| Content | Pixellot Prime introduces affordable multi-feed production, enabling professional and semi-professional leagues, colleges and youth academies to produce and distribute HD quality broadcasts with a limited video crew and without an OB van.
Advanced Production Suite
Streamlining the production workflow, Pixellot Prime deploys an unmanned panoramic camera to capture the entire field at native 50-60 FPS. From the sporting event venue, the SDI footage is automatically fed into any production suite where the final broadcast is mixed, in real-time.
The suite displays a variety of views and streams, including an auto-produced feed featuring the center of action, streams from additional cameras and preset camera stations to create close-ups and replays. An array of transition options and graphic elements lets directors create TV-grade broadcasts for web portals and mobile apps. Clients opt for either a “clean” feed, streaming only the sports action or a program (“dirty”) feed.
- 8K capture and HD-SDI output, 50/60 FPS
- End-to-end production system, enables production of sports event with single-person crew
- Remote Production Suite to create multi-feed broadcast
- Embedded graphics and ad formats
- Additional audio input for commentator
- Panoramic footage to power VR applications
KEY FEATURES:
- Auto Production
- Panoramic Video
- Spatial Replay
- Auto-Director & Ads
- Automatic Highlights
| End to End Automatic Production
Reducing production costs to a minimum, our fully automated production systems enable amateur clubs, schools, federations, media platforms and venues to generate live HD content to power their own digital media services, boost fan engagement and improve their coaching processes. What’s more, Pixellot footage is interactive and delivered to any device lets fans watch their favorite team from anywhere, produce their own highlight clips and even share them on social networks.
Pixellot S is based on their patented, fully automated production workflow that generates and delivers TV-like footage without a person in the loop.
Fixed Installation: Indoors or outdoors, weatherproof
Unmanned capture: Panoramic field capture in 6K resolution
Automated production: Auto-tracking algorithms follow the flow of play and produce TV-like footage
Distributed to any device: Streamed in 4K quality to mobile devices and web platforms
Personalized viewing experience: Zoom into any scene, replay, clip and share.
Pixellot S comes with a variety of modules to optimize your system for media or coaching use:
Automatic highlights
Taking auto-production to the next level, this module identifies game highlights like baskets or goals and automatically produces highlight clips.
Editing Module
Share the most exciting plays with your fans! Our editing module lets you cut high quality clips from HD footage, live and post-game, and distribute them on your media channels.
Manual Production Module
Produce any type of sports game and events and cover also anything that happens on the field before and after the game.
Coaching Module
Get more insight by reviewing the game by zooming into any play and cut high-quality clips to review with your team and players.
Scoreboard Module
Enrich your broadcasts through an integrated scoreboard display. Choose from a selection of fonts, colors and designs or upload your own personalized scoreboard graphics.
Commentator
Add a remote or local commentator to follow the action and improve the viewing experience
KEY FEATURES:
- Auto Production Multiple Sports
- Panoramic Video
- Full Field Video Coverage
- Personal Video
- Identifying Game States
- Automatic Highlights
| Bring UHD 4K quality video to your production with the white AW-UE150K UHD 4K 20x PTZ Camera from Panasonic. This pro PTZ camera outputs up to UHD 4K 60p over a variety of 4K connections including 12G-SDI, HDMI, optical fiber, and IP streaming. It features a large 1" type MOS sensor, a 20x optical zoom with a wide 75.1° angle-of-view, and PoE++ compatibility. With the v2.28 firmware upgrade, the AW-UE150W offers V-Log output, a UHD crop function in 720p, a preset on/off iris function, and more.
Camera features include an HDR mode with BT.2020 color gamut support, optical image stabilization (OIS), a fast 180° pan/tilt speed in high-speed mode, and an infrared Night Mode to capture wildlife or other low-light situations in monochrome HD video. A cropping function enables you to create a multicamera look by selecting up to three angles from a single 4K image.
