| Content | Pixellot Prime introduces affordable multi-feed production, enabling professional and semi-professional leagues, colleges and youth academies to produce and distribute HD quality broadcasts with a limited video crew and without an OB van.
Advanced Production Suite
Streamlining the production workflow, Pixellot Prime deploys an unmanned panoramic camera to capture the entire field at native 50-60 FPS. From the sporting event venue, the SDI footage is automatically fed into any production suite where the final broadcast is mixed, in real-time.
The suite displays a variety of views and streams, including an auto-produced feed featuring the center of action, streams from additional cameras and preset camera stations to create close-ups and replays. An array of transition options and graphic elements lets directors create TV-grade broadcasts for web portals and mobile apps. Clients opt for either a “clean” feed, streaming only the sports action or a program (“dirty”) feed.
- 8K capture and HD-SDI output, 50/60 FPS
- End-to-end production system, enables production of sports event with single-person crew
- Remote Production Suite to create multi-feed broadcast
- Embedded graphics and ad formats
- Additional audio input for commentator
- Panoramic footage to power VR applications
KEY FEATURES:
- Auto Production
- Panoramic Video
- Spatial Replay
- Auto-Director & Ads
- Automatic Highlights
| BDA300 PTZ camera utilizes BirdDog's custom NDI silicon chip and leverages an impressive Sony CMOS backlit sensor and full Sony Image Module.
Designed for serious production the image quality of A300 is best in class. Built on a true Sony Image module with Sony CMOS backlit sensor, A300 has super fast focus, incredibly sharp images, and amazingly fast zoom. A300 has frame rates up to 1080p60, 30x optical zoom, and outputs SDI, and NDI simultaneously
Full NDI. No compromises.
In the world of NDI there are two flavours, NDI and NDI|HX. NDI® is a variable bit rate, I-Frame codec that is reaches around 140Mbits at 1080p60 and is visually lossless. NDI|HX is a compressed, long-GOP, H.264 variant that reaches around 12Mbits at 1080p60. A300 only Encodes and Decodes Full YUV422 NDI
Sony Sensor. You deserve the best.
The best pictures come from the best silicon. A300 is teams up a world class Sony CMOS Backlit Sensor with the BirdDog custom NDI® chip to form a match made in silicon heaven. Your productions deserve the best.
Sony Image Module. Optics done right.
Lightning auto focus. Insanely fast zoom. Precision optics. The only way to achieve the best picture quality is with image module made by the world’s best. A300 uses a true Sony image module to give unparalleled performance, picture quality, and responsiveness.
All weather. Keep your NDI dry.
With an IP67 rating A300 is perfect for fixed installations in outdoor and indoor environments. The nitrogen filled housing ensures no fog, and the external housing has been treated for corrosion resistance against salt spray. With -40°C to +60°C operating temperature rating A300 has been designed to withstand the most extreme elements on earth
Nitrogen Filled Housing. Fog don’t live here.
Never worry about missing the shot. With A300’s nitrogen filled housing there is no chance of the lens fogging up
Category 4 Hurricane? Bring it.
Designed for all weather conditions, A300 boasts an incredible Wind Load Durability rating equal to 60m/s. As long as you have it secured properly A300 will just keep on keeping on
Frickin laser beam.Pew Pew.
Built in infra red laser with a range of up to 500 metres helps with focusing in
low light conditions.
Dual Output. NDI and SDI.
With NDI and SDI simultaneous outputs you can use the A300 is ready to go live with your full NDI® workflow, or if you are still in an old school SDI workflow you can control via RS422, RS485, and RS232 to future proof your investment by using baseband video now and move to NDI® when you are ready
30x Optical zoom. Over there is now over here.
The two punch 30x optical zoom and all weather abilities of makes A300 perfect for outdoor and indoor fixed installations for sports such as football, baseball, hockey, ski fields, basketball, soccer, and more.
You spin me right round baby. Right round.
360 degree continuous rotation, 255 preset positions, Zero Deviation Positioning technology, and a preset movement speed of 150 degrees per second mean you will never miss a shot again.
PTZ Keyboard. Take control.
Combine A300 with the BirdDog PTZ Keyboard and you have total control of all functions remotely. PTZ Keyboard is a full featured PTZ Keyboard that can control up to 255 PTZ cameras on a single network so can scale to even the most complex installations. PTZ Keyboard can control A300 over NDI® or by RS422 / RS232 when using in SDI mode.
PoE and Mounts. All options available.
