/32 inches) to 176.0 mm (6‑15/16 inches);
35 mm (1‑3/8 inches) equivalent: 24.5 mm (31/32 inches) to 490.0 mm (19‑9/32 inches)]
MINIMUM ILLUMINATION
2 lx (F2.8, 59.94p, 50IRE, 42 dB, without accumulation)
Synchro scan
59.94p/59.94i: 60.00 Hz to 7200 Hz
29.97p: 30.00 Hz to 7200 Hz
23.98p/24p: 24.00 Hz to 7200 Hz
50p/50i: 50.00 Hz to 7200 Hz
25p: 25.00 Hz to 7200 Hz
Zoom
• Optical zoom: 20x
• i.Zoom: FHD 32x
• Digital zoom: 10x
Horizontal Resolution
1000 TV lines Typ (Center area)
Gain Selection
Auto, 0 dB to 36 dB*2
Super Gain function equipped : +37 dB to 42 dB
WHITE BALANCE
ATW : 3200K, 5600K
ATW Speed : Normal / Slow / Fast
AWB : AWB-A / AWB-B
VAR (selectable between 2000K and 15000K by designating a value)
Optical Filter
Through, 1/4, 1/16, 1/64, IR through (IR through is used as “Night mode”)
Output Format
1080/59.94p, 1080/50p, 1080/29.97p*4, 1080/29.97PsF, 1080/25p*4, 1080/25PsF, 1080/23.98p*5, 1080/24p*4, 1080/23.98p*4, 1080/23.98PsF, 1080/59.94i, 1080/50i, 720/59.94p, 720/50p
Color separation optical system
1MOS
Focus
Switching between auto and manual
Focus Distance
Entire zooming range: 1000 mm (3.3 ft)
Wide end: 100 mm (0.33 ft)
Gamma
HD / FILMLIKE1 / FILMLIKE2 / FILMLIKE3/ FILM REC / VIDEO REC / HLG
Scene File
Scene1, Scene2, Scene3, Scene4
Electronic Shutter Speed
59.94p/59.94i: 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
29.97p: 1/30, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
23.98p/24p: 1/24, 1/48, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
50p/50i: 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
25p: 1/25, 1/50, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
Imaging Sensors
1-type Full-HD MOSx1
Chroma Amount Variability
OFF, –99 % to 99 %
Camera Unit
-
Frame mix*3
0 dB, 6 dB, 12 dB, 18 dB, 24 dB
Conversion Lens
Not supported
Angle of View Range
Horizontal angle of view: 75.1° (wide) to 4.0° (tele)
Vertical angle of view: 46.7° (wide) to 2.3° (tele)
Diagonal angle of view: 82.8° (wide) to 4.6° (tele)
Standard Sensitivity
F9, 2000 lx (When normal mode is selected)
INPUT
-
OUTPUT
-
Input/Output Connector
LAN
LAN connector for IP control (RJ‑45)
RS-422
CONTROL IN RS-422A (RJ‑45)
MIC/LINE input
AAC compatible (compatible with IP only)
ø 3.5 mm stereo mini jack
Input impedance: Approx. 10 kΩ (unbalanced)
• During MIC input
Supported mic: Stereo mic (plug-in power, on/off switching via menu)
Supply voltage: 2.5 V ± 0.5 V
Mic input sensitivity: Approx. –40 dBV (0 dB=1 V/Pa, 1 kHz)
• During LINE input
Input level: Approx. –10 dBV
INPUT/OUTPUT
-
Pan/Tilt Operation Speed
Minimum speed 0.08°/s
Maximum speed 60°/s or higher*8
• Maximum speed is 180°/s in high-speed mode
Quietness
NC35 or less
Tilting Range
–30° to 210°*9
Panning range
±175°
Pan-tilt Head Unit
-
Installation Method
Stand-alone (Desktop) or suspended (Hanging)*7
Camera/pan-tilt head control
IP connecting cable:
LAN cable*6: (category 5e or above, straight cable), max. 100 m (328 ft)
AW protocol connecting cable:
LAN cable*6: (category 5e or above, straight cable), max. 1000 m (3280 ft)
Supported operating systems and web browsers
Windows
Microsoft(R) Windows(R) 10
Windows(R) Internet Explorer(R) 11 (64-bit/32-bit)
Microsoft Edge
Google Chrome
Mac
MacOS v11.0.1 / Safari 14.01
MacOS v11.0.1 / Google Chrome
MacOS V10.15 / Google Chrome
MacOS V10.14 / Google Chrome
iPhone / iPad
iOS
Google Chrome
Supported Operating Systems and Web Browsers*10
-
Image Resolution
-
IP Streaming
-
Image Streaming Mode
JPEG (MJPEG), H.264, H.265
1920x1080, 1280x720, 640x360, 320x180