The AW-UE150K camera supports embedded audio and audio input via a stereo mini-jack. Its redesigned web interface is compatible with PCs, Macs, tablets, and both Android and iOS smartphones. Additional features include an adjustable tally light, 1/4, 1/16, and 1/64 ND filters, and live streaming via RTMP. The AW-UE150W is upgradable to NDI/HX compatibility with a separately available license.
PoE++ Compatible
Power the camera using a separately available PoE++ (IEEE802.3bt) hub to minimize installation costs
Firmware Upgrade v2.28
Add V-Log output, a UHD crop function for 720/59.94p and 720/50p, a preset iris on/off function, and more by upgrading to firmware version 2.28
Features
-Large 1" type MOS sensor
-HDMI, SDI, and IP output up to UHD 4K
-20x optical, 32x iZoom in HD, 24x iZoom in UHD 4K
-Wide 75.1° horizontal angle of view (DRS)
-High Dynamic Range (HDR) mode with BT.2020 gamut support
-Optical Image Stabilization (IOS)
-Crop up to three shots from a single 4K image
-Large, adjustable tally light
-Adaptive Matrix function adjusts for strong LED blue light
1/4, 1/16, 1/64 ND filters
-Audio input and embedding
-Improved web UI for use with PC, tablet, or smartphone (iOS, Android)
-Maximum 180°/s pan/tilt in high-speed mode
-Monochrome Night Mode
-Digital Noise Reduction (DNR)
-Live streaming via RTMP
-Upgradable to NDI/HX with license
Video Output
- HDMI 2.0 standard 4:2:2/10bit
- HDCP is not supported.
- Viera Link is not supported.
- 12G-SDI OUT
- SMPTE 2082‑1 standard / 75 Ω (BNC x 1)
- 3G-SDI OUT
- SMPTE292 / 75 Ω (BNC x 1)
- Level-A/Level-B supported
- MONI OUT
- SMPTE292 / 75 Ω (BNC x 1)
- Optical Fiber SFP+ standard
- Single Fiber
- The signal sent is the same as 12G-SDI OUT.
- his unit does not support input by optical signals.
Zoom
- Optical zoom: 20x
- i.Zoom: UHD 24x, FHD 32x
- Digital zoom: 10x
Image Resolution: 3840×2160, 1920×1080, 1280×720, 640×360, 320×180
Power Requirements: 12 V DC (10.8 V to 13.2 V)
PoE++: IEEE802.3bt standard: DC 42 V to 57 V (Camera Input)
Current Consumption: 4.0 A (XLR IN connector), 1.2 A (PoE++ power supply)
Ambient Operating Temperature: 0 °C to 40 °C (32 °F to 104 °F)
Ambient Operating Humidity: 20 % to 90 % (no condensation)
Storage Temperature: –20 °C to 50 °C (–4 °F to 122 °F)
Mass: Approx. 4.2 kg (9.24 lb) (excluding mount bracket)
Dimensions (W x H x D): 213 mm x 267 mm x 219 mm (8-3/8 inches x 10-1/2 inches x 8-5/8 inches) (excluding protrusions, direct ceiling mount bracket)
Finish
- AW‑UE150WP/AW‑UE150WE: Pearl white
- AW‑UE150KP/AW‑UE150KE: Black
Controller Supported: AW-RP150GJ, AW-RP60GJ (Support planned for the future)*1, AW-RP50*1, AK-HRP1000GJ*1, AK-HRP1005GJ*1
Camera Unit
Imaging Sensors: 1-type 4K MOS×1
Lens
- Motorized Optical 20x zoom, F2.8 to F4.5
- [f=8.8 mm (11/32 inches) to 176.0 mm (6‑15/16 inches); 35 mm (1‑3/8 inches) equivalent: 24.5 mm (31/32 inches) to 490.0 mm (19‑9/32 inches)]
Conversion Lens: Not supported
Angle of View Range
- Horizontal angle of view: 75.1° (wide) to 4.0° (tele)
- Vertical angle of view: 46.7° (wide) to 2.3° (tele)
- Diagonal angle of view: 82.8° (wide) to 4.6° (tele)
Optical Filter: Through, 1/4, 1/16, 1/64, IR through (IR through is used as “Night mode”)