A300 can be powered by PoE with an optional PoE Injector. Designed to hang upside down the choice of mounting options gives coverage for virtually any situation. Wall mount, Ceiling Mount, Corner Mount and Pole Mounting options all available
CAMERA
VIDEO OUTPUT
NDI/SDI
OPTICAL ZOOM
30x
IMAGE SENSOR
1 / 2.8 inch CMOS 2.13MP
LENS
4.3-129mm
DIGITAL ZOOM
12x
HORIZONTAL ANGLE OF VIEW
63.7° (W) – 2.3° (T)
APERTURE
F1.6 (W) – F4.7 (T)
MIN. ILLUMINATION
Color: 0.01 lux (F1.6, AGC on, 1/30s, High sensitive mode), 0.1 lux (F1.6, AGC on, 1/30s, Normal sensitive mode)
SHUTTER SPEED
1/1 – 1/10000s
FOCUS
Auto, Push, Manual
WHITE BALANCE
Auto, Indoor, Outdoor, Manual, OPW, ATW
EXPOSURE
Auto, Manual, Shutter/Iris Priority
BACKLIGHT COMPENSATION
YES
MECHANICAL
PAN MOVEMENT
Horizontal: ±360° continuous pan (Zoom Adaptive Speed Range: 0.01°〜80°/S )
TILT MOVEMENT
Vertical: +90° to -30° (Zoom Adaptive Speed Range: 0.1°〜90°/S)
PRESET POSITIONS
255 (Speed adjustable: Up to 150°/s)
ENVIRONMENTAL
Outdoor/Indoor, IP67, corrosion resistant treated housing, Wind load durability 60m/s, Nitrogen filled housing
OPERATING TEMPERATURE
-40 – +60 (°C)
OPERATING HUMIDITY
≤80%
ILLUMINATION
IR Laser, illumination up to 500m
VIDEO INTERFACE
VIDEO OUTPUT
NDI/SDI
VIDEO FORMATS
1080p 60, 59.94, 50, 29.97, 25
1080i 60, 59.94, 50
720p 60, 59.94, 50, 29.97, 25
AUDIO I/O
3.5mm Audio In (Stereo)
3.5mm Audio Out (Stereo)
CONTROL INTERFACE
IP PTZ CONTROL
NDI Control (auto configuring)
SERIAL PTZ CONTROL
RS422/RS485 Connector
SERIAL CONTROL PROTOCOL
VISCA / Pelco D
POWER & DIMENSIONS
POWER INPUT
AC 24v, PoE 80W Ready (BirdDog PoE 80W Injector needed, optional)
POWER CONSUMPTION
Min. 24W, Max. 80w (-40°C, IR Laser ON)
DIMENSIONS
180x180x423mm
WEIGHT
10.2kg
NETWORK
VIDEO COMPRESSION
Full NDI – i-frame high quality low latency NDI for production
NETWORK PROTOCOL
NDI – Discovery, configuration and control
WEB CONTROL INTERFACE
Full control via Web/Mobile UI including Scene presets | Pixellot Prime introduces affordable multi-feed production, enabling professional and semi-professional leagues, colleges and youth academies to produce and distribute HD quality broadcasts with a limited video crew and without an OB van.
Advanced Production Suite
Streamlining the production workflow, Pixellot Prime deploys an unmanned panoramic camera to capture the entire field at native 50-60 FPS. From the sporting event venue, the SDI footage is automatically fed into any production suite where the final broadcast is mixed, in real-time.
The suite displays a variety of views and streams, including an auto-produced feed featuring the center of action, streams from additional cameras and preset camera stations to create close-ups and replays. An array of transition options and graphic elements lets directors create TV-grade broadcasts for web portals and mobile apps. Clients opt for either a “clean” feed, streaming only the sports action or a program (“dirty”) feed.
- 8K capture and HD-SDI output, 50/60 FPS
- End-to-end production system, enables production of sports event with single-person crew
- Remote Production Suite to create multi-feed broadcast
- Embedded graphics and ad formats
- Additional audio input for commentator
- Panoramic footage to power VR applications
KEY FEATURES:
- Auto Production
- Panoramic Video
- Spatial Replay
- Auto-Director & Ads
- Automatic Highlights
| End to End Automatic Production
Reducing production costs to a minimum, our fully automated production systems enable amateur clubs, schools, federations, media platforms and venues to generate live HD content to power their own digital media services, boost fan engagement and improve their coaching processes. What’s more, Pixellot footage is interactive and delivered to any device lets fans watch their favorite team from anywhere, produce their own highlight clips and even share them on social networks.