-
Image Transmission Setting
JPEG
Frame Rate: Maximum 30 fps, Image quality (Fine / Normal)
H.264
Transmission Type: Unicast port (AUTO), Unicast port (MANUAL), Multicast port
Transmission Priority: Constant bit rate, Frame rate, Best effort
Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps
Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
H.265
Transmission Type: Unicast port (AUTO), Unicast port (MANUAL), Multicast port
Frame Rate: [60Hz] 60fps / 30fps, [50Hz] 50fps / 25fps
Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
NDI|HX
Transmission Type: Unicast port (AUTO), Unicast port (MANUAL), Multicast port
Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps
Max Bit Rate 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
SRT H.264
Transmission Type: UDP Unicast Only
Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps
Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
SRT H.265
Transimission Type: UDP Unicast Only
Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps
Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
RTMP/RTMPS
Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps, [24Hz] 24fps
Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
Supported protocol
IPv6: TCP / IP, UDP / IP, HTTP, HTTPS, DNS, NTP, DHCPv6, MLD, ICMP, ARP, RTSP/RTP
IPv4: TCP / IP, UDP / IP, HTTP, HTTPS, RTSP/RTP, DHCP, DNS, DDNS, NTP, IGMP, ICMP, ARP, RTMP, RTMPS, SRT, MPEG2-TS over UDP
Audio Compression Type
AAC-LC, 48 kHz / 16 bit / 2ch
Other Function
-
Tally LED display color
red / green
NDI Support*11
NDI | HX
| End to End Automatic Production
Reducing production costs to a minimum, our fully automated production systems enable amateur clubs, schools, federations, media platforms and venues to generate live HD content to power their own digital media services, boost fan engagement and improve their coaching processes. What’s more, Pixellot footage is interactive and delivered to any device lets fans watch their favorite team from anywhere, produce their own highlight clips and even share them on social networks.
Pixellot S is based on their patented, fully automated production workflow that generates and delivers TV-like footage without a person in the loop.
Fixed Installation: Indoors or outdoors, weatherproof
Unmanned capture: Panoramic field capture in 6K resolution
Automated production: Auto-tracking algorithms follow the flow of play and produce TV-like footage
Distributed to any device: Streamed in 4K quality to mobile devices and web platforms
Personalized viewing experience: Zoom into any scene, replay, clip and share.
Pixellot S comes with a variety of modules to optimize your system for media or coaching use:
Automatic highlights
Taking auto-production to the next level, this module identifies game highlights like baskets or goals and automatically produces highlight clips.
Editing Module
Share the most exciting plays with your fans! Our editing module lets you cut high quality clips from HD footage, live and post-game, and distribute them on your media channels.
Manual Production Module
Produce any type of sports game and events and cover also anything that happens on the field before and after the game.
Coaching Module
Get more insight by reviewing the game by zooming into any play and cut high-quality clips to review with your team and players.
Scoreboard Module
Enrich your broadcasts through an integrated scoreboard display. Choose from a selection of fonts, colors and designs or upload your own personalized scoreboard graphics.