Focus: Switching between auto and manual
Focus Distance
- Entire zooming range: 1000 mm (3.3 ft)
- Wide end: 100 mm (0.33 ft)
Color Separation Optical System: 1MOS
Standard Sensitivity: F9, 2000 lx (When normal mode is selected)
Minimum Illumination: 2 lx (F2.8, 59.94p, 50IRE, 42 dB, without accumulation)
S/N: 60 dB or more
Horizontal Resolution: 1600 TV lines Typ (Center area)
Gain Selection
- Auto, 0 dB to 36 dB*2
- Super Gain function equipped : 37 dB to 42 dB
Frame Mix: 0 dB, 6 dB, 12 dB, 18 dB, 24 dB
Electronic Shutter Speed
- 59.94p/59.94i: 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
- 29.97p: 1/30, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
- 23.98p/24p: 1/24, 1/48, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
- 50p/50i: 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
- 25p: 1/25, 1/50, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
Synchro Scan
- 59.94p/59.94i: 60.00 Hz to 7200 Hz
- 29.97p: 30.00 Hz to 7200 Hz
- 23.98p/24p: 24.00 Hz to 7200 Hz
- 50p/50i: 50.00 Hz to 7200 Hz
- 25p: 25.00 Hz to 7200 Hz
Gamma: HD / FILMLIKE1 / FILMLIKE2 / FILMLIKE3/ FILM REC / VIDEO REC / HLG
White Balance
- ATW : 3200K, 5600K
- ATW Speed : Normal / Slow / Fast
- AWB : AWB-A / AWB-B
- VAR (selectable between 2000K and 15000K by designating a value)
Chroma Amount Variability: OFF, –99 % to 99 %
Scene File: Scene1, Scene2, Scene3, Scene4
Output Format
- 4K: 2160/59.94p, 2160/50p, 2160/29.97p*4, 2160/25p*4, 2160/24p*4, 2160/23.98p*4
- HD: 1080/59.94p, 1080/50p, 1080/29.97p*4, 1080/29.97PsF,1080/25p*4, 1080/25PsF, 1080/23.98p*5, 1080/24p*4, 1080/23.98p*4, 1080/23.98PsF, 1080/59.94i, 1080/50i,720/59.94p, 720/50p
Synchronization System: Internal / External synchronization (BBS / Tri-level sync)
INPUT
Input Connector
- DC 12 V IN, G/L IN (BNC)
- BBS (Black Burst Sync), tri-level sync supported
Input/Output Connector:
- LAN
- LAN connector for IP control (RJ‑45)
- RS-422
- CONTROL IN RS-422A (RJ‑45)
- MIC/LINE input
- ø 3.5 mm stereo mini jack Input impedance: High impedance
- During MIC input Supported mic: Stereo mic (plug-in power, on/off switching via menu) Supply voltage: 2.5 V ± 0.5 V Mic input sensitivity: Approx. –40 dBV ± 3 dBV (0 dB=1 V/Pa, 1 kHz)
- During LINE input Input level: Approx. –10 dBV ±3 dBV
Pan-tilt Head Unit
Camera/Pan-tilt Head Control:
- IP connecting cable
- LAN cable*6*7: (category 5e or above, straight cable / crossover cable) max. 100 m (328 ft)
- AW protocol connecting cable
- LAN cable*6 (category 5e or above, straight cable)
- max. 1000 m (3280 ft)
Installation Method: Stand-alone (Desktop) or suspended (Hanging)
Pan/tilt Operation Speed
- Minimum speed 0.08°/s
- Maximum speed 60°/s or higher
- Maximum speed is 180°/s in high-speed mode
Panning Range: ±175°
Tilting range: –30° to 210° 0
Quietness: NC35 or less
Supported operating systems and web browsers
- Windows
- Microsoft® Windows® 7, 10
- Windows® Internet Explorer® 11 (64‑bit/32‑bit)
- Microsoft Edge
- Google Chrome
- Mac
- Mac OS 10.13
- Mac OS 10.12
- Mac OS 10.11,
- Safari 11
- Google Chrome
- iPhone / iPad
- iOS 11.4.1
- Google Chrome
IP Streaming
Image Streaming Mode: JPEG (MJPEG), H.264, H.265