Pixellot S is based on their patented, fully automated production workflow that generates and delivers TV-like footage without a person in the loop.
Fixed Installation: Indoors or outdoors, weatherproof
Unmanned capture: Panoramic field capture in 6K resolution
Automated production: Auto-tracking algorithms follow the flow of play and produce TV-like footage
Distributed to any device: Streamed in 4K quality to mobile devices and web platforms
Personalized viewing experience: Zoom into any scene, replay, clip and share.
Pixellot S comes with a variety of modules to optimize your system for media or coaching use:
Automatic highlights
Taking auto-production to the next level, this module identifies game highlights like baskets or goals and automatically produces highlight clips.
Editing Module
Share the most exciting plays with your fans! Our editing module lets you cut high quality clips from HD footage, live and post-game, and distribute them on your media channels.
Manual Production Module
Produce any type of sports game and events and cover also anything that happens on the field before and after the game.
Coaching Module
Get more insight by reviewing the game by zooming into any play and cut high-quality clips to review with your team and players.
Scoreboard Module
Enrich your broadcasts through an integrated scoreboard display. Choose from a selection of fonts, colors and designs or upload your own personalized scoreboard graphics.
Commentator
Add a remote or local commentator to follow the action and improve the viewing experience
KEY FEATURES:
- Auto Production Multiple Sports
- Panoramic Video
- Full Field Video Coverage
- Personal Video
- Identifying Game States
- Automatic Highlights
|
Unbox Your Creativity
High-performance livestream camera is small and light, with expandability and multi-camera control, perfect for livestreamers, broadcasters, and cinema.
Box-Style Cinema & Live Camera
Dual Native ISO, C4K 60p 10-bit recording, 13 stops of dynamic range with V-LogL all in an easy to deploy box-style camera for increased shooting flexibility.
Superior Low Light Performance
High-sensitive 10.2MP Live MOS sensor with Dual Native ISO technology for outstanding low-light video performance.
The Micro Four Thirds name and logos are trademarks or registered trademarks of Olympus Corporation in Japan, the United States, the European Union, and other countries and regions.
A LUMIX First: Simultaneous SDI/HDMI Output
You can simultaneously monitor SDI output, record HDMI output externally, and control the camera remotely via USB or LAN tethering for professional cinematic quality.
A LUMIX First: Ethernet / PoE+ Compatible Camera
Simply by connecting the BGH1 via Ethernet cable, your camera will be powered over Ethernet and allow multiple-camera remote control through the LUMIX Tether software.
IEEE802.3at compliant.
Remote Control Multiple Cameras with LUMIX Tether
Multiple camera recording enabled by Ethernet cable connection on LUMIX Tether software enables more efficient video production.
LUMIX Tether for Multicam software will be released at the product shipment of BGH1.
Front Tally Lamp / Rear Tally Lamp
Thanks to the clean lines of the body design, the tally lamps can be monitored from the front, top, side, or back, a welcome convenience on any shoot.
Stable Connectivity with Simultaneous SDI/HDMI Output
Supports extended cable runs and external monitoring. Supports simultaneous C4K/4K 60p 4:2:0 10-bit internal recording and C4K/4K 60p 4:2:2 10-bit HDMI live output external recording.
Product Specifications:
Image Sensor
Image Sensor Size
19 x 13 mm (4/3")
Sensor Type
MOS
Sensor Resolution
Actual: 10.2 MP
Color Filter
Bayer
Shutter Type
Mechanical Shutter
ISO
160 to 51,200 (Native) / 80 to 204,800 (Expanded)
Advertised Dynamic Range
13 Stops
Signal-to-Noise Ratio
9.7 dB
Camera
Lens Mount
Micro Four Thirds
Lens Communication
Yes
Interchangeable Lens Mount
Yes
Built-In ND Filter
None
Built-In Microphone Type
Stereo
Recording Media
2 x SD Card Slots
Variable Frame Rates
DCI 4K: 1 to 60 fps / 1080p: 1 to 240 fps
Internal Recording
Recording Modes
AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MOV 4:2:0 10-Bit:
4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 400 Mb/s)
3840 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 200 Mb/s)
3328 x 2496p at 23.98/24/25/29.97/50/59.94 fps (100 to 400 Mb/s)
1920 x 1080p at 23.98/24/25/29.97/50/59.94 fps (100 to 200 Mb/s)
AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MOV 4:2:0 8-Bit:
4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