Commentator
Add a remote or local commentator to follow the action and improve the viewing experience
KEY FEATURES:
- Auto Production Multiple Sports
- Panoramic Video
- Full Field Video Coverage
- Personal Video
- Identifying Game States
- Automatic Highlights
| The highest quality full NDI Camera on the planet.
Hello Sony 1” Sensor. Meet NDI.
BDP4K is the real deal. A huge 1” Sony Exmor R CMOS back lit Sensor and 14.4 million effective pixels enable P4K to deliver stunning pictures in 4K resolutions with Full Bandwidth NDI. Excellent light sensitivity makes P4K perfect for all broadcast applications, sports, remote studios, newsrooms, house of worship and any shoot where quality matters.
Sony 1” Sensor. Size does matter.
The best images come from the best sensors and the P4K is built exclusively around the best sensor in its category. The massive 1” Sony Exmor R CMOS backlit sensor delivers truly stunning pictures in all shoot modes and frame rates whether in HD or 4K.
Full NDI. No compromises.
In the world of NDI® there are two flavours, NDI® and NDI|HX. NDI® is a variable bit rate, I-Frame codec that is reaches around 140Mbits at 1080p60 and is visually lossless. NDI|HX is a compressed, long-GOP, H.264 variant that reaches around 12Mbits at 1080p60. P4K is a Full NDI® camera.
More than just a production PTZ. Shoot true cinematic styles.
P4K is a PTZ designed for the most demanding live production shoots and supports all the traditional frame rates you would expect including 29.97 but now you can use your PTZ as a camera for TVC’s, drama, and shoot 24p for that wonderful cinematic look.
Advanced Colour Controls.
With user selectable gamma settings and black gamma adjustment, fine tuning your shot has never been more flexible in a PTZ. Sony’s legendary sensor technology sets the tone for your next quality production.
10-bit. NDI4.
P4K is a 10-bit sensor and with NDI4 you can have an end to end 10-bit workflow. Perfect for broadcasters and other productions where bit depth matters. With 10-bit support you can record the NDI feeds using free tools such as NewTek NDI Monitor or IsoCorder Pro.
Full NDI. 6G SDI. HDMI 2.0. Life is all about connections.
Full NDI. Two independent 6G SDI outputs and one HDMI 2.0 output, all live all the time to create amazingly flexible workflows.
Genlock. Let that sync in.
With Genlock you can now synchronise multiple cameras using the Genlock input. Now all your cameras can be hitting your NDI enabled vision mixer at the same time and lets you eliminate the need to add frame buffers.
Superfine Robotics. Precise control at your fingers.
P4K’s robotics are super precise and super sensitive. Wind down the panning and tilting speeds to create super professional shots that are dramatic, or crank up the speeds for high action sports to allow you to follow the movements.
360 degree Tally lights.
The front, rear, and side Tally lights combine to create a 360 degree Tally light. Now everyone on the production set can see which camera is live to air.
ePTZ in HD Mode.
In HD Mode you can take advantage of the massive sensor to create Region of Interest for your HD production. Pull any HD frame out of the 4K frame.
Free Comms Lite. Upgrade to Comms Pro.
P4K includes free Audio Intercom software, Comms Lite. Comms Lite supports four BirdDog devices and one Director. For more information on Comms Lite
Need a more powerful Audio Intercom solution? Comms Pro gives you all the amazing features of Comms Lite plus allows you create you up to five groups, adds additional push to talk buttons for the director, ability to change groups on the fly, plus more. Comms Pro is sold separately.
Distribute NDI® content everywhere. Just add Central.
BirdDog Central is a software platform set to redefine the way we think about driving content to TV screens. By teaming up Central with any NDI® source, including all BirdDog hardware capable of creating NDI® sources, you can now drive your NDI® streams to any BirdDog Studio NDI or Mini to decode NDI® back to SDI or HDMI.