Image Transmission setting (JPEG):
- Frame Rate: Maximum 30 fps
- Image quality (Fine / Normal)
Image Transmission Setting (H.264)
- Image quality (Motion priority / Image quality priority) UHD 60 fps / 50 fps
- Transmission Type: Unicast port (AUTO), Unicast port (MANUAL), Multicast port
- Transmission Priority: Constant bit rate, Frame rate, Best effort
- Frame Rate: [60Hz] 5fps/15fps/30fps/60fps (UHD: 30fps, 60fps)[50Hz] 5fps/12.5fps/25fps/50fps (UHD: 25fps, 50fps)
- Max Bit Rate
- HD:512kbps/768kbps/1024kbps/1536kbps/2048kbps/3072kbps/4096kbps/6144kbps/8192kbps/10240kbps/12288kbps/14336kbps/16384kbps/20480kbps/24576kbps/32768kbps/40960kbps/51200kbps/76800kbps
- UHD:12800kbps/25600kbps/51700kbps/76800kbps
Image Transmission Setting (H.265)
- Image Transmission Type: Unicast port (AUTO), Unicast port (MANUAL), Multicast port
- Frame Rate: [60Hz] 30fps, [50Hz] 25fps
- Max Bit Rate: 8192kbps/12800kbps/25600kbps/51200kbps/76800kbps
- Audio Compression Type: AAC-LC, 48 kHz / 16 bit / 2ch
Supported Protocol
- IPv6 : TCP / IP, UDP / IP, HTTP, HTTPS, DNS, NTP, DHCPv6, RTP,MLD, ICMP, ARP, RTMP, RTMPS
- IPv4 : TCP / IP, UDP / IP, HTTP, HTTPS, RTSP, RTP / RTCP, DHCP, DNS, DDNS, NTP, UPnP, IGMP, ICMP, ARP, RTMP, RTMPS
Other Function
NDI support: NDI | HX
Tally LED display color: red / green | The Panasonic Live Production Streaming Switcher Controller and PTZ Camera Controller
A well suited for use in a variety of environments including live events, education, live musical performances, and lectures. It supports ten channels of video and can simultaneously accept input from SDI, HDMI, and NDI/IP. Supporting up to 12 audio channels, the switcher can use the audio embedded in digital video, as well as from analog audio, and even the microphone input.
Still image capture is available at the push of a button on the console. The T-bar (transition bar) is pretty much a given on a switcher panel, offering you manual control over transitions. The built-in joystick works in conjunction with the panel's built-in PTZ controls. The NDI input and output options make this board suitable for live streaming as well as IP recording.
Usability
User-friendly operations and compatibility with NDI and NDI/HX standards for smooth live productions.
Transition Slider
A physical transition slider provides tactile control of a transition, for moments when a manual slider is preferable to a preprogramed transition.
Camera Control and Document Sharing for Lectures and Presentations
Connect the AV-HLC100 to Panasonic's HD integrated cameras to switch between footage from up to eight cameras, controlling each camera easily through a single LAN cable. Lecture documents can be input from a computer or captured in advance, then displayed on sub-screens during live streaming.
Simultaneous Live Streaming and Recording
Footage can be output directly to video streaming services without an external converter, and can even be recorded simultaneously. The content is recorded in formats that can be played on off-the-shelf computers, enabling streaming to users who are unable to view the live broadcast. Streaming and recording can all be done on one AV-HLC100 unit.