3840 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
3328 x 2496p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
1920 x 1080p at 23.98/24/25/29.97/50/59.94 fps (100 Mb/s)
AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MP4 4:2:0 10-Bit:
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (72 to 100 Mb/s)
AVC-Intra/AVC-LongG/H.264/H.264 Long GOP/H.265/MP4 4:2:0 8-Bit:
3840 x 2160p at 23.98/25/29.97 fps (100 Mb/s)
1920 x 1080p at 23.98/25/29.97/50/59.94 fps (24 to 28 Mb/s)
Gamma Curve
Panasonic V-Gamut, Panasonic V-Log
Audio Recording
MOV: 24-Bit 48 kHz LPCM Audio
MOV: 24-Bit 96 kHz LPCM Audio
MP4: 24-Bit 48 kHz LPCM Audio
MP4: 24-Bit 96 kHz LPCM Audio
Still Image Support
None
External Recording
Video Output
4:2:2 10-Bit via SDI/BNC:
1920 x 1080p at 60 fps
4:2:2 10-Bit via HDMI:
4096 x 2160p at 60 fps
Interfaces
Video Connectors
1 x BNC (3G-SDI) Output
1 x HDMI (HDMI 2.0) Output
Audio Connectors
1 x 1/8" / 3.5 mm Stereo Mic Level Input
1 x 1/8" / 3.5 mm Stereo Headphone Output
Other I/O
1 x USB Type-C Camera Interface, USB 3.1 Gen 1 Data, Control, Video Input
1 x BNC Timecode Data Input/Output
1 x BNC Genlock Data Input/Output
1 x RJ45 LAN Control, Monitor, Video Input/Output
1 x 2.5 mm LANC Control Input
Wireless Interfaces
2.4 GHz Wi-Fi, Bluetooth Video Output, Control
EVF
EVF
Optional, Not Included
Power
Battery Type
Panasonic AG-VBR Series
Power Connectors
1 x Weipu SF610/S2 (12 VDC) Input
PoE Support
PoE+ 802.3at
General
Tripod Mounting Thread
1/4"-20 Female (Bottom)
Material of Construction
Aluminum
Dimensions
3.7 x 3.7 x 3.1" / 9.3 x 9.3 x 7.8 cm (Without Protrusions)
Weight
1.2 lb / 545 g
| The Panasonic Live Production Streaming Switcher Controller and PTZ Camera Controller
A well suited for use in a variety of environments including live events, education, live musical performances, and lectures. It supports ten channels of video and can simultaneously accept input from SDI, HDMI, and NDI/IP. Supporting up to 12 audio channels, the switcher can use the audio embedded in digital video, as well as from analog audio, and even the microphone input.
Still image capture is available at the push of a button on the console. The T-bar (transition bar) is pretty much a given on a switcher panel, offering you manual control over transitions. The built-in joystick works in conjunction with the panel's built-in PTZ controls. The NDI input and output options make this board suitable for live streaming as well as IP recording.
Usability
User-friendly operations and compatibility with NDI and NDI/HX standards for smooth live productions.
Transition Slider
A physical transition slider provides tactile control of a transition, for moments when a manual slider is preferable to a preprogramed transition.
Camera Control and Document Sharing for Lectures and Presentations
Connect the AV-HLC100 to Panasonic's HD integrated cameras to switch between footage from up to eight cameras, controlling each camera easily through a single LAN cable. Lecture documents can be input from a computer or captured in advance, then displayed on sub-screens during live streaming.
Simultaneous Live Streaming and Recording
Footage can be output directly to video streaming services without an external converter, and can even be recorded simultaneously. The content is recorded in formats that can be played on off-the-shelf computers, enabling streaming to users who are unable to view the live broadcast. Streaming and recording can all be done on one AV-HLC100 unit.
PTZ
Tele/Wide zooming can be done with the seesaw switch similar to what you would find on a camera. This is found on the left of the control panel.
Iris and Focus adjustment can be performed by individual dials, while position control such as PTZ camera, PiP, or Title can be assigned to the 3D joystick at the top right
Audio
The volume knob is the master audio level control. Audio levels can be checked in the LCD display. Detailed adjustments can be made using a GUI.
LCD Menu Bar
Small and unobtrusive, the built-in LCD menu bar provides a wealth of information. It displays a wide range of statuses and settings including PTZ camera selection, PTZ/PST operation, PiP material selection, title material selection, transition pattern selection, CLIP/STILL operation, and input-source selection.
Effects & Transitions
The switcher supports over 190 transitions, as well as PiP and 3D-DVE.
Titles
Built-in title templates speed title creation and customization.
RTMP
The AV-HLC100 supports RTMP, which allows you to stream your PGM output. |
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