CAMERA
- 4K Video Output: Main 4K HDMI Type-A (x1) 6G-SDI (x2) or Dual Link 3G-SDI(2SI only) x2
- HD Video Output: Main HD HDMI Type-A (x1) 3G-SDI x2
- Digital Zoom: Digital Zoom 12X, with SRZ feature,18X zoom at 4K, or 24X zoom at FHD.
- Lens: Optical, 12X
- Image Sensor: 1.0-type back-illuminated Exmor R CMOS sensor
- Number of effective pixels: 4.2 Megapixels
- Picture elements: 3840 x 2160, 8.29 Megapixels
- Horizontal Angle of View Focal Length: 64.6 ̊ (Wide) – 6.1 ̊ (Tele), f=9.3 to 111.6mm, F2.8(Wide), F4.5(Tele)
- Min. object distance: 80mm (Wide), 1000mm (Tele)
- Aperture: F2.8 Constant (W)~(T), 16 Steps
- Min. Illumination: 0.5 lx (1/30 sec, 50%, High Sensitivity mode On) 2.0 lx (1/30 sec, 50%, High Sensitivity mode Off) 0.067 lx (1/4 sec (1/3 sec), 50%, High Sensitivity mode On) 0.267 lx (1/4 sec (1/3 sec), 50%, High Sensitivity mode Off)
- Shutter Speed: 1/10000s to 1/8 (59.94/29.97)
- Focus: Auto Focus(Trigger/Interval), Manual Focus(Variable Speed), One Push Trigger, Near Limit
- White Balance: AUTO, ATW, Indoor, Outdoor, One Push WB, Manual WB, Outdoor Auto, Sodium Vapor Lamp(Fix/Auto/Outdoor Auto)
- Exposure: Full Auto, Gain, Gain Limit, Shutter Priority, Iris Priority, Manual, Bright, Slow Shutter, Max/Min Shutter Limit, Slow AE
- Features: High Sensitivity, Defog mode, Backlight Compensation, HLC, E-FLIP, Mirror, Flicker Control, Day/Night, Defog
- WDR: YES(130dB)
- ND Filter: YES
- Image Stabilizer: YES
- Color Gain: Yes (15 step)
- Color Hue: Yes (15 step)
- Gamma: Standard/Straight/MOVIE/STILL/CINE1/CINE2/CINE3/CINE4/ITU709//Pattern
- Gamma Level: Yes (15 step)
- Black Level: Yes (97 step)
- Flicker Cancel: Yes
- Noise Reduction: On/Off (level 5 to 1 / Off, 6 steps), 2D/3D
- S/N Ratio: ≥50db
MECHANICAL
- Body Color: Black, White
- Pan Movement: Horizontal:±350 degrees continuous pan (Zoom Adaptive Speed Range: 0.05°~100°/S )
- Tilt Movement: Vertical:+90 degrees to -30 degrees (Zoom Adaptive Speed Range: 0.05°~50°/S)
- Preset Position: 0~5 Level Adjustable
- Preset Speed: 0~5 Level Adjustable
- Preset Memory: YES, ( Picture Profile Preset-Preset Memory for image parameters)
- Quietness: 45db
- Home Position: Supported
- Environmental: Indoor
INTERFACE
- HDMI Color Space: YCbCr, 4:2:2 RGB, 4:4:4
- NDI Video Encode: Full bandwidth NDI, NDI HX2 long-GOP
- NDI Video Decode: Full bandwidth HD NDI
- NDI Version: NDI v4.0 (Firmware upgradeable)
- IP Video Stream: UP to 4K/30 and 1080p60 h.264/h.265 HEVC
- Camera Control Interface: RS232/RS-422/RS485(RJ45 x2), NDI/IP Control (RJ45), IR Remote Control
- Control Protocol: NDI, VISCA, VISCA Over IP
- LAN: RJ45X1(1000Mb), NDI/IP video streaming, System upgrade, PoE(IEEE802.3bt)
- External Sync. Input: BNCX1, 75Ω, HD 3-level sync, SD Black Burst
- Audio I/O: Audio input x1, Audio output x1, 3.5mm audio jack
- Audio Output: Embedded with main HDMI, 24bit Stereo Embedded with SDI, 24bit Stereo Embedded with NDI
- Tally Light: Front and Back
ENVIRONMENTAL
- Mount: Ceiling mount, Wall mount, Tripod
- Operating Temperature: -10 to +40 (°C), 32 to 104 (°F)
- Operating Humidity: ≤80% Suitable for Use
- Power Input: 12VDC, PoE++ (IEEE 802.3bt)
- Power Consumption: 22W
- Dimension: 165x196x247mm
- Weight: 3.4kg
- Video Resolution: 4K
- Sensor Resolution (Mega Pixels): 14.2MP
- Sensor Size: 1 inch
- Sensor Type: CMOS
| Pixellot Prime introduces affordable multi-feed production, enabling professional and semi-professional leagues, colleges and youth academies to produce and distribute HD quality broadcasts with a limited video crew and without an OB van.