PTZ
Tele/Wide zooming can be done with the seesaw switch similar to what you would find on a camera. This is found on the left of the control panel.
Iris and Focus adjustment can be performed by individual dials, while position control such as PTZ camera, PiP, or Title can be assigned to the 3D joystick at the top right
Audio
The volume knob is the master audio level control. Audio levels can be checked in the LCD display. Detailed adjustments can be made using a GUI.
LCD Menu Bar
Small and unobtrusive, the built-in LCD menu bar provides a wealth of information. It displays a wide range of statuses and settings including PTZ camera selection, PTZ/PST operation, PiP material selection, title material selection, transition pattern selection, CLIP/STILL operation, and input-source selection.
Effects & Transitions
The switcher supports over 190 transitions, as well as PiP and 3D-DVE.
Titles
Built-in title templates speed title creation and customization.
RTMP
The AV-HLC100 supports RTMP, which allows you to stream your PGM output. | End to End Automatic Production
Reducing production costs to a minimum, our fully automated production systems enable amateur clubs, schools, federations, media platforms and venues to generate live HD content to power their own digital media services, boost fan engagement and improve their coaching processes. What’s more, Pixellot footage is interactive and delivered to any device lets fans watch their favorite team from anywhere, produce their own highlight clips and even share them on social networks.
Pixellot S is based on their patented, fully automated production workflow that generates and delivers TV-like footage without a person in the loop.
Fixed Installation: Indoors or outdoors, weatherproof
Unmanned capture: Panoramic field capture in 6K resolution
Automated production: Auto-tracking algorithms follow the flow of play and produce TV-like footage
Distributed to any device: Streamed in 4K quality to mobile devices and web platforms
Personalized viewing experience: Zoom into any scene, replay, clip and share.
Pixellot S comes with a variety of modules to optimize your system for media or coaching use:
Automatic highlights
Taking auto-production to the next level, this module identifies game highlights like baskets or goals and automatically produces highlight clips.
Editing Module
Share the most exciting plays with your fans! Our editing module lets you cut high quality clips from HD footage, live and post-game, and distribute them on your media channels.
Manual Production Module
Produce any type of sports game and events and cover also anything that happens on the field before and after the game.
Coaching Module
Get more insight by reviewing the game by zooming into any play and cut high-quality clips to review with your team and players.
Scoreboard Module
Enrich your broadcasts through an integrated scoreboard display. Choose from a selection of fonts, colors and designs or upload your own personalized scoreboard graphics.
Commentator
Add a remote or local commentator to follow the action and improve the viewing experience
KEY FEATURES:
- Two camera lenses
- 1080p or 720p at 25 or 29.97 FPS
- Uses Cat6 cables (POE)
| LiveU LU300 with BirdDog BDP200 Live Production Bundle with IP Pipe PTZ Control
LiveU LU300 - Compact HEVC Field Unit for On-the-Go Live Streaming. The LU300 is a small-sized, cost-effective and reliable HEVC encoder, enabling broadcasters and other content creators to transmit high-quality video on-the-go.
BirdDog P200 - Combining BirdDog's custom NDI silicon chip, 30x optical zoom, and Sony backlit sensor and image module, the BirdDog Eyes P200, in black, is a full NDI 1080p60 PTZ camera designed for large indoor spaces. Thanks to the fast autofocus and zoom ensured by the true Sony image module, the P200 is highly suitable for catching all the fast action in places such as sporting events.
LiveU LU2000 - The LU2000 bonded video decoder is used to receive, decode and playout any HEVC/H.264 bonded video streams sent by LiveU’s range of field units. The LU2000 can also be used as a transmission node when sharing video over the LiveU Matrix video management and distribution platform.
LiveU IP Pipe - Enhance your remote production set-up and reduce costs by remotely controlling your IP-based gear. LiveU’s IP Pipe gives you remote control over a wide variety of network-based equipment.
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