Advanced Production Suite
Streamlining the production workflow, Pixellot Prime deploys an unmanned panoramic camera to capture the entire field at native 50-60 FPS. From the sporting event venue, the SDI footage is automatically fed into any production suite where the final broadcast is mixed, in real-time.
The suite displays a variety of views and streams, including an auto-produced feed featuring the center of action, streams from additional cameras and preset camera stations to create close-ups and replays. An array of transition options and graphic elements lets directors create TV-grade broadcasts for web portals and mobile apps. Clients opt for either a “clean” feed, streaming only the sports action or a program (“dirty”) feed.
- 8K capture and HD-SDI output, 50/60 FPS
- End-to-end production system, enables production of sports event with single-person crew
- Remote Production Suite to create multi-feed broadcast
- Embedded graphics and ad formats
- Additional audio input for commentator
- Panoramic footage to power VR applications
KEY FEATURES:
- Auto Production
- Panoramic Video
- Spatial Replay
- Auto-Director & Ads
- Automatic Highlights
| End to End Automatic Production
Reducing production costs to a minimum, our fully automated production systems enable amateur clubs, schools, federations, media platforms and venues to generate live HD content to power their own digital media services, boost fan engagement and improve their coaching processes. What’s more, Pixellot footage is interactive and delivered to any device lets fans watch their favorite team from anywhere, produce their own highlight clips and even share them on social networks.
Pixellot S is based on their patented, fully automated production workflow that generates and delivers TV-like footage without a person in the loop.
Fixed Installation: Indoors or outdoors, weatherproof
Unmanned capture: Panoramic field capture in 6K resolution
Automated production: Auto-tracking algorithms follow the flow of play and produce TV-like footage
Distributed to any device: Streamed in 4K quality to mobile devices and web platforms
Personalized viewing experience: Zoom into any scene, replay, clip and share.
Pixellot S comes with a variety of modules to optimize your system for media or coaching use:
Automatic highlights
Taking auto-production to the next level, this module identifies game highlights like baskets or goals and automatically produces highlight clips.
Editing Module
Share the most exciting plays with your fans! Our editing module lets you cut high quality clips from HD footage, live and post-game, and distribute them on your media channels.
Manual Production Module
Produce any type of sports game and events and cover also anything that happens on the field before and after the game.
Coaching Module
Get more insight by reviewing the game by zooming into any play and cut high-quality clips to review with your team and players.
Scoreboard Module
Enrich your broadcasts through an integrated scoreboard display. Choose from a selection of fonts, colors and designs or upload your own personalized scoreboard graphics.
Commentator
Add a remote or local commentator to follow the action and improve the viewing experience
KEY FEATURES:
- Two camera lenses
- 1080p or 720p at 25 or 29.97 FPS
- Uses Cat6 cables (POE)
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